Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (UHF Channels 30/36 and 38/41: 566 to 608 and 614 to 638 MHz)

Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (UHF Channels 30/36 and 38/41: 566 to 608 and 614 to 638 MHz)

Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (UHF Channels 30/36 and 38/41: 566 to 608 and 614 to 638 MHz)

B&H # SOUWPD1130 MFR # UWPD11/30
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Product Highlights

  • UTX-B03 Bodypack Transmitter
  • URX-P03 Portable True Diversity Receiver
  • ECM-V1BMP Electret Condenser Lavalier
  • Digital Companding Circuitry
  • Selectable Mic/Line Input
  • USB Charging and Power
  • Tone Squelch Suppression Circuitry
  • Automatic Channel Scanning
  • Infrared Synchronization
  • Simultaneous Multi-Channel Operation
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Frequency Range: 566-608 & 614-638 MHz

470-542 MHz 566-608 & 614-638 MHz 638-698 MHz

Discontinued

$0.00 Tax Collected Outside NY and NJ

Price:  $599.99

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Sony UWP-D11 overview

  • 1Description

The 566 to 608 and 614 to 638 MHz version of the Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System features all-metal construction, easy to read LCD displays, a wide switching RF bandwidth, USB power and charging, automatic channel scanning, infrared synchronization between transmitter and receiver, Mic/Line switchable input on the bodypack transmitter, a true diversity receiver, PLL-synthesized tuning, a headphone output on the receiver, output gain controls on the receiver for optimizing the input level into a camera, and digital companding circuitry. The package is suitable for a wide range of wireless applications such as ENG, documentary work, talk shows, conferences, and more.

The system is referred to as integrated digital because the transmitter and receiver utilize DSP for digital companding and expanding of the transmission signal. Performing the companding and expanding processes in the digital domain improves the accuracy and transient response of the received audio.

The camera-mountable receiver features true-diversity technology which stabilizes reception and minimizes RF interference by using dual antenna input/reception circuits and selecting the strongest incoming signal. The angle of the antennas is also adjustable to improve reception when the receiver is mounted on top of a camera or camcorder. The system utilizes UHF Phase Locked Loop (PLL) synthesis to lock the phase of the transmission frequency between transmitter and receiver. The receiver can automatically search for an available transmission frequency and link the desired frequency to the transmitter via infrared connection.

A stereo mini-jack output with monitor volume control is included and both stereo mini and stereo XLR cables are provided. The unit also includes a headphone monitor output for use with cameras and camcorders that don't have a monitor output. An LCD display provides channel and frequency information, battery life, RF-input level, audio-output status and accumulated operating time.

For power, the receiver operates on two AA batteries for up to 6 hours, or on 5 VDC of USB power over a USB micro B cable. The USB connection can also be used to recharge Ni-MH rechargeable batteries within the battery cartridge. The receiver's compact design and included shoe-mount adapter allows easy mounting to most camcorders and interchangeable lens system cameras.

The improved bodypack transmitter features a mic- and line-level switch for standard wired microphone or line-level sources. Selectable transmission output power provides a choice between 5mW output, which is suitable for simultaneous multi-channel operation, or 30mW output for long distance transmission.

The transmitter can operate for up to 8 hours on two AA-size alkaline batteries, be powered or recharged via USB micro B connection, and features a comprehensive LCD display.

The system comes with an omnidirectional lavalier microphone, a windscreen for the microphone, a microphone holder clip, two belt clips, a shoe-mount adapter, a 3-pin mini to mini stereo cable, and a 3-pin mini to XLR cable. Optional accessories such as a battery case and soft case for the receiver are sold separately.

