V Collection 4 from Arturia features thirteen virtual instruments, comprising nine legendary analog synthesizers, a classic electric piano, a world-famous string machine, a vintage organ and a drum machine with almost 200 drum kits. Each virtual instrument can be used as a standalone application or as a plug-in within a preferred DAW.
Analog Lab is the "command central" for the collection, housing all 6,000-plus sounds from the included synthesizers. It allows for sorting, filtering and combining them in many ways to quickly help find the exact sound needed for a project.
Simple MIDI mapping to any keyboard controller is available, along with the ability to work at up to 32-bit/96 kHz resolution. The Arturia Software Center (ASC) is an application that is used to authorize the Arturia software, making the activation process simple.
In 1971, Bob Moog introduced the minimoog, the first compact, portable and affordable synthesizer. With its "fat" sound and unparalleled filters, the synthesizer quickly became known for its analog bass and lead sounds.
Arturia has created the mini V, a faithful reproduction of the hardware. Offering all the features of the original, the software version also adds polyphony, MIDI management and presets.
Behind the control panel are additional functions, including a modulation matrix, an arpeggiator and an independent LFO, as well as a stereo chorus and a delay.
Modular V 2.6 by Arturia is a software reproduction of a classic series of synthesizers. Because it's modular, the software instrument offers endless possibilities for synthesis, and further adds contemporary features like polyphony, MIDI control, loading and saving of patches, and more.
TAE (True Analog Emulation), a technology developed by Arturia for enabling the digital reproduction of analog circuits, and brings with it several advantages. These include aliasing-free oscillators, at no extra CPU cost, and better reproduction of analog oscillators.
- Support for Pro Tools 9 & 10
- Support for Mac OS X 10.7 (Lion)
- Support for 64-bit VST and Audio Unit
- MIDI Control Assignment Improvement
- All the parameters of the original Moog Modular - 9 oscillators, 2 LFOs, 3 filter slots, 1 noise generator, 6 envelopes, 2 VCAs
- 16 auxiliary VCAs with modulation inputs
- Very accurate reproduction of the legendary Moog 24dB low-pass filter
- 24-step sequencer
- Single filter bank (14 bandwidths available)
- Single stereo delay and chorus
- 12 stage phaser and ring modulator
- More than 600 presets
- Main stereo outputs
- Mono/polyphonic with up to 64 voices per instrument
- Soft clipping function
- No aliasing from 0.1Hz to 16kHz
- 64-bit floating point precision
- Sampling rate up to 96kHz
- Playable through a MIDI keyboard
- Superb audio quality using Arturia's TAE engine
- Can use NRPN (Non-Registered Parameter Number) MIDI messages for automation
- Syncrosoft copy protection
The CS-80V 2.5 from Arturia is a virtual reproduction of the legendary Yamaha CS-80 synthesizer. The CS-80V 2.5 offers all the features of the original synthesizer, plus some innovative new ones. A modulation matrix provides a choice of 12 sources and 38 destinations. Also new are a multi-timbral mode, an arpeggiator and a stereo delay. The plug-in comes loaded with more than 400 presets made by a selection of talented sound designers.
- MIDI Control Assignment Improvement
- Support for 64-bit VST and Audio Unit
- Support for Pro Tools 9 & 10
- Support for Mac OS X 10.7 (Lion)
- All the original parameters of the Yamaha CS-80 - 2 oscillators, 4 filters (high-pass, low-pass), 2 LFOs, 4 envelopes, 2 VCAs, sub-oscillator (LFO), ring modulator, chorus and tremolo
- More than 400 presets playable through a MIDI keyboard
- Multi Mode allows for assigning a different sound to each of the 8 voices of polyphony
- Delay effect
- Modulation Matrix with 12 sources to modulate a choice of 38 destination parameters
- Responds to polyphonic aftertouch
- Arpeggiator
- Expression and sustain pedals
- Ribbon controller
- SoundMap preset navigation system
- Sampling rate up to 96kHz
- No aliasing from 0.1Hz to 16kHz
- Up to 64-bit floating point processing
- Can use NRPN (Non-Registered Parameter Number) MIDI messages for automation
- Syncrosoft copy protection
The ARP2600 V 2.5 from Arturia is a software recreation of the ARP2600 analog synthesizer. It can be operated with or without patch cords since all of the functions are internally wired and can be controlled via sliders and switches.
In addition to the ARP2600's original functions, this software version provides MIDI control, polyphony and the ability to save and recall presets. Additionally, four tracking generators add sound design possibilities that have never been heard before. Effects are also included to form an exciting virtual synthesizer.
