Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (Block 14: 470 to 542 MHz)

Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (Block 14: 470 to 542 MHz)

Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (Block 14: 470 to 542 MHz)

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Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (Block 14: 470 to 542 MHz)

Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (Block 14: 470 to 542 MHz)

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Product Highlights

  • UTX-B03 Bodypack Transmitter
  • URX-P03 Portable True Diversity Receiver
  • ECM-V1BMP Electret Condenser Lavalier
  • Digital Companding Circuitry
  • Selectable Mic/Line Input
  • USB Charging and Power
  • Tone Squelch Suppression Circuitry
  • Automatic Channel Scanning
  • Infrared Synchronization
  • Simultaneous Multi-Channel Operation
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Frequency Range: 470 to 542 MHz

470 to 542 MHz 536 to 608 MHz 941 to 960 MHz


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Price:  $599.99

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Sony UWP-D11 overview

  • 1Description

The 470 to 542 MHz version of the Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System features all-metal construction, easy to read LCD displays, wide switching RF bandwidth, USB power and charging, automatic channel scanning, infrared synchronization between transmitter and receiver, Mic/Line switchable input on the bodypack transmitter, true diversity receiver, PLL-synthesized tuning, headphone output on the receiver, output gain controls on the receiver for optimizing the input level into a camera, and digital companding circuitry. The package is suitable for a wide range of wireless applications such as ENG, documentary work, talk shows, conferences, and more.

The system is referred to as integrated digital because the transmitter and receiver utilize DSP for digital companding and expanding of the transmission signal. Performing the companding and expanding processes in the digital domain improves the accuracy and transient response of the received audio.

The camera-mountable receiver features true-diversity technology, which stabilizes reception and minimizes RF interference by using dual antenna input/reception circuits and selecting the strongest incoming signal. The angle of the antennas is also adjustable to improve reception when the receiver is mounted on top of a camera or camcorder. The system utilizes UHF Phase Locked Loop (PLL) synthesis to lock the phase of the transmission frequency between transmitter and receiver. The receiver can automatically search for an available transmission frequency and link the desired frequency to the transmitter via infrared connection.

A stereo mini-jack output with monitor volume control is included, and both stereo mini and stereo XLR cables are provided. The unit also includes a headphone monitor output for use with cameras and camcorders that don't have a monitor output. An LCD display provides channel and frequency information, battery life, RF-input level, audio output status and accumulated operating time.

For power, the receiver operates on two AA batteries for up to 6 hours, or on 5 VDC of USB power over a USB micro-B cable. The USB connection can also be used to recharge Ni-MH rechargeable batteries within the battery cartridge. The receiver's compact design and included shoe-mount adapter allows easy mounting to most camcorders and interchangeable lens system cameras.

The improved bodypack transmitter features a mic- and line-level switch for standard wired microphone or line-level sources. Selectable transmission output power provides a choice between 5mW output, which is suitable for simultaneous multi-channel operation, or 30mW output for long-distance transmission.

The transmitter can operate for up to 8 hours on two AA-size alkaline batteries, be powered or recharged via USB micro-B connection, and features a comprehensive LCD display.

The system comes with an omnidirectional lavalier microphone, a windscreen for the microphone, a microphone holder clip, two belt clips, a shoe-mount adapter, a mini to mini stereo cable, and a mini to XLR cable. Optional accessories such as a battery case and soft case for the receiver are sold separately.

