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JVC GY-HM620 ProHD Mobile News Camera
JVC GY-HM620 ProHD Mobile News Camera
B&H # JVGYHM620 MFR # GY-HM620U
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Product Highlights
- Three 1/3" 12-Bit CMOS Sensors
- Full HD Up to 59.94p/ Records SD Video
- Integrated Fujinon 23x Optical Zoom Lens
- Supports .MOV, .MP4, and AVCHD 2.0
- HDMI, HD-SDI Output, 2x XLR Audio Inputs
Price: $2,699.00
Instant Savings: $300.00
$0.00 Tax Collected Outside NY and NJ
You Pay: $2,399.00
JVC GY-HM620 Pro overview
- 1Description
The JVC GY-HM620 ProHD Mobile News Camera features a lightweight-user-friendly design providing capacity for fast, efficient mobile newsgathering. The GY-HM620 offers Dual media card slots that allow you to record virtually endlessley by swapping out media cards as they fill up.
The camera's imaging system consists of three 1/3" 12-bit CMOS sensors with 1920 x 1080 resolution. The camera records NTSC broadcast compatible frame rates up to 59.94p in AVCHD and integrates a 23x Fujinon autofocus zoom lens with manual focus and zoom capability with a built-in 3-position ND filter. Connections include HD-SDI and HDMI. Comprehensive recording options consist of MPEG-2, AVCHD 2.0, and SD and Proxy H.264. Two SDXC/SDHC slots are available for simultaneous dual codec recording or relay recording. A viewfinder, LCD display and built-in microphone provide additional flexibility in on-the-go shooting.
- Image
-
- Three 1/3" 12-bit CMOS sensors (1920 x 1080 each)
- 23x Fujinon autofocus wide angle zoom lens with manual functions F1.6-3.0, 23x, f=4.1-94.3mm (35mm equivalent: 29 to 667mm)
- Optical image stabilizer
- 3 position ND filter (1/4, 1/16, 1/64)
- Inputs / Outputs
-
- HD/SD-SDI and HDMI outputs
- 2-ch balanced audio mic/line switchable inputs with phantom power supply
- Frame Rate
- The camera records at NTSC compatible frame rates of up to 59.94 i/p
- Multiple Encoding Formats
-
- HD MPEG2 (35/25/19Mbps)
- AVCHD 1920 x 1080 59.94p/60i
- SD H.264
- Wide Media Format Compatibility
-
- AVCHD
- .MP4 (XDCAM EX)
- .MOV
- Pre Record
- In this mode, the camera continually records up to 15 seconds in cache memory. When the trigger is pressed, the live signal is appended to the cached recording. This feature is useful for situations when you don't know when the action will start, and allows you to press record after the event has happened, and still capture it, without worrying about wasting recording time or overwriting your media cards.
- Additional Features
-
- SDXC/SDHC memory card recording (2 slots for dual-backup, continuous recording)
- Built-in GPS
- Professional switch layout and comprehensive video settings
- Time lapse recording
- Built-in stereo microphone
- 0.45-inch 1.22M pixel color viewfinder
- 3.5-inch 920K pixel LCD display with focus assist
- High performance 2D DNR
- Wired remote control connector
UPC: 046838074165
In the Box
JVC GY-HM620 ProHD Mobile News Camera
Table of Contents
- 1Description
JVC GY-HM620 Pro specs
| Sensor | 1/3" 2.2M pixels progressive scan 3CMOS |
| Synchronizing System | Internal |
| Stabilizer | Optical image stabilizer |
| Lens | Fujinon F1.6-3.0, 23x, f=4.1 - 94.3 mm (35 mm conversion: 29 to 667 mm) |
| Filter Diameter | 72 mm |
| Shutter Speed | 1/6 to 1/10000 |
| Gain | -6, -3, 0, 3, 6, 9, 12, 15, 18 dB, Lolux, AGC |
| ND Filter | 1/4, 1/16, 1/64 |
| LCD Display | 3.5" (8.9 cm) 920K pixels, 16:9 |
| Viewfinder | LCOS: 0.45" (1.1 cm) 1.22M pixels, 16:9 |
| Recording Media | 2x SDHC/SDXC memory card class 6/10 |
| Video Recording |
Video codec: MPEG2 Long GOP (HD), AVCHD, H.264 (SD) File format: MOV (HD/SD: H.264), MP4 (XDCAM EX), MTS (AVCHD) |
| Recording Mode |
MPEG-2 Long GOP: NTSC setting -- HQ mode: 1920 x 1080/59.94i, 29.97p, 23.98p, 1440 x 1080/59.94i, 1280 x 720/59.94p, 29.97p, 23.98p SP mode: 1440 x 1080/59.94i PAL setting -- HQ mode: 1920 x 1080/50i, 25p, 1440 x 1080/50i SP mode: 1440 x 1080/50i AVCHD NTSC setting -- XHQ mode: 1920 x 1080/59.94p, 59.94i, 29.97p, 23.98p (50Mbps) UHQ mode: 1920 x 1080/59.94i, 29.97p, 23.98p (35Mbps) HQ mode: 1920 x 1080/59.94i, SP mode: 1920 x 1080/59.94i PAL setting -- UHQ mode: 1920 x 1080/50p, 50i, 25p (50Mbps), 1920 x 1080/50i, 25p (35Mbps) HQ mode: 1920 x 1080/50i, SP mode: 1920 x1080/50i SD (H.264) NTSC setting: 720 x 480/59.94i Proxy (H.264) NTSC setting: LP/LV mode: 480 x 270/29.97p, 23.98p PAL setting: LP/LV mode: 480 x 270/25p |
| Sampling | Records 4:2:0 but has a live output of 4:2:2 |
| Audio Recording | LPCM 2ch, 48kHz/16-bit (MPEG-2 Long GOP/H.264), AC3 (AVCHD) |
| Video Output |
(1) AV output (f3.5 mm mini jack) (1) SDI output (1) HDMI output |
| Audio Input |
(2) XLR (MIC, +48V/LINE) (1) f3.5 mm mini jack |
| Audio Output | (1) AV output (f3.5 mm mini jack) |
| Headphone | (1) f3.5 mm mini jack |
| Time Code Link Input/Output | (1) RCA |
| Remote | (1) f2.5 mm mini jack |
