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About 8 filtered resultsby Robert Sansivero · Posted
In this third and final part of the Food Photography at Home series, we’re going to be utilizing strobe lights. In Part 1 we tackled natural light and, in Part 2, we used continuous LEDs and practical lights to approximate natural light.
by Todd Vorenkamp · Posted
When the moon passes directly between Earth and the sun, those on Earth are treated to one of nature’s greatest spectacles—a total solar eclipse. It is a phenomenon that almost every observer would like to capture in a photograph.
Due to the rarity of the event, the short duration in which to capture it, and the dynamic nature of the subject, it is one of those photographic opportunities that requires the proper gear, setup, planning, and practice.
Eclipse and solar
by Cory Rice · Posted
In 1843, Anna Atkins made history when she bound her cyanotype impressions of algae into the first photographically illustrated book, Photographs of British Algae. A few months later, inventor of the salted paper print and acquaintance of Atkins, Henry Fox Talbot, published The Pencil of Nature, the first commercially
by Lesley Ames · Posted
How does one get up close and interact with world-class photographers when social distancing is enforced? In the past seven years, the creative collective Out of Chicago has produced immersive, hands-on photography conferences in epic outdoor destinations such as Moab, Yosemite, and Acadia National Park, bringing together more than a dozen world-class photographers to teach and shoot side-by-side with attendees. When COVID-19 began to cancel everyone's photography workshops and events, Out of Chicago
by Cory Rice · Posted
Photography is a social medium. For many of us, our cameras are a means of getting out of the house, exploring the world, and connecting with the people and places we encounter along the way. So, what's a photographer to do while confined to the home front for days on end? Here are some tips for staying inspired, productive, and creative that don't require leaving the house.
Make Portraits
Keep shooting! Family members, partners, and roommates can all make compelling subjects for portrait and documentary projects.
by Todd Vorenkamp · Posted
I like shiny things, but I have never really had a reason to buy or own jewelry—I’d rather buy camera gear. I have, however, always wanted to photograph beautiful diamonds and rings. Unwilling to enter the jewelry business for photographic purposes, the arrival of the new Fujifilm XF 80mm f/2.8 R LM OIS WR macro lens and super-generous access from the very nice people at Ken and Dana Design in
by Cory Rice · Posted
“I hope we will never see the day when photo shops sell little schema grills to clamp onto our viewfinders; and that the Golden Rule will never be found etched on our ground glass.” —Henri Cartier-Bresson
Above: Apneet Kaur, Rockaways; Photographs © Cory Rice
If the Internet provides any indication of how photography is imagined by its practitioners today, one could be forgiven for thinking a robot capable of churning out flawless pictures. Two characters share the brunt of the blame for the above conclusion: the gear fetishist and
by Cory Rice · Posted
There is nothing worse than a sharp image of a fuzzy concept.” — Ansel Adams
A strong photograph is a marriage of concept and skill. Just as a brilliant idea falls apart in the hands of an inept photographer, even the most beautiful exposure is wasted if the scene it reproduces is not worth looking at. Countless tutorials and gear guides fill the Internet, aimed at tempering our seemingly genetic predisposition for dwelling on the nitty-gritty details of our craft. But what about the big picture? Enter photo theory.
I can already hear the