Ferrofish PULSE16 DX 16x16 AD/DA, Dante, MADI, and ADAT Converter
- 24-Bit/192 kHz AD/DA Converters
- Analog, MADI, ADAT, and Dante Formats
- Word Clock I/O and MIDI I/O
- Routing Matrix
iFi Studio Pro iDSD Studio Reference-Class DAC Audio Interface and Controller
- Professional-Grade DAC for Monitoring
- Switchable Solid-State (J-FET) and Tubes
- Balanced XLR & Unbalanced RCA Outputs
- Balanced 4.4mm Headphone Output
RME M1620 Pro 16x20 AD/DA Converter with AVB/Milan, ADAT, and MADI
- Studio and Live Sound, Immersive Audio
- Line I/O: 16-Channel A/D, 20-Channel D/A
- 2 Redundant AVB/Milan Ports (128x128)
- 2 MADI Coaxial I/O (64x64)
Avid Pro Tools | Carbon Pre AVB Audio Interface
- Expand Carbon System with 24 I/O
- AC Power / 2 AVB Ethernet Ports
- 8 Mic/Line/Hi-Z Preamps
- 8 Analog Line Out
Ferrofish A32pro 32-Channel AD/DA Converter with ADAT and MADI Single Mode Kit
- A32pro Dante with MADI Single Mode
- A32pro 32-Channel AD/DA Converter
- SFP SM Single Mode Module
- 32 Analog Inputs, 32 Analog Outputs
Dangerous Music CONVERT-AD+ 2 Channel Analog to Digital Converter
- For Mixing and Mastering Applications
- 2 Switchable Stereo Input Paths
- Can be Used as Independent Clock
- USB, ADAT, AES & S/PDIF
SPL Mercury Mastering D-A Converter with Monitor Control (Red)
- 7 Selectable Digital Input Choices
- PCM: 32-Bit / 768 kHz, DSD to DSD4
- 4 Analog Outputs (Fixed and Variable)
- 120V Rails for Headroom & Dynamic Range
SPL Mercury Mastering D-A Converter with Monitor Control (Black)
- 7 Selectable Digital Input Choices
- PCM: 32-Bit / 768 kHz, DSD to DSD4
- 4 Analog Outputs (Fixed and Variable)
- 120V Rails for Headroom & Dynamic Range
Dangerous Music CONVERT-2 Two-Channel Reference-Grade Digital-to-Analog Converter
- Stereo Mastering-Grade DAC
- For Referencing and Monitoring
- For Stereo Systems
- On-the-Fly Input Switching
SPL Diamond Desktop DAC and Preamplifier (Red)
- Premium Tabletop DAC for Home and Studio
- Up to 32-Bit / 768 kHz Sample Rate
- AK AK4490 Velvet Sound DAC Chip
- 2 x DLP120 Analog Low-Pass Filters
SPL Diamond Desktop DAC and Preamplifier (Silver)
- Premium Tabletop DAC for Home and Studio
- Up to 32-Bit / 768 kHz Sample Rate
- AK AK4490 Velvet Sound DAC Chip
- 2 x DLP120 Analog Low-Pass Filters
SPL Diamond Desktop DAC and Preamplifier (Black)
- Premium Tabletop DAC for Home and Studio
- Up to 32-Bit / 768 kHz Sample Rate
- AK AK4490 Velvet Sound DAC Chip
- 2 x DLP120 Analog Low-Pass Filters
Antelope 2-Channel 384 kHz Mastering-Grade AD/DA Converter for Audiophiles
- For a High-Quality Listening Experience
- 8 DAC Chips with 138 dB Dynamic Range
- Dual Headphone Amp Design
- 1/4" & XLR Connections for Headphones
RME M1620 PRO-D 16x20 AD/DA Converter with Dante, ADAT, and MADI
- Studio and Live Sound, Immersive Audio
- Line I/O: 16-Channel A/D, 20-Channel D/A
- 2 Redundant Dante Network Ports (64x64)
- 2 MADI Coaxial I/O (64x64)
Lynx Studio Technology Hilo 2 Reference AD/DA Converter with USB
- Mixing, Mastering, Location Sound
- Preinstalled LT-USB USB Interface
- 2x6 AD/DA 24-Bit/192 kHz Conversion
- AES/EBU, S/PDIF, ADAT I/O
Dangerous Music CONVERT-8 Eight-Channel Reference-Grade Digital-to-Analog Converter
- 8 Channels of Reference-Grade Conversion
- For Mixing and Stem Mastering
- For Stereo, 2.1, 5.1, and 7.1 Monitoring
- On the Fly Input Switching
RME M-16 DA - 16-Channel High-End MADI/ADAT to Analog Converter
- Capable of Extremely Long Cable Runs
- Excellent Converters, Circuitry, & Clock
- Easy Operation with Extensive Features
- MADI Technology Capable of 64 Channels
RME M-16 AD - 16-Channel High-End Analog to MADI/ADAT Converter
- Capable of Extremely Long Cable Runs
- Excellent Converters, Circuitry, & Clock
- Easy Operation with Extensive Features
- MADI Technology Capable of 64 Channels
Rupert Neve Designs Portico II MBC Master Buss Converter Dual-Path A-D Converter and Limiter
- Dual-Mono or Linked-Stereo Operation
