Search results for: latitude vs dynamic range
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by Jennifer Hahn · Posted
Coming next spring… in a world where cinema and technology collide… at a time when many, many movie trailers will be featuring footage from the latest cinema camera from Sony, is the long-anticipated and longed-for VENICE 2 CineAlta cinema camera with 8.6K or 6K full-frame-sensor options. The brand-new VENICE 2 8.6K CMOS sensor
by Todd Vorenkamp · Posted
Raw vs. JPEG. The debate has persisted since the early days of digital photography. With modern digital technology, in-camera JPEG processing has never been better. Across brands, some photographers claim to have switched their workflow to JPEG exclusively, forgoing the advantages (and disadvantages) of shooting raw files. Others shoot raw + JPEG simultaneously to enjoy the benefits of both. Of course, many shoot only raw images. With a week in Ireland to focus on photography, I decided to dive deeper into the raw vs. JPEG option and see if it
by Shawn C. Steiner · Posted
HDR monitor-recorders from Atomos transform the latest mirrorless and compact cinema cameras into state-of-the-art Apple ProRes and ProRes RAW shooting powerhouses—demonstrating why the company is a world leader in external recording and monitoring.
Atomos Ninja V Offers Stunning 12-bit Apple ProRes RAW Recording for the Z CAM E2, Panasonic LUMIX S1H and Nikon Z6
For NAB Express, Atomos has announced that it is adding the
by Allan Weitz · Posted
I have always been of the opinion that if you have a camera and you understand the limitations of what it can and cannot do, you can take acceptable—if not very good—photographs with just about anything that goes “click.” With this thought in mind, I recently went on vacation with two cameras: a “real” camera, specifically a