Boris FX BCC 10 Upgrade + Sapphire 10 for Adobe (Download)

BCC Beauty Studio is a new skin retouching tool that gives editors the ability to smooth skin and reduce blemishes making their talent look better.

• Advanced skin smoothing produces professional and realistic results for a digital makeover
• State-of-the-art keying algorithm isolates skin tones, while retaining natural sharpness and contrast
• Integrated mocha planar track masking reduces manual keyframe labor

Create professional 2D/3D broadcast titles and high quality motion graphics at any resolution with the BCC Title Studio plug-in.

• Create stylized 2D or 3D titles with custom bevels, fills, and styles
• OpenGL-accelerated features include 3D extrusions, materials, cameras, lights, and deformers
• Import 3D models from Maxon C4D or Adobe Illustrator EPS files
• Includes a custom interface plug-in and stand-alone application

Three new filters are added to the already highly useful set of tools that fix, repair, and restore footage.

• BCC Remover fills in missing pixels and removes objects with clone and auto-fill options
• BCC Dropout Fixer easily restores tape based damaged footage with field or frame dropouts
• BCC Reframe reformats and stylizes vertical cell phone video footage into a standard 16x9 aspect ratio for broadcast
• Includes options to stylize the foreground and background with blur, stretch, and mirroring

Each transition comes with many pre-built presets for an easy starting point. Customize, save, and share your transition effects.

• BCC Light Leaks Dissolve creates a light exposure-based transition
• BCC Cross Glitch mimics abrupt digital signal transitions
• BCC Cross Melt conveys a new organic look and feel
• BCC Cross Zoom combines zoom, glow, and dissolve into one simple transition

Quickly and easily find your perfect look. The FX Browser can be accessed both in each individual filter and standalone to browse the entire BCC effects presets library. The built-in browsing history lets you keep track of your most recent searches. All effects play back over video in your timeline, not just a poster frame. The FX Browser supports BCC 3D Objects units.

The improved preset browser features easier access to advanced presets and a significant increase in overall load time. Users now have the option to quickly preview any of the over 150 newly added presets within the "new" category with a single click.

Depict accurate lunar cycles down to date and time with this high-resolution, photorealistic moon generator. Using a complex bump map to achieve stunning realism, Luna features a wide array of options such as halo, glow, color tint, and atmosphere.

Form a quilted patchwork of tiles with a textured geometric mosaic overlay. Add in grout, play with different textures, and use custom embossing to achieve a variety of different looks.

Apply realistic paint brush strokes to any image or graphic. Use different mediums like oil or chalk, and many different brush surfaces such as felt tip, sponge, or pencil.

Applies smoothing, color correction, soft focus, and glow to skin regions. While intended for human faces, Beauty can be used to smooth out other shots.

Simulates a film process in which silver is not removed from the negative. The result has increased contrast and reduced color saturation for a color grading or color treatment look.

Simulates a film process where bleaching is skipped or reduced. Like blending a B&W image over a color image, the result is increased contrast and reduced color saturation.

Blurs the source clip by an arbitrary amount using a Gaussian, triangle, or box filter.

Blurs each channel of the source clip using a Gaussian, triangle, or box filter.

Separates the source into luminance and chrominance components, blurs the chrominance and/or the luminance independently, and recombines them.

Blurs the source clip in a given direction using a Gaussian, triangle, or box filter. Each channel can be blurred by different amounts.

Performs a motion blur and optionally transforms the source clip using the animated curves of the Z Dist, Rotate, and Shift parameters.

A transition that performs a motion blur between two clips. This can be used for radial zoom blurs, rotational blurs, directional blurs, or any combination of these.

Gives a cartoon look to an image by drawing new outlines on edges. Smooths the colors of the areas between the edges, and optionally posterizes colors into fewer color values.

Adds additional paint parameters onto a converted cartoon image to make the footage look like a living painting.

Reorders the RGBA channels of the source clip to change and emphasize colors.

Controls the maximum levels of chrominance and luminance of the clip, adjusting levels to 'broadcast safe' values.

Simulates a pen-sketch look using overlapping strokes. The source is divided into four bands based on luma; each band from dark to light gets a different pattern of strokes.

