Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera (Body Only, Silver)

Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera with 12-50mm Lens Kit (Silver)

Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera with 12-50mm Lens Kit (Silver)

B&H # OLEM10M2S50K MFR # V207050SU000-LK
Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera with 12-50mm Lens Kit (Silver)

Kit includes:


Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera with 12-50mm Lens Kit (Silver) Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera (Body Only, Silver) Olympus M.Zuiko Digital ED 12-50mm f/3.5-6.3 EZ Lens

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Product Highlights

  • 16.1MP Live MOS Sensor
  • TruePic VII Image Processor
  • Micro Four Thirds System
  • 2.36m-Dot OLED Electronic Viewfinder
  • 3.0" 1.04m-Dot Tilting LCD Touchscreen
  • Full HD 1080p Video Recording at 60 fps
  • 5-Axis In-Body Image Stabilization
  • Built-In Wi-Fi Connectivity
  • Up to 8.5 fps Shooting and ISO 25600
  • M.Zuiko ED 12-50mm f/3.5-6.3 EZ Lens
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Color: Silver

Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera with 12-50mm Lens Kit (Silver) Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera with 12-50mm Lens Kit (Black)

Style: With 12-50mm Lens

Body Only With 12-50mm Lens With 14-42mm EZ Lens With 14-42mm EZ and 40-150mm Lenses

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Price: $1,148.00

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Olympus E-M10 Mark II overview

  • 1Description

Get started with your photography and video endeavors with this B&H Kit, which packages together the compact silver Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera with an M.Zuiko ED 12-50mm f/3.5-6.3 EZ Lens. The camera offers a 16.1MP Live MOS Micro Four Thirds sensor, which provides excellent imaging capabilities and when combined with the 12-50mm lens provides a versatile wide-angle to telephoto 24-100mm zoom range.

  • Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera (Body Only, Silver)

    Sporting a classic design and sleek form factor, the silver OM-D E-M10 Mark II from Olympus is a mirrorless Micro Four Thirds digital camera featuring refined stills and movie recording capabilities to suit working in a variety of day-to-day environments. A high-resolution 16.1MP 4/3 Live MOS sensor pairs with the TruePic VII image processor to facilitate up to 8.5 fps shooting and full HD 1080p/60 movie recording, with a top sensitivity of ISO 25600. In-camera 5-axis image stabilization compensates for up to 4 stops of camera shake to benefit working in difficult lighting conditions and a FAST AF system employs 81 contrast-detection areas for quick, accurate performance with dedicated subject tracking modes. The retro-themed body incorporates a range of assignable function buttons and dials, as well as a 2.36m-dot OLED electronic viewfinder and 3.0" 1.04m-dot tilting touchscreen LCD for clear image monitoring and playback. Besides the handsome appeal of the E-M10 Mark II's design, its main assets lie in its versatility of shooting functions and performance to benefit photographers and videographers alike.

    Benefited by the range of imaging capabilities, the E-M10 Mark II also incorporates a variety of shooting modes to suit working in various situations. A Silent Mode utilizes an electronic shutter for perfectly quiet picture-taking, with shutter speeds up to 1/16,000 sec. available. Live Bulb and Live Time modes are well-suited to creative long exposure photography and a dedicated Live Composite mode lets you watch a long exposure gradually build up during the course of the shot. Built-in Wi-Fi allows you to pair the camera with your smartphone or tablet for wireless sharing and remote camera control, and an interval shooting mode can be used to produce in-camera 4K time lapse movies.

