Fujifilm GFX 50S Medium Format Mirrorless Camera (Body Only)

Fujifilm GFX 50S Medium Format Mirrorless Camera (Body Only)

Fujifilm GFX 50S Medium Format Mirrorless Camera (Body Only)

B&H # FUGFX50S MFR # 600018213
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Product Highlights

  • 51.4MP 43.8 x 32.9mm CMOS Sensor
  • X-Processor Pro Image Processor
  • Removable 3.69m-Dot OLED EVF
  • 3.2" 2.36m-Dot Tilting Touchscreen LCD
  • 117-Point Contrast-Detection AF System
  • Extended ISO 50-102400, 3 fps Shooting
  • Full HD 1080p Video Recording at 30 fps
  • Multi Aspect Ratio Shooting
  • Film Simulation Modes
  • Weather-Sealed Magnesium Alloy Body
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Fujifilm GFX 50S overview

  • 1Description

Characterized by its large sensor, advanced imaging capabilities, and modular design, the GFX 50S from Fujifilm is a unique medium format mirrorless camera that is highly versatile and distinctly portable. At the heart of the GFX camera system is the 43.8 x 32.9mm 51.4MP CMOS sensor, which pairs with the X-Processor Pro image processor to produce files with extremely wide dynamic range and high resolution, as well as an extended sensitivity range of ISO 50-102400 for working in difficult lighting conditions. The sensor's large form factor also achieves a unique three-dimensional look with especially smooth tonal and color transitions. Beyond this, the sensor and processor combination also avails the ability to work in a variety of aspect ratios common to traditional large and medium format film cameras, as well as the ability to shoot at up to 3 fps or record Full HD 1080p/30 video. As forward-thinking as the GFX 50S is, its use of film-camera inspired design imbues it with intuitive operation and the ability to apply the camera system to myriad styles and methods of image-making.

Complementing the imaging assets is a truly versatile physical design that champions multiple ways of working with the camera. A removable 3.69m-dot OLED electronic viewfinder can be used for high-resolution eye-level viewing, and can be paired with an optional tilt adapter to permit working with the finder from various working angles. Alternatively, the rear 3.2" 2.36m-dot touchscreen LCD features a three-way tilting design that supports working from high and low angles, even when shooting in the vertical orientation. Operability is further reinforced through the use of several dedicated dials for adjusting exposure settings, and a top LCD screen is also featured for quickly checking settings and exposure data. Additionally, the GFX 50S sports a magnesium alloy build that is both lightweight and durable, and is also dust- and weather-sealed, as well as freezeproof down to 14°F, for working in trying environmental conditions.