- MIDI Control Assignment Improvement
- Support for 64-bit VST and Audio Unit
- Support for Pro Tools 9 & 10
- Support for Mac OS X 10.7 (Lion)
- Recreation of the ARP2600 synthesizer
- More than 400 presets playable through a MIDI keyboard
- 3 voltage-controlled oscillators - the second oscillator can modulate either the first two oscillators or the filter
- Low-pass resonant filter
- ARP2500 multi-mode 12dB filter including the notch/low shell filter combination
- 4 tracking generators
- Ring modulator
- LFO which can be synchronized with the tempo of the host sequencer
- Sample and Hold
- A tracker/interactive LFO exclusive module allows for creating different kinds of modulations in real time
- Ability to synchronize oscillator 2 with oscillator 1
- Original ARP 1601 sequencer
- Chorus and stereo delay that can be synchronized to the host tempo
- Updated voltage processors that can now be used as either inverters, mixers or lag processors
- Polyphony from 2 to 32 voices with Unison possibilities
- SoundMap preset navigation system
- No aliasing from 0.1Hz to 16kHz
- Up to 64-bit floating point processing
- Can use NRPN (Non-Registered Parameter Number) MIDI messages for automation
- eLicenser protection
The Jupiter-8V 2.5 from Arturia is a recreation of the Roland Jupiter 8 hardware synthesizer keyboard in a virtual instrument.
Using the latest version of TAE (True Analog Emulation), the company's proprietary technology, the Jupiter-8V also offers a host of modern features. These include an advanced step sequencer, a new line of dynamic effects, a module combining LFO's (called Galaxy), and more.
- Support for 64-bit VST and Audio Unit
- Support for Pro Tools 9 & 10
- Support for Mac OS X 10.7 (Lion)
- MIDI Control Assignment Improvement
- Recreation of Roland's Jupiter 8 synthesizer
- More than 400 high quality and innovative sounding presets
- Unique audio structure consisting of 2 oscillators per voice (16 oscillators in total), 2 LFO's, 2 filters and 2 envelopes
- Keyboard split and layer
- Analog sounding effects include dual delay, phaser and flanger, with all 3 being largely modulate-able by any audio source in the synthesizer
- 2 digital effects, X and Y
- Additional live-oriented step-sequencer
- Additional Galaxy module for advanced modulations
- Easy to setup MIDI keyboard control with just a few mouse clicks
- Polyphony from 2 to 32 voices with Unison possibilities
- Sound MAP preset navigation system
- Can use NRPN (Non-Registered Parameter Number) MIDI messages for automation
- eLicenser software protection
The Wurlitzer V from Arturia is a software recreation of the classic Wurlitzer 200A electric piano using physical modeling. Unlike sample libraries that produce static snapshots of individual events, the virtual instrument reproduces the acoustic properties of the reeds and hammers, key action and amplification, the internal amplification system, and even the acoustic properties of the plastic body, bringing heightened realism while offering maximum flexibility.
The legendary bright and overdriven Wurlitzer sound heard on countless classic records came from the use of boutique effects and mic'd guitar tube amplifiers. To add authenticity to the sound of the software, the company added a modeled studio environment that includes the same amplifiers, microphones and effects. And to allow the musician to easily interact with the sound, the user interface features "in-depth" parameter controls right on the main panel.
These parameters allow for extensive sound design capabilities, not only offering an accurate recreation of the legendary Wurlitzer keyboards, but are also ideal for extreme sound-design. Additionally, "harmonic variations" presets can be selected which call up different profiles depending on the reed's quality and the accentuated natural harmonics. This allows for instantaneously dramatic changes in the sound of the instrument.
The software side-steps the nightmare of tuning the reeds manually while providing an intuitive way of mapping a user's favorite MIDI controller. Automatic learning makes assigning a control easy - simply click on a software control in MIDI mode, and then move the slider or knob on the hardware controller to assign it to the software interface.
- Fender Deluxe Reverb Blackface
- Fender Twin Reverb Blackface
- Fender Bassman
- Marshall Plexi
- Leslie Speaker
Modeled Microphones
- Shure SM57
- Sennheiser MD 421
- Neumann U 87
Modeled Effects
- Wah wah pedal
- Autowah
- Overdrive
- Flanger
- Compressor
- Phaser
- Chorus
- Delay
- Pitch Shifter / Chorus
- Vocal Filter
- Reverb
The Prophet V 2.5 from Arturia is a 3-part software instrument, including software models of the Prophet 5, Prophet VS, and a hybrid of the two. Using TAE (True Analog Emulation), a technology developed by Arturia, the company has replicated the sound of the original analog circuitry.
