This B&H Kit includes one fawn beige Electro-Voice RE20 large-diaghragm broadcast dynamic microphone with a mic suspension shockmount, a one-channel Cloudlifter mic activator with 25 dB of transparent gain, one short XLR cable, one foam windscreen, and one broadcast arm with internal springs and an integrated XLR cable. With voice-tailored tone, enhanced hum rejection, plosive protection, and versatile positioning, the kit is ideal for one-person podcasts, radio show hosts, and announcers at home or in the studio.
Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D (Fawn Beige)
A broadcast industry standard, the RE20 Broadcast Announcer Microphone with Variable-D from Electro-Voice is a cardioid dynamic microphone that delivers reliable, low-noise performance with exceptional clarity and definition. This model is styled in the classic fawn beige finish.
True Cardioid Pattern
Bass Tilt-Down Switch
Flat Frequency Respone
Cloud Microphones Cloudlifter CL-1 Mic Activator
The Cloudlifter CL-1 Mic Activator from Cloud Microphones is a compact, single-input solution for common audio problems in the field and in the studio involving low-output passive microphones, including ribbon mics. The CL-1 uses any standard phantom-powered mixer or microphone input device to provide up to +25 dB of clean, transparent gain. This improves signal-to-noise ratio and improves the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications. The CL-1 is housed in a rugged steel enclosure which offers shielding and durability. Additionally, the CL-1 has provisions for stage or stand mounting.
Useful for a Variety of Applications
- Use with noisy or low-gain preamps
- Use with mixers/preamps that negatively impact the sound at higher gain settings
- Use with low-output dynamic microphones and ribbons
- Mic softer sound sources such as acoustic instruments and voice
- Use for long cable runs
Features at a Glance
- Gives passive mics up to +25 dB additional active output
- Provides 2 distinct stages of clean gain
- Easy to use self-contained design requires only phantom power
- Recommended for use with all passive dynamic microphones
- Compatible with tube, battery, or power-supply-driven microphones
- Safe for all passive ribbons with no transfer of phantom
- Utilizes Patent Pending Class-A, discrete JFET circuitry
- Ideal impedance loading for optimal performance at 3 kilohms
- Rugged, road ready, and portable, for studio, stage, and broadcasting
Auray SSM-BC10 Microphone Suspension Shockmount (Black Matte)
The black matte SSM-BC10 Microphone Suspension Shockmount from Auray is designed to keep your front-address microphone free from vibrations and noise that can often affect broadcast and voiceover applications. The heavy-duty bands isolate your microphone, eliminating the vibrations that can travel through your mic stand or broadcast arm.
The shockmount is equipped with a standard 5/8"-27 threaded socket and fits most mic stands and broadcast arms. Its locking knob and protective inner ring secure your mic in place while protecting its finish. The swiveling basket allows for precise microphone placement.
Swiveling Basket with Tension Knobs
Locking Knob with Inner Ring
Heavy-Duty Elastic Bands
Black Matte Finish
For Front-Address Microphones
Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.
The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb / 2.27kg. The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.
The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.
Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (6', Black)
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (6') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces and recorders; or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well-suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrix XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
Auray WCF-UB440 Foam Windscreen for Large Diaphragm Condenser Mics
The Auray WCF-UB440 Foam Windscreen for the Senal UB-440 is made from specialty acoustic foam designed to reduce broadband wind noise with minimal high frequency loss. The density of the foam is optimized to help protect the microphone element from vocal plosives and wind pressure without dramatically muffling the sound.
This windscreen is effective indoors for protection against drafts caused by air conditioners and can be used in calm to light outdoor breeze conditions (0 to 7 mph). It also reduces vocal plosives in close microphone placement situations. Users can generally expect a 4 to 8 dB reduction in wind noise, with very slight dampening of high frequencies. For most applications, the very slight high frequency dampening is a worthwhile exchange for the notable wind noise reduction.
The WCF-UB440's foam is hypoallergenic and washable and helps prevent moisture and dirt from damaging your microphone. The windscreen has a height of 3.5" and is designed to fit over the Senal UB-440 as well as mics from AKG, Shure, Neumann, Mi-Tek, MXL, Behringer, SE Electronic, Rode, and most other large diaphragm condensers with a grill diameter of larger than 2".
The WCF-UB440 Foam Windscreen for the Senal UB-440 is an effective solution for basic wind protection.