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Canon EOS C100MK II Wedding/Documentary Kit

BH #CAC100AF2WK • MFR #0202C029
Canon
Canon EOS C100MK II Wedding/Documentary Kit
Key Features
  • Super 35mm 8.3MP CMOS Sensor + EF Mount
  • 1920x1080p 59.94/50/29.97/25/23.98
  • Built-In Dual Pixel CMOS AF Hardware
  • AVCHD + MP4 Recording
This is a bundle of the Canon C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF, Sennheiser AVX Camera-Mountable Lavalier Wireless Mic, DJI Ronin-M, and an SKB Case. It provides you with a camera system suitable for covering weddings and events. The camera accepts both Canon EF and EF-S lenses to cover its Super 35mm sensor. The camera works with all Canon autofocus lenses and incorporates Dual Pixel CMOS AF technology faster and more accurate autofocusing with Canon AF lenses.
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Canon C100 Mark II Overview

  • 1Description
  • 2Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)
  • 3Sennheiser AVX-ME2 SET Digital Camera-Mount Wireless Omni Lavalier Microphone System (1.9 GHz)
  • 4DJI Ronin-M 3-Axis Handheld Gimbal Stabilizer

This is a bundle of the Canon C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF, Sennheiser AVX Camera-Mountable Lavalier Wireless Mic, DJI Ronin-M, and an SKB Case. It provides you with a camera system suitable for covering weddings and events. The camera accepts both Canon EF and EF-S lenses to cover its Super 35mm sensor. The camera works with all Canon autofocus lenses and incorporates Dual Pixel CMOS AF technology faster and more accurate autofocusing with Canon AF lenses.

The Mark II camera features face detection AF, MP4 recording, additional frame rates when recording in AVCHD, and slow and fast motion options when recording in MP4. The wireless mic system features a swiveling mount where it attaches to your camera. This provides flexibility for using additional accessories. The Ronin-M stabilizer allows you to create smooth flowing stabilized shots, for added production value. It is a two-operator system: one to move the camera, while the other controls camera orientation and lens control. The included SKB case is custom-made for Canon, and the foam is custom-cut to hold the camera, wireless mic system, and Ronin-M. The case protects your gear during storage and transport.

Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)

The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.

The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.

The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.

The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera's flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.

Dual Pixel CMOS AF Technology
The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
Continuous Recording
The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley's EDIUS Pro 7 software.
320 to 102,400 ISO Range
With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
Menu Navigation via Camera Buttons
Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed.
Viewfinder Magnification Location Shift
Manually move the center of the camera's magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.
Record Button Lock
The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button
Super 35mm 8.3MP CMOS Sensor
The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments.
DIGIC DV 4 Image Processor
Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.
Low Light Sensitivity
Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.
Canon Log Gamma and Wide DR Gamma
Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading.

Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production.
EF Lens Mount with EF Contacts
The camera is fully compatible with Canon's renowned EF mount lenses. Even specialty lenses, such as Canon's 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image.
Multiple Recording Modes and Frame Rates in AVCHD
The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920x1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates.
Multiple Recording Modes and Frame Rates in MP4
The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes.
Uncompressed HDMI Out with Timecode & Canon Log LUT Support
Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output.
Compact and Ergonomic Design
Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a "run-and-gun" style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences.
Removable Top Handle with XLR Inputs and Stereo Microphone
Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.
High Resolution EVF and Integrated OLED Display
Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45" electronic viewfinder with 100% coverage. The built-in 3.5" 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the camera's waveform monitor.
AVCHD or MP4 File Based Recording to SD Cards
The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray.

