The G55 Full HD On-Camera Monitor from FeelWorld can be mounted on cameras as a large monitor for the crew, handed over to the cinematographer for composing a shot, or set in front of the director to review each take. It features a bright 5.5" Full HD IPS display and a wide 160° viewing angle, which means it's easy to see, even when several crew members are watching. You can view any SD or HD format over SDI and HDMI connections.
This on-camera monitor is an effective tool for framing, focusing, and adjusting the exposure of the image. It features a mode that tiles histogram, audio bar, vectorscope, RGB histogram, and YUV waveform in a border surrounding your video image, providing you an unobstructed view of your video and scopes at the same time. Thanks to the durable titanium construction, the G55 is both comfortable enough to hold in your hand and sufficiently light to be mounted even on the smallest of rigs.
5.5" Full HD IPS Panel
450 cd/m2 brightness and 1000:1 contrast ratio
Helps achieve perfect focus and framing
IPS technology allows for near-perfect 160° viewing angles and deeper, richer, more accurate colors
Multi-Format Input/Output
HDMI and 3G-SDI inputs to record from virtually any video camera or DSLR
The loop through output lets you monitor on larger HD broadcast displays or HDMI projectors
Audio can be monitored via the 3.5mm stereo headphone jack
7-24 VDC universal power supply enables continuous operation for studio shoots
Video Analysis Assistant Pattern
Waveform helps calibrating professional video cameras. It shows the overall brightness of the image, assisting the video professional in correcting the exposure. It also helps ensure the evenness of the lighting of the background or chromakey
Vectorscope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, allowing users to monitor color gamut range in real-time
Color histogram is a graphical display of the distribution of red, blue, and green tones in an overlaid histogram
Support for waveform display with both SDI and HDMI inputs, including RGB, YUV, Y channels. The vectorscope and RGB histogram can be independently toggled with the waveforms
All Scopes Mode and 3-Color Tally Light
All Scopes mode shrinks the video image and tiles your choice of vectorscope, histogram, and waveform on the border of the video
A 3-color (red, green, yellow) tally light that can be controlled via the mini USB port on the rear of the device
Brightness Histogram
Quantitative tool to check the picture brightness
Shows the distribution of brightness in an image as a graph along the horizontal axis
A stack of pixels at each level of brightness is shown along the vertical axis
Embedded Audio Monitoring
Provides numerical indicators and headroom levels
Generates accurate audio level displays to prevent errors during monitoring
The green audio meter turns yellow when the level exceeds -20 dB and red when the level exceeds -9 dB
Peaking Focus Assist
Aids the camera operator in obtaining the sharpest possible picture
When activated, the internal processor displays a colored highlight on the screen where sharp edges appear
You can switch the putline color between red, green, blue, and white depending on the color tone of the subject
Also available during video zoom-in
False Color
Aids in the setting the camera exposure
As the iris is adjusted, the elements of the image change color based on the luminance or brightness values
Enables proper exposure to be achieved without the use of costly, complicated external test equipment
Exposure (Zebras)
Assists in exposure adjustment in the form of zebra pattern mode
Displays moving warning lines onto the overexposed areas
Check Field
Assistant function to adjust camera color settings
You can use red, green, blue or mono pixels to generate the image, so hue and saturation can be adjusted more quickly and accurately
Internal Colorbar
Helps analyze monitor image color, adjust tone & brightness, etc.
Camera and Scan Modes
Full screen display in camera mode
Auto, overscan, and full screen scan modes
Pixel-to-Pixel
Helps check the image from the 1:1 signal source without scaling
Essential for capturing optimum detail
Zoom In
Magnifies any part of the HD images for high-quality close-ups
4x, 9x, 16x magnification modes
Anamorphic Mode
Built-in selection of no squeeze, 1.3x or 2.0x allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in-camera
2.0x mode magnifies the center of the image, so you can check the focus of your scaled image
Image Flip and Squared Segmentation
Horizontal, vertical, and horizontal & vertical flip modes
Segment the screen in to a 3x3 grid and view any of the nine segments in full screen
Center & Safe Marker
Safe mark for view finding and composition (80, 85, 90, 93, and 96%)
You can switch the mark color between red, green, blue, white, black, and gray depending on the tone of the subject
Flexible Battery System
Good flexibility with support for F970, D28S, and E6 battery plates
Durable Aluminum Construction
Frame constructed from heavy-duty aluminum - suitable for video professionals who move from set to set
Robust design ensures the device performs optimally even in the roughest terrains
The durable chassis protects the monitor from the elements and unpredictable weather, ensuring reliability and longevity