Digital Companding
Utilizes analog-to-digital and digital-to-analog converter stages so that the transmission signal can be digitally companded by the transmitter and digitally expanded by the receiver for improved audio transient response
Automatic Channel Scanning
Scans for available transmission channels and then syncs the transmitter to the receiver via infrared
Frequency Coverage
Provides up to 66 MHz of transmission bandwidth
UWP Series / WL-800 Series Compatibility
Enables cross-compatibility between the UWP-D transmitter with a UWP Series or WL-800 Series receiver or UWP Series or WL-800 Series transmitter with a UWP-D receiver
Headphone Output
Enables direct monitoring of receiver via headphones, especially useful for cameras that lack a monitor output
USB Power Options
Supports USB powering and USB charging of internal Ni-MH rechargeable batteries placed in the battery cartridge
Output Level Control
Controls the receiver's output level with ±12 dB adjustments for optimizing the input level into the camera
UHF Phase Locked Loop (PLL) Synthesized Frequencies
Provides stable transmission and reception by generating a transmission frequency and locking the phase of the transmission signal to the incoming signal of the receiver
True Diversity Reception
Utilizes dual antenna reception circuits and selects the stronger incoming signal to reduce drop-outs
Tone Squelch Circuitry
Transmits a pilot-tone signal with the audio signal and only outputs the audio signal if the pilot tone is present to reduce RF interference from other sources
Mic and Line Input Switch
Enables switching between microphone- and line-level inputs
Simultaneous Multi-Channel Operation
Stores the most stable interference-free transmission frequencies to internal memory for rapid setup and switching between frequency groups
Selectable RF Output
Allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use
Visual Display
Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more
Improved All-Metal Construction
The transmitters and receiver feature metal construction for durability
UPC: 027242873841
In the Box
Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (UHF Channels 30/36 and 38/41: 566 to 608 and 614 to 638 MHz)
  • URXP03 Integrated Digital Portable Wireless Receiver (UHF Channels 30/36 and 38/41: 566 to 608 and 614 to 638 MHz)
  • UTX-B03 Integrated Digital Wireless Bodypack Transmitter with Lavalier Microphone (UHF Channels 30/36 and 38/41: 566 to 608 and 614 to 638 MHz)
  • ECM-V1BMP Electret Condenser Lavalier Microphone for UWP Transmitters
  • Microphone Holder Clip
  • Microphone Windscreen
  • 2 x Belt Clip
  • Shoe-Mount Adapter (Receiver)
  • 1/8" (3.5mm) Mini to Mini Output Cable
  • 1/8" (3.5mm) Mini to XLR Output Cable
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description

