The electronic download of eXplorer 4 Bundle from Rob Papen contains all of Papen's plug-ins, including Blade, Punch, BLUE-II, SubBoomBass, Predator and Predator FX, RG virtual rhythm guitar, RP-Delay, RP-Verb, RP-Distort, RP-Amod, Punch-BD, and RAW. The bundle concentrates on synthesis, guitar and bass modeling, enhanced by multi-fx, distortion, and time-based effects including reverb and delay.
The electronic download of Predator 2 from Rob Papen is a virtual synthesizer plug-in that combines inspiring presets and first-class features to make it a "go-to" synthesizer for contemporary music production. The user interface has been designed so that almost all controls are visible on screen, making it easy-to-use.
Predator 2 presents an Easy Page for users that don't like too many controls. It offers you important parameters, allowing you to change a sound quickly or use the handy preset variation function. Predator 2 is packed with other features such as: 'Waveform morphing', 'Waveform drawing', "WaveSet playmode', XY pad, new EQ, new Voice Level Distortion, and so much more.
The RP-EQ from Rob Papen presents an 8-band virtual EQ plug-in with some additional twists. Aside from the core equalizer unit, the toolbox includes a Mid/Side equalizer mode, and a Mono/Stereo split filter, something frequently used in modern EDM/dance music. An Air section positioned on a master channel allows for boosting high frequencies with a wide bandwidth, while an X/Y Pad adds a dynamic and creative edge to an already very musical equalizer. Multiple presets are included.
- 8-band EQ which can work in normal mode or Mid/Side mode
- Graphic control panel and lower control panel with additional setting for view, solo, or lock a single band
- Multiple banks with presets
- A/B slots for comparing different versions while editing
- Bypass button
- Volume control with "on/off" option for volume correction if volume goes over 0 dB
- Spectrogram displays the input and output signal as an FFT Spectrogram, a 30-band (1/3 octave) Bar Spectrogram, or a 30-band (1/3 octave) Single line Spectrogram
- Controls for hold and release of peak lines in bar mode
- Control of release in the single line mode
- Saturation section applies a warming effect to the sound, based on the sound of saturated analog tape
- Air section features an additional EQ band that boosts very high frequencies with a wide bandwidth
- 75 Hz high-pass filter with 12 dB or 24 dB per octave slope for filtering out rumble or uncontrolled low-end material
- Low-pass filter for enhancing the creative application of EQ
- Mono/Stereo Split Filter is able to divide the audio signal in a mono and stereo part based on a frequency, which can be processed separately – useful for contemporary music in a mix-bus configuration or for mastering
- XY section functions as two programmable LFOs
- Record movements on the XY pad as paths
- Switch XY to Rec mod and draw a path, which is saved as part of a preset
Blade from Rob Papen is a virtual synthesizer that takes traditional synthesis further via the inclusion of what the company calls a "Harmolator," a function that allows for modulating the "harmonics" of an oscillator using a virtual XY pad. This oscillator system uses nine global controls which change the harmonic content (partials) of the waveform.
The Harmolator allows oscillator spreading, fattening the sound and producing a square/sine wave sub-oscillator. The original sound source can be further modified using twenty-one per-voice distortions types and fourteen filter types. The synthesizer offers total control of the sound over time using an array of different modulation controls.
A central XY screen allows for either altering things directly by moving the cursor around, or by recording paths that can be replayed. The recorded path can be looped, bi-directional, and tempo synched. Even the speed of the XY path can be modulated for dynamic changes.
Additionally, Blade offers a full range of other modulation sources, including a dedicated envelope, and velocity as a modulation source for the Harmolator controls. Two effects units feature all the effects from the company's other products, plus an Arpeggiator/Sequencer and an Easy page which allow for easily and complete control of sound creation.
