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This Cine DS Wide-Angle Lens Kit for APS-C features Rokinon's 10, 16, 24, and 35mm focal length Cine DS lenses, all in a Canon EF mount. All four of the included lenses cover APS-C-sized sensors, with the 24 and 35mm lenses also covering full frame. The lenses all feature a multi-layer coating to improve contrast and reduce flare, and each lens is compared to a standard at the factory, minimizing differences in color that may arise from the multi-layer coating process. This makes for smoother intercutting between the lenses.
The internal focus design, common with cine-style lenses, means that the lens front does not rotate as you change focus. This enables the use of screw-in filters such as polarizers as well as clip-on matte boxes to be used, facilitating video shooting. The lenses feature a de-clicked iris, which is an important feature for a cine lens to have, as it allows you to pull the aperture and make smooth exposure adjustments in the shot. The lenses feature focus scales on both sides of the lens, which is a helpful aid for focus pullers, who can then pull focus from either side of the lens without having to spend time marking it up for operation from either side.
Utilizing a nano coating process for consistent color rendition from lens to lens, the Rokinon 10mm T3.1 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 10mm lens produces a 105.9° angle-of-view when used on cameras with APS-C-sized sensors. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 7.9" from the lens. A built-in petal shaped lens hood provides flare protection when shooting without a matte box.
For mirrorless shooters, or anyone that needs to cover a Super35 sized sensor, this Rokinon 16mm T2.2 Cine DS Lens utilizes a multi-layer coating process for consistent color rendition from lens to lens. With consistent coatings the lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses.
To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, and the lens's threaded front accepts 77mm filter rings.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
Full-Frame: 84.1°
APS-C: 57.6°
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share a common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal-shaped lens hood provides flare protection when shooting without a matte box, the lens' threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.