Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount

Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount

Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount

B&H # RO2415C MFR # DS24M-C
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Product Highlights

  • 24mm Lens
  • 84.1° FOV, Full-Frame Coverage
  • Multi-Layer Coating to Reduce Flare
  • Standard Gearing for Focus and Iris
  • Dual Side Focus and T-Stop Scales
  • "De-Clicked" Aperture Ring
  • Hybrid Aspherical Lenses
  • Manual Focus and Aperture
  • Removable Petal-Type Lens Hood
  • Accepts 77mm Threaded Filter Rings
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Price: $799.00

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  • 1Description

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24mm lens with approximate angle of view of:
Full-Frame: 84.1°
APS-C: 57.6°
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
"De-clicked" aperture ring for smooth iris pulls.
A minimum focusing distance of 9.8" allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
UPC: 084438763225
In the Box
Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount
  • Front and Rear Lens Caps
  • Lens Pouch
  • Limited 1-Year Worldwide Warranty
  • Table of Contents
    • 1Description
    Focal Length 24mm
    Lens Mount Canon EF
    Format Full Frame
    Image Circle Not Specified by Manufacturer
    Maximum T-Stop T1.5
    Minimum T-Stop T22
    Diagonal Angle of View Super35: 61.8°
    Full Frame: 84.1°
    Minimum Focus Distance from Image Plane 9.8" / 25 cm
    Optical Design 13 Elements in 12 Groups
    Iris Blades 8
    Front Diameter Not Specified by Manufacturer
    Filter Thread Not Specified by Manufacturer
    Focus Scales Not Specified by Manufacturer
    Electronic Communication Not Specified by Manufacturer
    Tripod Mounting Thread Not Specified by Manufacturer
    Dimensions (W x H) 3.27 x 3.27" / 83.1 x 83.1 mm
    Length 3.84" / 97.5 mm
    Weight 21.7 oz / 615 g
    Packaging Info
    Package Weight 1.75 lb
    Box Dimensions (LxWxH) 7.2 x 5.2 x 5.2"
    24mm T1.5 Cine DS Lens for Canon EF Mount is rated 4.3 out of 5 by 23.
    Rated 5 out of 5 by from PRETTY AND WIDE: I produce indie film. I purchased this lens as part of the four lens DS bundle. The 50mm is a favorite among Rokinon owners, and I too love it. This 24mm lens is a close second or third as it performs very well for me. I am using these lenses with an adapter on a Sony FS7. As with all the other lenses in this bundle, T1.5 is amazing at this price point. It certainly has more plastic in it than other lenses I own. The powder coating does a good job of not showing fingerprints. Smooth rings. I will say that of all the lenses in the bundle that I got, the lens hood on this one does not snap as tight as the others. Not really a big deal, but I noticed it.
    Date published: 2015-08-15
    Rated 4 out of 5 by from Great up close, tougher further off The most important thing you should consider when buying this lens is how close you are going to be to your subject. The focus ring has a huge travel distance (which is what I was after), but the VAST majority of that travel is for shooting things between 1' and 2.5' away from you. From 2.5' to infinity only uses the last 20% of the focus ring's total travel distance. If you need to get a fast focus on a subject further away than 2.5', you're going to have a slightly tougher time. I'm not a super pro, so maybe this problem is partially my inexperience, but it's impacted me enough to bear mentioning. Part of me wants to pick up the 50mm Cine DS lens to get those more distance shots, but money is tight right now for luxury purchases like this. That being said, the video I've shot with it so far is really sharp and beautiful. On my Canon 60D, I'm able to drop my ISO lower than I ever thought possible indoors. The 1.5 aperture is amazing, but I can get great shots in low light even at 2.8. It's worlds apart from my Canon 18-200mm/f3.5 kit lens. This lens feels solid and well built. And with the built in gears, I cannot wait to pick up a follow focus.
    Date published: 2015-05-07
    Rated 5 out of 5 by from Excellent Lens for Cinematography I use this lens to shoot various projects including weddings and independent films. The image quality and clarity are fantastic and the manual focus is extremely smooth. The de-clicked aperture is great because it can be extremely fast and you are able to expose during recording, although I would stay away from that unless absolutely necessary. It is a little bulky, especially with a lens hood. Switching out lenses make take slightly longer and storing it in a bag may prove a little more difficult then with some other lenses. But it's definitely worth it.
    Date published: 2015-05-06
    Rated 3 out of 5 by from A lot of lens for the price! I've used the previous gen Rokinon Cine lens kit. The Cine DS version is a step up. The construction feels a bit more solid. I Love that there is a 50mm now in the kit and that all the lenses match. I just wished the did a little better with the 24mm. It still has the same problem as the original 24mm version. You can't used this lens wide open. It is far softer wide open than any of the other lenses.
    Date published: 2015-10-27
    Rated 5 out of 5 by from Upgrade to Cine I have LOVED moving away from the Canon L series 24mm to this lens. It's not QUITE as bright, but the SMOOTH focus and iris rings are incredible. I'm also loving being able to have my shutter speed set and ISO low, and quickly being able to adjust exposure with the iris ring. It's making my run and gun workflow so nice that I would love to trade in my Canon 50mm for the new Rokinon 50. Super pleased. And this thing is a third of the price of the Canon or something like that!
    Date published: 2015-01-29
    Rated 5 out of 5 by from Worth the money I bought this lens as a kit with the 35mm, 50mm and 85mm DS lens. This lens when compared to the canon L glass (16-35) was just as sharp if not sharper. I highly recommend this lens.
    Date published: 2015-02-08
    Rated 5 out of 5 by from Sharp,Great Build Quality,Minimal Distortion,No Vignetting! This lens keeps surprising me more and more as I use it. Incredibly sharp at T/2.8 (I would avoid opening any wider). The build quality is amazing and the distortion in the corners is very minimal. And best of all no vignetting on full frame!
    Date published: 2016-12-12
    Rated 3 out of 5 by from Great lens for the price, but not at maximum aperture! Like all Rokinons that I've tried (except for 12mm T3.1 ED AS IF NCS UMC Cine DS Fisheye) it's a great lens, great construction, but poor optical performance at maximum aperture. Mine just become sharp at f/2.8!
    Date published: 2016-09-10
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