- Sixteen voices, operating in poly , mono 1/2 , legato 1/2 and arpeggiator modes
- Harmolator oscillator with nine controls, Harmolator wave settings, two types of spread functions, and extended sub-oscillator
- Twenty-one distortion units operating per voice (ahead of filter)
- Fourteen filter types including 6/12/18/24 low/high, 12/24 band pass/notch, vocal and comb filter
- Filter Separation function for unique filter stereo sound
- Amplifier section with volume, velocity and envelope control
- XP Pad with twelve amount controls for each X and Y, which can modulate the 9 Harmolator parameters, filter cutoff, filter Q, and volume
- XY Pad which can operate either directly or with recorded paths, in poly, mono or free modes
- XY Pad playback can be tempo synced, with different tempo settings, and with loop and bi-directional loop options
- XY Pad movement speed control
- XY editing options on right mouse menu
- Dedicated Harmolator velocity, LFO and envelope controls
- Pitch LFO and pitch envelope, two free Harmolator control sources, two free envelopes, two free LFOs and four modulation sources
- All controls can be used as modulation destinations, and there are a full range of modulation sources including MIDI controls and internal controls
- Two effects units with twenty-seven effects, including distortion, reverb and tape delay plus many more
- Sixteen-step arpeggiator with each step having its own pitch, velocity and free amount, which can also be used as a sequencer for modulation purposes
- Easy Page allows control of the main parameters in a flexible and easy way
- Preset handling with copy, paste, clear and compare function
- "Quick Browser," "Recently Browsed" and "Favorite" functions
- Preset Manager Screen allows you to easily find and organize presets and banks
- Full MIDI control over all parameters including the X/Y Pad
Punch from Rob Papen is a synthesized drums software instrument especially designed for the contemporary producer who wants "body rattling" sounds. Use synthesis and the built-in samples to construct your own unique sounding drum-kit, or load your own custom samples. The sounds can then be crafted using the comprehensive feature set.
Punch has built in sequencers, allowing you to have multiple patterns at your finger tips. These grooves can be triggered in a live environment to build a song, but are also useful for improvising and jamming. Also featured are a growing number of drum-kits built by third party designers and well know DJs.
- "Classic Samples" taken from several classic analog drum machines
- "Punch Samples" are RP library samples
- Pre-installed RP sample collection for the 8 sample pads
- Two bass drums with 4 different models, 4 classic samples, and 20 punch samples
- Two snare drums with 2 different models, 4 classic samples and 61 punch samples
- Two open hi-hats and two closed hi-hats, with 3 models, 4 classic samples and 7 punch samples
- Three tom/user with 2 tom models, 3 classic samples and 8 punch samples
- Two claps with 3 models, 3 classic samples and 12 punch samples
- Three user drum with 9 models, 22 classic samples, 106 punch (included percussion) samples.
- Eight dual sample slots, each with amplifier/pitch envelopes and filter with filter envelope
- Each drum features "easy controls", distortion (20 models) , output destination (dry or any 4 FX channels) and choke groups
- Each drum can be previewed and selected by clicking in the Drum Preview Pad
- Internal sequencer can play 8 different patterns, each consisting of up to 16 steps
- 4 grooves and 4 break patterns
- C3 to G3 keyboard range
- Each pattern is composed of 4 tracks, each track having its own drum output, and each step in each track can have different velocity, panning, pitch, envelope speed, flaming, time offset and a free row
- Each pattern also has a free row for modulation step values which can be used to modulate controls
- Swing amount, flaming time and humanization controls
- 2 envelopes, 2 LFOs and 8 modulation slots allow for a wide variety of modulation sources to modulate Punch's controls
- Full screen mixer displays the volume and panning of all the controls, plus the FX mix and panning allows for easy mixing of drum sounds
- Easy to use sliders allow for altering the main controls on the fly
- All sliders are available for MIDI latching
- Four effects slots, each with 26 different types
- Mono Delay, Stereo Delay, Comb Filter, Reverb, HQ Reverb, Chorus, Chorus/Delay, Flanger, Phaser, WahWah Delay, Distort, Low Fi, Amp Sim, Waveshaper, Widener, AutoPan, Gator, Ring-Mod, Filter, Equalizer, Compressor, Noise-Gate, Ensemble, Cabinet, Multi Distort, AutoWah
- Effects can be arranged in 5 different routings
- In the multi-channel version the effects are output to the different output channels
- Large manager screen displays all the presets, banks and presets, allows you to load, save, copy and paste them, and includes a powerful find function
BLUE II from Rob Papen is a virtual synthesizer plug-in that utilizes multiple forms of synthesis, including FM, Phase Distortion, Wave Shaping and Subtractive Synthesis.
The synthesizer features 6 oscillators which can be connected in various ways, a pair of analog-style modeled stereo filters, a wide range of processing and modulation options, a sequencer and a powerful arpeggiator.
