The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.

The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.

The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.

The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera's flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.

Designed for plug and record operation with fully self-configuring digital operation, the AVX Camera-Mountable Lavalier Digital Wireless Set from Sennheiser is well suited for film and video production, as well as electronic news gathering (ENG) and A/V rental houses. The system consists of the EKP receiver, SK bodypack transmitter, and an ME2-II lavalier microphone. The AVX system provides a variety of automatic functionality aimed at flexibility and speed including auto-dynamic range settings, which automatically adjusts the audio level to a recording device's input sensitivity, reducing distortion and eliminating the need to adjust your mic's level. The system also offers link protection, a feature that quickly scans available frequencies and will automatically switch before any interference becomes audible.

The EKP receiver has a compact design that plugs directly into the XLR input on your camera or recording device and includes the necessary adapters for use with DSLR cameras. Additionally, the EKP can swivel, allowing it to be used with other attachments mounted to a camera. It powers on and off automatically when it senses 48V from your recording destination, for fast recording and saving battery life when not in use.

The Ronin-M 3-Axis Handheld Gimbal Stabilizer from DJI is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 8 pounds, the Ronin-M uses brushless motors that work on three axes: one for side-to-side "roll" - keeping the horizon level - one for tilt, and one for pan. The system is computer-controlled and features a tilt range of 105° up / 165° down plus a roll range of ±110°. Furthermore, the system boasts a precision of control of ±0.02°, enabling precise camera moves and stability correction against even very fine movements. In addition to handheld shooting, the gimbal can be used in vehicle mounting scenarios and other contexts where vibrations or other abrupt movements would make tripods and rigid camera support systems unsuitable.

The Ronin-M supports dual-operator shooting, much like working with a jib that has a motorized pan/tilt head. In this mode, a second operator would use the included transmitter (radio controller) to manually control camera pan and tilt independently of which way the Ronin-M itself moves. The included transmitter/receiver system operates on 2.4 GHz and is proprietary. If you prefer to use a third-party transmitter there is a D-Bus port on the Ronin-M to install your own receiver.

As with sled and vest style stabilizers, motorized gimbal systems require balancing before use. Once balanced, you can configure the Ronin-M for your particular camera arrangement using the Assistant Software for compatible iOS and Windows (Desktop) devices with Bluetooth. Because every camera and lens combination has a different mass and weight distribution, there is an ATS (Auto Tune Stability) procedure in which each axis will adjust individually, repeating the process until all three are aligned. A gimbal tuning stand is provided so you won't have to hand-hold the rig during this process.

The included 4S lithium-ion polymer battery powers the Ronin-M for up to six hours. It is a "smart" battery, meaning power regulation and protection circuitry is built-in and there is no separate balancing lead, unlike many lithium-polymer batteries. A charger is also included, and it is important to always use chargers designed for the Ronin-M battery because of the smart circuitry. Two 12V DC PowerTaps and one USB power port on the camera base allow you to power on-camera accessories directly from the Ronin-M battery to simplify your charging regime and avoid unnecessary added weight.