Nikon PC-E NIKKOR 24mm f/3.5D ED Tilt-Shift Lens
- F-Mount Lens/FX Format
- Aperture Range: f/3.5 to f/32
- Three ED and Three Aspherical Elements
- Nano Crystal & Super Integrated Coatings
Pentax smc DA 50mm f/1.8 Lens
- Very Fast f/1.8 Maximum Aperture
- Excellent Low-Light Lens
- Pleasing Bokeh (Out-of-Focus Areas)
- SP Coating Repels Dust, Water, Grease
Canon EF 50mm f/1.4 USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/22
- Two High Refractive Index Elements
- Super Spectra Coating
Canon EF 50mm f/1.4 USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/22
- Two High Refractive Index Elements
- Super Spectra Coating
Canon EF 50mm f/1.4 USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/22
- Two High Refractive Index Elements
- Super Spectra Coating
Canon EF 50mm f/1.4 USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/22
- Two High Refractive Index Elements
- Super Spectra Coating
Voigtlander Nokton 58mm f/1.4 SL II S Lens (Black)
- F-Mount Lens/FX Format
- Aperture Range: f/1.4 to f/16
- Classic Double Gauss Optical Design
- Manual Focus Design
Sony FE 50mm f/2.8 Macro Lens
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/16
- 1:1 Magnification Ratio
- One ED Element & One Aspherical Element
Sony FE 50mm f/2.8 Macro Lens
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/16
- 1:1 Magnification Ratio
- One ED Element & One Aspherical Element
Venus Optics Laowa 12mm f/2.8 Zero-D Lens for Canon EF (Black)
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Extra-Low Dispersion Elements
- Two Aspherical Elements
Sony FE 50mm f/2.8 Macro Lens
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/16
- 1:1 Magnification Ratio
- One ED Element & One Aspherical Element
Venus Optics Laowa 24mm f/14 Probe Lens for Canon EF
- Full-Frame Format | F/14 to f/40
- High Depth-of Field Macro Lens
- Magnification: 2:1 to Infinity
- Long Lens Barrel, Small Front Diameter
Canon TS-E 17mm f/4L Tilt-Shift Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Four UD Elements, One Aspherical Element
- Floating Optical System, Rear Focusing
Nikon AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR Lens
- F-Mount Lens/DX Format
- 27-157.5mm (35mm Equivalent)
- Aperture Range: f/3.5 to f/22
- One Aspherical Element, One ED Element
Nikon AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED Lens
- F-Mount Lens/DX Format
- 18-36mm (35mm Equivalent)
- Aperture Range: f/4 to f/22
- Three Aspherical and Two ED Elements
Sigma 28mm f/1.4 DG HSM Art Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/1.4 to f/16
- Two FLD Elements, Three SLD Elements
- Three Aspherical Elements
ZEISS Milvus 50mm f/1.4 ZE Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- Four Low Dispersion Elements
- One Aspherical Element
Canon EF 70-200mm f/4L IS II USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/32
- One Fluorite Element and Two UD Elements
- Super Spectra Coating
Canon EF 70-200mm f/4L IS II USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/32
- One Fluorite Element and Two UD Elements
- Super Spectra Coating
Mitakon Zhongyi 20mm f/2 4.5x Super Macro Lens for Nikon F
- Nikon F Mount/FX-Format
- Aperture Range: f/2 to f/16
- Magnification Range: 4.5x to 4x
- Minimum Working Distance: 0.8"
Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Lens
- F-Mount Lens/DX Format
- 15-36mm (35mm Equivalent)
- Aperture Range: f/3.5 to f/22
- Three Aspherical and Two ED Elements
Rokinon 24mm f/1.4 ED AS UMC Wide-Angle Lens for Canon
- Fast f/1.4 Wide-Angle 24mm Lens
- For APS-C & Full-Frame Image Formats
- Two Aspherical and Four ED Elements
- Manual Focus & Manual Exposure
Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Lens
- F-Mount Lens/DX Format
- 15-36mm (35mm Equivalent)
- Aperture Range: f/3.5 to f/22
- Three Aspherical and Two ED Elements
Tokina opera 16-28mm f/2.8 FF Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical Elements
- Three Low Dispersion Elements
Sigma 35mm f/1.4 DG HSM Art Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/1.4 to f/16
- One FLD Element, Four SLD Elements
- Two Aspherical Elements
Tokina atx-i 100mm f/2.8 FF Macro Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/32
- Multilayered Coating
- 1:1 Magnification, 11.8" Min. Focus
Tokina atx-i 100mm f/2.8 FF Macro Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/32
- Multilayered Coating
- 1:1 Magnification, 11.8" Min. Focus
Sigma 35mm f/1.4 DG HSM Art Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/1.4 to f/16
- One FLD Element, Four SLD Elements
- Two Aspherical Elements
Shopping for Used Camera Lenses
When you're shopping for used camera lenses, always ensure the lenses are compatible with your camera system. Key points to consider include the lens mount, sensor size, and camera electronics. Alternatively, if you can't find the right lens, consider fitting lenses from other manufacturers or an early film lens using an adapter.
Understanding Lens Mounts for Used Lenses
Lenses for DSLR, rangefinder, and mirrorless cameras use quick-release bayonet mounts. Apart from different sizes, the distance between the lens mount and sensor differs. Camera manufacturers specify their lens mounts by means of a code; for example, Canon uses EF and EF-S. To avoid confusion, buy used lenses and lens accessories with the same specification as your camera. The exceptions to this rule are used Canon lenses and used Nikon lenses. These manufacturers make DSLRs with full frame sensors as well as DSLRs with cropped sensors; the lenses for full frame cameras are compatible with cropped sensor cameras, although not the converse.
Adapters and Accessories for Used Camera Lenses
Because mirrorless cameras have a shorter distance between their lens mount and the sensor than DSLRs, it's possible to use an adapter to fit a DSLR lens of the same make. Camera manufacturers make these adapters, as do third-party manufacturers, but verify that these adapters provide full functionality between the lens and camera.
You can get lens mount adapters that allow you to fit used lenses for sale from another manufacturer to your camera. This also applies to older lenses that are incompatible with your newer camera. Depending on the lens, you may need to focus the lens manually, and you may not be able to control the aperture.
Digital Lenses for Cine Work
Most DSLRs can film video, but the design of their lenses isn't ideal for professional cinematography. Reasons include noise interference caused by lens focusing motors, the difficulty achieving and maintaining correct focus during filming, and problems with exposure control during panning. You can overcome these issues by fitting used cine lenses. These lenses are larger, they have higher optical qualities, and they provide manual control for focus and aperture. Additionally, their T rating allows you to exchange lenses without needing to compensate for exposure variances between the lenses.
Used Lenses and Lighting for Large Format Cameras
Whereas DSLR lenses are model specific, used large format lenses aren't. These versatile lenses mount on the front plate of large format cameras and incorporate a mechanical shutter, manual focus, and manual aperture setting. When working indoors with large format cameras, consider used lightingย equipment to illuminate your subject and avoid the need for slow shutter speeds. This allows you to use low ISO film for the best results. Control your light with used light controls and accessories such as reflectors, umbrellas, and softboxes.
Save money by choosing used camera lenses, and put your savings toward improving on your equipment. Choose from our range of hundreds of interchangeable SLR lenses at B&H Photo and Video.