- 6 oscillators modules which include analog, additive and spectral type waveforms
- Oscillator A and B offer PWM (Pulse Width Modulation) and symmetry control
- Oscillators can be combined in several ways using 32 different modulation routings in the algorithm screen
- Oscillators can have FM modulation or ring modulation and can be oscillator hard synced
- Each oscillator can be output to the filters, the effects or output as dry
- Dedicated screens available in the LCD screen section for algorithm selection, phase distortion/wave shaping settings and oscillator envelopes
- 2 analog modeled stereo multi-mode filters
- Filters provide 6dB low-pass and high-pass, as well as 12dB and 24dB low-pass, high-pass, band-pass, notch, ring, comb and vox (formant)
- Filters with panning, panning modulation options and pre-filtering distortion
- Easy filter control by pre-defined modulation controllers like envelope, velocity, key-track and modulation wheel
- 9 AHDSFR type envelopes
- Direct connection to oscillator volume, filter frequency and main volume amplifier to make sound editing fast and easy
- Graphic and fader-control of envelopes simultaneously
- Dynamic curves and MIDI tempo based features like delay and envelope retrigger
- 4 highly sophisticated multi-envelopes can be built up using up to 16 sections
- Full graphic control and additional menus with presets, load and save functions
- Dynamic curves and MIDI tempo based functions
- 10 LFOs with various waveforms and MIDI-syncable
- LFOs directly connected to main targets to make sound editing easy and fast
- LFOs have adjustable, free/poly/mono modes, key-tracking, symmetry, smoothing, attack, decay and humanize functions
- 3 modulation step-sequencers with sequence loop start/end, poly/mono/free play modes, speed controls and step smooth function
- Copy/paste/clear functions
- Modulation Matrix with 2 pages of 10 slots
- 12 synthesizer sources, 23 MIDI sources and 91 synthesizer destinations
- 32 step mono sequencer, with sequencer length, speed adjust, slide amount, swing amount and volume smoothing
- Each step has on/off, reset, -32/+32 semi-tone tune, volume, slide on/off, filter A, filter B and free modulation settings
- Clear, load and save functions to exchange sequences in between presets
- 32 step arpeggiator, with sequencer, sequence length, speed adjust, slide amount, swing amount and step length control
- Each step has on/off, reset, -32/+32 semi-tone tune, volume, slide on/off, filter A, filter B and free modulation settings
- Clear, load and save functions to exchange arpeggiators in between presets
- Poly/Mono/Legato/Seq/Arp synthesizer play modes
- Portamento featuring legato, switchable constant time/constant rate
- Unison 2/4/6 mode with detuning
- Chord memory with strum function
- 2 effects-blocks with serial and parallel mode
- Available effects include mono delay, stereo delay, chorus, flanger, phaser, distortion, Low Fi, stereo widener, reverb, comb filter, gator, speaker simulator, wah/delay, chorus/delay, autopan, waveshaper, ensemble and compressor
- MIDI tempo based settings in most effects
- EQ for total overall sound
- 16-voice polyphony
- Adjustable Precision setting per oscillator to simulate the instability of vintage analog synthesizers
- Voice amount control
- Global settings save with each individual preset
- Easy Edit page for fast new sound results or for easy access tempo changes
- External controller hardware settings can be saved and restored
- Sound banks of 32 presets inside built-in browser
- Preset handling with copy, paste, clear and compare function
- Preset banks are sorted into style-maps for easy search
- Preset banks respond to MIDI program change and bank select
- All settings included the global settings are stored inside each individual preset
- Over 1,700 presets in clear categories
- "Fast Preset Browser" launched by right clicking on the "Preset" button with "Recently Browsed" and "Favorite" functions
The Rob Papen SubBoomBass Virtual Plug-in Instrument is a versatile synth bass sequencer plug-in for your VST2.4, Audio Units and RTAS compatible host software. Create custom bass lines and complex low-end grooves using SubBoomBass' sophisticated oscillator, filter and sequencer sections. Use the internal effects, filters and modulation sections to create custom grooves. Tuned drum and percussion samples bring your complete groove and rhythm ideas to life. Rob Papen SubBoomBass is ideal for R&B, Hip Hop, Electronic and Dance Music production, sound design, film scoring and much more.
Predator from Rob Papen is a virtual synthesizer plug-in that combines inspiring presets and first-class features to make it a "go-to" synthesizer for contemporary music production. The user interface has been designed so that almost all controls are visible on screen, making it easy-to-use.
Predator is packed with powerful features such as preset morphing, intelligent preset variation, MIDI and synthesizer controllable FX, unison detune, chord memory and an extremely versatile arpeggiator. The plug-in also includes PredatorFX that allows the user to use the filters, modulations, effects and the vocoder as an FX plug-in within the music host.