    Sony UWP-D11 specs

    Microphone
    Frequency Response 40 to 20,000 Hz
    Directivity Omnidirectional
    Capsule Condenser
    Sensitivity -43.0 dB ±3.0 dB (1 kHz/Pa)
    Dynamic Range 86 dB or more
    Maximum Input 120 dB SPL
    Microphone Head Size 0.27 x 0.77" (6.8 x 19.5 mm)
    Power Requirements 5 VDC
    Cable Length 3.9' (1.2 m)
    Weight Not specified by the manufacturer
    Systemcqbwxtxyczfbeaxwer
    Type of System Camera mountable UHF synthesized wireless plug-in system
    RF Carrier Frequency Range 566 to 608 and 614 to 638 MHz
    RF Bandwidth 66 MHz
    Approx. Working Range Not specified by the manufacturer
    Receiver
    Type of Receiver Camera mountable, space diversity, crystal-controlled PLL synthesizer
    Reception Type True diversity
    Antenna Type 1/4 wave length wire
    Frequency Response 23 to 18,000 Hz (typical)
    Signal to Noise Ratio 96 dB (max deviation, A-weighted)
    Distortion 0.9% or less (-60 dBV, 1 kHz input)
    Audio Delay Approximately 0.35 ms
    Type of Outputs 3.5 mm (1/8") mini-jack, unbalanced
    Analog Output Levels -60 dBV (at ± 5 kHz deviation)
    Adjustment Range -12 dB to 12 dB (3 dB steps)
    Headphone Monitoring 3.5 mm (1/8") stereo mini-jack, unbalanced with variable level
    Headphone Output Level 5 mW (at 16 Ohms load)
    Pilot Tone 32, 32.382, 32.768 kHz
    Display LCD
    Power Requirements 3.0 VDC (with two AA-size alkaline (LR6) batteries)
    5.0 VDC (via USB micro-B)
    Battery Type/Approx. Life Approximately 6 hours with Sony's AA-size alkaline (LR6) batteries at 77°F (25°C)
    Operating Temperature 32 to 122°F (0 to 50°C)
    Storage Temperature -4 to 131°F (-20 to 55°C)
    Mounting Options Camera / Belt / Mic Stand Mountable
    Dimensions 2.5 x 3.25 x 0.94" (63 x 82 x 23.8 mm)
    Weight 6.2 oz (176 g) including batteries
    Transmittercqbwxtxyczfbeaxwer
    Type of Transmitter Crystal-controlled UHF PLL-synthesized bodypack transmitter
    Antenna 1/4 wave length wire
    Emission F3E
    Carrier Frequency Range 566 to 608 and 614 to 638 MHz
    RF Power 30 mW / 5 mW
    Type of Input Connector Mic/Line switchable - 3-pole locking mini microphone connector (3.5 mm)
    Interchangeable Mic Heads Compatible with any microphone that features a mini (3.5mm) connection
    Reference Input Level Mic: -60 dBV (at 0-dB attenuator level)
    Line: 4 dBu
    Adjustment Range Mic: 0 to 21 dB (in 3 dB steps)
    Frequency Response 23 to 18,000 Hz (typical)
    Signal to Noise Ratio 96 dB (max deviation, A-weighted)
    Audio Delay Approximately 0.35 ms
    Pilot Tone 32, 32.382, 32.768 kHz
    Display LCD
    Power Requirements 3.0 VDC (with two AA-size alkaline LR6 batteries)
    5.0 VDC (via USB micro-B)
    Battery Type/Approx. Life Approximately 8 hours with Sony's AA-size alkaline (LR6) batteries at 77°F (25°C) at 30 mW output
    Operating Temperature 32 to 122°F (0 to 50°C)
    Storage Temperature -4 to 131°F (-20 to 55°C)
    Dimensions (W x H x D) 2.48 x 3.23 x 0.79" (63.0 x 82.0 x 20.0 mm)
    Weight 5.30 oz (149 g) with batteries
    Packaging Info
    Package Weight 1.7 lb
    Box Dimensions (LxWxH) 12.0 x 10.9 x 2.9"

