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Polsen PMA-1 Personal Monitor Amplifier

BH #POPMA1 • MFR #PMA-1
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Polsen PMA-1 Personal Monitor Amplifier
Key Features
  • For Studio, Live Stage & Mobile Setups
  • Coloration-Free Amplification
  • Controls for Monitor & Microphone Levels
  • 1/4" & 3.5mm Stereo Headphone Outputs
The Polsen PMA-1 is a personal monitoring amplifier offering coloration-free signal amplification for vocalists and musicians in studio, live stage, and mobile-recording applications. It allows an artist to adjust the blend of their own microphone and monitor levels via easy-to-use gain/volume controls. Setup is straightforward; hook up a mono or stereo line-level source to the 1/4" TRS monitor input, and plug in your preferred headphones to the 1/4" or 3.5mm stereo headphone jack. A mono/stereo switch is provided to enable proper routing of a single- or dual-channel input to both sides of your headphones.

Connect a microphone such as a dynamic, ribbon, or condenser mic into the balanced XLR input, then connect the balanced XLR thru jack to a mixing console or mic preamp; any phantom power sent from your mic preamp will pass unimpeded to your microphone. This allows convenient "more me" functionality without inhibiting the creative workflow. All-analog circuitry ensures zero-latency monitoring and microphone throughput. In the event of hum from a ground loop, flip the ground-lift switch for noise-free monitoring. The PMA-1 features a compact, sturdy enclosure for reliable use on and off the road, and includes a 12 VDC power supply.

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Polsen PMA-1 Overview

The Polsen PMA-1 is a personal monitoring amplifier offering coloration-free signal amplification for vocalists and musicians in studio, live stage, and mobile-recording applications. It allows an artist to adjust the blend of their own microphone and monitor levels via easy-to-use gain/volume controls. Setup is straightforward; hook up a mono or stereo line-level source to the 1/4" TRS monitor input, and plug in your preferred headphones to the 1/4" or 3.5mm stereo headphone jack. A mono/stereo switch is provided to enable proper routing of a single- or dual-channel input to both sides of your headphones.

Connect a microphone such as a dynamic, ribbon, or condenser mic into the balanced XLR input, then connect the balanced XLR thru jack to a mixing console or mic preamp; any phantom power sent from your mic preamp will pass unimpeded to your microphone. This allows convenient "more me" functionality without inhibiting the creative workflow. All-analog circuitry ensures zero-latency monitoring and microphone throughput. In the event of hum from a ground loop, flip the ground-lift switch for noise-free monitoring. The PMA-1 features a compact, sturdy enclosure for reliable use on and off the road, and includes a 12 VDC power supply.

Versatile Applications
Artists in studio recording sessions and live performances routinely need personalized level control for their headphone mixes. While multichannel personal monitor mixers can be costly and complex to integrate, the PMA-1 presents a simple way for the talent to control a blend of the main stereo cue mix and their own microphone.
Simple Controls
No tutorials or focused training segments are needed to operate the PMA-1. At a glance, the functionality is clear; the mic gain knob adjusts the microphone level, and the monitor level pot controls the headphone volume.
Latency-Free Headphone Monitoring
Since the PMA-1 utilizes an analog signal path, no latency is incurred. The artist can monitor their mix devoid of latency caused by digital circuitry. 1/4" and 3.5mm stereo headphone jacks ensure compatibility with a variety of headphones from over-ear models to in-ear monitors or earbuds.
Balanced XLR Input and Thru
By incorporating balanced XLR input and thru connectivity for the microphone signal, the PMA-1 maintains the noise- and interference-rejection characteristics of the balanced signal line on its way from the microphone to the mixer, even if it crosses lighting and power cables.
Selectable Mono/Stereo Mode
Thanks to a convenient mono/stereo switch, the PMA-1 can accommodate a mono or stereo monitor input while still outputting signal to both sides of the headphones. Use stereo mode to pass a stereo input to the corresponding left and right earphones, or switch to mono mode to route a mono input identically to both earphones.
Ground-Lift Switch
With so many electrical devices, audio cables, and power lines in studio and live stage setups, ground loops are a common problem. The PMA-1 features a ground-lift switch designed to eliminate the show-stopping hum that ground loops produce.
UPC: 847628013629

