FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens (Silver)

FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens and Ninja V Kit (Silver)

FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens and Ninja V Kit (Silver)

B&H # FUXT31855SNV (B&H Kit)

Kit includes:


FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens and Ninja V Kit (Silver) FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens (Silver) Atomos Ninja V 5" 4K HDMI Recording Monitor Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7") Atomos Power Kit for Shogun/Ninja Inferno & Flame

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Product Highlights

  • XF 18-55mm f/2.8-4 R LM OIS Lens
  • Atomos Ninja V 5" 4K Recording Monitor
  • Power Kit for External Monitor
  • Shoe Mount Adapter for Monitor
  • HDMI Cable
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Color: Silver

FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens and Ninja V Kit (Black) FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens and Ninja V Kit (Silver)

Style: With 18-55mm Lens

Body Only With 18-55mm Lens

Price: $2,812.90

Instant Savings: $150.00

$0 VA Sales Tax Collected on This Item

You Pay:  $2,662.90

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FUJIFILM X-T3 overview

  • 1Description

Configured for the aspiring filmmaker, the silver FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens and Ninja V Kit from B&H bundles the multimedia mirrorless body and standard zoom lens with an Atomos Ninja V 5" 4K HDMI Recording Monitor, a power kit for the external monitor, a mount for attaching the monitor to the camera, and an HDMI cable.

  • FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens (Silver)

    Designed for videographers and action photographers alike, the silver FUJIFILM X-T3 is a versatile mirrorless camera characterized by its high-speed performance, more-than-capable imaging, and multimedia flexibility. Revolving around a newly developed image sensor and processor, both high-resolution stills and 4K video can be recorded while an apt autofocus system delivers quick and accurate focusing performance. The sensor, a 26.1MP APS-C-format X-Trans CMOS 4, features a back-illuminated design, to promote greater image quality throughout the sensitivity range, along with an expansive 2.16m-point phase-detection autofocus system for quick, precise AF performance and subject tracking. Complementing the imaging and focusing is the X-Processor 4, which uses four CPUs for faster image processing as well as continuous shooting up to 11 fps with a mechanical shutter, 30 fps shooting at a 1.25x crop and electronic shutter, and internal 4K60p 10-bit video recording.

    Like previous X-T cameras, the X-T3 retains its classically inspired looks and prominent tactile controls, and adds a new OLED electronic viewfinder design with 3.69m-dot resolution and a high 0.75x magnification. This finder has a high refresh rate of 100 fps for fluid viewing and remains blackout-free while shooting at the top 30 fps shooting rate. Also, a unique Sports Finder Mode can be used, which highlights the 16.6MP crop area in order to give you additional room outside of the frame to recognize moving subjects. Conversely, a rear 3.2" 1.04m-dot LCD monitor can also be used for live view shooting and larger image playback. Additionally, the X-T3 also sports built-in Bluetooth for wireless sharing and remote control, and the magnesium-alloy body is fully weather-sealed for working in trying weather conditions.

    26.1MP APS-C X-Trans BSI CMOS 4 Sensor and X-Processor 4
    Revolving around a newly developed sensor, the X-T3 features an APS-C-format 26.1MP X-Trans CMOS 4 sensor, which has a back-illuminated design to afford smooth tonal rendering, improved low-light performance, and a low native ISO 160 setting. As an X-Trans sensor, it still utilizes the randomized pixel array, too, which provides a high degree of image quality and sharpness due to the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order to produce nuanced colors and tonal transitions, while also reducing moiré and aliasing.

    The sensor's design also includes an expanded phase-detection autofocus system, which now has an impressive 2,160,000 points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance along with low-light sensitivity down to EV -3. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers faster focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.

    The X-Processor 4 also utilizes four CPU units for faster image processing and it benefits overall performance with AF speeds as low as 0.06 sec. 0.17 sec shooting intervals, 0.045 sec shutter lag, and a 0.3 sec start-up time. Quick continuous shooting is possible, up to 11 fps with a mechanical shutter or 30 fps with an electronic shutter and a 1.25x crop, and internal UHD 4K60 video recording with 10-bit output is also supported.
    UHD and DCI 4K Video Recording
    More than a stills camera, the X-T3 offers an enticing array of video capabilities, including internal UHD 4K60p video recording at 4:2:0 10-bit, as well as 4K60p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s—and simultaneous external and internal recording is possible. DCI 4K30 and Full HD 1080p120 recording is also possible, and video files can be saved using either MPEG-4 AVC/H.264 or HEVC/H.265 compressions, and 4K. Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds of 17 ms when recording 4K60 video, which helps to reduce rolling shutter distortion when filming moving subjects.

