RME Fireface 802 USB / FireWire Audio Interface

RME Fireface 802 USB / FireWire Audio Interface

RME Fireface 802 USB / FireWire Audio Interface

B&H # RMFF802 MFR # FF802
In Stock

Product Highlights

  • 24 Bit / 192 kHz Operation
  • Reference Class AD/DA Conversion
  • 4 Professional Quality Preamps
  • 60 Channels Available Simultaneously
  • TotalMix Software with Dedicated DSP
  • USB and FireWire Computer Connection
  • SteadyClock Jitter Suppression
  • Standalone Operation with Setup Recall
  • Mac and Windows Compatibility
  • iPad Compatibility
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Price: $1,999.00

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RME FF802 overview

  • 1Description

The Fireface 802 from RME-Audio is a high-definition, 60-channel audio interface with 4 professional quality preamps and reference class converters. The 802 features 12 analog and 18 digital inputs and outputs, all available simultaneously. Low latency operation and stability stem from RME's own proprietary USB and FireWire hardware and drivers.

The SteadyClock jitter suppression technology ensures high quality sound from input to output. Should an external clock source fail, the Intelligent Clock Control (ICC) will retain the last valid input sample rate. All of the Fireface 802's hardware and software are fully compatible with Windows and Mac operating systems.

Driven by two DSP chips, the TotalMix FX software offers a complete digital mixer and signal router with integrated EQ, dynamics and reverb/echo. The software's built-in monitor controller allows for any physical output to be assigned as main or phones output. Talkback, listenback, mono, dim, recall and external inputs will work automatically on the assigned monitor control channels. The 802 also offers 6 memory slots for permanently saving different TotalMix configurations, which may be recalled without a computer. The TotalMix FX app for iPad allows for complete control over all functions without a computer connection. The Fireface 802 ships with driver CD, USB cable, IEC power cable, and optical cable.

  • 30 Input / 30 Output channels
  • 12 x Analog I/O
  • 4 x Mic/Instrument preamps
  • 1 x AES/EBU I/O
  • 2 x ADAT I/O
  • 1 x SPIDIF (Available through ADAT 2 port)
  • 1 x Word Clock I/O
  • 1 x MIDI I/O
  • FireWire or USB operation
  • TotalMix FX software with monitor management
  • SteadyClock jitter suppression
  • Intelligent Clock Control (ICC) retains sample rate in case of external clock failure
  • DigiCheck software offers comprehensive tools for metering, testing, measuring and analyzing audio streams
  • Stand-alone operation with setup recall
  • Universal power supply ensures worldwide compatibility
In the Box
RME Fireface 802 USB / FireWire Audio Interface
  • USB 2.0 Cable (6' / 1.8 m)
  • RME Driver CD
  • IEC Power Cable
  • TOSLINK Optical Cable (6.6' / 2 m)
  • Limited 2-Year Warranty
  • Table of Contents
    • 1Description