51.4MP CMOS Sensor and X-Processor Pro
Utilizing a large, 43.8 x 32.9mm 51.4MP CMOS sensor and X-Processor Pro, the GFX 50S is capable of delivering high-resolution, 14-bit stills with a 14-stop wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 3 fps or for recording Full HD 1080p video at 29.97, 25, 24, and 23.98 fps frame rates. Film Simulation modes, including a Color Chrome Effect to produce subtle tonality among highly saturated colors, can be used in conjunction with video recording, too, to lessen the need for color correction during post production.
Body Design
  • Magnesium alloy body construction is both lightweight and durable, and the camera system is sealed in 58 places to render it weather- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Based on a modular concept, a removable 3.69m-dot OLED electronic viewfinder is included for high-resolution, 0.85x-magnification eye-level viewing, and can be paired with an optional EVF-TL1 Tilt Adapter for positioning the finder at a variety of working angles.
  • The removable EVF connects with the camera body via the hot shoe, and the EVF features its own hot shoe to maintain compatibility with optional external flashes.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique tilting design that moves both 45° downward and 90° upward for shooting from high and low angles, and also tilts 60° to the side to benefit shooting in the vertical orientation when in live view.
  • A series of dedicated dials are placed about the body for independently adjusting aperture, shutter speed, and ISO.
  • The aperture ring on GF lenses and the ISO dial on the camera feature a C (Command) position, and the Shutter Speed dial has a T position, to enable adjusting these settings via the front and rear control dials.
  • A 1.28" sub LCD monitor is also featured on the top plate for settings confirmation and exposure data.
  • Included NP-T125 rechargeable lithium-ion battery provides approximately 400 shots per charge when Auto Power Save is on.
  • Built-in Wi-Fi allows for direct wireless sharing of files as well as remote camera control from a linked mobile device.
117-Point Autofocus System
A contrast-detection autofocus system is employed that uses 117 total points, which can be further divided into 425 points, for notable focusing speed and accuracy that is especially beneficial when working with the inherent shallow depth of field of medium format. Focus point selection is possible using the integrated Focus Lever for intuitive switching between points and, alternatively, the rear touchscreen can also be used for selecting precise focus areas. Face and Eye Detection AF are also available to benefit portraiture, and an electronic depth of field scale can be used for more critical selective focus. Additionally, focus peaking is available in manual focus mode as well as frame magnification for more critical focusing.
Other Camera Features
  • The Fujifilm G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • Film Simulation modes allow you to reproduce the look and feel of several of Fujifilm's film types, including Provia, Velvia, Astia, Classic Chrome, Pro Neg. Hi, Pro Neg. Standard, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Mechanical focal plane permits working with shutter speeds from 60 min. up to 1/4000 sec., and an electronic shutter allows the use of shutter speeds up to 1/16000 sec. for working in bright light conditions.
  • Interval shooting is possible for up to 999 consecutive frames with a 1 sec. to 24 hour delay between exposures, as well as up to a 24 hours shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • A variety of file formats are available depending on your workflow needs, and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
  • A voice memo function lets you solely record your voice for up to 30 seconds at a time for making notes or keeping track of shooting information.
  • 3D Electronic Level can be used to ensure the accuracy of horizontal and vertical lines within your composition.
  • Tethered shooting is possible using X Acquire software to send images from the camera to a hot folder on your computer for further editing. Alternatively, the Tether Shooting Plug-in PRO for Adobe Photoshop Lightroom and HS-V5 for Windows operating systems are also available.
UPC: 074101031164
In the Box
Fujifilm GFX 50S Medium Format Mirrorless Camera (Body Only)
  • EVF-GFX1 Interchangeable Electronic Viewfinder
  • NP-T125 Rechargeable Lithium-Ion Battery sbfdffdscrdfetvzrfztrzftswyt
  • BC-T125 Battery Charger
  • Plug Adapter
  • BCP-002 Body Cap
  • Shoulder Strap
  • Metal Strap Clip
  • Metal Strap Clip Lock
  • Cable Protector
  • Hot Shoe Cover (Body/EVF)
  • Connector Cover for EVF
  • Vertical Battery Grip Connector Cover
  • Sync Terminal Cover
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description

    Fujifilm GFX 50S specs

    Resolution 51.4 MP
    Sensor 43.8 x 32.9 mm CMOS sensor, Bayer array with primary color filter
    Storage Type 2x SD card slot; SD/SDHC/SDXH memory cards UHS-I/UHS-II
    File Formats Still Image: JPEG (Exif ver. 2.3), raw (14-bit RAF), raw + JPEG, 8-bit TIFF via in-camera raw conversion

    Movie: MOV (MPEG-4 AVC/H.264)
    Audio: Linear PCM (stereo sound, 48 kHz sampling)
    Number of Recording Pixels 8256 x 6192
    Aspect Ratios 4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6
    Lens Mount Fujifilm G-mount
    Sensitivity Auto, ISO 100-12800 (Extended Range: ISO 50-102400)
    Exposure Control TTL 256-zone metering
    Multi, Spot, Average, Center-Weighted
    Exposure Mode Program, Aperture Priority, Shutter Speed Priority, Manual
    Exposure Compensation +/- 5 EV in 1/3 steps (movie recording: +/- 2 EV)
    Shutter Type Focal plane shutter
    Shutter Speed Mechanical Shutter:
    4 to 1/4000 sec. in P mode; 60 min. to 1/4000 sec. in all other modes
    Bulb and Time modes up to 60 min.

