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AKG C411 PP Miniature Condenser Pickup Microphone to 3-Pin XLR Male Cable (10', Matte Black)

BH #AKC411PPIM • MFR #2571H00040
6 reviews
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AKG C411 PP Miniature Condenser Pickup Microphone to 3-Pin XLR Male Cable (10', Matte Black)
Key Features
  • MPAV Standard XLR Connector
  • Condenser Capsule
  • For Acoustic Guitar, Mandolin & Violin
  • Non-Marking, Solvent-Free Adhesive Pad
The C411 PP Condenser Microphone from AKG is a miniature vibration pickup microphone with a MPAV standard 3-pin XLR male connector for acoustic guitar, mandolin, violin, and most other string instruments. Its integrated condenser capsule will reproduce the sound of the instrument clearly and without coloration. This microphone can be attached either on or near the bridge with the included non-marking, solvent-free adhesive pad without changing the balance of the instrument. A microphone bag is included for storage and transport.
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AKG C411 PP Overview

The C411 PP Condenser Microphone from AKG is a miniature vibration pickup microphone with a MPAV standard 3-pin XLR male connector for acoustic guitar, mandolin, violin, and most other string instruments. Its integrated condenser capsule will reproduce the sound of the instrument clearly and without coloration. This microphone can be attached either on or near the bridge with the included non-marking, solvent-free adhesive pad without changing the balance of the instrument. A microphone bag is included for storage and transport.

Condenser transducer in sealed enclosure for clear and uncolored sound
Ultralight vibration pickup does not change the balance of the instrument
UPC: 885038006251

AKG C411 PP Specs

Key Specs
Microphone Type
Instrument-Mount
Polar Pattern
Figure-8
Element Type
Electret Condenser
Controls
None
Frequency Response
10 Hz to 18 kHz
Maximum SPL
96 dB (1% THD)
103 dB (3% THD)
Analog Output
1x XLR 3-Pin Male
Power Sources
Phantom Power
Microphone
Microphone Type
Instrument-Mount
Polar Pattern
Figure-8
Element Type
Electret Condenser
Sound Field
Mono
Orientation
Side Address
Controls
None
Pad
No
Circuitry
Solid-State
Performance
Frequency Response
10 Hz to 18 kHz
Maximum SPL
96 dB (1% THD)
103 dB (3% THD)
Sensitivity
2 mV/Pa
Connectivity
Analog Output Connector
1x XLR 3-Pin Male
Cable Length
9.8' / 3 m
Power
Power Sources
Phantom Power
Operating Voltage
9.0 to 52.0 V
Physical
Dimensions
H: 1.1 x W: 0.6 x L: 0.4" / 26.7 x W: 14.2 x L: 9.7 mm
Weight
7.9 oz / 225 g
Packaging Info
Package Weight
0.58 lb
Box Dimensions (LxWxH)
6.5 x 4.5 x 2.5"

AKG C411 PP Reviews

Superior to acoustic guitar pickups, but no replacement for a "real" mic

By Johannes
Rated 5 out of 5
Date: 2026-07-16

Weirdly, the majority of reviews here are from people who are using this for "field recording". I'm not completely sure what that means. Do they put this thing on rocks and tree branches to listen to the fascinating sounds of stone and wood? I like this for a slightly more elaborate version of a tree, in the form of fine acoustic instruments. In live applications, it can replace one of those piezo pickups, and usually gives much better results. The frequency spectrum is wider, and the response is more natural, less pronounced on the attack. However, in comparison with an actual condenser or even dynamic mic, it lacks the ability to pick up "air". It accurately reproduces the resonance of the instrument, however for a truly natural sound, you need overtones and sympathetic resonance with occur at a slight distance from the instrument's body. Hence, the C411 excels in combination with a "real" microphone, where it can deliver the necessary volume, while the mic adds those air frequencies, a small portion of which is enough to make the overall result sound natural. It never sounds quacky or zingy, like those under saddle transducers. Make sure to hold on to that all important adhesive, since it's the only kind that can be removed without residue, and is almost impossible to come by. The cable is very thin, but has held up well over the years for me. Phantom power required! As a fun experiment, I have put it on the headstock of a bass guitar, which, blended with the humbucker pickups, yielded a pretty convincing double bass impersonation.

Excellent

By Anonymous
Rated 5 out of 5
Date: 2025-07-25

Excellent

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