Smooths out a clip by removing banding artifacts and diffusing pixels across the banded areas while keeping the original edges intact.

Defocuses the color channels of the source clip to produce a blurred effect.

Scrambles the pixels of the source input within an area determined by the Diffuse Amount.

Simulates digital playback errors, compression artifacts, and digital noise. Comes with seven different types of damage, each with custom parameters.

Transitions between two clips while blurring each. The first clip is blurred and faded out while the second clip is unblurred and faded in.

Transitions between two clips using a bubble warping function. The first clip is warped away and faded out while the second clip is unwarped into place and faded in.

The transition version of RackDefocus. Dissolve in between clips by simulating a real defocused camera lens.

Transitions between two clips by scrambling the pixels of the inputs within an area of the max amount. The first clip is diffused away, and the second clip is diffused into place.

Transitions between two clips while distorting each using the gradient of the other. The first clip is warped away and faded out while the second clip is unwarped and faded in.

Transitions between two clips using animated edge rays. The clips dissolve into each other, and edge rays are added to the result.

Transitions between two clips using a film dissolve with selectable gamma. Film dissolve preserves the highlights in the clips longer compared to a regular dissolve.

Simulates lots of flashbulbs going off while dissolving between two clips. With many small flashes, can look like a stadium scene.

Transitions between two clips using animated glares. The clips dissolve into each other, and glares are added to the result.

Transitions between two clips using a bright glowing glint. The clips dissolve into each other, while each one gets a glint which ramps up and down during the effect.

Transitions between two clips using a bright glowing glint. The clips dissolve into each other while each one gets a glint which ramps up and down over the duration of the effect.

The transition version of Glow, using natural glowing light to enhance the dissolve between two clips. The glow can be customized for the incoming and outgoing clip.

The transition version of LensFlare, using simulated lens flares to enhance the dissolve between two clips.

Transitions between two clips using a pattern derived from their luminance. One clip often appears to emerge through the other.

Transitions between two clips while warping by a circular pattern of waves. The first clip is warped away and faded out while the second clip is unwarped into place and faded in.

Transitions between two clips using animated rays. The rays ramp up and down over the duration of the effect. The rays animate by moving the origin across the screen along a line.

Transitions between two clips by applying a shaking motion to them, along with a quick dissolve. The shaking uses translation, zooming, and/or rotation.

Transitions between two clips using a speckled noise pattern. The Dissolve Percent parameter should be animated to control the transition speed.

Transitions between two clips using random pixel static. The pixelated look of this effect depends on the image resolution, so test your final resolution before processing.

Transitions between two clips while breaking each up into tiles and scrambling them. The first clip breaks apart and spreads out while the second clip coalesces behind the first.

Transitions between two clips using a spiral/vortex warping function. The first clip is warped away and faded out while the second clip is unwarped into place and faded in.

Transitions between two clips using a waves warping function. The first clip is warped away and faded out while the second clip is unwarped into place and faded in.

Transition between two clips using animated lightning bolts. The clips dissolve into each other, while the lightning grows.

Warps the source clip to generate optical glass-like effects as if the source clip were being viewed through an arbitrarily-shaped lens.

Blurs the source clip in the direction of the gradient of the lens input clip. It is best demonstrated when the lens image contains just a few simple shapes.

Generates a dual color channel version of an image, as might be perceived by the limited color vision of dogs. Effective in emphasizing complementary colors.

Recolors the source clip according to two specified colors using the brightness of the source clip. Similar to QuadTone and TriTone.

Blurs fine textures of an image while preserving the larger details, without having to produce separate mattes. Useful for cleaning up shots of food, product labels, and fabrics.

Assigns different colors to the edges of the source clip depending on their direction. Increase the Edge Smooth parameter for thicker edges.

Finds and colors the edges within an image. Choose from RGB, Chroma, or Mono edges and tweak from there. Can be paired with other Sapphire effects for cartoon and paint styles.

EdgeRays emits rays from the edges of the source layer. The source layer can also be selected as a matte to colorize the rays. Similar to Rays.

Finds the edges of the source input that are aligned in a specified direction. Increase the Edge Smooth parameter for thicker edges.

Embosses the source clip, emphasizing the edges, using the brightness of the Bumps input as a relief map.