| Operating Temperature | 32 to 104°F (0 to 40°C) |
| Storage Temperature | 14 to 122°F (-20 to 50°C) |
| Operating Humidity | 35 to 80% |
| Storage Humidity | Under 85% |
| Power | DC 12V (AC adapter), DC 7.2V (battery) |
| Power Consumption | Approx. 12W (with VF and LCD monitor) |
| Dimensions | 7 x 7.8 x 16.3" (17.8 x 19.8 x 41.6 cm) |
| Weight | Approx. 5.3 lbs (2.4 kg) |
| Packaging Info | |
|---|---|
| Package Weight | 8.5 lb |
| Box Dimensions (LxWxH) | 19.8 x 11.5 x 10.6" |
JVC GY-HM620 Pro reviews
GY-HM620 ProHD Mobile News Camera is rated
out of
5 by
8.
Rated 5 out of
5
by
Lee from
Best camera for the money. Period.
Find my review for the JVC GY-HM600. Everything I said is the same, only better. This is my personal camera for everything I shoot and I only share it with my students when we have to have 6 cameras at once. I'm a big fan of JVC cameras. We've bought 14 in the past 7 years for our studio, news shooting and sports and concert multi camera shoots. They work and have managed to survive 7 years of student used/abuse. That says a lot. Best camera for the money. Period.
Date published: 2016-11-17
Rated 4 out of
5
by
Anonymous from
Nice Camera - Little Restrictive on the Formats
This is a solid camera all around. Weighted very nicely for both sticks and run n' gun. Cinema mode produces a very nice picture with rich saturation without overdoing it. My needs run from quick, grind it outs to this is going to the 'c-suite', make it look like a movie, so that is nice. Don't expect a 5D-Mark III finish, but you get a lot more versatility with pro connections, manual switches and toggles, and features. Only 2 major cons: You can only shoot 24p in MPEG-2 or MP4 formats. I prefer that look and space-saving files. 2nd Focus Assist appears in the Viewfinder in B/W. Takes getting used to. I like Panasonics because the FA is in color. One major plus is that there is a one toggle all-auto mode. So if I need to hand the camera off to a non-pro, at least I know I can get usable footage.
Date published: 2017-05-12
Rated 5 out of
5
by
Anonymous from
Great product for the money
Using this camera for live production worship shots at church. Great picture quality and simple user functions make it a great camera for volunteers to learn to operate quickly and efficiently.
Date published: 2016-12-29
Rated 5 out of
5
by
Eddie from
Wonderful
Purchased the next model higher earlier and figured I would try this one since it's has pretty much everything as the more expensive model except steaming module in it. Love the way it looks on IMAG and recording quality.
Date published: 2017-05-24
Rated 3 out of
5
by
Httl Sacto from
Okay camera
I bought the camera for church live streaming. I needed a second camera that would perform just as good or better than the Canon XF305. I had a horrible experience with the 4k Panasonic AG-UX180 so I returned it and bought this one. All the cameras work great in sunlight, but when it comes to indoor where you have difficult lighting conditions, the color reproduction and optical lens set the camera apart. This camera did well under low light. When it comes to zooming really far, the image no longer is sharp. It did much better than the Panasonic but not as good as the Canon. Canon has bigger lens than the JVC. Panasonic has the smallest. You will have to play around with the color adjustment because it does not reproduce exact color automatically like the Canon or Sony.
Date published: 2018-04-23
Rated 5 out of
5
by
Thomas from
15 sec buffer is tops
one needs to download the full manual, the one supplied, dosn't cover it all. Even in the full manual, many usages are not fully explained/covered. The manual also includes instructions for the 660 camera and sometimes it is not clear if instructions are for 620 or not.
Date published: 2017-05-09
Rated 3 out of
5
by
Httl Sacto from
Okay camera 2
In addition to my previous post, I've discovered that when you zoomed in all the way on JVC 23x vs. Canon 18x, they both were about the same because the Canon lens is bigger. Both cameras did well because when you zoom really far, your aperture gets smaller. Canon is at 2.8 and JVC is at 3.0. Manufacture will try to save money by making smaller lens in the new 4K cameras. The problem with that is like trying to get a lot of water running through a smaller pipe at a faster speed.
Date published: 2018-04-23
Rated 5 out of
5
by
Chris Albert from
Great camera!!
Just recieved my new JVC� GY-Hm620 and went out to test it at a club. I was amazed how well it adjusted to the light. The unit was able to record and see everyone without and back light or turning up any outside source. It was easy to work and took no time to learn the basic recording techniques.� The instructions were easy to read and understand. Very impressed with the quality of the video so far.
Date published: 2018-01-25
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