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Sony a7S II Photo Journalist Kit with 3x Zoom Lenses

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Sony a7S II Photo Journalist Kit with 3x Zoom Lenses
Key Features
  • 12.2MP Full-Frame CMOS Sensor Camera
  • Up to UHD 4K30 & 1080p120 Recording
  • 16-35, 24-70, & 70-200mm Zoom Lenses
  • 5" On-Board and 3" Rear LCD Monitors
Designed as a turn-key solution, the Sony a7S II Photo Journalist Kit with 3x Zoom Lenses provides a well-rounded still/video camera package for corporate, educational, broadcast, or other institutional applications. The three Sony lenses included with the camera are a 70-200mm medium-range telephoto zoom, a 16-35mm wide-angle zoom, and a 24-70mm wide to short-telephoto zoom. Audio components include a wireless lavalier mic system, a shotgun mic, an XLR adapter, and headphones. Other items in the kit include a 5" on-board monitor, a battery grip, four batteries, one battery charger, two 128GB SD cards, and a wheeled backpack.
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Kit Contains:

Designed as a turn-key solution, the Sony a7S II Photo Journalist Kit with 3x Zoom Lenses provides a well-rounded still/video camera package for corporate, educational, broadcast, or other institutional applications. The three Sony lenses included with the camera are a 70-200mm medium-range telephoto zoom, a 16-35mm wide-angle zoom, and a 24-70mm wide to short-telephoto zoom. Audio components include a wireless lavalier mic system, a shotgun mic, an XLR adapter, and headphones. Other items in the kit include a 5" on-board monitor, a battery grip, four batteries, one battery charger, two 128GB SD cards, and a wheeled backpack.

Built around a full-frame 12.2MP Exmor CMOS sensor, the a7S II can internally record UHD 4K video at up 30 fps as well as 1080p/120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor pairs with the 12.2MP CMOS sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast, intelligent autofocus with low-light sensitivity to -4 EV.

The a7S II features a compact, robust, magnesium alloy design with an OLED electronic viewfinder and a rear, tiltable 3" LCD screen. Built-in Wi-Fi connectivity with NFC allows you to pair mobile devices to the camera for wireless sharing and remote camera control.

Together, the three Sony zoom lenses provide a wide range of focal lengths, and feature autofocus, optical image stabilization, and coated elements. The 16-35mm and the 70-200mm zooms have a maximum f/4 aperture while the 24-70 features a faster f/2.8 maximum.

The a7S II Photo Journalist Kit's audio components include both a wireless lavalier system and a wired shotgun mic, a two-channel XLR adapter, and headphones for monitoring your audio recording. A vertical battery grip provides comfort during extended operation and the four batteries and one charger will keep your camera powered for hours. The included wheeled backpack will protect and transport all the kit's components.

Sony Vertical Battery Grip for a7 II, a7R II, and a7S II

This Vertical Battery Grip from Sony allows for long-term, comfortable shooting in the vertical orientation with your Alpha a7 II, a7R II, or a7S II camera. It holds two NP-FW50 batteries, which are available separately, to approximately double your shooting time. The grip uses a battery with lower power first, then automatically switches to the one with greater power when the first runs out. Remaining battery power is displayed as a percentage on your camera's LCD monitor. Additionally, batteries can be replaced without turning off the camera.

The grip offers an extra shutter button, as well as front/back control dials and Auto Exposure Lock. All controls are placed appropriately for easy, comfortable access. The buttons, dials, battery cover and connecting terminal on the grip are securely sealed for dust and moisture protection.

Sony CLM-FHD5 Clip-On 5" Full HD LCD On-Camera Monitor

Sony's CLM-FHD5 Clip-On 5" Full HD LCD On-Camera Monitor features a native resolution of 1920 x 1080 and an HDMI input to display the full HD signal out of your camera. The 5" screen is larger than the typical LCD screen of most DSLRs and camcorders and combined with the Full HD resolution, it provides a sharp image well suited for operating your camera. The monitor features an S-Log display function that lets you display an image recorded by your camera using S-Log to protect your highlights as if it had been captured with normal gamma. This can provide a more pleasing image to view, while the original footage is captured in S-Log.