Digital Companding
Utilizes analog-to-digital and digital-to-analog converter stages so that the transmission signal can be digitally companded by the transmitter and digitally expanded by the receiver for improved audio transient response
Automatic Channel Scanning
Scans for available transmission channels and then syncs the transmitter to the receiver via infrared
Frequency Coverage
Provides up to 72 MHz of transmission bandwidth
UWP Series / WL-800 Series Compatibility
Enables cross-compatibility between the UWP-D transmitter with a UWP Series or WL-800 Series receiver or UWP Series or WL-800 Series transmitter with a UWP-D receiver
Headphone Output
Enables direct monitoring of receiver via headphones; especially useful for cameras that lack a monitor output
USB Power Options
Supports USB powering and USB charging of internal Ni-MH rechargeable batteries placed in the battery cartridge
Output Level Control
Controls the receiver's output level with ±12 dB adjustments for optimizing the input level into the camera
UHF Phase Locked Loop (PLL) Synthesized Frequencies
Provides stable transmission and reception by generating a transmission frequency and locking the phase of the transmission signal to the incoming signal of the receiver
True Diversity Reception
Utilizes dual-antenna reception circuits and selects the stronger incoming signal to reduce drop-outs
Tone Squelch Circuitry
Transmits a pilot-tone signal with the audio signal and only outputs the audio signal if the pilot tone is present to reduce RF interference from other sources
Mic and Line Input Switch
Enables switching between microphone- and line-level inputs
Simultaneous Multi-Channel Operation
Stores the most stable interference-free transmission frequencies to internal memory for rapid setup and switching between frequency groups
Selectable RF Output
Allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use
Visual Display
Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more
Improved All-Metal Construction
The transmitters and receiver feature metal construction for durability
UPC: 027242873834
In the Box
Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (Block 14: 470 to 542 MHz)
  • URXP03 Integrated Digital Portable Wireless Receiver (UHF Channels 14/25: 470 to 542 MHz)
  • UTX-B03 Integrated Digital Wireless Bodypack Transmitter with Lavalier Microphone (UHF Channels 14/25: 470 to 542 MHz)
  • ECM-V1BMP Electret Condenser Lavalier Microphone for UWP Transmitters
  • Microphone Holder Clip
  • Microphone Windscreen
  • 2 x Belt Clips
  • Shoe-Mount Adapter (Receiver)
  • 1/8" / 3.5mm Mini to Mini Output Cable
  • 1/8" / 3.5mm Mini to XLR Output Cable
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description

