Canon EOS C100 Mark II with Dual Pixel CMOS AF & EF 24-105mm f/4L IS II USM Zoom Lens Kit

Canon EOS C100 Mark II with Dual Pixel CMOS AF & EF 24-105mm f/4L IS II USM Zoom Lens Kit

Canon EOS C100 Mark II with Dual Pixel CMOS AF & EF 24-105mm f/4L IS II USM Zoom Lens Kit

B&H # CAC100AF2242 MFR # 2245C002
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Product Highlights

  • Super 35mm 8.3MP CMOS Sensor + EF Mount
  • 1920x1080p 59.94/50/29.97/25/23.98
  • Built-In Dual Pixel CMOS AF Hardware
  • 24-105mm f/4-f/22 EF-Mount L-Series Lens
  • 4 x Aspherical Elements, 10-Blade Iris
  • AVCHD + MP4 Recording
  • Dual SDHC/SDXC Media Card Slots
  • HDMI Output with Timecode & Canon Log
  • Canon Log and Wide DR Gamma
  • Two XLR Audio Connectors
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Kit Configuration: EF 24-105mm f/4L IS II Lens

Body Only EF 24-105mm f/4L IS II Lens EF-S 17-55mm f/2.8 Lens
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  • Canon Financial 24 Month 0% & 36 Month 1.99% Interest Lease Business Program. Offer ends: DEC 31 '18

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Canon C100 Mark II overview

  • 1Description

This Canon kit bundles the EOS C100 Mark II Cinema Camera with Dual Pixel CMOS AF with the EF 24-105mm f/4L IS II USM Zoom Lens. The camera incorporates the Dual Pixel CMOS autofocus function, providing faster and more accurate autofocusing with all Canon autofocus lenses. The versatile 24-105mm zoom lens features a constant f/4 aperture, aspherical elements that limit aberrations, and Air Sphere lens coating to reduce flaring.

  • EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)

    The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.

    The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.

    The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.

    The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera's flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.

    Dual Pixel CMOS AF Technology
    The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

    Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
    Continuous Recording
    The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley's EDIUS Pro 7 software.
    320 to 102,400 ISO Range
    With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
    Menu Navigation via Camera Buttons
    Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed.
    Viewfinder Magnification Location Shift
    Manually move the center of the camera's magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.
    Record Button Lock
    The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button
    Super 35mm 8.3MP CMOS Sensor
    The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments.
    DIGIC DV 4 Image Processor
    Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.
    Low Light Sensitivity
    Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.
    Canon Log Gamma and Wide DR Gamma
    Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading.

    Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production.
    EF Lens Mount with EF Contacts
    The camera is fully compatible with Canon's renowned EF mount lenses. Even specialty lenses, such as Canon's 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image.
    Multiple Recording Modes and Frame Rates in AVCHD
    The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920x1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates.
    Multiple Recording Modes and Frame Rates in MP4
    The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes.
    Uncompressed HDMI Out with Timecode & Canon Log LUT Support
    Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output.
    Compact and Ergonomic Design
    Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a "run-and-gun" style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences.
    Removable Top Handle with XLR Inputs and Stereo Microphone
    Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.
    High Resolution EVF and Integrated OLED Display
    Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45" electronic viewfinder with 100% coverage. The built-in 3.5" 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the camera's waveform monitor.
    AVCHD or MP4 File Based Recording to SD Cards
    The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray.

    The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.
    Full Manual Control and Focusing Aids
    The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor.
    One Shot AF and Push Auto Iris
    One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.
    Built-In ND Filters
    In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial.
    Remote Terminal
    Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations.
    Additional Features
    • Waveform monitor; standard and RGB modes
    • Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode
    • Drop Frame (DF) or Non-Drop Frame (NDF) Timecode
    • Timecode modes: Regen, Record Run, Free Run
    • Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card
    • Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level
    • 15 assignable function buttons
    • SMPTE, EBU, or ARIB standard color bars can be selected
    UPC: 013803251807
  • EF 24-105mm f/4L IS II USM Lens

    An advanced one-lens solution, the EF 24-105mm f/4L IS II USM is a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and featuring a constant f/4 maximum aperture. The version II of this popular lens sports a redeveloped optical design, which includes four aspherical elements to significantly reduce distortion and spherical aberrations throughout the zoom range for great sharpness and accurate subject rendering. Individual elements feature an Air Sphere Coating, too, to suppress flare and ghosting for greater contrast and color accuracy in harsh lighting conditions.

    Complementing the refined optics, this 24-105mm f/4 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. A four-stop-effective Image Stabilizer is also used to minimize the appearance of camera shake for sharper handheld shooting. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.

    Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it will provide a 38.4-168mm equivalent focal length range.
    Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
    Four glass-molded aspherical elements, including one large-diameter double-sided glass-molded lens, help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.
    An Air Sphere Coating has been applied to individual elements to reduce backlit flaring and ghosting for greater contrast and color fidelity in strong lighting conditions.
    An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four shutter speed stops to better enable working in low-light conditions and with slower shutter speeds.
    A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
    Rounded ten-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
    As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.
    UPC: 013803274196
In the Box
Bundle Items
  • Eyecup
  • Handle Unit
  • Thumb Rest
  • TB-1 Tripod Adapter Base
  • Shoulder Strap SS-1200
  • BP-955 Intelligent Lithium-Ion Battery Pack (5200 mAh)
  • Battery Charger
  • Compact Power Adapter CA-940N
  • DC Cable (for CA-930)
  • AC Cable
  • CD-ROM with Data Import Utility Ver. 1.0
  • Limited 1-Year Warranty
  • E-77 II 77mm Lens Cap
  • Lens Dust Cap E (Rear)
  • Lens Hood EW-83M for EF 24-105mm f/3.5-5.6 IS STM and EF 24-105mm f/4L IS II USM Lens
  • LP1219 Soft Lens Case
  • Limited 1-Year Warranty
Table of Contents
  • 1Description
  • EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)
    Image Sensor
    Image Sensor Size 24.6 x 13.8 mm (Super35)
    Sensor Type CMOS
    Sensor Resolution 4206 x 2340 (9.84 MP)
    Effective Sensor Resolution 3840 x 2160 (8.29 MP)
    Color Filter Bayer
    ISO 320 to 102,400
    Gain -6 to 30 dB (Expanded)
    0 to 24 dB (Native)
    Camera
    Lens Mount Canon EF
    Lens Communication Yes, with Autofocus Support
    Shutter Speed 1/3 to 1/2000 sec
    Shutter Angle 11.25 to 360
    Built-In ND Filter Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
    Recording Media 2 x SDXC Card Slots
    Internal Recording
    Recording Modes AVCHD 4:2:0 8-Bit:
    1920 x 1080p at 23.98/24/25/29.97/30/50/59.94 fps (28 MB/s) 
    MP4:
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (35 MB/s) 
    Audio Recording 2-Channel 16-Bit 48 kHz
    Interfaces
    Video Connectors 1 x HDMI Output
    Audio Connectors 2 x 3-Pin XLR (+48 V Phantom Power) Input
    1 x 1/8" (3.5 mm) Stereo Input
    1 x 1/8" (3.5 mm) Stereo Headphone Output
    Other I/O 1 x 2.5 mm LANC Control Input
    1 x USB Mini-B 
    Display
    Display Type OLED
    Screen Size 3.5"
    Screen Resolution 640 x 480 (922,000 Dots)
    EVF
    Screen Size .24"
    EVF Resolution 960 x 540 (1,560,000 Dots)
    Power
    Battery Type Canon BP-9 Series
    Power Connectors 1 x Barrel Input
    Environmental
    Operating Temperature 32 to 104°F / 0 to 40°C
    General
    Accessory Mount 1 x 1/4"-20 Female Thread
    1 x Cold Shoe Mount
    Dimensions 7.2 x 11.1 x 9.3" / 18.2 x 28.1 x 23.6 cm
    Weight 3.2 lb / 1.5 kg
    Packaging Info
    Box Dimensions (LxWxH) 14.5 x 12.0 x 12.0"
  • EF 24-105mm f/4L IS II USM Lens
    Performance
    Focal Length 24 - 105mm
    Aperture Maximum: f/4
    Minimum: f/22
    Camera Mount Type Canon EF
    Format Compatibility 35mm Film / Full-Frame Digital Sensor
    Angle of View 84° - 23° 20'
    Minimum Focus Distance 1.48' / 45 cm
    Magnification 0.24x
    Maximum Reproduction Ratio 1:4.3
    Optical Design 17 Elements in 12 Groups
    Diaphragm Blades 10, Rounded
    Featuresbbbfyyreursbsdevayrxyvfcfeszbu
    Image Stabilization Yes
    Autofocus Yes
    Physical
    Filter Thread Front: 77 mm
    Dimensions (DxL) 3.29 x 4.65" / 83.5 x 118 mm
    Weight 1.75 lb / 795 g
    Packaging Info
    Box Dimensions (LxWxH) 9.1 x 5.5 x 5.4"

Canon C100 Mark II reviews

EOS C100 Mark II with Dual Pixel CMOS AF & EF 24-105mm f/4L IS II USM Zoom Lens Kit is rated 5.0 out of 5 by 2.
Rated 5 out of 5 by from Great camera for entry level cinema! The majority of our work currently is wedding and corporate videography, and this camera is perfect for what we need. We also own a C100 mark i and the mark ii, in my opinion, blows it out of the water. Crystal clear image with the 24-105, although I do wish it was an f2.8 rather than f4. A great lens regardless. What you lose in the lens for its fstop range, you gain in the cameras lowlight capabilities. Great kit for the price, if you're looking to move up from dslr's, this is the camera to get.
Date published: 2018-06-07
Rated 5 out of 5 by from The King I've shot (and owned) Fuji XT-2, Fuji XH-1, Canon 6D and Panasonic DVX 200 cameras for video. If I knew then what I know now, I would have purchased the C100 when it was twice the price. C-LOG BABY! Shoot it, grade it with FilmConvert (or your own flavor of post), tweak a tiny bit and you're done. Canon glass is fabulous. The AF on the 24-105 is great in both single and continuous. The system is light weight and super easy to handhold on long shots. Use focus peak when shooting CLOG for better focus in manual. I love this thing. It's the camera so nice, I will buy it twice.
Date published: 2018-06-11
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