Supporting W, M, and V-type batteries, the monitor is capable of long run times and can accept an optional AC power adapter. It features color peaking and focus magnification to aid in getting your shot in focus. It also features false color to aid in exposure. Two assignable front panel buttons allow you to customize your workflow. The included shoe mount and sun hood allow you to mount the monitor on your camera, and the sun hood protects that monitor from veiling glare.

Full HD 1920 x 1080 Resolution
The 5" Full HD 1920 x 1080 LCD monitor delivers a high-resolution image that your camera is not capable of displaying.
Focus Assist with Focus Magnification Function
Focus magnification function lets you enlarge an image to 3x or 6x magnification, making it easier to check and confirm your focus.
Focus Assist with Peaking Function
Focus peaking function assists you to get sharp focus quickly while manual focusing. It highlights the areas that are in sharpest focus in red, making it easier to see if your subject is in focus at a glance.
S-Log Disp. for Exposure and Contrast Control
S-Log shooting provides wider dynamic range for smooth gradations with reduced blown-out highlights and blocked-up shadows. This S-Log function displays images with the brightness and contrast close to how the images appear in regular shooting mode. This allows you to capture a flat S-log image while making it easier to control focus, contrast, and exposure using the LCD monitor. S-Log Disp. Assist Gain Adjustment is selectable in values of +2, +1, 0, -1, and -2.
False Color Function for Accurate Exposure Setting.
False Color display helps you set accurate exposure levels by converting brightness to numeric figures and displays those as colors. Red = 108% or more, Yellow = 100-108%, Pink = 61-65%, Green = 41-45%, Blue = 3-10%, Violet = 3% or less. Therefore, if you want to shoot a person's skin at 61 - 65%, adjust the exposure setting so that the skin appears as pink. This display does not affect the images the camera is shooting.
Video Level Marker
Video Level Marker uses color to help you achieve optimum exposure and skin tone according to your user-selected target video signal level. Chose from five video signal levels to highlight the area of your image in green that matches the level you select. The rest of your image will indicate over and underexposed areas with dark gray indicating lower video signal level (areas of lower exposure) and light gray indicates higher video signal level (areas of higher exposure). Blue indicates blocked-up shadows and red indicates blown-out highlights. For example, if you want to shoot your subject's skin at around 70% signal level, select 70% from the menu and adjust exposure setting so that the skin appears as green on the monitor. This display does not affect the images the camera is shooting.
Assignable Front Panel Buttons
Two customizable buttons allow you to assign frequently used functions to each: C1 and C2 buttons for fast access and easy operation.
Compatible with Multiple Camera Batteries
The monitor uses the same W, M and V batteries as cameras do, so you can use it for long periods of shooting without having to bring along different batteries. There's also an optional AC adaptor that's handy for long operating sessions without batteries. Various optional power sources: 1. AC adaptor AC-PW10AM / 2. NP-FW50 / 3. NP-FM500H / 4. NP-FV50 / 5. NP-FV70 / 6. NP-FV100A
LCD Hood and AR Coating
The CLM-FHD5 features a sturdy yet removable sun hood to shield the LCD from the sun and bright lights while shooting. The sun hood folds closed to protect your screen when not in use. The AR (anti-reflection) coating on the LCD helps minimize glare for improved image viewing quality.
Speaker
A built-in monaural speaker allows you to hear the audio, especially useful when checking your footage.
Connector Cover
The monitor's connectors are protected by a flap when not in use, which can help prevent dust build up.
Sony 128GB High-Speed UHS-I SDXC U3 Memory Card (Class 10)

Capture 4K video with the 128GB High-Speed UHS-I SDXC U3 Memory Card from Sony. This SDXC memory card comes compatible with the UHS Speed Class 3 rating denoting a minimum data read speed of 30 MB/s which is sufficient for capturing 4K content as well as high-speed burst mode photos. With a maximum data read speed of up to 94 MB/s and maximum write speed of up to 70 MB/s you can transfer even large files to and from the card quickly. This card also comes with downloadable File Rescue Software to help recover your photos and videos should they become damaged or accidentally deleted.

