Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Rokinon 100mm T3.1 Macro Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Micro Four Thirds Mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 100mm lens produces a 12.6° angle-of-view when used with Micro Four Thirds sensor cameras. It can be used for macro videography, which means you can record an image that is the same size or bigger on the sensor as it is in real life. The 15 glass elements in 12 groups render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 1' from the lens. A removable lens hood provides flare protection when shooting without a matte box, and the lens's threaded front accepts 67mm filter rings.

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 135mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Micro Four Thirds Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 135mm lens produces a 9.5° angle-of-view when used with Micro Four Thirds sensor cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 2.6' from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 77mm filter rings.