The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.
Full Manual Control and Focusing Aids
The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor.
One Shot AF and Push Auto Iris
One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.
Built-In ND Filters
In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial.
Remote Terminal
Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations.
Additional Features
  • Waveform monitor; standard and RGB modes
  • Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode
  • Drop Frame (DF) or Non-Drop Frame (NDF) Timecode
  • Timecode modes: Regen, Record Run, Free Run
  • Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card
  • Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level
  • 15 assignable function buttons
  • SMPTE, EBU, or ARIB standard color bars can be selected
Sennheiser AVX-ME2 SET Digital Camera-Mount Wireless Omni Lavalier Microphone System (1.9 GHz)

The ultra-compact Sennheiser AVX-ME2 SET provides professional videographers, video journalists, and vloggers with a dependable wireless microphone system that's so easy to use, it's like having a dedicated sound engineer on set handling audio tasks.

Made with simplicity in mind, but without compromising audio quality, this self-configuring digital system handles time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds. Now, you can focus on the other critical elements vying for your attention during a shoot, and confidently record crisp, clear audio on your camcorder, DSLR, or mirrorless camera.

In addition to a bodypack transmitter and camera-mount receiver, this set comes with a black ME 2-II omnidirectional lavalier mic, ideal for projects ranging from wedding and corporate videos to documentaries and hands-free interviews.

It Goes Where You Go
  • The lightweight AVX system is easy to carry with you when every ounce counts. The roadworthy bodypack transmitter features a rugged metal chassis with a form factor even smaller than the ew G4. Its locking connector ensures that your lav doesn’t detach at a critical moment, while a convenient switch allows you to mute your mic. The display shows battery life and signal strength.
  • The discreet receiver plugs directly into the XLR input of your camcorder and rotates 320° to get out of the way of lights or other accessories you may have mounted on your camera. An AF button on the receiver allows you to adjust the output level to your camera, if necessary. In addition, the receiver comes with a shoe mount and 3.5mm output cable, making it a great fit for DSLR and mirrorless shooters.
Setup Made Simple
Automatically Finds a Clean Channel
  • The digital AVX automatically finds the cleanest frequency in the 1.9 GHz band as soon as you power up the receiver.
Fast Pairing
  • A long press of the Pair button on both receiver and transmitter links the two devices. Once the indicator LED turns green, you’re good to go.
(Note that the AVX is a peer-to-peer system, meaning the transmitter can only be paired with one receiver.)
Clear and Natural Speech
  • The ever-popular ME 2-II omnidirectional lavalier microphone delivers a natural sound optimized for speech intelligibility. Its omnidirectional polar pattern ensures that the sound remains consistent, even when the speaker's head moves away from the mic.
  • The AVX's automatic mic-level control takes full advantage of the system's wide dynamic range to deliver consistent speech without clipping and distortion, even when your talent goes from a whisper to a shout.
  • The system delivers 24-bit/48 kHz audio with an extended 20 Hz to 20 kHz frequency response, for pristine, nuanced recordings.
Protected Wireless Transmission
  • The AVX operates in the license-free 1.9 GHz band—away from TV and Wi-Fi interference—to create a wireless peer-to-peer connection, for clean audio without dropouts at a range up to 98’.
  • The system automatically finds the cleanest frequency, free from RF interference.
  • If interference is detected, the AVX automatically increases the power on the transmitter—up to 250 mW—to overcome the problem.
  • If the increase in power isn’t sufficient, the system substitutes a clear frequency well before the audio signal itself is affected, for clean, worry-free sound.
Power Management
  • The AVX receiver features a removable, lithium-ion battery that is recharged via the USB port.
  • The transmitter includes a BA 30 battery pack that will power it for up to 15 hours.
  • The receiver turns itself on and off when it senses phantom power from your camcorder, extending battery life in the field.
  • The  receiver can also be powered through its USB port, allowing it to run for numerous hours on a USB power pack or indefinitely, if you have access to AC.
  • The BA 20 battery for the receiver is also available separately, so you can have a fully charged spare battery ready in the field.
Other Features
  • Up to eight AVX systems can operate simultaneously in the same area
  • AES 256-bit encryption for secure communication
  • Made in Germany
UPC: 615104243057
DJI Ronin-M 3-Axis Handheld Gimbal Stabilizer