    16.1MP Live MOS Sensor and TruePic VII Image Processor
    Featuring a 16.1MP 4/3 Live MOS sensor, along with the TruePic VII image processor, the E-M10 Mark II is capable of recording high-resolution stills and full HD 1080p video with sensitivity to ISO 25600. The processing speed also avails a top continuous shooting rate of 8.5 fps in full-resolution, with the ability to record up to 22 12-bit raw files in a single burst or 36 JPEGs. When working at a slower, 4 fps shooting rate, you are able to record infinite bursts for the capacity of your memory card.
    In-Camera 5-Axis Image Stabilization
    In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 4 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, image stabilization can also be used when framing shots, for more accurate compositions, by half-pressing the shutter button.
    Body Design
    • Characterized by a compact, lightweight design, the E-M10 Mark II features a classically-styled body design with a black leatherette wrap and silver metal finish.
    • For manual, direct control over drive modes and programmable function settings, three dials are positioned on the top panel and feature a knurled finish for easier adjustment.
    • The large, 0.62x equivalent magnification OLED viewfinder features a 2.36-million dot resolution and covers 100% of the frame for accurate composing in a variety of lighting conditions and working situations. The EVF also allows you to pre-visualize any creative effects or exposure adjustments prior to shooting.
    • An alternative to the viewfinder, the camera also features a 3.0" 1.04m-dot tilting touchscreen monitor. The monitor can tilt 85° upward, for low-angle shooting, and 45° downward, for high-angle shooting. The touchscreen design also avails direct control when navigating the menus, reviewing images, and choosing focus points or other shooting controls.
    • When working with the EVF, the AF Targeting Pad feature allows you to trace your thumb along the touchscreen to intuitively move the focus point while shooting.
    • A trio of Fn (Function) buttons can be assigned specific controls for quick adjustment or access to your most oft-used settings.
    • A built-in pop-up flash can be used for additional illumination or a top hot shoe is also available for optional external flashes. When using the built-in flash, the top sync speed is 1/250 sec. and with an external flash, the top sync speed is 1/200 sec.
    FAST AF System and Focus Controls
    The FAST contrast-detection autofocus system employs 81 areas to quickly and accurately acquire focus on both moving and stationary subjects. Both face and eye-detection modes can also be used for precise tracking of subjects, and single and continuous focusing modes can also be employed. When working with manual focus, a manual focus assist function can magnify the image for easily identifying sharp focus and a peaking function can be used, too, for quickly determining in-focus areas in the scene based on colored, highlighted lines of contrast.
    OM-D Movie
    Full HD 1080p video recording is supported in a variety of frame rates up to 60 fps in ALL-I or IPB compressions, with a maximum bit-rate of 77 Mbps. In addition to standard video recording, high-speed video recording is also supported at 120 fps in 640 x 480 resolution. A dedicated clips feature is ideal for sharing short movies in preset times of 1, 2, 4, and 8 second durations, with the ability to extend limits by re-pressing the record button.

    Sound is recorded during movies using the built-in stereo microphone, and a wind noise reduction tool can be used for cleaner sound. Also, the microphone volume can be limited during recording.
    Other Camera Features
    • Built-in Wi-Fi connectivity allows you to pair the E-M10 Mark II with a smartphone using the Olympus Image Share app for wireless image sharing and remote camera control.
    • The included BLS-50 rechargeable lithium-ion battery provides approximately 320 shots per charge under normal conditions, or up to 750 shots per charge with Quick Sleep Mode.
    • Interval shooting is possible for up to 999 sequential frames, with 1 second to 24 hour intervals, and automatic time lapse processing can save your individual images into a movie for playback. Time lapse movies can also be saved at 4K resolution for greater detail and resolution.
    • A dedicated Silent Mode utilizes and electronic shutter for quiet, undetectable shooting. When working in this mode you have a range of shutter speeds from 1/16,000 to 60 seconds.
    • Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
    • Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
    • A two-axis electronic level helps to ensure consistently level horizons and plumb verticals.
    • Keystone Compensation allows you to correct for convergence when working in live view.
    • A multi exposure mode blends two frames using an auto gain to maintain a controlled exposure value.
    • Photo Story lets you capture sequential shots of a scene from varying angles, and then composite them into a single image. When working in this mode, you can record sequential images by sliding a finger across the screen, zoom in or out between two photos, apply unique frames or borders, or arrange multiple images in different compositions.
    • Scene Select modes can be used to optimize camera settings based on the scene conditions at hand, and include Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Hand-held Starlight, Night scene, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Conv., Wide Conv., Macro Conv., Panning, and 3D.
    • Art Filters are available for creatively adjusting the look of your imagery, and include Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pinhole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Watercolor, Vintage, and Partial Color. Art Effects can also be used to further enhance photos' appearance, including Soft Focus Effect, Pinhole Effect, White Edge Effect, Frame Effect, Star Light Effect, Blur Effect, B&W Effect, Picture Tone Effect, and Shade Effect.
    • Language support: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Romanian, Indonesian, Malay, and Thai.
    UPC: 050332189942
  • Olympus M.Zuiko Digital ED 12-50mm f/3.5-6.3 EZ Lens