Embosses and warps the source clip, emphasizing the edges, using the Bumps input as a relief map. Typically results in a liquid chrome look.

The source is embossed and warped using the Bumps input as a relief map and lens image. A chrominance distortion is also performed, separating the spectrum for a 'prismatic' look.

Embosses the source clip, emphasizing the edges, using the Bumps input as a relief map. A lighting model is used which includes highlights from specular reflections.

Generates a version of the source clip using two sets of black and white lines of varying thickness to give an 'etching' or 'lithograph' look.

Previous frames are combined with the current frame while distorting by a bubble pattern. The feedback is reinitialized whenever any non-consecutive frame is processed.

Simulates damaged film with elements including dust, hairs, stains, scratches, defocusing, flicker, and shake. Each element has controls for adjusting the look of the damage.

Makes video look like it was shot on film, and is also used as a color treatment tool. Remove field artifacts, perform color correction, add film grain, and apply glow or a soft focus.

Transitions between clips vertically, with optional damage components, resulting in a film strip effect.

Simulates lots of flashbulbs going off. With many small flashes, can look like a stadium scene. With a few large flashes, works well on a celebrity red carpet clip.

Transitions rapidly between two clips for a high-energy effect. Insert solid-colored frames and inverted frames as well.

Creates a fractured, fly's eye view effect by breaking the image into circle-shaped tiles and transforming the image within each tile.

Creates a fractured, fly's eye view effect by breaking the image into hexagon-shaped tiles and transforming the image within each tile.

Breaks the image into rectangular shaped tiles and transforms the image within each shape, to create a fly's eye view effect.

Applies a gamma correction to the input clip. The red, green, and blue channels can be adjusted independently.

Composites rainbow halos and/or glint-like rays at locations where the source clip is brighter than the threshold.

Generates star-shaped glints at locations where the source clip is brighter than the threshold.

Generates star-shaped rainbow-colored glints at locations where the source clip is brighter than the threshold.

Generates natural glowing light in the source clip. Adjust the direction, color, and other features of the glow.

Generates radial gradient aura lines following the gradient of the source clip. Adjust the Width, Frequency, Phase, and Twist parameters to make different aura patterns.

This effect gives a warm, smoky look to your footage by softly darkening the darker areas of the source clip.

Generates glows based on the distances from the edges of the source input. This is best observed when used on images with dark backgrounds.

Creates glowing light from the edges in the source clip.

Generates glowing light from areas of the source clip that are brighter than the given threshold. Solid noise texture is included to give the glow a noisy or grainy effect.

The source clip is darkened around parts of the source clip that are brighter than the given threshold, to give an 'orthicon' or 'dark glow' look.

Generates rainbow and other chroma glows based on distances from edges of source input.

Generates glows of colored rings around the areas of the source clip that are brighter than the given threshold. Raise the Threshold parameter to produce glows in fewer areas.

Generates custom multi-color gradients using up to six control points. The gradient can be combined with the background clip.

Adds color and/or monochrome grain to the source clip. Adjust the grain texture with the amplitude and frequency parameters.

Smooths the source clip while retaining the edges. Use the Show:Edges option to inspect which edges will be retained.

Adds color and/or monochrome random noise of given amplitudes to every pixel of the source clip.

Makes a 2D grid of lines, with the option to combine it with the background clip. Create a variety of different grid styles and animate the grid for unexpected looks.

Adds natural textural elements to dirty up a shot. Choose from categories including dirt, stains, flecks, grime, scratches, and paint. Grunge can be used as vignette and animated.

Creates a halftone effect using a pattern of black and white dots. Change the color and size of dots to create artistic looks like printing errors, newsprint, and comic print.

Creates a halftone effect on your source footage using a pattern of colored dots.

Generates a duotone version of the source clip using a repeating pattern of concentric rings. Use the Smooth Source parameter to remove details and make dots more consistently shaped.

Generates a hotspot image containing areas of the source clip brighter than a given threshold to produce a color grading effect.

Adjusts the hue, saturation, brightness, and/or offset of the source clip.

Inverts the colors of the source clip, so black becomes white, and white becomes black. This can also invert luma, chroma, RGB and alpha channels and do basic color correction.