The Ronin-M 3-Axis Handheld Gimbal Stabilizer from DJI is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 8 pounds, the Ronin-M uses brushless motors that work on three axes: one for side-to-side "roll" (keeping the horizon level), one for tilt, and one for pan. The system is computer-controlled and features a tilt range of 105° up / 165° down plus a roll range of ±110°. Furthermore, the system boasts a precision of control of ±0.02°, enabling precise camera moves and stability correction against even very fine movements. In addition to handheld shooting, the gimbal can be used in vehicle mounting scenarios and other contexts where vibrations or other abrupt movements would make tripods and rigid camera support systems unsuitable.

The Ronin-M supports dual-operator shooting, much like working with a jib that has a motorized pan/tilt head. In this mode, a second operator would use the included transmitter (radio controller) to manually control camera pan and tilt independently of which way the Ronin-M itself moves. The included transmitter/receiver system operates on 2.4 GHz and is proprietary. If you prefer to use a third-party transmitter there is a D-Bus port on the Ronin-M to install your own receiver. 

As with sled and vest style stabilizers, motorized gimbal systems require balancing before use. Once balanced, you can configure the Ronin-M for your particular camera arrangement using the Assistant Software for compatible iOS and Windows (Desktop) devices with Bluetooth. Because every camera and lens combination has a different mass and weight distribution, there is an ATS (Auto Tune Stability) procedure in which each axis will adjust individually, repeating the process until all three are aligned. A gimbal tuning stand is provided so you won't have to hand-hold the rig during this process.

The included 4S lithium-ion polymer battery powers the Ronin-M for up to six hours. It is a "smart" battery, meaning power regulation and protection circuitry is built-in and there is no separate balancing lead, unlike many lithium-polymer batteries. A charger is also included, and it is important to always use chargers designed for the Ronin-M battery because of the smart circuitry. Two 12 VDC D-Tap ports and one USB power port on the camera base allow you to power on-camera accessories directly from the Ronin-M battery to simplify your charging regimen and avoid unnecessary added weight.

For Cameras up to 8 lb
The Auto Configuration feature means the Ronin-M can adapt to a range of camera sizes, and is ideally suited for compact video cameras, mirrorless cameras, and DSLRs. It is suitable for payloads up to 8 pounds.
SmoothTrack Control
SmoothTrack gives a single gimbal operator the ability to translate their tilt and pan movements of the gimbal into smooth and stabilized movements of the camera's angle. This is designed to make framing of broad wide-angle scenes or even shooting in close quarters much easier during single gimbal operator use.
Auto Configuration
After balancing the camera with a simple tap of the ATS (Auto Tune Stability) button, Ronin-M will be automatically tuned for the mass and weight distribution of your camera rig. The gimbal will intelligently adjust parameters based on the camera rig's weight and independently adjust each of the three axes until an optimal setting is found.
Three Operation Modes
Upright Operation Mode: Upright Mode allows the gimbal to be flipped over so the camera can be operated closer to eye level without straining to lift the gimbal. This can be used in various situations, such mounting on the top of the vehicle.

Underslung (Suspended) Operation Mode: Suspended Operation Mode is the standard operation mode for Ronin-M. Low slung, close to the ground, or simply holding the gimbal in front of you offers stabilized handheld footage. This mode would also be used when mounted the gimbal on a flying platform such as a multirotor RC helicopter.