    In addition to the supported 10-bit color depth, the X-T3 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. When working in F-Log, an updated noise reduction algorithm is available along with 4K inter-frame noise reduction, and the Minimum sensitivity has been lowered to ISO 640 to suit working in a broader range of scene types.

    Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
    Body Design
    • A bright and clear means for eye-level viewing, a 3.69m-dot OLED electronic viewfinder offers a high 0.75x magnification, fast ~100 fps refresh rate, wide viewing angle, and lockable diopter adjustment. The viewfinder remains blackout free while shooting up to the top 30 fps shooting rate, and a unique Sports Finder Mode can also be employed, which highlights a 16.6MP crop area of the sensor in order to allow you to see outside of the image frame.
    • In addition to the EVF. a rear 3.0" 1.04m-dot LCD touchscreen is available for intuitive live view shooting, playback and review, and settings adjustment and menu navigation. The screen has a three-way tilting design, too, to suit working from high and low angles regardless if shooting with a horizontal or vertical orientation.
    • Dual SD card slots allow for a more flexible and reliable means of storing imagery, and both card slots are compatible with UHS-II standards for fast transfer speeds.
    • The top plate incorporates a series of locking dials and levers for fast, intuitive control over exposure settings, including a shutter speed dial that offers direct shutter speed adjustment. An ISO dial is also incorporated into the shutter speed dial, for confirming the sensitivity setting without having to turn the camera on and the exposure compensation dial lets you choose +/- 3 EV in 1/3 steps while a command dial position expands the range to +/- 5 EV for further control.
    • Front and rear command dials integrate a push function for easier use and settings selection and six different function buttons can be assigned to control a range of settings.
    • A dedicated Focus Lever provides faster, more intuitive control over selecting specific focus points while shooting.
    • Integrated Bluetooth 4.2 low energy allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
    Film Simulation and Grain Effect Modes
    Taking advantage of FUJIFILM's vast history in traditional film-based photography, the X-T3 integrates several Film Simulation modes. These modes mimic the look and feel of some of FUJIFILM's classic film types, including Eterna, which copies the look of cinematic film with understated colors and richer shadow tones; Acros, which offers smooth tones, deep blacks, and fine detail; and Classic Chrome, which is designed to deliver muted tones and a deep color reproduction, similar to that of a dated slide film. Several other effects are also available for both monochrome and color shooting. In addition to simulating specific film types, a Grain Effect mode is also available to replicate the look of old film photos with an organic textured appearance, which is especially noticeable when printing.
    XF 18-55mm f/2.8-4 R LM OIS Lens
    Bundled with the camera body is a versatile zoom that covers many different scenarios. The XF 18-55mm f/2.8-4 R LM OIS lens features a 27-84mm equivalent focal length that covers wide angle to telephoto perspectives with ease. The f/2.8-4 maximum aperture range ensures both speed and compactness in terms of design and it features three aspherical and one extra low dispersion element for combating aberrations. Also, a linear autofocus motor ensures fast performance while an optical image stabilizer will limit the effects of camera shake.
    UPC: 074101038361
  • Atomos Ninja V 5" 4K HDMI Recording Monitor

    The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.

    Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit.

    Designed with an interface that differs somewhat from prior units, the Ninja V's HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit's upper left corner.

    AtomHDR
    With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
    Supported Log Formats
    • ARRI Log C
    • Canon CLog / CLog 2
    • Fuji F-Log
    • JVC JLog
    • Sony SLog2 / SLog3
    • Panasonic Vlog
    • RED LogFilm
    HDR Recording
    • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
    • Canon CLog / CLog2 / Clog3
    • Fuji F-Log
    • JVC JLog1
    • Panasonic Vlog
    • PQ10k, HLG
    • RED LogFilm / Log3G10 / Log3G12
    • Sony SLog / SLog2 / SLog3
    HDR Monitoring
    • ARRI ALEXA Wide Gamut
    • Canon Cinema / DCI P3 / DCI P3+ / BT2020
    • Fuji F-Log
    • JVC LS300
    • Panasonic V Gamut
    • Rec. 2100
    • Rec. 709
    • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out
    4K 60p Capabilities
    Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
    Audio I/O
    Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.
    5" Daylight Viewable Screen
    The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
    HDR Signal Management
    Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
    Anamorphic De-Squeeze
    The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.
    Edit-Ready Recording
    Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.
    Expansion Modules
    The Ninja V features a bidirectional high-speed video port along with power and audio which allows future expansion modules to increase the Ninja V's capabilities.
    UPC: 814164021074
  • Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors

    Add a monitor to your video recording system with this aluminum Heavy Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

    Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.

    Note: Due to its compact design, this ball head should not be used to support a camera.

    Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
    Single locking knob for safe and fast operation
    Head itself allows for 90º vertical articulation
    Fits most standard shoe mounts (except for Sony flash shoe)
    UPC: 847628578029
  • Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")

    The 11.8 to 17.7" Right-Angle Micro to Full HDMI Coiled Cable from Atomos is coiled to prevent clutter, but it can extend up to 17.7". It has a right-angled micro connector for use with the Ninja Star recorder.