    Electronic Shutter:
    4 to 1/16000 sec. in P mode; 60 min. to 1/16000 sec. in all other modes
    Bulb and Time modes up to 60 min.

    Electronic Front Curtain Shutter:
    4 to 1/4000 sec. in P mode; 60 min. to 1/4000 sec. in all other modes
    Bulb and Time modes up to 60 min.

    Mechanical + Electronic Shutter:
    4 to 1/16000 sec. in P mode; 60 min. to 1/16000 sec. in all other modes
    Bulb and Time modes up to 60 min.

    Electronic Front Curtain Shutter + Electronic Shutter:
    4 to 1/16000 sec. in P mode; 60 min. to 1/16000 sec. in all other modes
    Bulb and Time modes up to 60 min.

    Sync Speed for Flash:
    1/125 sec. or slower
    Continuous Shooting Approx. 3 fps for unlimited JPEGs, 13 lossless compressed raw files, or 8 uncompressed raw files
    Focus 117-point TTL contrast-detection system
    Manual, Continuous, Single focus modes
    AF Frame Selection: Single-Point, Zone AF, Wide/Tracking AF
    White Balance Automatic Scene Recognition, Custom, Color Temperature Selection (K), Preset (Daylight, Shade, Fluorescent Light [Daylight], Fluorescent Light [Warm White], Fluorescent Light [Cool White], Incandescent Light, Underwater)
    Self-Timer Delay 10 or 2 sec. delay
    Interval Shooting Yes
    Flash Modes Sync Mode: 1st Curtain, 2nd Curtain, Auto FP (HSS)
    Flash Mode: TTL (Flash Auto, Standard, Slow Sync), Manual, Off
    Hot Shoe Yes; dedicated TTL flash compatible
    Viewfinder 0.5" / 1.3 cm
    3.69m-dot OLED
    100% frame coverage
    Eyepoint: Approx. 23 mm
    Diopter Adjustment: -4 to +2 m
    Magnification: 0.85x
    Diagonal Angle of View: Approx. 40°
    Horizontal Angle of View: Approx. 33°
    Built-in eye sensor
    LCD Monitor 3.2" 2.36m-dot tilting touchscreen LCD
    4:3 aspect ratio
    100% frame coverage
    Video Recording Full HD 1920 x 1080 at 29.97p, 25p, 24p, and 23.98p at 36 Mbps
    HD 1280 x 720 at 29.97p, 25p, 24p, and 23.98p at 18 Mbps
    Maximum Recording Length: Approx. 30 min.
    Wireless Connectivity IEEE 802.11b/g/n
    WEP, WPA, WPA2 mixed mode encryption
    Infrastructure access mode
    Terminal USB 3.0, micro-USB terminal
    Micro-HDMI connector (Type D)
    3.5 mm stereo mini connector for external microphone
    3.5 mm stereo mini connector for headphones
    2.5 mm remote release connector
    DC in 15 V connector (compatible with optional AC-15V AC Adapter)
    Hot shoe
    PC sync terminal
    Battery Type NP-T125 rechargeable lithium-ion battery
    Approx. 400 shots per charge
    Startup Time Approx. 0.4 sec.
    Operating Conditions 14-104°F / -10-40°C
    10-80% humidity (no condensation)
    Dimensions 5.8 x 3.7 x 3.6" / 147.5 x 94.2 x 91.4 mm
    Minimum Depth: 1.6" / 41.6 mm
    Weight 2 lb / 920 g (with EVF)
    1.8 lb / 825 g (with battery and memory card)
    1.6 lb / 740 g (body only)
    Packaging Info
    Package Weight 5.3 lb
    Box Dimensions (LxWxH) 9.3 x 8.8 x 7.5"