Creates a version of the source input that is subjected to JPEG compression artifacts and errors. This can be used to give various looks of low-quality digital transmissions.

Reflects the source clip into a pattern of equilateral shapes such as triangles, squares, octagons, and diamonds.

Warps the source clip around in a disk shape and reflects radially as if viewed through a reflecting cylinder.

Simulates a traditional 2 or 3-mirror kaleidoscope. A pie slice piece of the source is visible through the angle between the mirrors, as well as mirror-reflected copies of it.

Renders a lens flare image over the background clip, incorporating various flare elements between the hotspot and pivot locations. Use the Flare Designer to create your own lens flare.

Less subtle than a lens flare, this organic lighting effect simulates light leaking into the frame to add nostalgic warmth or a vintage feel to clips.

Applies a median filter to the source clip. An alternative to a Gaussian blur, median filters are useful for cleaning up noise while preserving the image edges.

Generates a monochrome version of the source using adjustable weights for red, green, and blue channels. It can simulate a color filter applied to the lens of a black and white camera.

Generates a pixelated version of the source clip. Increase the Smooth Colors parameter to cause the colors of nearby pixel blocks to be more consistent, and less flickery over time.

Simulates the flash and smoke that is generated when a gun is fired. All guns have a primary flash, and guns with suppressors may have secondary flashes.

Generates a posterized version of the input by limiting the number of colors in the source, and replacing detailed texture and noise with solid colors.

A color grading effect that colorizes the source image. The hue is calculated from the brightness of the source.

Combines the source clip with a field of blob shapes and then passes them through a colorization process. The Phase Speed parameter causes the colors to automatically rotate over time.

Combines the source clip with a stripe pattern and then passes them through a colorization process. The Phase Speed parameter causes the colors to automatically rotate over time.

Recolors the source clip according to four specified colors using the brightness of the source clip. Similar to DuoTone and TriTone.

Simulates a real, defocused camera lens. It does not smooth away bright spots, which makes it preferable to a standard Gaussian blur.

Emits light beams from the brightest areas of the source layer. The source layer can also be selected as a matte to colorize the rays. Similar to EdgeRays.

Applies horizontal lines to footage simulating the look of a color TV monitor, with an optional bad reception effect.

Converts footage to monochrome and adds horizontal lines to it, simulating security camera and night vision styles.

Adds a shaking motion to the source clip. Choose from one of three modes -- normal, twitchy, and jumpy -- with the option to split the shake across RGB channels.

Generates a wide variety of shapes onto an image, from polygons and circles to stars, flower shapes, and swirled starfish shapes. The shapes can be used as masks.

Identifies all pixels that fall outside a given color range, and flags them with the same color so they can be seen easily.

Creates a hand-drawn sketched look.

Combines a blurred version of the source with the original to give a 'soft focus' effect. Adjust the Width and Mix parameters to give different types of looks.

Inverts the colors of the input clip that are brighter than the threshold value, to create a 'solarization' effect.

Lights the input clip using one or two spotlights.

Motion blurs the bright area of the source into streaks between the From and To transformations. This is used to create an extended film exposure effect or simulate soft beams of light.

A transition that dissolves between two clips, while performing 3D moves to the incoming and outgoing clip. The transition can also be used in 2D space.

Transition between two clips with a "pushing" pan move. Change the direction of the transition, and adjust the spacing of the clips to create a slide projector effect.

Create new effects by combining existing Sapphire effects. Start from scratch, or use the enhanced preset browser to choose a preset as a starting point.

Create new transitions by combining Sapphire effects with Sapphire transitions. Start from scratch, or use the enhanced preset browser to choose a preset as a starting point.

Creates psychedelic spirals and other abstract textures by applying a WarpChroma effect to a generated noise texture.

Creates abstract textures of fluctuating liquid or cellular patterns. Similar to TextureCells and Caustics.

Creates an abstract texture resembling folded cloth or liquid that can be animated. Create a variety of looks including silky textures, dark water, magma, and camouflage.

Generates a diverse collection of textures, some of which resemble a surface of a rough object under an electron microscope.

Creates animated backgrounds and textures from shapes. The geometric patterns that can be morphed and animated. Similar to TextureCells, TextureSpots, and TextureNeurons.