Fast File Transfer
With a maximum data read speeds of up to 94 MB/s and write speed of up to 70 MB/s you can transfer even large files quickly.
Supports 4K Video Shooting
This SDXC memory card is designed for 4K video shooting, high speed burst shooting, and fast transfer speeds.
Downloadable File Rescue Software
The included downloadable File Rescue Software helps recover photos and videos that have been accidentally damaged or deleted. You can even recover 3D and HD files.
High Reliability
This memory card comes waterproof, dust-proof, temperature proof, and guards against both UV and static allowing you to shoot with ease.
Sony FE 70-200mm f/4 G OSS Lens
Compact, Stabilized Telephoto Zoom for Full-Frame
A workhorse lens for events, sports, and portraiture, the Sony FE 70-200mm f/4 G OSS is a compact telephoto zoom featuring a constant f/4 maximum aperture, sophisticated G series optics, and useful AF and OSS. The smaller size, compared to an f/2.8 version, makes the lens a more portable option that is well-suited to all-day shoots and other situations where a more nimble, stabilized lens excels.
G Lens Series
  • Two extra-low dispersion glass elements and one Super ED element help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
  • One aspherical element and two Advanced Aspherical (AA) elements help suppress astigmatism, field curvature, coma, and other monochromatic aberrations.
  • A Nano AR coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
  • Constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
  • Versatile zoom range suits working with a variety of subjects, from portraiture and events applications to landscapes and sports shooting.
  • Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Image Stabilization, AF, and Handling
  • Dual linear motors and an internal focus mechanism enable fast, responsive autofocus and object tracking. The lens can also focus as close as 3.3' for close up imaging.
  • Focus range limiter switch allows you constrain the usable focus range between a set limited range or full for improving focus speed
  • Three focus hold buttons and an AF/MF switch is present on the lens barrel for intuitive tactile control and rapid access to select settings.
  • Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds.
  • This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
  • Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
  • Removable and rotating tripod collar for added stability and reducing strain on the camera's lens mount.
Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens
Sleek Wide-Angle Versatility
A compact and weather-resistant option, the Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens from Sony will satisfy nearly all the wide-angle needs of full-frame E-mount shooters. The flexible wide zoom is characterized by a constant f/4 maximum aperture, making this an ideal lens for street, landscapes, cityscapes, and other subjects requiring a broad field of view and the inherent versatility of a zoom.
ZEISS Optical Design
  • Based on the ZEISS Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.
  • Constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
  • Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
  • ZEISS T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.
  • Three extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
  • Five aspherical elements, including one large-diameter Advanced Aspherical (AA) element, are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
Image Stabilization, AF, and Handling
  • Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
  • A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.
  • Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
Sony FE 24-70mm f/2.8 GM Lens
The Standard Zoom Refined
A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f/2.8 GM is a wide-angle to short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture. A go-to lens for a variety of shooting situations, the 24-70mm f/2.8 is a perfect choice for anything from landscape to sports to portraiture subjects.
Uncompromising Optical Design
  • As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.
  • Of the three aspherical elements incorporated in the lens design, one is an XA element with superior surface precision to effectively reduce astigmatism, field curvature, coma, and other monochromatic aberrations from imagery.
  • One extra-low dispersion element and one Super ED element are featured in the lens design and help to control chromatic aberrations and reduce color fringing for increased clarity and color fidelity.
  • Bright constant f/2.8 maximum aperture maintains consistent performance from wide-angle to telephoto focal length positions and also contributes to greater selective focus control.
  • A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
  • Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Fast Focusing and Reliable Performance
  • Direct Drive Super Sonic wave AF motor and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contribute to more natural, intuitive manual focus control.
  • A focus hold button and AF/MF switch are present on the lens barrel for intuitive tactile control and rapid access to select settings.
  • A dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
UPC: 027242895065
Sony NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh)

The Sony NP-FW50 Lithium-Ion Rechargeable Battery is unique in its design since it not only supplies power to your Sony camera but will display the remaining battery capacity. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.

