Electro-Voice RE20 1-Person Broadcaster and Cloudlifter Kit (Fawn Beige)

BH #ELRE20CLK (B&H Kit)
Electro-Voice
Electro-Voice RE20 1-Person Broadcaster and Cloudlifter Kit (Fawn Beige)
Key Features
  • 1 x RE20 Dynamic Broadcast Microphone
  • 1-Channel Cloudlifter Mic Activator
  • 1 x Mic Suspension Shockmount
  • 1 x Broadcast Arm with Integrated XLR
This B&H Kit includes one fawn beige Electro-Voice RE20 large-diaghragm broadcast dynamic microphone with a mic suspension shockmount, a one-channel Cloudlifter mic activator with 25 dB of transparent gain, one short XLR cable, one foam windscreen, and one broadcast arm with internal springs and an integrated XLR cable. With voice-tailored tone, enhanced hum rejection, plosive protection, and versatile positioning, the kit is ideal for one-person podcasts, radio show hosts, and announcers at home or in the studio.
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Electro-Voice RE20 Overview

  • 1Description
  • 2Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D (Fawn Beige)
  • 3Cloud Microphones Cloudlifter CL-1 Mic Activator
  • 4Auray SSM-BC10 Microphone Suspension Shockmount (Black Matte)
  • 5Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
  • 6Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (6', Black)
  • 7Auray WCF-UB440 Foam Windscreen for Large Diaphragm Condenser Mics

This B&H Kit includes one fawn beige Electro-Voice RE20 large-diaghragm broadcast dynamic microphone with a mic suspension shockmount, a one-channel Cloudlifter mic activator with 25 dB of transparent gain, one short XLR cable, one foam windscreen, and one broadcast arm with internal springs and an integrated XLR cable. With voice-tailored tone, enhanced hum rejection, plosive protection, and versatile positioning, the kit is ideal for one-person podcasts, radio show hosts, and announcers at home or in the studio.

Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D (Fawn Beige)

A broadcast industry standard, the RE20 Broadcast Announcer Microphone with Variable-D from Electro-Voice is a cardioid dynamic microphone that delivers reliable, low-noise performance with exceptional clarity and definition. This model is styled in the classic fawn beige finish.

Tailored Response

Response tailored especially for vocals with high sound pressure handling capabilities.

Construction

Rugged, steel construction with low handling noise.

True Cardioid Pattern

The RE20 features a cardioid polar pattern with no coloration at 180-degrees off-axis—the frequency response is nearly independent of angular location of the sound source, creating virtually no off-axis coloration, yet providing the greatest possible rejection of unwanted sounds.

Internal Windscreen

An internal blast and wind filter eliminates pop and wind noise at the closest proximity. In recording sessions or on stage, singers can "close talk" the microphone, singing with their lips almost touching the grille screen with no worry of "P-pops" or excessive sibilance.

Bass Tilt-Down Switch

The bass tilt switch corrects spectrum balance for use in long-reach situations and eliminates low frequency noise and rumble.

Flat Frequency Respone

The RE20's flat frequency response remains flat even at extremely close proximity.
UPC: 701001000098

Cloud Microphones Cloudlifter CL-1 Mic Activator

The Cloudlifter CL-1 Mic Activator from Cloud Microphones is a compact, single-input solution for common audio problems in the field and in the studio involving low-output passive microphones, including ribbon mics. The CL-1 uses any standard phantom-powered mixer or microphone input device to provide up to +25 dB of clean, transparent gain. This improves signal-to-noise ratio and improves the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications. The CL-1 is housed in a rugged steel enclosure which offers shielding and durability. Additionally, the CL-1 has provisions for stage or stand mounting.

Transparent Gain

Gives passive mics up to +25 dB additional active output and keeps the direct audio path free-and- clear of transformers, capacitors, and resistors. The CL-1 houses discrete JFET circuitry that delivers clean gain while preserving the natural sonic characteristics of the source

Useful for a Variety of Applications

  • Use with noisy or low-gain preamps
  • Use with mixers/preamps that negatively impact the sound at higher gain settings
  • Use with low-output dynamic microphones and ribbons
  • Mic softer sound sources such as acoustic instruments and voice
  • Use for long cable runs

Features at a Glance

  • Gives passive mics up to +25 dB additional active output
  • Provides 2 distinct stages of clean gain
  • Easy to use self-contained design requires only phantom power
  • Recommended for use with all passive dynamic microphones
  • Compatible with tube, battery, or power-supply-driven microphones  
  • Safe for all passive ribbons with no transfer of phantom
  • Utilizes Patent Pending Class-A, discrete JFET circuitry
  • Ideal impedance loading for optimal performance at 3 kilohms
  • Rugged, road ready, and portable, for studio, stage, and broadcasting
UPC: 094922059796

Auray SSM-BC10 Microphone Suspension Shockmount (Black Matte)

The black matte SSM-BC10 Microphone Suspension Shockmount from Auray is designed to keep your front-address microphone free from vibrations and noise that can often affect broadcast and voiceover applications. The heavy-duty bands isolate your microphone, eliminating the vibrations that can travel through your mic stand or broadcast arm.