Briefcase Mode: When a slimmer gimbal profile is needed in situations like moving through doorways or narrow paths Briefcase Mode is ideal. It allows the gimbal to be held to the side and close to the legs, much like a briefcase.
Second Operator Control
Featuring the form factor of an RC aircraft radio controller, the 2.4 GHz Ronin transmitter provides pan and tilt control as well user-assignable speed settings and operation modes via two toggle switches. This allows one operator to hold the gimbal assembly while a second manually controls camera movement remotely. If you would rather use a third-party transmitter a D-bus port is provided as well.
Optional Thumb Controller for Pan / Tilt
Single thumb control is possible for the Ronin-M Handheld Gimbal System. These Pan and Tilt movements are controlled via the optional Thumb Controller attachment, available separately. Additionally, SmoothTrack Mode can be turned on or off using the Thumb Controller interface.
Assistant Software for Mobile and Windows
A mobile device or computer to run the Assistant Software is essential. It is available for select iOS mobile devices and Windows computers. With the software, you can:
  • Auto Configure the rig based on the weight and weight distribution of your camera after you've balanced it
  • Adjust SmoothTrack tuning to user preference
  • Enable and configure Second Operator Control
  • Run diagnostics and generate stats
  • Install firmware updates

The software can interface via USB or wirelessly over Bluetooth.

Tool-Free Adjustment
A built-in balance adjustment system means no tools are needed for setup and adjustment, saving time when changing the setup for different camera arrangements.
Universal Mounting
Beside the handle bars, the gimbal unit can be detached for mounting on jibs, cranes, tripods, vehicle mounts, and other types of camera support equipment (additional mounting hardware, available separately, may be required).
Solid Support Arm
Increased rigidity is provided by a single, complete piece of fine-tooled magnesium that forms the U-shaped arm holding the camera plate. This unified design helps eliminate imperfection common in systems made of multiple pieces assembled together. The arm gives you not only greater stability but also reliability, as there is no potential for separate pieces to come loose or move apart.
Silent Mode
When shooting indoors or in tight spaces, Silent Mode reduces the sound of each motor as low as possible. The Ronin-M's stabilization algorithms are updated to focus on minute changes and stabilization, helping ensure the sound of the motors is not recorded by sensitive microphones or other recording equipment.
Quick Release Smart Battery
Providing an estimated 6 hours of run time (depending on use), the proprietary Ronin-M battery system is designed for easy changes in the field and charges using an included dedicated charger. The batteries feature indicators so remaining power can be checked directly on the battery itself. Unlike many lithium-polymer batteries, with the Ronin-M Smart Battery, overcharge and over depletion protection is built-in, as is individual battery cell charge balancing.
Power Distribution Box
Two regulated 12 VDC D-Tap ports, one 500mAh type A female USB connector, and also a connection point for the DJI Lightbridge Long Range HD Video Downlink are provided. These provide power connection for various accessories, including motorized follow focus systems, video transmitters, and more, all while keeping the wiring to a minimum.
Quick Release Top Handle
The quick-release handle is designed to save time breaking the system down or transporting it between locations. Removing the handle bars can also be useful as a way of reducing size when filming in tight locations.
Based on Zenmuse Technology
The Ronin-M adapts the same brushless motor technology used in DJI's aerial gimbals for handheld, terrestrial use.
Compatible Accessories
Wireless Thumb Controller for Ronin-M (Note: The Wireless Thumb Controller for Ronin is not compatible)
Ronin-M Battery (Note: the Ronin Battery (3400mAh) is not compatible)
Ronin Charger (same charger as used by original Ronin)
Ronin-M Monitor/Accessory Mount
Ronin-M Vertical Adjustment Arm Extension Kit (30mm)

Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only) Specs

Key Specs
Lens Mount
Canon EF
Sensor Resolution
Actual: 9.84 Megapixel (4206 x 2340)
Effective: 8.29 Megapixel (4096 x 2160)
Image Sensor
24.6 x 13.8 mm (Super35) CMOS
ISO Sensitivity Range
320 to 102,400
Internal Recording Modes
AVCHD 4:2:0 8-Bit
1920 x 1080p from 23.98 to 60.00 fps [28 Mb/s]
MP4
1920 x 1080p from 23.98 to 60.00 fps [35 Mb/s]
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC
Video I/O
1x HDMI Output
Mobile App Compatible