Compatible Sony Cameras
  • a7S II, a7S
  • a7R II, a7R
  • a7 II, a7
  • a6500
  • a6400A, a6400
  • a6300
  • a6100A, a6100
  • a6000
  • a5100
  • a5000
  • a3500
  • a3000
  • RX1R III
  • NEX-7
  • NEX-6
  • NEX-5T, NEX-5R, NEX-5N, NEX-5
  • NEX-F3
  • NEX-C3
  • NEX-3
  • ILCE-QX1
  • SLT-A55
  • SLT-A37
  • SLT-A35
  • SLT-A33
  • RX10 III, RX10 II, RX10
UPC: 027242797062
Sony BC-TRW W Series Battery Charger (Black)

The black BC-TRW W Series Battery Charger from Sony is compatible with the InfoLITHIUM NP-FW50 battery that powers select digital cameras. It features a retractable plug for easy storage and travel. The charger runs on 100-240VAC power to enable use all over the world. The BC-TRW also has an indicator light that displays charging status.

Compatible Batteries
InfoLITHIUM NP-FW50
Compatible Cameras
a7, a7R, NEX-3D, NEX-3K, NEX-3NL, NEX-5K, NEX-5N, NEX-5NK, NEX-5R, NEX-6, NEX-6L, NEX-7, NEX-C3A, NEX-C3K, NEX-F3K, SLT-A33, SLT-A33L, SLT-A35, SLT-A37, SLT-A55V
UPC: 027242872387
Sony XLR-K2M XLR Adapter Kit with Microphone

The Sony XLR-K2M XLR Adapter Kit with Microphone allows you to connect professional-quality microphones, mixing consoles, and sound studios to cameras equipped with a Multi-Interface Shoe, including Sony's a7 series, RX series, and select camcorders. It features a 2-channel XLR adapter box with independent controls that provide recording level adjustment, attenuation, and wind noise reduction. Mic/Line input switching for each channel is also provided to simplify post-shooting editing. A built-in mic holder lets you mount the included ECM-XM1 shotgun microphone. Also included in this kit is a fuzzy wind screen and a zippered carrying case.

Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System (UHF Channels 30/36 and 38/41: 566 to 608 and 614 to 638 MHz)

The 566 to 608 and 614 to 638 MHz version of the Sony UWP-D11 Integrated Digital Wireless Bodypack Lavalier Microphone System features all-metal construction, easy to read LCD displays, a wide switching RF bandwidth, USB power and charging, automatic channel scanning, infrared synchronization between transmitter and receiver, Mic/Line switchable input on the bodypack transmitter, a true diversity receiver, PLL-synthesized tuning, a headphone output on the receiver, output gain controls on the receiver for optimizing the input level into a camera, and digital companding circuitry. The package is suitable for a wide range of wireless applications such as ENG, documentary work, talk shows, conferences, and more.

The system is referred to as integrated digital because the transmitter and receiver utilize DSP for digital companding and expanding of the transmission signal. Performing the companding and expanding processes in the digital domain improves the accuracy and transient response of the received audio.

The camera-mountable receiver features true-diversity technology which stabilizes reception and minimizes RF interference by using dual antenna input/reception circuits and selecting the strongest incoming signal. The angle of the antennas is also adjustable to improve reception when the receiver is mounted on top of a camera or camcorder. The system utilizes UHF Phase Locked Loop (PLL) synthesis to lock the phase of the transmission frequency between transmitter and receiver. The receiver can automatically search for an available transmission frequency and link the desired frequency to the transmitter via infrared connection.

A stereo mini-jack output with monitor volume control is included and both stereo mini and stereo XLR cables are provided. The unit also includes a headphone monitor output for use with cameras and camcorders that don't have a monitor output. An LCD display provides channel and frequency information, battery life, RF-input level, audio-output status and accumulated operating time.

For power, the receiver operates on two AA batteries for up to 6 hours, or on 5 VDC of USB power over a USB micro B cable. The USB connection can also be used to recharge Ni-MH rechargeable batteries within the battery cartridge. The receiver's compact design and included shoe-mount adapter allows easy mounting to most camcorders and interchangeable lens system cameras.

The improved bodypack transmitter features a mic- and line-level switch for standard wired microphone or line-level sources. Selectable transmission output power provides a choice between 5mW output, which is suitable for simultaneous multi-channel operation, or 30mW output for long distance transmission.

The transmitter can operate for up to 8 hours on two AA-size alkaline batteries, be powered or recharged via USB micro B connection, and features a comprehensive LCD display.

