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Senal MC24-ES Short Shotgun Microphone

BH #SEMC24ES • MFR #MC24-ES
21 reviews
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Senal MC24-ES Short Shotgun Microphone
Key Features
  • For Film, Broadcast & Video Production
  • 7.1" Long, Compact, and Lightweight
  • Operates on 48V Phantom Power
  • Selectable 180 Hz High-Pass Filter
The Senal MC24-ES is a phantom-powered short shotgun microphone that delivers broadcast-quality sound in the studio or on location. It maximizes the rejection of sound coming from the sides and rear of the mic and can be used as a directional microphone to capture full, rich, natural-sounding audio for speech and dialog.
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Senal MC24-ES Overview

From Manufacturer

The Senal MC24-ES is a phantom-powered short shotgun microphone that delivers broadcast-quality sound in the studio or on location. It maximizes the rejection of sound coming from the sides and rear of the mic and can be used as a directional microphone to capture full, rich, natural-sounding audio for speech and dialog.

Thoughtfully designed and engineered for demanding video productions, ENG, and broadcast applications, the MC24-ES delivers quality sound, and its rugged brass frame ensures it is capable of withstanding the rigors of recording in the field or on the go.

The microphone features a high-grade condenser transducer that captures detailed and accurate sound. It has a broad frequency response of 40 Hz to 20 kHz and delivers clear sound reproduction with full lows, present mids, and crisp highs. There is a selectable high-pass filter at 180 Hz that minimizes unwanted noise and rumble.

Furthermore, the microphone runs on 48V phantom power which is available from most professional video cameras, mixing boards, or recording devices. The mic is suitable for mounting on a boompole, a mic stand, or a camera, and includes a foam windscreen, a mic clip, and a 5/8" (mic stand thread) to 3/8" (boompole thread) adapter.

The microphone is covered with a matte-black rubberized coating that reduces handling noise and ensures trouble-free recordings when being operated. The finish also rejects unwanted light reflections. It is built with a gold-plated XLR connector and comes in a leatherette pouch.

Broadcast Sound Quality
Senal's MC24-ES shotgun microphone is designed for video production and broadcast applications. Its length is well suited for ENG, outdoor recording, and camera mounting.
Hypercardioid Polar Pattern
A hypercardioid polar pattern provides front-facing directivity and off-axis sound rejection. It is suitable when recording speech or dialog in noisy environments such as a convention floor or sporting event.
48V Phantom Power
The MC24-ES runs on 48V phantom power supplied by most professional video cameras, mixing boards, or recording devices.
Brass Construction
The durable and solid construction ensures the microphone is capable of withstanding the rigors of recording in the field or on the go.
Rubberized Coating
The rubberized coating minimizes handling noise.
Matte Finish
The matte finish doesn't reflect light when shooting in the studio.
High-Pass Filter
The selectable high-pass filter rolls off unwanted low-frequency noise and rumble at 180 Hz and minimizes room noise when recording in environments with fans, air conditioners, blowers, or overhead lights.
Gold-Plated XLR Connector
The gold-plated XLR connector resists corrosion and ensures excellent signal transfer.
Foam Windshield, Mic Clip
A foam windshield is included to minimize wind noise and to protect the microphone from dust and debris. A mic clip is included for boompole or mic stand mounting.
UPC: 847628591738

Senal MC24-ES Specs

Key Specs
Microphone Type
Shotgun
Polar Pattern
Hypercardioid
Element Type
Condenser
Controls
Low Cut/HPF
Frequency Response
40 Hz to 20 kHz
Maximum SPL
130 dB (1 kHz, 1% THD)
Analog Output
1x XLR 3-Pin Male
Power Sources
Phantom Power
Microphone
Microphone Type
Shotgun
Polar Pattern
Hypercardioid
Element Type
Condenser
Sound Field
Mono
Orientation
End Address
Controls
Low Cut/HPF
Pad
No
Filter & EQ
Low-Cut Filter: 180 Hz
Circuitry
Solid-State
Performance
Frequency Response
40 Hz to 20 kHz
Maximum SPL
130 dB (1 kHz, 1% THD)
Sensitivity
-35 dBV/Pa (at 1 kHz)
Connectivity
Analog Output Connector
1x XLR 3-Pin Male
Power
Power Sources
Phantom Power
Operating Voltage
48 V (Phantom Power)
Physical
Color
Black
Mounting Thread Size
5/8"-27 Female (3/8"-16 Female with Included Adapter)
Dimensions
ø: 0.8 x L: 7.1" / ø: 20.32 x L: 180.34 mm
Weight
3.8 oz / 107.73 g
Packaging Info
Package Weight
0.765 lb
Box Dimensions (LxWxH)
11.45 x 5.9 x 2.75"