- 24-Bit / 192 kHz Reference A-D Converter
- Selectable Analog Drive Paths
- Active Compound Release Analog Limiting
RME M-32 Pro AVB AD 32-Channel Analog to MADI & AVB/TSN Converter
- 32 x Analog I/O
- 192 kHz Sampling Frequency Conversion
- 120 dB(A) Signal-to-Noise Ratio
- Low THD Values
RME M-32 DA Pro II AVB + MADI 32-Channel D/A Converter
- Studio and Live Sound, Immersive Audio
- 32 Analog Line Outputs on DB-25
- 192 kHz / 24-Bit D/A Conversion
- 2 Redundant AVB Network Port (128 x 128)
RME M-32 AD Pro II AVB + MADI 32-Channel A/D Converter
- Studio and Live Sound, Immersive Audio
- 32 Analog Line Inputs on DB-25
- 192 kHz / 24-Bit A/D Conversion
- 2 Redundant AVB Network Port (128 x 128)
Lynx Studio Technology Hilo 2 Reference AD/DA Converter with Thunderbolt 3
- Mixing, Mastering, Location Sound
- Preinstalled LT-TB3 LSlot Interface Card
- 2x6 AD/DA 24-Bit/192 kHz Conversion
- AES/EBU, S/PDIF, ADAT I/O
Lynx Studio Technology Hilo 2 Reference AD/DA Converter with Dante
- Mixing, Mastering, Location Sound
- Preinstalled LT-DANTE LSlot Interface
- 2x6 AD/DA 24-Bit/192 kHz Conversion
- AES/EBU, S/PDIF, ADAT I/O
Ferrofish A32pro Dante 32-Channel AD/DA Converter with Dante, ADAT, and MADI Single Mode Kit
- A32pro with MADI Single Mode
- A32pro 32-Channel AD/DA Converter
- SFP SM Single Mode Module
- 32 Analog Inputs, 32 Analog Outputs
RME M-32 DA Pro II-D Dante + MADI 32-Channel D/A Converter
- Studio and Live Sound, Immersive Audio
- 32 Analog Line Outputs on DB-25
- 192 kHz / 24-Bit D/A Conversion
- 2 Redundant Dante Network Port (64 x 64)
RME M-32 AD Pro II-D Dante + MADI 32-Channel A/D Converter
- Studio and Live Sound, Immersive Audio
- 32 Analog Line Inputs on DB-25
- 192 kHz / 24-Bit A/D Conversion
- 2 Redundant Dante Network Port (64 x 64)
SPL Director Mk2 D/A Converter & Preamplifier (Silver)
- PCM Sample Rate up to 756 kHz
- DSD Sample Rate up to DSD4
- Frequency Range of 10 Hz to 200 kHz
- USB, AES/EBU, Coaxial, Optical Inputs
Selecting AD Converters (Analog/Digital)
An analog-to-digital audio converter changes analog signals that pass through it into digital format. AD converters are used in digital audio systems and with sound recording equipment. Before choosing AD or digital format converters, note the type of digital or analog equipment you’re using and check for compatibility.
Differences Between DAC and AD Converters
Digital audio converters are used for devices such as cell phone video cards and digital cameras or camcorders. Digital-to-analog audio converters break down and rebuild signals until they find the correct bandwidth. DACs are often a vital part of computer audio interfaces and systems. AD converters break up an analog signal and change it into digital format. Analog-to-digital audio converters can offer you several conversion methods, including sampling, quantization, and coding. AD converters are used in TV tuner cards, pulse code modulation, and radar systems.
Types of Analog Converters
There are two main types of DAC: outboard and external. Outboard DACs bypass your onboard audio output programming, while external DACs amplify the ability of the existing sound system. Some DACs are multipurpose and can be used for stereos, computers, headphones, and TVs as an amplifying device. You should also consider audio hardware DSP accessories such as optical audio to RCA, input cables, remotes, and switches when purchasing DACs. Select the DAC or AD converter with the hookup specifications that match existing equipment and be sure to note any gaming or mobile device accessories you may connect.
Enhancing your audio with ADs and DACs provides you with strong sound for cutting, mixing, and recording. Converters also boost the quality of radio, TV, and PC audio output to help you receive high-quality sound. B&H Photo and Video carries a variety of AD, DAC, and DSP accessories to get the best possible signal for your audio equipment.