The system comes with an omnidirectional lavalier microphone, a windscreen for the microphone, a microphone holder clip, two belt clips, a shoe-mount adapter, a 3-pin mini to mini stereo cable, and a 3-pin mini to XLR cable. Optional accessories such as a battery case and soft case for the receiver are sold separately.

Digital Companding
Utilizes analog-to-digital and digital-to-analog converter stages so that the transmission signal can be digitally companded by the transmitter and digitally expanded by the receiver for improved audio transient response
Automatic Channel Scanning
Scans for available transmission channels and then syncs the transmitter to the receiver via infrared
Frequency Coverage
Provides up to 66 MHz of transmission bandwidth
UWP Series / WL-800 Series Compatibility
Enables cross-compatibility between the UWP-D transmitter with a UWP Series or WL-800 Series receiver or UWP Series or WL-800 Series transmitter with a UWP-D receiver
Headphone Output
Enables direct monitoring of receiver via headphones, especially useful for cameras that lack a monitor output
USB Power Options
Supports USB powering and USB charging of internal Ni-MH rechargeable batteries placed in the battery cartridge
Output Level Control
Controls the receiver's output level with ±12 dB adjustments for optimizing the input level into the camera
UHF Phase Locked Loop (PLL) Synthesized Frequencies
Provides stable transmission and reception by generating a transmission frequency and locking the phase of the transmission signal to the incoming signal of the receiver
True Diversity Reception
Utilizes dual antenna reception circuits and selects the stronger incoming signal to reduce drop-outs
Tone Squelch Circuitry
Transmits a pilot-tone signal with the audio signal and only outputs the audio signal if the pilot tone is present to reduce RF interference from other sources
Mic and Line Input Switch
Enables switching between microphone- and line-level inputs
Simultaneous Multi-Channel Operation
Stores the most stable interference-free transmission frequencies to internal memory for rapid setup and switching between frequency groups
Selectable RF Output
Allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use
Visual Display
Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more
Improved All-Metal Construction
The transmitters and receiver feature metal construction for durability
Sony SMAD-P3 Multi-Interface Shoe Adapter for Cable-Free Connection

The SMAD-P3 Multi-Interface Shoe Adapter by Sony is for connecting the UWP-D series wireless receiver directly to a camera. It can be used to eliminate the need for connecting cables in applications using Sony cameras and camcorders. Using a multi-interface shoe connection eliminates the need for an XLR output cable. Power can also be supplied by the camera, and the camera can control power on/off, unifying power management.

The SMAD-P3 is applicable to XDCAM Camcorders PXW-X70, PXW-X160, PXW-X180, PXW-X280, PXW-X200 and PXW-FS7, Handycam HXR-MC2500, FDR-AX100, NEX-VG900 & NEX-VG30, plus interchangeable lens digital cameras Alpha a7, a7R, a7S, a99, a7S pro, and Cyber-shot DSC-RX10.

Sony MDR-7506 Headphones

The MDR-7506 is a staple within the recording, film and live arenas. Due to its low impedance and closed-ear design, these headphones do an outstanding job of cutting down background noise while providing plenty of volume in the studio or in the field. Additionally, the closed design helps eliminate headphone bleed when overdubbing in the studio.

The MDR-7506 is an over-ear design and is ideal for use with MIDI workstations, camcorders, or other equipment with less than powerful headphone amplification. The headphone has a foldable design, making it convenient to store or transport, and its coiled cable allows it to stretch and spring back into place whenever you need a bit more reach.

Circumaural closed-back stereo headphone ideal for use in professional applications
40mm diameter drive units deliver deeper bass, lower distortion, and wider dynamic range
Neodymium magnets for maximum energy and minimum size
Compact, foldable design
Coiled cable allows for better mobility and reach, while also preventing snags from tugging the headphones right off your ears
OFC cable and gold plated Unimatch plug provides both 1/8" mini-jack and 1/4" TRS phono connectivity
UPC: 027242682252
Kit Contains:

Sony Vertical Battery Grip for a7 II, a7R II, and a7S II

Packaging Info
Package Weight
0.85 lb
Box Dimensions (LxWxH)
6.3 x 4.7 x 3.6"

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