    A versatile zoom with unique handling capabilities, the M.Zuiko Digital ED 12-50mm f/3.5-6.3 EZ from Olympus is a 24-100mm equivalent lens designed for Micro Four Thirds mirrorless cameras. Complementing the flexibility of the zoom range, this lens is also characterized by its Electronic Zoom control, for smooth constant zooming movement, as well as a One-Touch Macro Mode button, which gives direct access to a close-focusing setting to permit photographing subjects as close as 7.8" away. This 12-50mm also distinguishes itself through the use of a series of aspherical, low dispersion, and high refractive index elements to control a variety of aberrations and distortion for notable sharpness, clarity, and color accuracy throughout the zoom range. Additionally, a Movie & Still Compatible autofocus system achieves fast, smooth, and silent focusing performance, and a manual focus clutch affords instant switching between focusing methods.

    Wide-to-tele zoom is designed for Micro Four Thirds mirrorless cameras and provides a 24-100mm equivalent focal length range.
    The lens construction incorporates one DSA (Dual Super Aspherical) element, two aspherical elements, one extra-low dispersion element, and one high refractive index element into its design to minimize aberrations, distortion, and color fringing throughout the zoom range while also contributing to overall image sharpness, clarity, and color accuracy.
    Electronic Zoom control uses a linear motor to produce smooth, dramatic zooming effects to complement your video recording. A sliding ring is used to switch between mechanical and electronic zooming methods.
    Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
    Manual focus clutch lets you quickly pull the focusing ring into place for direct, intuitive focus control.
    A One-Touch Macro Mode button allows you to work within a 7.9-19.7" focusing range, along with a maximum magnification of 0.36x, to benefit photographing close-up subjects.
    Programmable L-Fn (lens function) button for easily accessible settings adjustment.
    Dust- and splash-proof design ensure the lens's performance in inclement and harsh conditions.
    UPC: 050332181793
In the Box
Table of Contents
  • 1Description
  • Olympus OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera (Body Only, Silver)
    Imaging
    Lens Mount Micro Four Thirds
    Camera Format Micro Four Thirds (2x Crop Factor)
    Pixels Actual: 17.2 Megapixel
    Effective: 16.1 Megapixel
    Max Resolution 4608 x 3456
    Aspect Ratio 1:1, 3:2, 4:3, 16:9
    Sensor Type / Size MOS, 17.3 x 13 mm
    File Formats Still Images: JPEG, MPO, RAW
    Movies: AVI, MOV, MPEG-4 AVC/H.264
    Audio: Linear PCM (Stereo)
    Bit Depth 12-Bit
    Dust Reduction System Yes
    Memory Card Type SDHC
    SDXC
    Image Stabilization Sensor-Shift, 5-Way
    AV Recording
    Video Recording Yes, NTSC/PAL
    Video Format 1920 x 1080p at 23.98/25/29.97 fps (77 Mb/s MOV)
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (52 Mb/s MOV)
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (30 Mb/s MOV)
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (18 Mb/s MOV)
    1280 x 720p at 23.98/25/29.97/50/59.94 fps (MOV)
    1280 x 720p at 30 fps (AVI)