Polsen PMA-1 Specs

Key Specs
Number of Headphone Channels
Single Channel
Headphone Output Power
60 mW (Max)
Analog Audio I/O
1x XLR 3-Pin Mic Input
1x 1/4" TRS Monitor Input
1x XLR 3-Pin Mic Thru
1x 1/4" TRS Headphone Output
1x 1/8" / 3.5 mm TRS Headphone Output
Frequency Response
Mic Inputs:
50 Hz to 25 kHz
Monitor Inputs:
20 Hz to 25 kHz
Power Requirements
AC/DC Power Adapter (Included)
Number of Headphone Channels
Single Channel
Headphone Output Power
60 mW (Max)
Connectivity
Analog Audio I/O
1x XLR 3-Pin Mic Input
1x 1/4" TRS Monitor Input
1x XLR 3-Pin Mic Thru
1x 1/4" TRS Headphone Output
1x 1/8" / 3.5 mm TRS Headphone Output
Performance
Frequency Response
Mic Inputs:
50 Hz to 25 kHz
Monitor Inputs:
20 Hz to 25 kHz
Gain/Trim Range
Mic Inputs:
Up to 40 dB
Monitor Inputs:
Up to 10 dB
Maximum Input Level
-18 dBu
Maximum Output Level
+10 dBu
Impedance
Mic Inputs:
2 Kilohms (Balanced)
Headphone Outputs:
3 Kilohms (Min)
THD
0.01% (Typical, 100-Ohm Load)
SNR
-68 dBu (A-Weighted, at 0 dBu)
CMRR
40 dB (Typical)
> 50 dB (1 kHz)
Power
Power Requirements
AC/DC Power Adapter (Included)
Ground Lift
Yes
AC/DC Power Adapter
12 VDC
Physical
Dimensions
4.1 x 2.5 x 1.8" / 10.4 x 6.4 x 4.7 cm
Weight
8.5 oz / 240.0 g
Packaging Info
Package Weight
0.95 lb
Box Dimensions (LxWxH)
9.3 x 4.3 x 2.5"

Polsen PMA-1 Reviews

Monitor input works, condenser mic completely inaudible

By Cameron P.
Rated 1 out of 5
Date: 2023-12-04

I used this device to monitor two usb interfaces: a 2-channel interface and an XLR interface. The TRS input monitor works, but plugging my condenser mic into it adds lots of hum and noise. With the gain set to max on both knobs I still cannot hear the mic before it goes into my interface. The interface does pickup the condenser mic perfectly in the pass-thru with phantom power on but, I cannot hear the mic at all inside the Polsen. 1 star, 0 stars because it does not work as described.

At that price?

By Christian
Rated 5 out of 5
Date: 2020-11-28

I use to as a headphone interface to a guitar tube amp DI out. It works great for that.

See any errors on this page?

I bought this a year or so ago and have been ...

I bought this a year or so ago and have been using it to use to boost the monitor level for my somewhat high-impedence headphones. I just tried the mic port for the first time. I am finding that the mic input leaks into the monitor channel even with the mic volume at zero. Raising the mic volume does raise the mic input, but also adds quite a bit of noise. And when the monitor volume is at zero, the mic channel does not sound even with the level set up high. I expected the two inputs to be independently controllable. Is there a way to accomplish this?
Asked by: Peter
Hello. Thank you for your description of usage. This device is designed to where the Monitor level control is a master control over the overall mix output of the mic input and monitor input. The two input channels can not be separated. If needed to balance the levels of the mic and playback in your headphones, you'd have to balance the mic gain on the Polsen, and the headphone out of the Steinberg individually. As for the metronome bleed through the mix when the gain is down, the headphone out level of the metronome is a much hotter signal than the expected mic level intended for the mic input. Due to this, it is possible that the level would pass through while the gain is turned down. I would recommend revisiting the metronome built into your recording software. This can be used while recording and not actually be on your recorded tracks. By going this route, all you would need the Polsen for is to boost the level of the headphones.
Answered by: Daniel
Date published: 2020-12-10

can this be used with earbuds ?and what microfone ...

can this be used with earbuds ?and what microfone would bee best ?
Asked by: Jon
This can be used with earbuds. The type of mic would depend on what you are doing with it. For a live vocal performance situation, here's a general mic recommendation: B&H # SEE945.
Answered by: Daniel
Date published: 2020-08-28

Will this item add a stronger bass and more lows ...

Will this item add a stronger bass and more lows to the sound of my headphones or it just raises the volume?
Asked by: Yehudah
This only controls volume, not tone.
Answered by: John
Date published: 2020-06-29
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