Sets the color channels of the source clip to full on or full off. Can be used to increase the contrast of each color channel independently for color grading or color correcting.

Breaks the image into various styles of rectangular tiles to create an effect like a wall of randomly oriented mirrors.

Tints the dark and light regions of the input clip towards given colors. The dark colors are tinted by the Tint Dark color, and the brighter colors are tinted by the Tint Lights color.

Recolors the source clip according to three specified colors using the brightness of the source clip. Similar to DuoTone and QuadTone.

Transitions between two clips by simulating a channel change on an old television set. The reception improves over time until only the second clip is left.

Creates electrical arcs and lightning bolts between two points. Easily position bolts with spline control, and animate bolts along a path. 2D and 3D modes available.

Darkens the border areas of the source clip. The parameters Squareness, Radius, and Edge Softness affect the shape, while Opacity and Color adjust strength and color.

Simulates the old color 2-strip film process for a vintage look from the 1920s. This effect combines two filter colors and two dye colors, and includes grain and color correction.

Simulates the old color 3-strip film process to create a vintage look, such as those found in 'Wizard of Oz' and 'Gone with the Wind'.

Warps the source clip by a smooth noise function. This can be used to create heat diffusion or underwater types of effects.

Separates the source clip into spectral bands and warps them by different amounts. Create subtle edge distortion or more abstract looks.

Warps the source clip based on its gradient. Brighter areas are puffed out and darker areas are shrunk.

Transforms the source input multiple times and averages the results to create a variety of looks, including blurred looks.

Performs a wipe transition between two clips using a pattern of blobs generated by a noise function.

Performs a wipe transition between two clips with a bubble-warp process in the transition area. The Wipe Percent parameter should be animated to control the transition speed.

Performs a wipe transition between two clips using a pattern of procedurally generated cellular shapes.

Performs a wipe transition between two clips using a grid of growing or shrinking checkers.

Performs a wipe transition between two clips using a growing or shrinking circle. The Wipe Percent parameter should be animated to control the transition speed.

Performs a clock wipe transition between two clips. The Wipe Percent parameter should be animated to control the transition speed.

Transitions from the first clip to the second using a moving cloud texture. The Wipe Percent parameter should be animated to control the transition speed.

Wipes between two clips with a pixel-diffusion process performed within the transition area. The Wipe Percent parameter should be animated to control the transition speed.

Performs a wipe transition between two clips using a grid of growing or shrinking dots. The Wipe Percent parameter should be animated to control the transition speed.

Performs a wipe transition between two clips using two wedge shapes. Increase the Border Width parameter to draw a border at the wipe transition edges.

Performs a wipe transition between two clips using a flux texture with mostly round cells. The Wipe Percent parameter should be animated to control the transition speed.

Performs a wipe transition between two clips using a pattern of four wedges merging into an 'X' shape.

Simulates a TV with transmission and reception problems, VCR issues, and TV hardware difficulties. Features include static, interference, ghosting, horizontal and vertical hold.

Generates lightning bolts and electrical arcs from a given point to the edges of objects. Similar to Zap.

Generates multiple lightning bolts and electrical arcs outward from the edges of objects. Similar to Zap.

Modulates the brightness of the source clip with a sinusoid to give a black and white solarized look.

Modulates the brightness of the source clip with sinusoids for each color channel to give a color striped effect.

Glows areas of the clip with varying widths depending on the depth values from a ZBuffer input. Separates into layers and applies different amounts of glow.