The emulations have all features of the original hardware (5-voice polyphony, white noise modulators, dynamic waveform cross-fading with joystick, etc.). The Hybrid mode is both synthesizers stacked one on top of the other offering an entirely new world of possibilities.
- MIDI Control Assignment Improvement
- Support for 64-bit VST and Audio Unit
- Support for Pro Tools 9 & 10
- Support for Mac OS X 10.7 (Lion)
- Software recreation of Prophet 5 and Prophet VS with the additional creation of a hybrid software synthesizer using both instruments
- Includes all the original parameters of the Prophet 5 and Prophet VS
- More than 400 presets and compatibility with the presets from the original synthesizers
- Audio connection matrix
- Modulation matrix switch for the two synthesizers
- Two analog oscillators for the Prophet 5 and four wavetable oscillators for the Prophet VS
- Mixer with joystick and automation envelope for mixing the oscillators of the Prophet VS
- Ability to synchronize oscillator 2 with oscillator 1 for the Prophet VS
- Resonant low-pass filter and multi-mode filters in the Prophet 5
- Three LFO's that can be synchronized with the tempo of the host sequencer
- Five envelopes that include two ADSR and three 5-point envelopes
- Chorus and stereo delay with MIDI synchronization
- Compatible with most MIDI keyboards
- Polyphony from 2 to 32 voices with Unison possibilities
- Sound MAP preset navigation system
- No aliasing from 0.1Hz to 16kHz
- Up to 64-bit floating point processing
- Can use NRPN (Non-Registered Parameter Number) MIDI messages for automation
- eLicenser software protection
The Oberheim SEM V from Arturia is a faithful recreation of Oberheim's legendary SEM (Synthesizer Expander Module) that was, and is, coveted for its "fatness" and unique harmonic spectrum. Utilizing the company's TAE technology, all of the original features have been reproduced, while several additional features not found on the original have been added.
The virtual instrument can function in standalone mode, or as a plug-in available in most popular formats. Over 500 presets are presented that have been crafted by many of the famous names in analog synthesis.
The Matrix 12 V from Arturia is a virtual instrument that models the massively powerful Oberheim Matrix 12 synthesizer. The original two oscillators have been accurately recreated, with all the waveforms modeled using aliasing-free algorithms. Pulse width modulation, noise and the FM functions are also available. The Matrix-12 employed a single filter per voice, but provided fifteen different filter modes.
Two insert effect slots are provided with a choice of six effects available for each slot, including reverb, chorus, classic delay, phaser, flanger and analog delay. The software can be controlled by any MIDI keyboard with MIDI mapping user customizable. Almost all parameters can be assigned, including a MIDI control to the program chain list to ease navigation through favorite presets. Other enhancements make operational and modulation setups easier using dedicated interfaces.
The Solina V from Arturia is a virtual instrument that faithfully models the classic Arp/Eminent Solina string ensemble. In addition to providing all the original parameters of the string ensemble, the company has expanded the sound generating elements to include the Vox Humana and Resonators from the Polymoog synthesizer, original paraphonic and new polyphonic modes of operation, a 24 dB per octave filter on the bass section, LFO and arpeggiator.
Besides the classic vintage synthesizer string sounds, the instrument includes ambient pads, mono leads, basses, brass, arpeggios and more. All the effects from the original are also available, along with more modern additions. Control over the many parameters is implemented with a simple MIDI learn function with the ability to store different configurations and recall them as needed.
The Vox Continental V from Arturia is a virtual instrument that faithfully models the famous VOX Continental 300 classic organ. Both the upper and lower manuals have been modeled and can be controlled via multiple MIDI controllers, or with a single manual controller. The Bass section adds a rich low end, while a collection of vintage stomp boxes allow for processing the sounds and then feeding the output either directly, through a classic guitar amp with multiple models, or through a Leslie speaker.
Every nuance of the original has been modeled down to the key contact timing and background noises. This provides both the smooth mellow tones and the cutting hard tone that the VOX was known for. A Jennings J70 mode has also been added to the voice engine along with an expanded mode that delivers a full complement of drawbars on both the upper and lower manuals, and an additional third tone drawbar that uses a saw wave as a base tone.