    640 x 480p at 120 fps (AVI)
    640 x 480p at 30 fps (AVI)
    Aspect Ratio 4:3, 16:9
    Video Clip Length Up to 29 Min
    Audio Recording Built-In Mic: With Video (Stereo)
    Focus Control
    Focus Type Autofocus
    Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S)
    Autofocus Points Contrast Detection: 81
    Viewfinder/Display
    Viewfinder Type Electronic
    Viewfinder Pixel Count 2,360,000
    Viewfinder Eye Point 19.2 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 1.08x
    Diopter Adjustment -4 to +2 m
    Display Screen 3" Rear Touchscreen Tilting LCD (1,040,000)
    Exposure Control
    ISO Sensitivity Auto, 200-25600 (Extended Mode: Auto, 100-25600)
    Shutter Type: Electronic & Mechanical
    Speed: 60 - 1/4000 Second 
    Type: Electronic & Mechanical
    Speed: .5 - 1 Minute in Bulb Mode
    Type: Electronic
    Speed: 60 - 1/16000 Second 
    Remote Control RM-UC1 (Optional)
    Metering Method Center-Weighted Average Metering, Multi-Zone Metering, Spot Metering, Highlight Weighted
    Exposure Modes Modes: Aperture Priority, Art Filter, Bulb, Intelligent Auto, Manual, Program Shift, Programmed Auto, Scene Selection, Shutter Priority, Time, Underwater
    Metering Range: EV -2.0 - EV 20.0
    Compensation: -5 EV to +5 EV (in 1/3, 1/2 or 1 EV Steps)
    White Balance Modes Auto, Custom
    Buffer/Continuous Shooting Up to 8.5 fps at 16.1 MP for up to 36 Frames
    Up to 4 fps at 16.1 MP for up to Frames
    Flash
    Flash Modes Auto
    Fill-In
    Manual
    Off
    Red-Eye Reduction
    Second-Curtain Sync
    Slow Sync
    Slow Sync/Red-Eye Reduction
    Built-in Flash Yes
    Guide No. 19.03' (5.8 m) ISO100 
    Max Sync Speed 1 / 250 Second
    Flash Compensation -3 EV to +3 EV (in 1/3, 1/2 or 1 EV steps)
    Dedicated Flash System TTL Remote Firing Groups: 4 Channels: 4
    External Flash Connection Hot Shoe
    Performance
    Self Timer 12 Seconds, 2 Seconds
    Custom: 1 - 30 Seconds at 0.5-, 1.0-, 2.0-, 3.0Second Intervals
    Number of Shots: 1 - 10
    Interval Recording Yes
    Connectivity HDMI D (Micro), USB 2.0
    Wi-Fi Capable Yes
    Power
    Battery 1 x BLS-50 Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 1175 mAh
    Operating/Storage Temperature Operating
    32 to 104°F (0 to 40°C)
    Humidity: 30 - 90%
    Physical
    Dimensions (W x H x D) 4.7 x 3.3 x 1.8" / 119.5 x 83.1 x 46.7 mm
    Weight 13.76 oz / 390 g with battery and memory card
    Packaging Info
    Box Dimensions (LxWxH) 9.3 x 9.1 x 3.9"
  • Olympus M.Zuiko Digital ED 12-50mm f/3.5-6.3 EZ Lens
    Performance
    Focal Length 12 - 50mm
    Comparable 35mm Focal Length: 24 - 100 mm
    Aperture Maximum: f/3.5 - 6.3
    Minimum: f/22
    Camera Mount Type Micro Four Thirds
    Format Compatibility Micro Four Thirds
    Angle of View 84° - 24°
    Minimum Focus Distance 7.87" / 20 cm
    Magnification 0.36x
    Maximum Reproduction Ratio 1:2.78
    Optical Design 10 Elements in 9 Groups
    Diaphragm Blades 5, Rounded
    Featuresxvsetbbcdusavree
    Autofocus Yes
    Physical
    Filter Thread Front: 52 mm
    Dimensions (DxL) Approx. 2.24 x 3.27" / 57 x 83 mm
    Weight 7.44 oz / 211 g
    Packaging Info
    Box Dimensions (LxWxH) 4.7 x 3.4 x 3.3"

