The White Balance Card Set from Vello provides an 18% gray card along with white and black reference cards. With your digital camera, the gray card helps you to determine accurate exposures, the white card achieves the optimal color balance under any lighting situation, and the black card can be used as a reference point when editing your images in a post-production software. Also, the included lanyard helps to manage your cards while using them.
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Key Features
- Card Size: 5.1 x 3.9"
- Achieves Optimal Color Balance
- Accurately Exposed Images
- White, Black, and 18% Gray Balance Cards
The White Balance Card Set from Vello provides an 18% gray card along with white and black reference cards. With your digital camera, the gray card helps you to determine accurate exposures, the white card achieves the optimal color balance under any lighting situation, and the black card can be used as a reference point when editing your images in a post-production software. Also, the included lanyard helps to manage your cards while using them.
More DetailsVello White Balance Card Set Overview
UPC: 847628005228
Vello White Balance Card Set Specs
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Packaging Info
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Vello White Balance Card Set Reviews
Cheaply made with sharp edges that cut
By Lawrence
Rated 2 out of 5
Date: 2026-06-16
Got a papercut the moment I pulled these out of the packaging. The edges are unfinished and dangerously sharp. Might be fine for a one off under controlled conditions, but these are totally useless for my location use when I'm rushing around and a simple paper cut can causes delays and impact my work.
Good price and size
By Eric
Rated 5 out of 5
Date: 2026-01-11
Great balance cards are useful for color correction. The white card works well for on-camera white balance correction, while the grey card is helpful for post-production work. I'm not sure how others use the black card, but it may also help expedite post-production processes by getting you true blacks.
See any errors on this page?
Are these plastic?
Are these plastic?
Yes, the White Balance Card Set is made of plastic.
Date published: 2020-11-28
What are the Dimensions of the medium sized ...
What are the Dimensions of the medium sized cards?
10 cm x 13 cm, a very useful size.
Date published: 2020-07-10
Does the gray card have autofocus reference ...
Does the gray card have autofocus reference lines? The camera might have difficulty focusing without the contrast of focus lines.
There are no autofocus reference lines on these cards. You best bet is to manually focus anyway.
Date published: 2020-06-24
How long is the lanyard? Can it be easily worn ...
How long is the lanyard? Can it be easily worn around the neck, falling to a little above the waist?
it is 13" and you can use anyway
Date published: 2020-01-16
What should the technical correct middle gray IRE ...
What should the technical correct middle gray IRE value be on the waveform for Rec709?
The best IRE value to set for the middle gray card of the Vello White Balance Card Set (Medium) (B&H# VEWBCMII) will vary by your camera and chosen camera settings. As such, you will want to try out the settings until you find the one that works best for your needs. However, many people prefer to shoot around 40 when using a log format and a bit below 50 when shooting with linear exposure.
Date published: 2022-06-10
Will the white ever fade to yellow? Should I plan ...
Will the white ever fade to yellow? Should I plan on buying new ones every 3-4 years?
All white balance cards including the Vello White Balance Card Set (Medium) will generally shift over time. It is a good idea to double check these every year or so to make sure they are still accurate.
Date published: 2023-04-16
Are these reflective?
Are these reflective?
The Vello White Balance Card Set (Medium) is not reflective.
Date published: 2026-05-01
If I'm looking for consistent color in narrative ...
If I'm looking for consistent color in narrative film across different shotcomps, does it make more sense to aim my camera at a WB card and set the WB in-camera (which will change the Kelvin temperature each time for each setup), or, would it be better for consistency across multiple shots/lighting setups, to set the WB to the color temp of the lights I'm using (5600K, daylight) for the in-camera WB, and then set the WB in post, by using the WB eyedropper, clicking on the same gray card recorded in frame, used w/ different lighting setups?
If you're shooting RAW, then you can do whichever is easier for your shooting environment. Setting WB in post certainly saves time, and with RAW, won't make any noticeable difference. With a high-quality codec like ProRes 444, you might get away with eyeballing WB in camera and slightly adjusting in post. However, if you're shooting any kind of compressed, even ProRes, you ideally want to get your white balance set on site.
Date published: 2023-06-10
