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Aston Microphones Spirit Multi-Pattern Condenser Microphone

BH #ASTSPIRIT • MFR #0504-AAX44-001
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Aston Microphones Spirit Multi-Pattern Condenser Microphone
Key Features
  • Omni, Cardioid, & Figure-8 Patterns
  • 1" Gold-Evaporated Capsule
  • Built-In Pop Filter
  • Transformer-Balanced Circuitry
The Aston Spirit is a multi-pattern condenser microphone utilizing a 1" gold-evaporated capsule. A switch on the mic body selects between omni, cardioid, or figure-8 polar patterns. It is versatile enough to use with most instruments, and excels on acoustic guitar and vocals. Its hand-selected capsule is teamed with high-end transformer-balanced circuitry using only the best components.
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Expected availability: 4-6 Months
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$379.00

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A ton Microphone Spirit Overview

The Aston Spirit is a multi-pattern condenser microphone utilizing a 1" gold-evaporated capsule. A switch on the mic body selects between omni, cardioid, or figure-8 polar patterns. It is versatile enough to use with most instruments, and excels on acoustic guitar and vocals. Its hand-selected capsule is teamed with high-end transformer-balanced circuitry using only the best components.

The Spirit is designed to deliver an open sound with sparkling harmonics. This accurate microphone provides natural and transparent recording, capturing detail in the high range, but without adding the harshness that some condenser microphones tend to.

The mic has a mesh-knit pop filter built into the wave-form head. The weave allows sound to pass while reducing unwanted plosives. This single-piece mesh cage is formed in stainless steel, so it won't rust with use and can even be removed and washed.

  • Custom-molded end caps with integrated XLR and stand adapter
  • Harmonized circuit-stage arrangement for easy integration from phantom-power input circuitry to capsule voltage bias
  • Non-linear voltage/current-source rectification to provide controlled amplification and smooth/clear audio

 

EAN: 5060458750013

A ton Microphone Spirit Specs

Key Specs
Microphone Type
Large Diaphragm
Polar Pattern
Cardioid / Figure-8 / Omnidirectional
Element Type
Condenser
Controls
Low Cut/HPF, Polar Pattern
Frequency Response
20 Hz to 20 kHz
Maximum SPL
138 dB
Analog Output
1x XLR 3-Pin
Power Sources
Phantom Power
Microphone
Microphone Type
Large Diaphragm
Polar Pattern
Cardioid / Figure-8 / Omnidirectional
Element Type
Condenser
Sound Field
Mono
Diaphragm
1" / 25.4 mm
Orientation
Side Address
Controls
Low Cut/HPF, Polar Pattern
Pad
-10 dB
-20 dB
Filter & EQ
Low-Cut Filter: 80 Hz
Circuitry
Solid-State
Performance
Frequency Response
20 Hz to 20 kHz
Maximum SPL
138 dB
Sensitivity
23.7 mV/Pa (at 1 kHz into 1 Kilohms)
Equivalent Noise Level
14 dB (A-Weighted)
Connectivity
Analog Output Connector
1x XLR 3-Pin
Power
Power Sources
Phantom Power
Operating Voltage
48 V
Physical
Color
Silver
Packaging Info
Package Weight
1.85 lb
Box Dimensions (LxWxH)
9.5 x 4.6 x 3.9"

A ton Microphone Spirit Reviews

Awesome vocal mic!!

By Brian
Rated 5 out of 5
Date: 2025-11-29

This mic picks up a very flat even signal across the entire mid male vocal range. Highs are crisp but not gritty and lows are not muffled. Also great dynamic range😁

Built like a tank!

By Sam
Rated 5 out of 5
Date: 2018-07-20

I've been using a pair of Aston Spirits for the past year and totally enjoyed everything I've recorded with them, from concerts to singer-songwriter duets and even field recordings (long story!). First off, huge kudos to Aston on the build quality- as the title says, these are built like a tank. Well, maybe not like SM57-hammer-a-nail-into-a-plank level, but for a condenser mic, these are the sort of mic that doesn't mind being carried from gig to gig or the occasional rough treatment by "helpers". In a way they kind of remind me of power tools from the mid 20th century- the sort of thing that looks and feels like it's probably going to outlive you. Well, at least from the outside anyway. On that note, Aston seems to have very good QC too- despite not being factory matched (and actually more than 1,000 serials apart!), the two mics fit very well together and, if not for the serial numbers on the mics and their boxes, would be all but interchangeable. However, the real important part of course of any mic is the sound quality, and that is definitely an area where the Spirit definitely weighs in quite highly. I must be clear- the Spirit is a bit on the brighter side of the spectrum; obviously it's nowhere near the level typical of SDC's, but it's quite clearly not a U47 if that's the kind of sound you want. However, I can happily report that the mic completely lacks that 'cheap highs' sound that you get with budget LDC's; the highs are very smooth and as other reviewers have pointed out, the mic really takes to EQ'ing quite readily, so you can really reshape the sound without fear. Overall I would suggest the general frequency response of the mic lends itself most immediately to female and tenor vocals and voice-overs, acoustic guitars, woodwinds, percussion, and as a general all-purpose recording mic. I find they excel as a 'mid' spaced pair when recording samples or ensembles, and also work very well in blumlein configuration as one might expect. Some particularly bright instruments (e.g. some saxophones) might benefit from a darker sound than the Spirit provides raw. I hope one day Aston might consider a revised Spirit with the same 'vintage-semi-modern' voicing switch they did on the Starlight SDC's, as that would really turn the Aston from a quality multi-tool into the mother of all studio Swiss Army knifes. Although the built-in mic stand mount is a great idea, after a few months I bought their (now discontinued) Rycote shockmounts, which were good enough I even used it on a boom once (another long story)! I would recommend getting their latest shockmount system, but I haven't tried them yet. Overall, if the sound of the Spirits matches your voice/needs well, then I sincerely don't think I could recommend another mic in or below this price range before it. I don't think I will be letting these two go any time soon!

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