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Heritage Audio has brought back the sound of the ALTEC 436B and 436C with the Lang Silverr 47 Dual-Channel Tube Microphone Preamp and P.LANE Type 436 Vari-Mu Tube Compressor. Andrew is in his home studio to test these units out (with the help of Gabe), recording and mixing in mono for a more true-to-life experience.
0:00 - Coming Up
0:29 - Track - "Lang Groove"
1:43 - Silverr 47
5:00 - Isolated Sound Samples
6:36 - P.Lane & Compression
11:15 - Isolated Sound Samples
12:09 - Full Mix
12:22 - Who Are These For?
11,946 Views· Posted
In the following video, Rob Rives demonstrates the Zoom F4 Field Recorder, and how it can be a useful addition to any professional sound engineer’s inventory. This video explores the functions, controls, and features of the Zoom F4, including the inputs and outputs, signal flow, and peripherals, including the EXH-6 module for adding an additional set of inputs. We showcase the super-low-noise preamps, which offer 75 dB of gain and are
11,313 Views· Posted
In the following video, Rob Rives, from B&H, discusses the Zoom F8 Professional Multi-Track Field Recorder for Filmmaking and Sound Design.
Using both an Audio-Technica AT899 Condenser Lavalier Microphone, as well as a Schoeps CMC6 MK41 microphone mounted on an
2,299 Views· Posted
In the following video, Rob Rives, from B&H, discusses the Beachtek DXA-SLR Ultra 2-Channel XLR Adapter, and how it can improve in-camera audio with a DSLR camera. Rives explores the adapter's form factor, how it attaches beneath the camera, and considers the included detachable rail system with 3" rods. Rives also points out the two Neutrik Combo XLR and 1/4" input connections, which can be switched from line level