*As of June, 2023: Check with manufacturer for the most up-to-date compatibility
Battery Type
Canon BP-9 Series
Imaging
Lens Mount
Canon EF
Lens Communication
Yes, with Autofocus Support
Sensor Resolution
Actual: 9.84 Megapixel (4206 x 2340)
Effective: 8.29 Megapixel (4096 x 2160)
Image Sensor
24.6 x 13.8 mm (Super35) CMOS
Built-In ND Filter
Mechanical Filter Wheel with 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Rolling Shutter
Shutter Speed
1/2000 to 1/3 Second
ISO Sensitivity Range
320 to 102,400
Gain
-6 to 30 dB (Expanded)
0 to 24 dB (Native)
Shutter Angle
11.25 to 360°
Video Capture
Internal Recording Modes
AVCHD 4:2:0 8-Bit
1920 x 1080p from 23.98 to 60.00 fps [28 Mb/s]
MP4
1920 x 1080p from 23.98 to 60.00 fps [35 Mb/s]
Sensor Crop Modes
Super35 / APS-C
Fast-/Slow-Motion Support
Yes
Broadcast Output
NTSC/PAL
Audio Recording
2-Channel 16-Bit 48 kHz
IP Streaming
No
Interface
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC
Video I/O
1x HDMI Output
Audio I/O
2x XLR 3-Pin (+48 V Phantom Power) Input
1x 1/8" / 3.5 mm TRS Stereo Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1x Barrel Input
Other I/O
1x 2.5 mm Sub-Mini (LANC) Control Input
1x Mini-USB
Wireless
Wi-Fi 4 (802.11n)
Mobile App Compatible

*As of June, 2023: Check with manufacturer for the most up-to-date compatibility
Monitor
Display Size
3.5"
Resolution
1,230,000 Dot
Display Type
Articulating OLED
Viewfinder
Type
Built-In Electronic (LCD)
Size
0.24"
Resolution
960 x 540 (1,560,000 Dot)
Diopter Adjustment
-5.5 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Automatic, Manual Focus
Environmental
Operating Temperature
32 to 104°F / 0 to 40°C
General
Battery Type
Canon BP-9 Series
Accessory Mounting Thread
1x 1/4"-20
1x
Dimensions (W x H x D)
7.2 x 11.1 x 9.3" / 18.2 x 28.1 x 23.6 cm
Weight
3.2 lb / 1.5 kg
Packaging Info
Package Weight
12.2 lb
Box Dimensions (LxWxH)
14.5 x 12 x 12"

Sennheiser AVX-ME2 SET Digital Camera-Mount Wireless Omni Lavalier Microphone System (1.9 GHz) Specs