    RME FF802 specs

    Converters 24-bit
    Sample Rates 44.1, 48, 88.2, 96, 176.4 and 192 kHz
    Analog Inputs 4 x XLR/TRS combi mic/line (front panel)
    8 x 1/4" TRS (rear panel)
    Analog Outputs 8 x 1/4" TRS (rear panel)
    2 x 1/4" TRS headphone (front panel)
    AES/EBU 1 x XLR AES/EBU input (supports AES Single-Wire 192 kHz)
    1 x XLR AES/EBU output (supports AES Single-Wire 192 kHz)
    ADAT 2 x TOSLINK ADAT optical input (ADAT 2 functions as 2-channel optical S/PDIF mode)
    2 x TOSLINK ADAT optical output (ADAT 2 functions as 2-channel optical S/PDIF mode)
    Standard: 2 x 8 channels 24 bit, up to 48 kHz
    Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
    Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
    Quad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz
    Word Clock I/O 1 x BNC wordclock input
    1 x BNC wordclock output
    Switchable Termination: 75 Ohms
    MIDI In/Out 1 x MIDI in
    1 x MIDI out
    Frequency Response Line and Microphone Inputs
    Frequency Response @ 44.1 kHz, -0.1 dB: 5 Hz to 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: 5 Hz to 45.8 kHz
    Frequency Response @ 192 kHz, -1 dB: 5 Hz to 92 kHz
    Instrument Input
    Frequency Response @ 44.1 kHz, -0.5 dB: 5 Hz to 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: 5 Hz to 35 kHz
    Frequency Response @ 192 kHz, -1 dB: 5 Hz to 55 kHz
    Line Output
    Frequency Response @ 44.1 kHz, -0.5 dB: 5 Hz to 20.8 kHz
    Frequency Response @ 96 kHz, -0.5 dB: 5 Hz to 45 kHz
    Frequency Response @ 192 kHz, -1 dB: 5 Hz to 89 kHz
    THD Inputs
    THD: < -110 dB, < 0.00032 %
    THD+N: < -104 dB, < 0.00063 %
    Outputs
    THD: -104 dB, < 0.00032 %
    THD+N: -100 dB, < 0.00063 %
    Channel Separation Channel Separation: > 110 dB
    Microphone Inputs Input Impedance: 3.4 kOhms
    Signal to Noise Ratio (SNR): 112 dB RMS unweighted, 116 dBA
    Gain Range: 54 dB
    Maximum Input Level, Gain +6 dB: +10 dBu
    Instrument Input Input Impedance: 800 kOhms
    Signal to Noise Ratio (SNR): 112 dB RMS unweighted, 115 dBA
    Maximum Input Level, Gain +6 dB: +21 dBu
    Line Inputs Signal to Noise Ratio (SNR): 113 dB RMS unweighted, 116 dBA
    Input Sensitivity: 8 kOhms unbalanced, 12 kOhms balanced
    Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
    Input Level for 0 dBFS @ Lo Gain: +19 dBu
    Input Level for 0 dBFS @ +4 dBu: +13 dBu
    Line Outputs Dynamic Range (DR): 115 dB RMS unweighted, 118 dBA
    Output Impedance: 75 Ohms
    Output level switchable Hi Gain, +4 dBu, -10 dBV
    Output Level at 0 dBFS @ Hi Gain: +19 dBu
    Output Level at 0 dBFS @ +4 dBu: +13 dBu
    Output Level at 0 dBFS @ -10 dBV: +2 dBV
    Headphone Outputs Maximum Output Level at 0 dBFS, High: +16.8 dBu
    Maximum Output Level at 0 dBFS, Low: +2 dBV
    Output Impedance: 30 Ohms
    System Requirements Windows XP SP2 or higher
    Intel Mac OS X 10.6 or higher
    1 x OHCI compatible FireWire Port 400 (1394a), FireWire 800 (1394b) via cable adapter
    or
    1 x USB 2.0 port
    For USB: Computer with at least Pentium Core 2 Duo CPU
    Driver Support Windows 8 / 7 / Vista / XP SP2 (32 & 64 bit)
    Apple Mac OS X 10.6 or up (Core Audio)
    Windows and Mac OS X drivers are completely identical in terms of features and functionality, as far as this is possible on the respective platform.
    Some features in DIGICheck are not available in the Mac version.
    Computer Connections 1 x USB 2.0
    1 x FireWire 400
    1 x FireWire 800
    Power Supply Internal Switching PSU: 100 - 240 VAC, 30 W
    Power Consumption (Typical): 22 W
    Rackmount 1U
    Dimensions (WxDxH) 19.0 x 1.7 x 9.5" / 48.3 x 4.4 x 24.1 cm
    Weight 6.6 lb / 3 kg
    Packaging Infozwfedwsx
    Package Weight 11.75 lb
    Box Dimensions (LxWxH) 22.2 x 12.5 x 4.5"

    RME FF802 reviews

    Fireface 802 USB / FireWire Audio Interface is rated 5.0 out of 5 by 3.
    Rated 5 out of 5 by from A++ Fast and Rock Solid I use the Fireface 802 for mainly film/media music. With using a lot of virtual instruments this unit gave me better latency compared to old Apogee Ensemble. The sound of the converters compared to the Apogee I feel are a little more acurate. The Apogee had a more rounder sound but I believe was colored. The unit has been FAR more solid then the Apogee Ensemble. No crashes so far or pops/noise when switching sample rates.
    Date published: 2014-12-01
    Rated 5 out of 5 by from Excellent product, like no other With the Fireface 802, RME seems to have find the perfect balance between reliability VS performance (ultra low latencies) and functionnality VS esthetics. At the time of writing, I couldn't find a better audio interface for sale in this product range. I've been using it for a few weeks and it works flawlessly, using either firewire or USB. I run it on Win7 Ultimate 64-bit on a custom built PC. The software side (drivers, Totalmix FX and Digicheck) are simply excellent. We get frequent updates and low CPU loads (DSP chipset included in the hardware) to complete this great package. As always, if using firewire, a good chipset must be used on the computer side (Texas Instruments is recommended). I had to try a few PCI cards to get good stability, but problems were always related to chipsets on the computer side.
    Date published: 2015-01-01
    Rated 5 out of 5 by from Amazing Interface I've been recording for about 15 years. This interface was recommended to me by some friends who do commercial audio work for a living. I chose this unit for the amount of ins and outs possibilities, the built in pre-amps, the converters, and the knobs on the front of the interface in lieu of all digital mixing on some of the other RME's. (I'm a little bit old school.) Take it for what it's worth, but when using the proper outboard gear in combination with this interface, my vocals and digital tracks no longer have to be re-tracked at the studio. The lows and highs are wonderful. You can make a professional recording with this interface and the proper outboard gear, there is no question. It was surprisingly easy to set up, and the only thing that had a little bit of a learning curve was the built in mixing/routing software. Support is amazing. Quality is amazing. I am now an RME man. Thanks to these guys for putting such an amazing product in this price range out on the market. This is only the third time in my life I have written a review for a product. Hope that tells you something.
    Date published: 2015-01-28
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