    Sony UWP-D11 specs

    Frequency Response 40 Hz to 20 kHz
    Directivity Omnidirectional
    Capsule Condenser
    Sensitivity -43.0 dB ±3.0 dB (1 kHz/Pa)
    Dynamic Range 86 dB or more
    Maximum Input 120 dB SPL
    Microphone Head Size 0.27 x 0.77" / 6.8 x 19.5 mm
    Power Requirements 5 VDC
    Cable Length 3.9' / 1.2 m
    Weight Not specified by the manufacturer
    Type of System Camera mountable UHF synthesized wireless lavalier system
    RF Carrier Frequency Range 470 to 542 MHz
    RF Bandwidth 72 MHz
    Approx. Working Range Not specified by the manufacturer
    Type of Receiver Camera mountable, space diversity, crystal-controlled PLL synthesizer
    Reception Type True diversity
    Antenna Type 1/4 wave length wire
    Frequency Response 23 Hz to 18 kHz (typical)
    Signal to Noise Ratio 96 dB (max deviation, A-weighted)
    Distortion 0.9% or less (-60 dBV, 1 kHz input)
    Audio Delay Approximately 0.35 ms
    Type of Outputs 1/8" / 3.5 mm mini-jack, unbalanced
    Analog Output Levels -60 dBV (at ±5 kHz deviation)
    Adjustment Range -12 dB to 12 dB (3 dB steps)
    Headphone Monitoring 1/8" / 3.5 mm stereo mini-jack, unbalanced with variable level
    Headphone Output Level 5 mW (at 16-Ohm load)
    Pilot Tone 32 / 32.382 / 32.768 kHz
    Display LCD
    Power Requirements 3.0 V (with two AA-size alkaline (LR6) batteries)
    5.0 VDC (via USB micro-B)
    Battery Type/Approx. Life Approximately 6 hours with Sony's AA-size alkaline (LR6) batteries at 77°F (25°C)
    Operating Temperature 32 to 122°F (0 to 50°C)
    Storage Temperature -4 to 131°F (-20 to 55°C)
    Mounting Options Camera / Belt / Mic Stand Mountable
    Dimensions 2.5 x 3.25 x 0.94" / 63 x 82 x 23.8 mm
    Weight 6.2 oz / 176 g including batteries
    Type of Transmitter Crystal-controlled UHF PLL-synthesized bodypack transmitter
    Antenna 1/4 wave length wire
    Emission F3E
    Carrier Frequency Range 470 to 542 MHz
    RF Power 30 mW / 5 mW
    Type of Input Connector Mic/Line switchable - 3-pole locking mini microphone connector (3.5 mm)
    Interchangeable Mic Heads Compatible with any microphone that features a mini (3.5mm) connection
    Reference Input Level Mic: -60 dBV (at 0 dB attenuator level)
    Line: 4 dBu
    Adjustment Range Mic: 0 to 21 dB (in 3 dB steps)
    Frequency Response 23 Hz to 18 kHz (typical)
    Signal to Noise Ratio 96 dB (max deviation, A-weighted)
    Audio Delay Approximately 0.35 ms
    Pilot Tone 32 / 32.382 / 32.768 kHz
    Display LCD
    Power Requirements 3.0 V (with two AA-size alkaline LR6 batteries)
    5.0 VDC (via USB micro-B)
    Battery Type/Approx. Life Approximately 8 hours with Sony's AA-size alkaline (LR6) batteries at 77°F (25°C) at 30 mW output
    Operating Temperature 32 to 122°F / 0 to 50°C
    Storage Temperature -4 to 131°F / -20 to 55°C
    Dimensions (W x H x D) 2.48 x 3.23 x 0.79" / 63.0 x 82.0 x 20.0 mm
    Weight 5.30 oz / 149 g with batteries
    Packaging Info
    Package Weight 2.0 lb
    Box Dimensions (LxWxH) 12.1 x 10.9 x 2.8"

