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PSI AUDIO AVAA C20 Analog Active Bass Trap (Graphite Black)

BH #PSAVAAB • MFR #AVAA-B
1 review
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PSI AUDIO AVAA C20 Analog Active Bass Trap (Graphite Black)
Key Features
  • Active Analog Velocity Acoustic Absorber
  • Works in Frequencies from 15 to 150 Hz
  • No Calibration Required
  • Equal to Passive Absorber 45x Its Size
The PSI AUDIO Active Velocity Acoustic Absorber in graphite black is a pressure-based absorber designed to eliminate disruptive bass resonances. Working in the 15 to 160 Hz frequency range, simply place it where your room modes are and it will absorb them—no calibration required. Leveraging AVAA technology, the bass trap is as effective at passively absorbing bass more than competitors 45x its size. It is easy to transport and set up and simply absorbs all undesired room modes.
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$3,115.50
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PSI AUDIO AVAA-B Overview

The PSI AUDIO Active Velocity Acoustic Absorber in graphite black is a pressure-based absorber designed to eliminate disruptive bass resonances. Working in the 15 to 160 Hz frequency range, simply place it where your room modes are and it will absorb them—no calibration required. Leveraging AVAA technology, the bass trap is as effective at passively absorbing bass more than competitors 45x its size. It is easy to transport and set up and simply absorbs all undesired room modes.

UPC: 720260151693

PSI AUDIO AVAA-B Specs

Packaging Info
Package Weight
33 lb
Box Dimensions (LxWxH)
24.25 x 15.5 x 15.5"

PSI AUDIO AVAA-B Reviews

Unique product, easy setup, effective absorption

By John
Rated 5 out of 5
Date: 2017-10-25

I had the opportunity to hear these in action at the AES show in NYC in October of 2017. Three units were located in each of three corners of the room. The door was in the fourth corner and this prevented the use of four units. An IR remote control was available to turn the absorbers on and off. With the system off, we played several low-frequency tones and walked around the room observing nodes and anti-nodes. We then switched the system on and the room response was much more consistent. Bass could now be heard where there had been nodes, and it was no longer overpowering where there had been anti-nodes. We could now walk around the room and hear a much more even bass response. After this we played a kick drum track. With the system off, the kick had a boom sound as it decayed. With the system on, the kick drum was a distinct and well damped thump. The difference was stunning. When listening to music, the absorbers smoothed out the bass response, eliminating annoying room-resonance induced peaks and dips in the response. Very impressed. It would take large volumes of passive absorption material to match the performance of these active devices.

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