Senal MC24-ES Reviews

Surprisingly good for the price

By Ian
Rated 5 out of 5
Date: 2026-04-24

Honestly, I vacillated between four and five stars. I'd been curious about Senal since I often see their products on sale here; I took a chance with the MC24-ES when it went on sale. At the $50 price point I purchased it's excellent; at full price it's a solid performer in the traditional positioning and very good as a VO mic. At a distance of 4-5 inches (standard voice-over position) it's lovely and rich, and either bests or performs equally to my other shotgun mics. At 16", the Senal is a little hot in the upper mid frequencies. Luckily, it's not boxy sounding, so pulling down the 700-800 frequency range by 2.5 dB brings it nicely into line for a smooth, even sound. And that's pretty minor. I compared it to my AudioTechnica 897 ($270), an AKG C568 EB ($480 new), and the budget Synco D2 ($199). The Synco has been favorably compared to the Sennheiser 416 for voice-over work (4"-6") and there's some truth here. The Senal performs just as well for voice-over with a little more presence in the upper frequencies, and noticeably more balanced at 16". The AT897 is an extremely well-balanced mic and something of a "sleeper" in the production community. The Senal sounds very similar to the AT 897 for VO, and the AT is slightly better balanced and detailed at 16". I prefer the AKG at all distances, really, but if you want more presence in the upper frequencies it's easier to find in the Senal. The Senal has slightly more noise than all three of these mics, but is still quite respectably contained and suitable for professional use. Off axis rejection is good, and about on par with the others. It has a rubber matte finish that feels great in the hand but I don't approve-- I suspect that it will turn sticky as the rubber decays in 5-7 years. The Senal will likely replace my Synco as the mic to grab when I need to place a mic in harms way, or as a second mic when I need extra coverage.

I regret this purchase

By John
Rated 2 out of 5
Date: 2022-09-16

The only good thing I can say about it is that it rejects handling noise pretty well, which is what you want for an on-camera mic. But it just doesn't sound good. Voice sounds unnatural and muddy. The pickup is weak. The price is good, but I would happily pay more for clearer sound.

See any errors on this page?

What is the main difference to the long shotgun ...

What is the main difference to the long shotgun microphone? Which one is better suitable as an on-camera microphone?
Asked by: Miguel
The main difference is the option to power the long shotgun mic using a single AA battery or phantom power. The short shotgun mic operates on phantom power only. The mic element, frequency response range, high-pass filter, and specs for sensitivity level, maximum SPL, signal to noise ratio are the same for both mics when using phantom power. For selecting the better on-camera mic, it really depends on the camera that you will be using and whether or not the camera supplies phantom power or if you will be using a separate phantom power supply. If you are using a DSLR, mirrorless camera or handycam with a single 3.5mm mic input, the long shotgun will allow you to connect the mic directly to the camera using an XLR to 3.5mm cable and power the mic with a AA batttery.
Answered by: Lisa S
Date published: 2021-07-07

Is the mic diameter too narrow to fit inside a ...

Is the mic diameter too narrow to fit inside a camera mounted clip? Do I need O-rings for a more snug fit?
Asked by: Ronald
The Senal MC24-ES does fit in camera mounts such as the Auray DUSM-1 Universal Shockmount for Camera Shoes and Boompoles (B&H # AUDUSM1) which attaches to a camera's shoe mount as has a threaded hole on the bottom which can be used to mount it on a boompole. O-rings would not be need for this type of mount.
Answered by: Lisa S
Date published: 2020-10-16

Is this good for a boom pole?

Is this good for a boom pole?
Asked by: Joshua
Yes, it is. It is recommended to use a shock mount to reduce handling noise.
Answered by: John
Date published: 2019-05-26
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