    Sony UWP-D11 reviews

    UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (UHF Channels 30/36 and 38/41: 566 to 608 and 614 to 638 MHz) is rated 4.5 out of 5 by 64.
    Rated 5 out of 5 by from A fresh item with some upgrades I have one of the first sets released and after being on back order a while, the wait was well worth it. Built solid and it seems they had input from people who actully have to rely on this gear in the field for deign. 1) I have yet to get static or lose a signal after 80+ interviews. 2) Battery Doors with side access, I do not have to remove anything but a small door to access them. Love this! 3) Earphone jack built into receiver, way past due. The units are extremely reliable. I have gone 7 hours on NiCads without any issue, the mic works very well and I would personally consider them a step up from the sennheiser units.
    Date published: 2014-06-26
    Rated 2 out of 5 by from XLR cable is too short When I mounted the Sony UWP-D11 wireless receiver to my Sony FS 100, the cable was not quite long enough to reach the XLR input on the back of the camcorder. The XLR cord on my Sennheiser G3 wireless receiver is several inches longer and fits perfectly. I don't know why Sony couldn't make a cord long enough to plug into their cameras comfortably. The sound was comparable to my Sennheiser but the Sennheiser ME2 lav mic sounded slightly better to me. The Sony would be a good option if you need a headphone jack on the receiver. Since my cameras all have headphone jacks, I'm returning it and getting another Sennheiser.
    Date published: 2014-06-16
    Rated 5 out of 5 by from Clear Channel Scanning Makes Life A Breeze I frequently operate in areas and on facilities where there is a lot of RF traffic. The Clear Channel Scanning capability of the Sony UWP-D11 system eliminates any concerns that I used ot have about finding unwanted garbage on my audio track after a shoot... when it's too late to fix (even in post). Solid construction, intuitive menu system, and outstanding audio quality... even with significant levels of ambient noise (A/C, trucks, etc.) This system has cut my audio tweaking time in post by 50% and that alone makes these worth the price.
    Date published: 2015-08-06
    Rated 5 out of 5 by from Excellent wireless system built well I purchased this system as a replacement for my Sennheiser Evolution G2s. I liked the G2s and considered going to the G3s but a few things bugged me about them. The build quality was good but not great. Plastic battery swing door that occasionally came loose (rarely) and the antennae are flimsy. The lavaliers included are also of mediocre build. However, they do provide excellent sound quality, and I use a Tram lav on more important shoots (I have a wedding and event company, but also do a variety of corporate and reality tv work, documentary, etc.) I have used the Lectrosonics extensively as well so I'm experienced with various gear and field audio. When looking for a replacement, I had a friend recommend the previous Sony UWP system and after using them I was impressed with the build quality. They compared well to the Lectros. So after hearing and reading about this new lineup, I decided to try them.I have been impressed with them from the first use. They are very durable and all the wires are thicker and seem more durable than the G2s. Even the stock lav is well made. Set up is very easy and the Auto setup feature is very useful. Display is easy to read and menu simple to navigate (I only needed a little reference to get the hang of it). Field use was very easy and although my Lumix GH3 has audio monitoring, the built in headphone jack is useful and convenient. Sound quality is very good, especially with my newly modified Tram lav. There are many features that I have not yet tried (USB charging) but overall this is an excellent system. I will soon be getting another to replace my other Sennheiser. If you do audio every day, you may want to go with a higher end system like the Lectrosonics, but for less demanding work (2-3 days a week) or as a secondary or backup system, you can't go wrong.
    Date published: 2014-03-16
    Rated 5 out of 5 by from Great combination of durability and performance We use these in classrooms, in the field when shooting video, and at meetings. They travel well and are extremely dependable. We can even loan them to faculty members and they don't come back destroyed, thanks partly to the metal case construction of both the transmitter and receiver. Battery life has been as per the manufacturer's estimate, and we always carry spares. We have about a half-dozen of these Sony mic systems, spanning models both before and after they switched from analog to digital.
    Date published: 2015-08-06
    Rated 5 out of 5 by from Great sturdy high performance mic set I have used these exclusively for about a year. there has never been a problem and the audio is flawless. I feel guilty about not knowing or remembering any technical features or adjustments because these just always work. The audio is clean with little background noise. The batteries last an entire day of filming. the receiver mounts easily on my rig.the controls and readout are simple. Just buy them already and you won't be disappointed. Professional use.
    Date published: 2015-11-11
    Rated 3 out of 5 by from Good mic, terrible cables. I have two of these mics and they're great. But the xlr cable they ship with has a terrible hiss, rendering the audio unusable for my purposes. I've bought two separately, and the same problem each time. (The problem is solved using different cables and lots of trial and error.)
    Date published: 2016-02-05
    Rated 5 out of 5 by from I love this mic! We use this wireless lab mic at our school Calvin Chin's Martial Arts Academy for two purposes. First, we use it for amplifying our instructors voice over a pa in our 4,000 square foot school during large classes. Nothing like having to yell to be heard during a a Tai chi class to ruin the mood. Second we use this to record audio during livestream classes online! The sound inboth uses is critical! For recording video and in person we used to use a purely analog wireless lab mic. It was constantly feeding back, cutting out, and crackling. This new Sony unit uses a combo of both analog and digital. It does so seamlessly. You don't notice anything except clear and uninterrupted sound. We move our bodys teaching Kung fu and Tai Chi. Nothing seems to affect the sound quality! It is very easy to use and does what all good tech does. It simply works! I'm so glad we upgraded to this!
    Date published: 2017-04-09
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