- Physical modeling of the VOX Continental 300
- Added models of the ultra rare Jennings J70
- Classic red/orange VOX skin or UK VOX/Jennings grey skin
- Upper manual, lower manual and bass pedal sections
- Extended mode allows for more controls and more sound possibilities
- Includes classic stompbox-type modeled effects
- Modeled guitar tube amp and rotary speaker outputs for vintage live sound
- Extensive MIDI mapping of pedals, effects and sound engine parameters
- Supports MIDI splits or independent channels per manual
- Multiple-output effect processors
- Modeled amplifiers - Fender Deluxe Reverb Blackface, Fender Twin Reverb Blackface, Fender
- Bassman, Marshall Plexi, Leslie Speaker
- Modeled microphones - Shure SM57, Sennheiser MD 421, Neumann U 87
- Convolution reverb with custom classic spring reverbs
- Adds a full complement of drawbars for each harmonic
- Adds a new waveform drawbar on each section
- Vibrato, tremolo, reverb, overdrive and more effects
- Leslie and guitar amp simulator outputs
- Expanded percussion section with short and long decay times
- Allows for individual tuning of each pitch like a real VOX
- Increase or decrease the key contact timing (simulates older key contacts)
- Switch between the VOX 300 circuit emulation and the updated Jennings J70 engine
- Increase or decrease the background noise bleed of the older VOX/Jennings
Spark 2 from Arturia is a drum production solution with a sound library, multiple synthesis engines and advanced sequencing functionalities. Also included are real time performance tools and effects for use in the studio or on stage. The software functions standalone, or as an AAX Native, Audio Units and VST plug-in, for both Mac and Windows computers.
- Beat creation software combining elements from analog drum machines, sample based beat boxes and physical modeling
- Audio engine contains multiple synthesis modes - sample engine, multiple physical models, and a modular, virtual analog drum synthesizer
- TAE (True Analog Emulation) synthesis for creating the sounds of classic analog synthesizers
- The modular synthesizer can be used to create a vast array of sounds including, kick drums, snares, hats, cymbals, as well as more traditional synthesizer sounds using:
- Up to nine variable shape VA oscillators
- Up to four 8-mode filters
- Up to six envelopes
- Up to two LFOs
- Up to four mixers
- Up to two ring modulators
- Up to two CV modulators
- Up to two Karplus Strong based filters
- Stereo filter
- Spring Mass physical modeling engine
- The modular synthesizer contains six assignable macros knobs which allow for controlling multiple aspects of the sound in real time - for each macro four parameters can be assigned from any of the modules within a patch, as well as determining the minimum and maximum values the parameter can take
- Song mode allows for organizing patterns into up to sixteen color-coded mini songs, each up to eight patterns long Allows for simple visualizing of the various sections of a song (intro chorus, verse, breakdown) Dedicated buttons can trigger mini songs in any order for creating on-the-fly remixes
- Interface has been organized to make it as user friendly as possible by placing all the major features at the user's fingertips
- Tabbed layout drastically reduces scrolling and provides the user with faster access to all features
- Supports REX files - import a REX file and split the slices across the sixteen pads, or use single pad playback for live looping possibilities
- Samples and REX files can be used as sources for the modular synthesizer
- Built-in step sequencer
- Mixer provides a familiar interface for controlling the level, pan, insert effects and sends of instruments with each of these parameters automatable in the pattern page
- Each drum instrument can be processed through fourteen digital effects:
- Compressor
- Reverb
- Bit crusher
- Multiband EQ
- Chorus
- Delay
- Distortion
- Phaser
- Plate reverb
- Destroyer
- Flanger
- Space pan
- Limiter
- Sub generator
- Automation input is available using the XY pad or the Pencil and Line tools in the pattern/automation page
- All instrument and effect parameters from the inserts can be automated
- Each track of the step sequencer allows for fifteen different parameters to be automated per instrument plus full automation of all the insert effects parameters for that given instrument
- Functions standalone or as a plug-in within a host sequencer
- Plug-in use supports sixteen audio outputs that can be routed and assigned within the host
- Import AIFF, WAV, MIDI and REX2 files
- Simple drag and drop export of patterns in WAV format, as well as MIDI sequence formats into a DAW
- All of the parameters available on the main panel are MIDI assignable and can be controlled via any external MIDI device
- Full integration with SparkLE controller
- Roland TR-808
- Roland TR-909
- Roland TR-707
- Roland TR-606
- EMU Drumulator
- LinnDrum
- Oberheim DMX
- Korg KPR 77
- Sequential Circuits Drumtraks
- Simmons SDS-V
- Roland CR78 / Ace Tone Rhythm Ace
- Korg DDM-110
- Korg DDM-220
- Yamaha RX5
- Casio RZ1
- Lynn9000
- EDM
- Hip Hop
- Dubstep
- Electro House
- Deep House
- Minimal Techno
- R'n'B
- Trance
- Techno
- Abstract Hip Hop
- Dancehall
- Industrial
- Tech House
- Trap
- Drum and Bass
- Modern Rock
- Funk
- R'n'B
- Pop
- Vintage Rock
- Latin Percussion