Key Specs
Wireless Technology
Digital 1.9 GHz
Included Transmitters
1x Bodypack with Microphone
Diversity
Antenna Diversity
Max Operating Range
98' / 29.9 m (Line of Sight)
Receiver Type
Camera-Mount
Microphone Type
Lavalier
Polar Pattern
Omnidirectional
System
Wireless Technology
Digital 1.9 GHz
Included Transmitters
1x Bodypack with Microphone
Diversity
Antenna Diversity
RF Frequency Band
1920 to 1930 MHz
RF Channel Scanning
Auto-Scan
Max Operating Range
98' / 29.9 m (Line of Sight)
Max Transmitters per Band
8
Built-In Recorder
No
Timecode Support
No
Mobile App Compatible
No
Sample Rate/Resolution
48 kHz / 24-Bit
Latency
19 ms
Dynamic Range
>120 dBA
Encryption
AES 256
Modulation
GFSK (with Back Channel)
Receiver
Receiver Type
Camera-Mount
Mounting Options
Plug-In, Shoe-Mount (with Included Hardware)
Antenna
1x External, Fixed (Top-Mount)
Number of Audio Channels
1
Audio I/O
1x XLR 3-Pin Male Balanced Mic Output
Audio Output Level
XLR Output:
-30 to 0 dB (Balanced)
Network I/O
No
Word Clock I/O
No
USB/Lightning Connectivity
1x Micro-USB Female (Bus Power, Charging)
USB Class-Compliant
Yes
Power Requirements
Battery, Bus Power (USB)
Battery Type
1x Sennheiser Battery Pack (Included)
Approx. Battery Life
4 Hours (Lithium Rechargeable)
Display & Indicators
1x LED (Battery Status, Level)
Housing
Metal
Dimensions
0.8 x 2 x 3.2" / 21 x 51 x 81 mm
Weight
3.1 oz / 87 g (with Batteries)
Transmitter
Transmitter Type
Bodypack with Microphone
RF Output Power
Up to 250 mW
Audio I/O
1x 1/8" / 3.5 mm TRS Female Unbalanced Input (Locking)
Pad
No
Muting
Mute Switch
Audio Input Level
1.5 V RMS (Mic Level)
3.1 V RMS (Line Level)
Auto-Level Control
No
Signal Processing
No
Frequency Response
20 Hz to 20 kHz (Line)
Antenna
1x External, Fixed (Beltpack)
Power Requirements
Battery
Battery Type
1x Sennheiser Battery Pack (Included, Replaceable)
Internal Battery Capacity
2030 mAh
Approx. Battery Life
15 Hours (Lithium Rechargeable)
USB/Lightning I/O
1x Micro-USB (Bus Power, Charging)
Display & Indicators
1x LCD (Battery Status, Signal Strength)
Housing
Metal
Dimensions
0.9 x 2.6 x 3.9" / 24 x 65 x 100 mm
Weight
3.1 oz / 87 g (without Batteries)
Microphone
Microphone Type
Lavalier
Sound Field
Mono
Capsule
Condenser
Polar Pattern
Omnidirectional
Frequency Range
50 Hz to 18 kHz
Equivalent Noise Level
36 dB A-Weighted
Maximum SPL
130 dB SPL Peak
Output Connector
1x 1/8" / 3.5 mm TRS Male Unbalanced (Locking)
Cable Length
5.25' / 1.6 m
Operating Voltage
7.5 V
Diameter
0.41" / 10.5 mm
Packaging Info
Package Weight
1.435 lb
Box Dimensions (LxWxH)
12.75 x 6.75 x 2.95"

DJI Ronin-M 3-Axis Handheld Gimbal Stabilizer Specs

Key Specs
Grip Design
Dual Handgrip
Load Capacity
8 lb / 3.6 kg
Number of Axes
3: Pitch (Tilt), Roll, Yaw (Pan)
Wireless Frequency
2.4 GHz
Remote: 2.4 GHz
Wireless Protocol
Bluetooth 4.0
Weight
5.07 lb / 2.3 kg (with Handlebar)
Gimbal
Load Capacity
8 lb / 3.6 kg
Number of Axes
3: Pitch (Tilt), Roll, Yaw (Pan)
Rotation Range
Yaw (Pan): 360° 
Pitch (Tilt): -165 to 105° 
Roll: 220° (-110 to 110°) 
Stabilization Accuracy
±0.02° (Motionless)
Compatibility
Supported Camera Dimensions
W: 6.3 x H: 7.7 x D: 4.7" / W: 160 x H: 195 x D: 120 mm
Connectivity
Inputs/Outputs
1x D-Bus (Control) Input
2x D-Tap (Power) Output
1x Unspecified USB (Power) Output
1x DJI Lightbridge (Power) Output
Wireless Frequency
2.4 GHz
Remote: 2.4 GHz
Wireless Protocol
Bluetooth 4.0
Battery
Battery Type
1x Proprietary
Voltage
14.8 VDC
Environmental
Operating Temperature
-5 to 122°F / -15 to 50°C
General
Dimensions
19.7 x 8.3 x 16.5" / 500 x 210 x 420 mm
Weight
5.07 lb / 2.3 kg (with Handlebar)
Packaging Info
Package Weight
14 lb
Box Dimensions (LxWxH)
18.8 x 12.5 x 11.5"

Canon C100 Mark II Reviews

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