    Fujifilm GFX 50S reviews

    GFX 50S Medium Format Mirrorless Camera (Body Only) is rated 4.5 out of 5 by 13.
    Rated 1 out of 5 by from Excelent camera, but... The problem I had was related to the EVF. It came defective, not working since day 1. Come on. A c�mera that costs this much should not come with such problem. And worst than that, after contacted the Fujifilm support in Brazil (i’m From Brazil), they told me that I have to send the camera and the EVF to the service center and the estimated time to fix it is about 120 days!!! I have 40 weddings a year and can not afford to work with only 1 camera for 120 days. So I am stuck with a broken EVF using only the LCD display because I can’t even buy an EFV. There isn’t for sale.
    Date published: 2017-12-27
    Rated 5 out of 5 by from Well-suited for the subjects I enjoy shooting I've had the camera and a GF 32-64mm f/4 lens in my possession for several weeks now, and have plenty of good and not much bad to say about shooting with the GFX. I came to Fuji from Canon full-frame, adjusting to the GFX's ergonomics was not immediate - but, for the most part, I find the Fuji's ergonomics and controls to be quite good. Particularly once you've taken the time to assign custom functions to the various buttons to suit your preferences (decoupling AF-on from the shutter button and reassigning it to the rear command dial press being one of my recommendations). If I had to complain, getting your bearings after turning on the camera requires you to take a moment to assess what settings you had in place the last time you used it - and switching to your intended settings may require adjusting multiple dials. I miss having a single top dial that allows for fast and simple switching between aperture/shutter priority, manual, and custom shooting modes (which is something my Canon bodies offered). With the GFX, I primarily find myself shooting in full manual and use the front/rear command dials to adjust shutter speed/aperture/ISO. I don't find the ISO/shutter speed controls on the top plate to be particularly useful, as adjusting them would require taking my eye away from the viewfinder or my hand away from the shutter button - thankfully those controls (along with the aperture rings on the native GF mount lenses) can be locked and assigned to the front/rear command dials. Autofocus - I hardly spend any time with the continuous/servo AF mode enabled, I found that mode to be borderline unusable during my hands-on time with a body using the v1.00 firmware (it was constantly hunting), and I haven't bothered trying it again using the current v1.11 firmware (which is supposedly an improvement). I'm fine with that - I didn't move from DSLR's to medium format for things like continuous AF performance or burst rate - and the AF mode I care about, single shot AF, is more than sufficient, and has proven to be very accurate and reasonably speedy in most lighting conditions. AF points cover nearly the entire frame, can be changed quickly with the joystick or touchscreen, and punching in to check focus is immediate once activated. Overall, the camera feels very responsive, and I have yet to experience any bugs on the v1.11 firmware. The viewfinder is huge, bright, sharp, shimmers a bit when autofocus is engaged and shows moire when focused on fine detail/complex patterns (this moire also appears when using the rear screen in live-view mode). Refresh rate is 60fps in good light and lag is minimal, but the refresh rate does slow down in low-light and/or as you lengthen shutter speeds (the resulting increase in exposure is helpful when using manual focus on a tripod in low light). Some things I love about this camera - the robust build and extensive sealing, dual UHS-II SD slots, the articulating LCD, exposure lengths of up to 60 minutes possible directly in camera, the focus distance and DoF scale shown in the viewfinder/rear display when shooting with native GF lenses (extremely convenient for any tripod work - manually focused nightscapes, landscapes or architecture with ND filters), the built-in dual axis electronic level, the extremely flexible files (dynamic range and detail are both highly impressive), the baked-in film simulation profiles are convenient to have as a base to start editing raws from (I'm partial to Provia and Arcos). Battery life - pretty decent, I've been getting around 400 images per battery, which includes long exposures and plenty of camera on time between exposures. I've had hands-on time with all of the currently available native GF mount lenses, and expect to add the 23mm f/4 and 110mm f/2 to my kit eventually. The 32-64mm f/4 is a great starting point, however, and I'd pick it over the 63mm f/2.8 - other than the somewhat restrictive minimum focus distance, the zoom is easy to recommend, autofocus is speedy and internal (an improvement over the 63mm f/2.8), wide open it's sharp across the frame, has good contrast, bokeh and rendering are almost prime-like, stopped down you get attractive sunstars, flare is handled well and has a pleasing aesthetic.
