The KOMODO 6K Digital Cinema Camera Is RED Digital Cinema’s Newest Offering

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It's time to introduce yet another new and innovative RED DIGITAL CINEMA camera to push color, form, and camera sensor technology boundaries. This revolutionary and highly accessible camera is the RED KOMODO 6K, an all-in-one Super 35mm cinema camera in a form that even budget-conscious run-and-gun filmmakers can afford and understand. This fully redesigned powerhouse takes an extremely compact form, weighing a scant 2.1 lb and measuring approximately 4" square, while still providing a powerful set of professional cinema features at a surprisingly affordable price point.

RED KOMODO 6K
RED KOMODO 6K

Some of KOMODO's features include:

  • A whopping 19.9 MP Super 35 CMOS sensor
  • Recording up to 6K40 resolution with anamorphic format options
  • Slow-motion recording up to 2K at 120 fps
  • Wireless smartphone control capability
  • Advertised 16+ stops of dynamic range
  • Canon RF mount, includes mechanical EF adapter
  • Transmits lens data via electronic EF adapter
  • Global shutter
  • CFast 2.0 card recording
  • SDI and 3.5mm audio output
  • Touchscreen phase-detection autofocus
  • REDCODE RAW R3D recording
  • Modular design that allows a wide range of accessories
RED KOMODO 6K: CF side, front, side
RED KOMODO 6K: CF side, front, side

All these features, and more, add up to an impressive level of cinema quality. The camera has a number of accessories and kits released along with it, including the KOMODO 6K Camera with Starter Pack and the KOMODO 6K Camera Production Pack.

Recording Features

The camera features include a brand-new 19.9 MP Super 35 CMOS sensor that records an impressive maximum resolution of 6144 x 3240 at up to 40 fps when recording in sensor mode. It records onto a proprietary CFast 2.0 card with a data rate of up to 280 MB/s and can record and output up to 4K60, and up to an impressive 2K120 for slow and variable motion shots, all in REDCODE RAW R3D format. It also supports ProRes 422 HQ format up to DCI 4K60 and 2K120 for quicker transfer and turnaround time.

RED KOMODO

The KOMODO also utilizes a global shutter, which is rare on many current video cameras. Global shutters differ from rolling shutters by capturing the entire sensor area simultaneously when creating the image rather than a sequential, line-by-line scan of the rolling shutter (see our article about global versus rolling shutter for more information). The global shutter eliminates artifacts due to rolling shutter and has been optimized here nevertheless to provide images with low noise and high advertised 16+ stops of dynamic range.

In terms of color management, the camera supports RED's IPP2 (image-processing pipeline) for dynamic color and gamma with intense detail and high roll-off that is standardized throughout the RED camera range. Using IPP2 as well as 3D LUTs (lookup tables) and the ability to import CDLs (color decision lists) allows you to standardize your look across multiple RED cameras.

Form Factor

While remaining modular just like RED's legacy cameras, the KOMODO also provides an all-in-one, quick setup form factor, straddling the old and the new world of RED design, so you can get up and running immediately but also customize it to your needs. If you're using the KOMODO for a studio production or in the field for a documentary, its size and form are highly mobile and versatile for single or multi-camera setups, as well as on mobile rigs or even professional-grade gimbals and drones.

RED KOMODO

An RF-to-EF mount mechanical adapter is included with the KOMODO, so you can use RF lenses and the EF cinema lenses that you may already own. Separately available Canon RF-to-EF mount adapters that will pass electronic signals can also be used. An RF mount has the same large image diameter of an EF mount and a similar bayonet design, but it has more detailed electronic signaling with 12-pin contacts, as opposed to 8-pin on the EF mount, for faster autofocus and stabilization using a microprocessor built into the lens. The mount enables an optical design for better handling of chromatic aberrations, which slightly enhances image quality.

RED KOMODO

The integrated 2.9" 1440 x 1440 touchscreen LCD allows you to preview and set the camera's configuration, and it also supports touchscreen phase-detection autofocus. Borrowed from stills cameras, phase-detect AF uses advanced on-sensor points that can detect differences in distance to calculate where to focus in the scene quickly. Compared to older, contrast-only-based systems, phase-detect is faster and more responsive. The touchscreen allows you to select the autofocus area quickly and intuitively and then you can let the camera take over while you record.

RED KOMODO screen

Inputs and Outputs

This well-rounded camera also features numerous options for input, output, and power, including:

  • Support for up to 12G-SDI monitor output with resolutions up to UHD 4K60 4:2:2
  • Built-in stereo microphones
  • A 3.5mm line audio input that records up to 24-bit, 48 kHz uncompressed audio
  • Dual Canon BP-9 battery plate
  • 2-pin LEMO-type DC power input

RED KOMODO side

When using the optional Expander Module, KOMODO production features include Wi-Fi support, genlock, timecode input, GPIO, and RS-232 serial control.

RED DIGITAL CINEMA KOMODO Expander Module
RED DIGITAL CINEMA KOMODO Expander Module

Ready to Accessorize

In addition to the Expander Module, a full line of accessories will be available separately from RED with the camera's introduction:

  • Designed specifically for the KOMODO, the Outrigger Handle creates a solid grip while also providing start/stop function, and it features two 1/4"-20 threads for mounting additional gear
  • A 512GB CFast Media Card (only certified for use with the KOMODO) will come in handy for those meaty 6K REDCODE RAW R3D files
  • A CFast 2.0 Card Reader specifically designed for the KOMODO CFast 512GB card
  • An AC power adapter
  • A Timecode Cable when using the Expander module
  • 3' and 6' power cables for when you need more powerful offboard power sources

The KOMODO 6K Starter Pack includes numerous accessories in addition to the AC power kit and RF-to-EF adapter that comes with the base brain. It includes a 512GB CFast card, CFast 2.0 card reader, a KOMODO Wing Grip, a timecode cable, a D-Tap power cable, and an RF-to-EF lens adapter with a variable ND filter.

In addition to all the included items in the Starter Pack, the KOMODO 6K Production Pack also provides you with a KOMODO Outrigger handle, a KOMODO Expander Module, and a Canon Drop-In Clear Filter.

Wooden Camera is also releasing a full line of accessories for the KOMODO, such as a top handle, baseplate, battery slide, monitor hinges, R-to-PL mount adapter, and various accessory kits.

Finally, RED is offering an optional Extended Warranty for your KOMODO that you can purchase for one additional year of coverage after the initial one-year standard warranty expires.

Explore the new KOMODO features and accessories on the B&H Photo website, and keep an eye out for the base version of the camera sometime in the near future. Stop by the B&H SuperStore in New York City to check out an array of RED DIGITAL CINEMA cameras and components.

4 Comments

what are the credit facilities on this one? 

Could you elaborate further on this question?

I don't understand...19MP is whopping? My 800$ Canon 7ti has 24... What am I missing?

Hi Steven,

Video is a lot different from stills. Your T7i can't do raw at 24MP at up to 40 fps for near unlimited recording. The KOMODO 6K can record the entire 19.9MP sensor in 6K RAW at up to 40 fps and has lower resolution options at higher frame rates (4K at 60 and 2K at 120). Also it is a global shutter. A T7i can only do Full HD (which is only ~2MP) and that is highly compressed lower quality video and is limited to 30 minutes.

Also, compared to other true cinema cameras with this type of spec the KOMODO is more affordable.