Preset banks include Hip Hop (NY, Club, Dirty South and G funk), Jump, hardcore, breakbeat, various trance styles, D n' B banks, and more.
- 3 Oscillators with 128 waves including analog, additive and spectral type of waveforms, plus pink and white noise generators
- Oscillator waveform symmetry control for each oscillator
- Free running option for each oscillator and oscillator syncing of oscillator 2 or 3 to oscillator 1
- Extended semitone range from -48 up to +48 semitones
- Separate octave control and fine-tuning
- Keyboard tracking on/off for each oscillator
- Each Oscillator offers Pulse Width Modulation (PWM) using an independent LFO for each oscillator with individual speed and amount controls
- FM and ring modulation modes for oscillator 2 and 3
- Each oscillator has a PWM square wave Sub-oscillator
- Spread function for detuned multiple oscillator sound within one oscillator
- Volume control for each oscillator and output on/off for Oscillator 1 and 2
- Main filter is an analog modeled stereo multi-mode filter, offering 6dB low-pass and high-pass, as well as 12dB and 24dB low-pass, high-pass, band-pass, notch, ring, comb and vox (formant)
- Pre-filtering distortion with smooth or edgy mode option
- Easy Filter control by pre-defined cutoff frequency modulation controllers - envelope, velocity, key-tracking, LFO and modulation wheel
- Built-in filter envelope with Attack, Decay, Sustain, Fade and Release
- Filter LFO with various waveforms, modulation amount control and tempo sync option and poly, free or mono mode options.
- Additional filter with cutoff control offering 6dB, 12dB and 24dB low- or high-pass setting
- Tempo-syncable global pitch LFO
- You can set the amount and also which wave is used for this LFO
- Pitch bend with separate settings for up and down pitch-bends
- Built-in amplifier/volume envelope with Attack, Decay, Sustain, Fade and Release
- Volume control
- Velocity to volume amount
- Panning control
- 2 envelopes with Attack, Decay Sustain, Fade and Release
- Option to control the envelopes times using "velocity" or "key played"
- Modulation amount envelope 1 and 2 and amount control for envelope 1
- 65 modulation destinations
- 2 LFO's with various waveforms
- Tempo sync option
- Poly, free or mono mode options
- Modulation amount LFO 1 and 2 and amount control for LFO 1
- 65 modulation destinations
- 8 free modulation routings
- 40 modulation sources
- 65 modulation destinations
- Secondary modulation source and control
- Poly, mono, mono 2, legato, arp, unison 2, unison 4, unison 6 play modes
- Portamento featuring constant rate/constant time or held(legato) constant rate/constant time
- Unison detune amount when Predator is in unison 2, unison 4 or unison 6 mode
- 8 note chord memory, saved within the preset, including syncable strum timing
- 16 step arpeggiator, which can also be used as a step sequencer or as modulation source
- Arpeggiator patterns can be 1 to 16 steps long
- Adjustable speed ratio setting with reference to the host BPM setting
- Up, down, up/down, down/up, random, ordered, reverse ordered, ordered up/down, ordered down/up, chord and modulation mode
- 1 to 4 octaves settings
- Swing amount
- Slide amount for sliding steps
- Velocity control knob which mixes between keyboard (MIDI) velocity input and the steps velocity settings
- Each step has on/off, Tie, slide, tune, velocity and free row
- Normal and special Tie modes which allows slide, tune, velocity and free settings inside a step, if that step is set to Tie
- Arpeggiator latch can be controlled by the MIDI sustain pedal
- You can load, save, copy, paste and reset arpeggiator patterns, allowing you to reuse them in different presets
- Right mouse menu in the arpeggiator screen brings up a menu which allows you to copy, paste, clear, move, reverse, randomize and turn off / on controls, for either selected steps, or all steps
- Available effects include mono and stereo delay, comb, reverb, chorus, chorus/delay, flanger, phaser, wah/delay, distortion, Lo-Fi, amplifier simulator with 5 models, waveshaper, stereo widener, autopan, gator, vocoder, FX multi-filter, 5-band EQ, compressor, ensemble, cabinet simulator, multi-distortion and autowah
- MIDI tempo based settings in most effects 2 effects modulation sources for connecting MIDI or synthesizer controls to effect parameters
- 16-voice polyphony
- Adjustable Precision setting per oscillator to simulate the instability of vintage analog synthesizers
- Global tuning
- Variable envelope attack shape
- Decay/release shape changes the curvature of the envelope's decay and release stages from exponential, to linear, to logarithmic
- Velocity shape changes Predator's velocity curvature
- Over-sampling mode and over-sampling filter on/off
- Strum timing for use with chord mode, with timing in milliseconds or tempo synced
- Audio input selector with input gain control (PredatorFX only)
- All advance settings are saved within each individual preset.