    Date published: 2017-08-30
    Rated 5 out of 5 by from Mind-bending image quality with some operational quirks What I liked about the GFX: The images this camera generates are simply unbelievable. The high-ISO capabilities and shadow recovery are superb. This has been the first digital camera I've ever used that produced images that reminded me of film - nearly wet/liquid, as if you were looking at a medium format film transparancy on a light table (only with much more depth in the shadows). The Fujifilm GF lenses for this camera are razor sharp edge-to-edge, wide open to stopped down. Jaw-dropping. The size of the body is really nice and small. It's smaller than my Canon full-frame bodies, and I could actually fit it along with two extra lenses in a small MindShift backpack designed for a full-frame mirrorless system. The quirks with this camera: A laggy EVF. This makes a huge difference when trying to get the perfect expression or even just getting the model's eyes open in the shot because what you're shooting isn't exactly the same moment as what you're viewing in the EVF. I had to train myself to keep both eyes open and use my right eye for framing and my left eye to actually watch the scene for the moment or moments to click the shutter. Having used the Leica Q, I was disappointed in the GFX's EVF refresh rate and quality. The default setup for it has bad flicker (seriously Fujifilm?). I found online that I could turn off film-look simulation in the EVF and set the colors to be more neutral and finally I had a usable EVF. The good news is the EVF is removable, meaning if Fuji updates it for the next model, it's likely they will be interchangeable. Maybe Fujifilm will be able to address some of the EVF quirks in a firmware update soon. It is a serious oversight on Fujifilm's part to not include a physical exposure compensation wheel on top. I would give up the unnecessary LCD display on top to get one. Hopefully they will rectify this in the next version. I was happy, though, to find I could set the back wheel to be dedicated to exposure compensation (make sure and update the firmware to the latest version for this to work properly). Battery life is epic. Kudos to Fujifilm for not being shy about putting a car-sized battery in there! My biggest gripe about the GFX system is the longest telephoto coming sounds like it will be 200mm or shorter, which is not near as long as I had hoped for. Hopefully one day they will release something in the 300-400mm range. There are landscape shots I simply cannot get without one.
    Date published: 2017-08-18
    Rated 5 out of 5 by from A beautiful camera after a small learning curve. ah, so you are going on a trip, you are seeing beautiful places, and you want a camera that can handle what you throw at it, and resolve everything for decades to come. Well enter GFX stage left. Its superb to handle, really just a beautifully crafted camera, not the prettiest bell at the monsters ball but ergonomics take the front seat at this rodeo. Battery life is pretty great, weather sealing is very good and a good plus, EVF is beautiful although not real life feeling. Speed to focus is actually very decent, its not going to track a falcon in dive, but in good light it keeps up fairly well, especially in zone focusing. Last and cliche not least, image quality is excellent, just superb, the recoverability is there, DR, IQ, micro contrast, color, oh that color, if you want images that will outlast your knee replacement then this is your camera, if you want a speed demon; probably should look elsewhere. I would suggest the 32-64, its a beautiful lens that might be too sharp, unless you are shooting landscape, then its never too sharp, the 63mm is very sharp, and the camera is very light with it, but its just not a quality lens, other than its image quality, which the zoom beats. Salud!
    Date published: 2017-06-28
    Rated 5 out of 5 by from Great new product! I am just getting used to this camera system but find it a great move from the full frame DSLR. I have used the Leica S and Hasselblad X1D and am a fan of both, but the Fuji system has some advantages over both, including an nutritive operating system, great customization, and reasonable cost for the system.
    Date published: 2017-06-12
    Rated 5 out of 5 by from Thats what I was looking for years... I sold my canon 5DSr and lenses I used before for landscape photography and bought GFX and 23mm lens. It's a beast. I love those raw files how they turn out now. Menu buttons are much easier to use compare to Canon. Was easy to set up. In one word I love it!
    Date published: 2017-12-18
    Rated 5 out of 5 by from Amazing Great EVF and image quality. Colors are amazing. I love 110 mm lens and 45mm lens. You can attach lots of lens with adapter.
    Date published: 2017-11-21
    Rated 5 out of 5 by from BEST CAMERA EVER The Fujifilm GFX 50S medium format digital camera is capable of some of the best image quality we've ever tested
    Date published: 2017-08-10
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