Search results for: video buying guide tripod head counterbalance
About 7 filtered results
by Zack Young · Posted
Tripods are tricky pieces of gear because they often work well for years or even decades before wear and tear gets to be too much and they simply can't do the job anymore. Maybe they're struggling to get a steady pan, the setup shakes every time a heavy breeze blows, or the camera's continually a couple of degrees off balance, all telltale signs it's time for an upgrade. Replacing them can be daunting, with popular options ranging from $100 to $100,000. Below I'll present my top five features to consider when deciding which legs are worth the
by Shawn C. Steiner · Posted
We’re a week away from the 2024 NAB Show and lots of exciting new products have already been announced. Lens-crafters NiSi and Atlas Lens Co. unveiled new additions to their signature cinema lineups. Industry-titan Sachtler updated its lauded Ace tripod system. We also got not one but two teasers for upcoming product launches from DJI.
NiSi ATHENA PRIME series brings on 18mm, 40mm, and 135mm lenses
NiSi is a relative newcomer to the world of cinema lenses, but they’ve made a strong showing so far, offering lenses that strike the right
by Allan Weitz · Posted
Before heading out on assignment, I make a mental checklist of the gear I will be needing, and camera supports are always on that list. Depending on where and what I plan to photograph, I might take a mid- or full-size tripod and be done with it. If I anticipate taking low-angle photographs, I will also pack along a tabletop-size tripod and, for ground-level shooting, one of my Platypods. Truth is, if I have the space, I take all three options, because if I leave any of these options behind, I know I will need it when I get where I’m going
by Josh Taylor · Posted
Wedding photography has become an extremely popular and lucrative specialty. First and foremost, a wedding is a grand, unrepeatable, emotionally charged event at which expectations run high, and second best won’t do. Being a wedding photographer requires dedication and talent, but having the right equipment is crucial if you expect to achieve sharp, well-composed, well-lit images that depict people at their best. Here’s a basic rundown of what you’ll need to take your wedding photography to new dimensions, or to fill in the gaps in your
by David Adler · Posted
It is easy to say that tripods are all basically the same, aside from the size. After all, with few exceptions, they serve the same purpose and operate with the same mechanics. Video tripod systems include the tripod legs, along with a fluid head to top them off. The head and the tripod can be purchased separately—but purchasing them as a system reduces the chances of mismatching your gear. If you’re in the market for your first system, or even looking to upgrade, I’d recommend buying a system that’s ready to rock, out of the box. While, for
by Ronald Francis · Posted
If you shoot with up to 50 lb of weight, including with entry-level weights, you might find the new video-head lineup from Cartoni a very realistic match for your needs and investment considerations.
While the 80-year old Italian brand is most famed for its high-end tripod systems, over the past decade Cartoni has also been supporting reduced camera sizes with several entry- and mid-level heads. These options are distinguished for their counterbalance and smooth drag, light weight and solid builds, and long-term consistency.
by Peter Ward_1 · Posted
What makes a great shot? Is it the lighting? The camera angle? The mise en scène? Is there even a formula? Who can compare the gritty naturalism of much postmodern cinematography with the deliberate, expansive visuals of classic Hollywood? I can, I hope, show you many of the tools that have the potential to make great shots possible.
Tripod
I can already hear yawns in the audience. The humble tripod!? Yet, if there is one piece of camera support every DP