- External controller hardware settings can be saved and restored
- Parameter read-out field at lower right corner with a help function for most controls
- Uses sound banks composed of 128 presets
- Preset handling with copy, paste, clear and compare function
- "Quick Browser", "Recently Browsed" and "Favorite" functions
- All settings included the Advance panel settings are stored inside each preset
- 4 "Preset variation" buttons with amount control of the variation
- Preset morphing with amount control allows for morphing between 2 presets within the selected bank
The Rob Papen RG Virtual Rhythm Guitar Plug-in Instrument allows you to create custom guitar rhythms, grooves and effects using the plug-in's unique synthesizer and effects features. Easily create classic rhythm guitar sequences, or edgy grooves by simply playing the desired chords on a MIDI keyboard controller. RG features models of the Fender Stratocaster, 8th & 16th note groove type steel string acoustic guitars, and a Power Chord groove type distorted guitar.
RP-Delay from Rob Papen is a delay plug-in that features regular delays, along with FX routings that allow the delay to function beyond typical delays. Six delay lines and eight multi-mode filters can all operate at once in each of several delay modes. In addition to the basic delay models like a simple mono delay and a stereo delay, the plug-in features a tape-sound delay which allows for changing tape length without inducing any clicks.
A sound reverser can reverse the input, while simultaneously reversing one of the delay lines. The reverse sound can also be triggered via an on-screen keyboard, generating totally new sounds, and sending them into the reverser with via dedicated filters and distortion. The delays, filters, and reverser can all be modulated by the built-in modulators. There are four modulation sequencers, four LFO's, and four envelopes, complete with several trigger options.
Rob Papen RP-Verb is a professional reverb software plug-in for both Mac and Windows operating systems. RP-Verb runs native on popular host DAW software, and delivers professional quality reverb at a cost effective price. User control over early reflections, tube saturation, dry / wet amount and ensemble will customize professional grade reverb algorithms to suite your needs.
RP-Distort from Rob Papen is not just a distortion plug-in, but offers more sound processing by allowing combining the distortion section with an analog modeled filter, compressor and widener unit. The order of the units can be changed and also turned on or off.
Controls can be modulated using MIDI sources, or by one of the four LFOs that can sync to the host tempo. Twenty-two distortion types are offered, included a ring modulator and Lo-Fi processor. EQ and a noise-gate are also available inside the distortion section.
- Uses sound banks composed of 128 presets
- Preset handling with copy, paste, clear and compare functions
- "Quick Browser", "Recently Browsed" and "Favorite" functions
- All settings are stored inside each preset
- Presets are stored in clear categories banks
- External controller hardware (fader-box) settings can be saved and restored
- Amplifier simulation - none, 4 x 10" guitar speakers, 4 x 12" guitar speakers, bass speaker, combo speaker, radio speaker
- Cabinet simulator with several cabinet types - none, Fender, Marshall, off axis
- Clipper limits output using a large range of preset settings
- Cosine
- Cross 1
- Cross 2
- Foldover amplifies and then 'folds over' the sound
- Fuzz-box
- Gapper distortion
- Hard-limiter
- Low-Fi reduces the sample and bit rate and adds noise to the signal
- OverDrive
- Octave 1
- Octave 2
- Power wave-shaping
- Rectify
- Ring Modulation
- Saturate
- SoftLimit
- Squarify turns the source to a square wave and low-pass filters it
- Transient distorts a sound's beginning
- Tube Simulator
- 4-band equalizer effect inside distortion section
- 125 Hz, 1.5 kHz, 2.2 kHz and 8 kHz
- EQ on/off
- Noise gate (inside distortion section) silences any sound below a set threshold
- Threshold, attack, hold and release controls
- Gate on/off
- Low- and high-pass filters, in that order
- 12 and 24 dB pole selection
- Adjustable frequencies
- Adjustable Q
- Threshold, ratio, attack, release and volume controls
- Compressor on/off
- Four free modulation routings with amount control
- Four LFOs with tempo based sync mode, waveform, speed, human feel, symmetry controls
- Bypass button for all active modulations
- Global amount control for all active modulations
Punch-BD from Rob Papen is a synthesized bass drum software instrument especially designed for the contemporary producer who wants "speaker busting" sounds. Use synthesis and the built-in samples to construct your own unique sounding kick drum, or load your own custom samples.