Cutout, Blend, Crop, Composite, Color, SpotLight, Glint, GlintRainbow, Glare, Glow, GlowDist, GlowRings, GlowRainbow, GlowAura, GlowDarks, GlowOrthicon, GlowEdges, GlowNoise, ZGlow, Streaks, EdgeRays, Rays, DropShadow, Light3D, Flashbulbs, BokehLights, AutoPaint, Sketch, Cartoon, CartoonPaint, Posterize, Crosshatch, HalfTone, HalfToneColor, HalfToneRings, Etching, ScanLines, ScanLinesMono, JpegDamage, Mosaic, StripSlide, Kaleido, KaleidoPolar, KaleidoRadial, FlysEyeHex, FlysEyeRect, FlysEyeCircles, TileScramble, VintageColor2Strip, VintageColor3Strip, EdgeDetect, EdgesInDirection, EdgeColorize, EdgeDetectDouble, BandPass, DogVision, Emboss, EmbossShiny, EmbossDistort, EmbossGlass, Grunge, FilmEffect, FilmDamage, TVDamage, Vignette, BleachBypass, Grain, GrainStatic, Diffuse, PsykoBlobs, PsykoStripes, Zebrafy, ZebrafyColor, ZFogLinear, ZFogExponential, PseudoColor, Solarize, WarpPuddle, WarpBubble, WarpBubble2, WarpWaves, WarpWaves2, WarpTransform, WarpVortex, WarpPerspective, WarpFishEye, WarpPuff, WarpPolar, WarpRepeat, WarpChroma, WarpDrops, Shake, WarpMagnify, WarpCornerPin, Distort, DistortBlur, DistortChroma, DistortRGB, StretchFrameEdges, Blur, BlurChannels, BlurChroma, RackDefocus, RackDfComp, DefocusPrism, Convolve, ConvolveComp, BlurMotion, BlurMoCurves, BlurDirectional, SoftFocus, EdgeBlur, Sharpen, GrainRemove, Deband, ZConvolve, Median, EdgeAwareBlur, EdgeFlash, ZComp, ZBlur, ZDefocus, MatteOps, MatteOpsComp, HueSatBright, Monochrome, ClampChroma, DuoTone, TriTone, QuadTone, Threshold, Hotspots, Tint, Gamma, ShowBadColors, ChannelSwitcher, Invert, MathOps, Layer, StripSlideTransition, FlutterCut, WipeLine, WipeCircle, WipeRectangle, WipeStar, WipeClock, WipeWedge, WipeDoubleWedge, WipeFourWedges, WipeDots, WipeChecker, WipeStripes, WipeRings, WipeBlobs, WipeCells, WipeTiles, WipePixelate, WipeDiffuse, WipeBubble, WipeClouds, SwishPan, Swish3D, WipeWeave, WipeFlux, WipePlasma, WipeMoire, WipePointalize, Dissolve, DissolveStatic, DissolveSpeckle, DissolveDiffuse, DissolveBubble, DissolveWaves, DissolvePuddle, DissolveVortex, DissolveBlur, DissolveLuma, DissolveGlow, DissolveFilm, DissolveDistort, TVChannelChange, DissolveTiles, DissolveDefocus, DissolveLensFlare, DissolveGlare, DissolveEdgeRays, DissolveRays, DissolveGlint, DissolveZap, DissolveGlintRainbow, DissolveAutoPaint, DissolveShake, DissolveFlashbulbs, CardFlip, FilmRoll, Clouds, CloudsMultColor, CloudsColorSmooth, CloudsPerspective, CloudsVortex, CloudsPsyko, NightSky, TextureFolded, TextureWeave, TextureMoire, TexturePlasma, TextureNoiseEmboss, TextureNoisePaint, TextureSpots, TextureCells, TextureChromaSpiral, TextureTiles, TextureNeurons, TextureLoops, TextureFlux, TextureMicro, Sparkles, SparklesColor, Gradient, GradientRadial, GradientMulti, Grid, Shape, DeinterlaceAuto, GetFrame, TimeWarpRGB, MotionDetect, TimeSlice, TimeDisplace, FreezeFrame, JitterFrames, RandomEdits, ReverseEdits, ReverseClip, FieldRemove, Feedback, FeedbackBubble, FeedbackDistort, Trails, TrailsDiffuse, TimeAverage, NearestColor, Flicker, FlickerRemove, FlickerRemoveColor, FlickerMatch, FlickerMatchColor, FlickerRemoveMatte, FlickerRmMatteColor, FlickerMatchMatte, FlickerMchMatteColor, Zap, ZapTo, ZapFrom, Aurora, Caustics, MuzzleFlash, LaserBeam, Retime, Beauty, DigitalDamage, CutToDissolve, RepairFrames, Effect, Transition, InfiniteZoom, RomanTile, LensFlare, LensFlareAutoTrack, LightLeak