    Sony UWP-D11 reviews

    UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (UHF Channels 14/25: 470 to 542 MHz) is rated 4.4 out of 5 by 54.
    Rated 3 out of 5 by from It's Just Okay I bought this system when it first came out because the price was cut a hundred dollars and I wanted another wireless unit to go with my URX-P2/UTX-B2 system. The sound into my Sony EX-1R was tinnier sounding than my older system. Then, after less than frequent uses, it stopped working. It powered up but didn't get a signal no matter what frequency I used. I took it to an audio repair shop and they said it had some internal problems and I would have to send it to Sony. Knowing that Sony repairs are pricey, I decided to buy a used URX-P2/UTX-B2 system instead as my second unit. For now, the unit just sits here as I decide what to do with it.
    Date published: 2016-02-03
    Rated 5 out of 5 by from Finally a wireless system that works I own a Evolution series wireless lav from Sennheiser and I picked one of these up because I wanted to try another brand. I'm happy with the Sennheisers but I think the design of the Sony wireless lavs may be slightly better for the money. First off I get better range out of the Sony wireless system. Second, the battery life on the Sony system is a bit better. Thirdly, Sony offers frequency ranges that are below the FCC restructuring plan scheduled to go into full effect within a few years. That being said they produce great sound work well and are at a price point that doesn't break the bank.
    Date published: 2015-04-03
    Rated 2 out of 5 by from Appending My Earlier Review Having now worked more with this bodypack system, I'm going to mention a problem that makes it less desirable to me as a lav unit compared with a Sennheiser G3... it has noticeably more noise/hiss than the G3. I've tried every configuration I could to optimize the noise to good audio ratio, and it always added more noise/hiss to the recording. It's not a lot and is barely noticeable when the volume isn't cranked up, but it is there. It's a shame, because just about everything else is superior to the G3's. But quality of sound is number one.
    Date published: 2016-11-28
    Rated 5 out of 5 by from This Mic System works Great This system was bought to use in a Large (66'x170'x40') Horse Riding Arena. It has Metal walls, dirt/composite floor, and a metal ceiling with insulated backing. This is a BIG BIG Open Space! In conjunction with the Yamaha STAGEPAS 400i Portable PA System, with One Speaker set up at one corner (where folks set along a short end to Audit the Training) and the other Speaker about mid way down the length of the Arena, this Sony Mic system, this provides Excellent Sound through out the Arena. Easily set up and taken down for storage. Plug and Play. Using Energizer Ultimate Lithium Batteries, we're getting 4 to 5 8+ hour days of use.
    Date published: 2015-03-26
    Rated 5 out of 5 by from Easy to use I am a novice videographer, but needed a wireless mic setup for field use in industrial enviroments. In my limited experience with the microphone system so far, it was easy to get set up and operating. The range, freedom from interference and audio quality are good for my application. Displays are easy to read. Visual battery indication on the displays is convenient. The only problem I have is that the receiver will not attach to the recessed shoe on my Sony FDR-AX100 camcorder. The belt clips made from small diameter wire look flimsy, but have held up okay so far. Thanks to B&H for the tip on how to check which frequencies you should select for your area!
    Date published: 2015-03-27
    Rated 1 out of 5 by from STAY AWAY!!! The product stopped working after almost 3 months of use. Sony has terrible technical support. I am currently still waiting for a call back for them to help me with the issue. I have called 3 times total and they tell me that I need to wait to get a call back and that is my only option. It's been over a week and still no call back from technical support.....
    Date published: 2017-07-18
    Rated 4 out of 5 by from Pretty Good Unit I got one of these sets in this frequency range for an indy feature I was on. This helped to round out my one Senny G3 and three G2's. First a little back story about my G3. I had been noticing that my G3 was dropping out and getting what sounded like RF hits quite a bit, even when fairly close to the transmitter. On one beach shoot I had to adjust my position to have the TX in my RX's line of sight to stop the drop-outs. No matter what I did (change frequencies, change lavs, tighten connections, etc.), I couldn't shake the problems except to be fairly close and have line-of-sight to the TX. On this latest film shoot, we had a scene where the two main actors would walk along a stream bed towards the camera (and me) from about 90 feet away. One actor wore the G3, one the Sony. As you can imagine, the G3 dropped out a lot during the walk in, but the Sony was perfect, even though the TX was positioned behind the actor's body. From that point on I relied on the Sony UWP-D11 as my main, go-to wireless for the rest of the shoot. I like the menu structure which, when I got used to it, is easy to adjust quickly. Love the dual adjustable antennas on the RX, not so happy with the combo power/mute button on the TX. Belt clips seem a bit thin, and the slide-out battery cradles seem to me to be a broken plastic clip holding them in waiting to happen. What else... super easy to scan for open frequencies and lots of info on the screen. Headphone out on the RX pretty cool. All in all pretty good. I haven't done much in the way of really analyzing the sound quality of the wireless unit (not the included lav mic) yet, but it sounded very good on the shoot. Two things I wish they would have done differently... first, spent the extra money to up the output to 50 mA instead of the existing 30 mA. Would still have been legal and with much better range. How much could it have cost? And have the RX show how much battery charge is left on the TX like Lectros do. Oh, and get rid of that weird wiring that makes the Sony 1/8 locking lav connector incompatable with Senny 1/8 locking connectors, which are MUCH more standard.
    Date published: 2015-06-02
    Rated 5 out of 5 by from Solid Sound and True Diversity Bought these to pair with my Sony FS5 and it's a match made in heaven. The receiver has diversity antennae and I've no problem finding the transmitter. It also gives you a wide range of frequencies to use, but my favorite feature on this system is the pilot tone option that is a smart way to ensure minimal noise or interference. These are rock solid and I would highly recommend them.
    Date published: 2016-01-14
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