There are six pads, each offering either drum synthesis or sample modes. There are four synthesis models with built-in classic electronic bass drum samples and 31 punch samples. The sample mode offers a dual sample slot, each with their own amp/pitch envelopes and filter & filter envelope. There are several stacking modes that offer several ways to play the instrument, including Stack Mode for stacking up to 6 BD pads, Tuned Stack Mode for stacking 6 BD pads that respond to keyboard note playing, and Sequence Stack Mode, which plays up to 6 BD pads in sequential order. Punch BD rounds out its comprehensive feature set with several modulators, a mixer, and a full featured effects section.
- Punch-BD is a bass drum synthesizer and sample player. With up to 6 pads that can be combined / stacked in several ways including tuned keyboard playing
- Each pad can be used in drum synthesis or sample mode
- 4 different synthesis models and built in 4 classic electronic BD samples and 31 punch samples
- Dual Sample slot, each with their own amp / pitch envelopes & filter and filter envelope
- Each drum has its own 'easy controls', distortion (20 different models) and output destination (to dry or any of the 4 FX channels)
- 3 bank graphic EQ per pad with frequency, bandwidth and gain control
- Tune bypass button per pad to avoid keyboard tuning response in 'Tuned Stack' or 'Tuned Seq' mode
- Easy bypass button per pad to avoid response of the sound in the EasyPage
- Each drum can be previewed and selected by clicking in the Drum Preview Pad
- Each drum pad has solo and mute
- Each drum pad has right mouse menu command functions
- Stack mode: stacking up to 6 BD pads
- Tuned Stack mode: stacking up to 6 BD pads responding to keyboard notes played
- 6 notes mode: from the central note 6 separate notes representing each one BD pad
- Seq mode: Up to 6 pads play in sequential order
- Tuned Seq: Up to 6 pads play in sequential order, responding to keyboard notes played
- Central note: for selecting the central note. Default is C3
- Fine-tuning control for the whole preset
- Semi-tuning control for the whole preset
- Punch has 2 envelopes, 2 LFOs and 8 modulation slots, which allow you to use a wide variety of modulation sources to control Punch-BD's parameters
- A full screen shows the volume & panning of all the controls, plus the FX mix & panning, allows you to easily mix the drum sounds
- EasyPage, which uses sliders to allow altering of the main controls on the fly during use
- All are available for MIDI-latching with your MIDI controller
- 4 FX, each with 32 different types of FX
- Mono Delay, Stereo Delay, Comb Filter, Reverb, HQ Reverb, Chorus, Chorus/Delay, Flanger, Phaser, WahWah Delay, Distort, Low Fi, Amp Sim, Waveshaper, Widener, AutoPan, Gator, Ring-Mod, Filter, Equalizer, Compressor, Noise-Gate, Ensemble, Cabinet, Multi Distort, AutoWah, Tape Delay, Tape Flanger, Analogue Phaser, Clipper, Parametric EQ
- FX can be routed in 5 different paths. In the multi-channel version of Punch-BD, these FX are output to the different output channels
- Big manager screen, which displays all banks and presets, allows you to Load, Save, Copy & Paste them and much more. Also including the powerful find function
RAW from Rob Papen is a two oscillator virtual synthesizer featuring an X/Y field to distort the waveform using phase distortion. The instrument also allows you to draw your own waveforms and use them as LFOs, enabling the creation of unique 'wobble' movements that are perfect for dubstep and other styles of electronic music.
RAW offers all of the Papen filters to further shape your sound. Additionally, the synth features EQ, waveshaper, distortion and lo-fi effects integrated into the synthesis voice level. Other effects include chorus, phaser, flanger, stereo delay and the HQ reverb. An arpeggiator and sequencer allow you to program your own patterns and rhythms.
The Easypage and preset bank manager are also included as standard and feature presets from well known producers and DJs including Promo, Ophidian, Mad dog, Deathmachine, D-Passion, Rob Fabrie, DJ Thera, N-Vitral, Tha Playah, DJ Hidden, The Viper, Warface and many more.