Olympus E-M10 Mark II reviews

OM-D E-M10 Mark II Mirrorless Micro Four Thirds Digital Camera with 12-50mm Lens Kit (Silver) is rated 4.6 out of 5 by 5.
Rated 5 out of 5 by from What I Was Looking For Much to learn. As an old photographer who had not done much since the 1970's I have been looking to get into digital photography. This camera replaces my first attempt ( an Olympus E-PL1 which could take good pictures, but was neither fast or easy to use). The M10 and 12-50 lens combination is a good upgrade. It is much faster to focus, the menus are better and faster to navigate. The camera and lens have a good solid feel in hand and use. And the viewfinder is great. There is much to learn and I am looking forward to that.
Date published: 2017-03-23
Rated 4 out of 5 by from High-Tech I'm a professional and a Nikon guy, and was looking for a light-weight camera. Well, the M10 filled the bill. Although the camera can be set to point & shoot, it has a very sophisticated menu system. It took days to find the RAW setting, and as I write I have it set to RAW but cannot tell how I got there. Some functions are very cleverly done. Even for an advanced shooter, there will be a long learning curve, and the manual is very little help at all...not a camera for beginners.
Date published: 2017-09-06
Rated 5 out of 5 by from Great camera..... but puzzling bundle I'll be short and succint- the E-M10 II may be the best value in the OM-D family. The E-M10 II lacks the E-M5 II's high res mode, has a smaller EVF and lacks weather sealing- however, aside from those points, it is almost identical. And the E-M10 III? If you dont need 4K, skip it and save the $$ for the E-M10 II. Yet, as my title states, this bundle is quizzical. The 12-50 is acknowledged to be a tad less of a performer optically than other Olympus and Panny kit lenses, its saving grace (and draw) being the fact its weather resistant. Yet...the E-M10 II is not a weather resistant body. So why the rather useless pairing? My advice is to purchase the body only and pair it with, e.g., the stellar Panasonic 14-42 II or the Panasonic 12-32, both compact kit lenses that punch above their price point. Both can be found inexpensively on the used market, both are optically superior to the Oly 12-50. Cheers!!
Date published: 2017-10-16
Rated 5 out of 5 by from great camera and a great purchase This is my switch over from the P&S stable. So a novice by all standards. Really love the pic quality coming off this camera. particularly find the macro and portrait shots too good. Image is pretty much stabilized and am able to taking decent street shots. All this with the iauto (im'no'photographer) mode. Got it for a good deal. So no qualms. Cheers.
Date published: 2017-07-24
Rated 4 out of 5 by from Fun and capable. He tenido durante un par de semanas esta M10 II+12-50mm y la Sony a6000+16-50 mm. Fin�lmente he devuelto la Sony y me he quedado con la OLY. Desde el primer disparo v� claro lo que ya sab�a... la Sony tiene m�s calidad de imagen (debido a su sensor APS-C), y el color es m�s fiel a la realidad. Tambi�n tiene un men� m�s sencillo, y una bater�a con m�s duraci�n. Yo, personalmente he dado prioridad a: 1- La gran facilidad para fotografiar con la Olympus, sobre todo por los dos diales con los que manejar velocidad y apertura. �Una delicia! � 2- Soy un enamorado de la fotograf�a creativa y nocturna (rastro de estrellas, pintar con luz, rastro de luces de los coches,..etc..etc..) Y con la Oly es re�lmente sencillo ejecutarlo, y sacar el resultado deseado. 3- Construcci�n bastante mejor (en mi humilde opini�n). Met�lica en parte superior y baja de la c�mara. Sony a6000 es m�s plasticosa. 4- Con la app gratuita de Olympus (OI Share) desde el primer intento logr� sincronizar mi iPhone SE y mi Tablet Nexus 7, para compartir fotos y controlar los disparos a distancia. Con la Sony y su PlayMemories App, tras varios intentos en varios d�as jam�s lo consegu�. Me dec�a una y otra vez lo mismo.. "contrase�a incorrecta", otras que no encontraba el punto de acceso, y otras... (pudiera ser que mi ejemplar tuviera una falla en el sistema) 5- El estabilizador de 5 ejes de Olympus es una grand�sima ayuda y garant�a cuando no quieres cargar con un tripode y se te presentan fotos en las que necesitar�as de ello. 6- Infinidad de parametros configurables a gusto del fot�grafo que la use. A�n con todo esto, la verdad es que, me cost� much�simo decidir devolver la Sony. Una c�mara realmente todoterreno, y la mirrorless de menos de $1000 con m�s calidad que puedas encontrar en el mercado. Estoy seguro. La diferencia entre mejor calidad y mayor resoluci�n de la Sony, no es una gran diferencia. La Oly tiene tambi�n una calidad excepcional, y el objetivo de kit era me ha parecido mejor el de la Oly, adem�s de que ven�a con macro (no 1:1) pero funcionando bastante bien. Si eres una persona que necesita algo m�s la velocidad de enfoque y disparo para tomas deportivas, o enfoque continuo... puede que te interese m�s la Sony.� Si no es as�... yo no antepondr�a todas las otras cualidades que te brinda la Oly por que tenga un poquito de menos calidad en la imagen. Si tienes en mente, en un futuro, invertir en lentes... con la Oly tienes bastante m�s donde elegir, y m�s barato, por marca y por que no te har� falta estabilizador en la lente. � La calidad de la Olympus me basta, y la diversi�n que me brinda el salir a fotografiar con ella ha sido bastante superior ha cuando he salido con la Sony.� �Dos c�maras geniales! La Olympus ha subido ahora en B&H, y la Sony ha bajado. Una advertencia a novatos, los men�s y la configuraci�n de todos los par�metros a gusto de cada uno y para sacarle todo el jugo... lleva su tiempo.
Date published: 2018-04-23
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