The shockmount is equipped with a standard 5/8"-27 threaded socket and fits most mic stands and broadcast arms. Its locking knob and protective inner ring secure your mic in place while protecting its finish. The swiveling basket allows for precise microphone placement.

Eliminates Noise

The SSM-BC10 prevents unwanted vibrations that can radiate through a mic stand or broadcast arm from disrupting your broadcast or recording.

Swiveling Basket with Tension Knobs

The swiveling basket provides precise microphone positioning. Dual tension knobs maintain the angle of the microphone while still allowing smooth repositioning.

5/8"-27 Thread

The SSM-BC10 features a mic stand adapter with a standard 5/8"-27 thread that is compatible with most mic stands and broadcast arms.

Locking Knob with Inner Ring

The locking knob holds the microphone firmly in place. The inner ring applies uniform pressure to the outside of the microphone and prevents damage to the microphone finish

All-Metal Construction

The SSM-BC10 is a durable studio accessory that is built to last. The all-metal construction assures security and protection for the microphone.

Heavy-Duty Elastic Bands

The heavy-duty elastic bands suspend the microphone in the center of the basket, and prevent shocks and vibrations that can radiate through the mic stand or broadcast arm from reaching the microphone.

Black Matte Finish

Using the SSM-BC10 for on-air broadcast, the black matte finish will not reflect lights into the cameras.

For Front-Address Microphones

The SSM-BC10 fits front-address microphones such as the Electro-Voice RE20 and RE320 and the Heil Sound PR 40.
UPC: 847628585188

Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable

The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.

The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb / 2.27kg. The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.

The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.

Versatile

Ideal for studios as well as home use

Internal Springs

Internal springs provide smooth, noise-free positioning and clean and sleek profile

Sturdy

Supports microphones up to 5 lb / 2.27kg

Compatibility

The 5/8"-27 standard microphone thread is compatible with most shockmounts and microphone clips

Precision

Extends up to 40" / 101.6cm and rotates 360° allowing for precise microphone placement

XLR Cable

The integrated 15-foot XLR cable provides a secure, locking connection and excellent signal transfer

Extra Height

A 14" / 13.6cm riser is included. It provides extra height to the broadcast arm for extending over computer or studio monitors

Combo Mount

The heavy-duty combo mount is comprised of a C-clamp for clamping to a desktop up to 2.3" / 5.8cm thick, and a detachable desktop mount for permanent attachment to a desktop with the included screws

14" Riser

The included riser adds 14" / 13.6cm of height to the broadcast arm so that it can easily extend over computer or studio monitors
UPC: 847628578272

Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (6', Black)

The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (6') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces and recorders; or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well-suited for critical recording and broadcast situations.

Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrix XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

98% braided shield offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Cast zinc shell and chuck style strain relief.
UPC: 847628551169

Auray WCF-UB440 Foam Windscreen for Large Diaphragm Condenser Mics

The Auray WCF-UB440 Foam Windscreen for the Senal UB-440 is made from specialty acoustic foam designed to reduce broadband wind noise with minimal high frequency loss. The density of the foam is optimized to help protect the microphone element from vocal plosives and wind pressure without dramatically muffling the sound.

This windscreen is effective indoors for protection against drafts caused by air conditioners and can be used in calm to light outdoor breeze conditions (0 to 7 mph). It also reduces vocal plosives in close microphone placement situations. Users can generally expect a 4 to 8 dB reduction in wind noise, with very slight dampening of high frequencies. For most applications, the very slight high frequency dampening is a worthwhile exchange for the notable wind noise reduction.

The WCF-UB440's foam is hypoallergenic and washable and helps prevent moisture and dirt from damaging your microphone. The windscreen has a height of 3.5" and is designed to fit over the Senal UB-440 as well as mics from AKG, Shure, Neumann, Mi-Tek, MXL, Behringer, SE Electronic, Rode, and most other large diaphragm condensers with a grill diameter of larger than 2".

The WCF-UB440 Foam Windscreen for the Senal UB-440 is an effective solution for basic wind protection.

Fits these and other similar sized microphones:

AKG 414, 420, C2000, 220, 120
Shure KSM44A, KSM32/SL, SM27, PG42
Senal UB-440
Neumann U87, 103
Rode NTK, NT1000, NT100, NT1
UPC: 847628569867

Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D (Fawn Beige) Specs

Microphone
Primary ApplicationsStudio Recording, Broadcast
Form FactorStand/Boom Mount
Sound FieldMono
Operating PrinciplePressure Operated
CapsuleDynamic
Polar PatternCardioid
OrientationEnd Address
CircuitrySolid-State
PadNone
High-Pass FilterNone
Tone AdjustmentNone
IndicatorsNone
On-Board ControlsHigh-Pass Filter
WindscreenFoam (Available Separately)
Performance
Frequency Range45 Hz to 18 kHz
Impedance150 Ohms
Sensitivity1.5 mV/Pa
Connectivity
Output Connectors (Analog)1 x XLR 3-Pin (on Mic)
Physical
ColorBeige
Mounting5/8"-27 Female (with Included Hardware)
Included CaseNone
Included FiltersNone
Construction MaterialSteel
Dimensionsø: 2.13 x L: 8.54" / ø: 54 x L: 216.92 mm
Weight26 oz / 737.1 g
Packaging Info
Package Weight2.52 lb
Box Dimensions (LxWxH)12.05 x 7 x 3.45"

Cloud Microphones Cloudlifter CL-1 Mic Activator Specs

General
In-Line Accessory TypePre-Amplifier
Input / Output LevelInput: Mic Level
Output: Mic Level
Number of Channels1
Gain+25 dB (3-Kilohm Load)
ControlsNone
Connectivity
I/O1 x XLR 3-Pin Female Input
1 x XLR 3-Pin Male Output
Physical
Packaging Info
Package Weight0.91 lb
Box Dimensions (LxWxH)6.75 x 4.35 x 2.35"

Auray SSM-BC10 Microphone Suspension Shockmount (Black Matte) Specs

Mic CompatibilityElectro-Voice:
RE20
RE320
Heil Sound:
PR 40
Mounting1 x 5/8"-27
Material of ConstructionMetal
Dimensions10 x 6.5 x 5" / 25.4 x 16.5 x 12.7 cm
Weight1.1 lb / 499 g
Packaging Info
Package Weight1.6 lb
Box Dimensions (LxWxH)10.05 x 6.7 x 6.55"

Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable Specs

Form FactorStudio Microphone Arm with Mount
ColorBlack
Total Reach40" / 101.6 cm
Thread Size5/8"-27
Riser Height14.00" / 35.56 cm
Load Capacity5 lb / 2.27 kg
Included CableIntegrated
Cable Length15' / 457.2 cm
Audio Connector TypeXLR 3-Pin
Clamp Range2.3" / 5.8 cm
Weight4.47 lb / 2.02 kg
Packaging Info
Package Weight6.2 lb
Box Dimensions (LxWxH)23.5 x 7.4 x 3.5"

Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (6', Black) Specs

Contact PlatingSilver
Cable Length6' / 1.8 m
Wire Gauge24 AWG
Shielding98% Braid
Packaging Info
Package Weight0.45 lb
Box Dimensions (LxWxH)9.45 x 9.2 x 1.3"

Auray WCF-UB440 Foam Windscreen for Large Diaphragm Condenser Mics Specs

MaterialFoam
Packaging Info
Package Weight0.04 lb
Box Dimensions (LxWxH)5 x 2.85 x 2.8"
See any errors on this page? Let us know

YOUR RECENTLY VIEWED ITEMS

Where is the RE20 manufactured?

Where is the RE20 manufactured?
Asked by: Harry J
Usa
Answered by: Anonymous
Date published: 2021-05-01

The photos show it with a shock mount, does it ...

The photos show it with a shock mount, does it actually come with it?
Asked by: zach
No, the shock mount is not included. The RE20 comes with a mic stand adapter which you can see in the photo of the RE20 in fawn beige finish (B&H # ELRE20). The shock mount shown with the RE20 in black finish is the Electro-Voice 309A (B&H # EL309A) which is available separately.
Answered by: Lisa
Date published: 2021-08-19

question

Does it need a cloudlifter preamp to boost gain for better quality?
Asked by: Anonymous
The microphone sensitivity is listed as 1.5 mV/Pa. You can find a concersion calculator through google that puts that at -56.5dB. Check the gain specs on your interface or preamp. if you have about 56dB of gain, you won't need a preamp.
Answered by: Jacquelyn
Date published: 2021-06-16
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