    UPC: 853815005667
  • Atomos Power Kit for Shogun/Ninja Inferno & Flame

    The Atomos Power Kit includes two NP-F750 5200mAh batteries, a charger, and a power adapter for the Shogun/Ninja Inferno and Flame.

    UPC: 814164020756
In the Box
  • X-T3 Mirrorless Digital Camera with 18-55mm Lens (Silver)
  • XF 18-55mm f/2.8-4 R LM OIS Zoom Lens
  • NP-W126S Li-Ion Battery Pack
  • BC-W126S Battery Charger
  • EF-X8 Shoe Mount Flash
  • Body Cap for FUJIFILM X-Mount Cameras
  • Shoulder Strap
  • Strap Clip
  • Protective Cover
  • Clip Attaching Tool
  • Hot Shoe Cover
  • Vertical Grip Connector Cover
  • Connector Cover
  • Sync Terminal Cover
  • Cable Protector
  • Limited 1-Year Warranty
Table of Contents
  • 1Description
  • FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens (Silver)
    Imaging
    Lens Mount Fujifilm X Mount
    Camera Format APS-C (1.5x Crop Factor)
    Pixels 26.1 Megapixel
    Max Resolution 6240 x 4160
    Aspect Ratio 1:1, 3:2, 16:9
    Sensor Type / Size CMOS, 23.5 x 15.6 mm
    File Formats Still Images: JPEG, RAW
    Movies: MOV
    Audio: Linear PCM
    Bit Depth 14-Bit
    Dust Reduction System Yes
    Memory Card Type SD
    SDHC
    SDXC
    AV Recording
    Video Recording Yes, NTSC/PAL
    Video Format 4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps400, 200, 100 Mb/s 
    3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps400, 200, 100 Mb/s 
    2048 x 1080p at 23.98/24/25/29.97/50/59.94 fps200, 100, 50 Mb/s 
    1920 x 1080p at 23.98/24/25/29.97/50/59.94/100/120 fps200, 100, 50 Mb/s 
    Aspect Ratio 16:9
    Video Clip Length Up to 29 Min 59 Sec
    Audio Recording Built-In Mic: With Video (Stereo)
    Optional External Mic: With Video (Stereo)
    Focus Control
    Focus Type Auto & Manual Focus
    Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S)
    Autofocus Points Phase Detection: 2160000
    Viewfinder/Display
    Viewfinder Type Electronic
    Viewfinder Size 0.5"
    Viewfinder Pixel Count 3,690,000
    Viewfinder Eye Point 23.00 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 0.75x
    Diopter Adjustment -4 to +2 m
    Display Screen 3" Rear Touchscreen Tilting LCD (1,040,000)
    Screen Coverage 100%
    Exposure Control
    ISO Sensitivity Auto, 160-12800 (Extended Mode: 80-51200)
    Shutter Type: Mechanical
    Speed: 900 - 1/8000 Second 
    Type: Electronic
    Speed: 900 - 1/32000 Second 
    Type: Electronic & Mechanical
    Speed: 60 - 0 Minute in Bulb Mode
    Remote Control RR-100 (Optional)
    Metering Method Average Metering, Center-Weighted Average Metering, Multi-Zone Metering, Spot Metering
    Exposure Modes Modes: Aperture Priority, Manual, Program, Shutter Priority
    Compensation: -5 EV to +5 EV (in 1/3 EV Steps)
    White Balance Modes Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
    Buffer/Continuous Shooting Up to 11 fps at 26.1 MP for up to 145 Frames in JPEG Format
    Up to 11 fps at 26.1 MP for up to 42 Frames in Raw Format
    Up to 8 fps at 26.1 MP for up to 200 Frames in JPEG Format
    Up to 8 fps at 26.1 MP for up to 49 Frames in Raw Format
    Up to 5.7 fps at 26.1 MP for Unlimited 60 Frames in JPEG Format
    Up to 5.7 fps at 26.1 MP for up to 62 Frames in Raw Format
    Up to 30 fps at 16.6 MP for up to 60 Frames in JPEG Format
    Up to 30 fps at 16.6 MP for up to 35 Frames in Raw Format
    Up to 20 fps at 16.6 MP for up to 114 Frames in JPEG Format
    Up to 20 fps at 16.6 MP for up to 37 Frames in Raw Format
    Up to 10 fps at 16.6 MP for up to 500 Frames in JPEG Format
    Up to 10 fps at 16.6 MP for up to 48 Frames in Raw Format
    Flash
    Flash Modes Auto
    Commander
    First-Curtain Sync
    Hi-Speed Sync
    Manual
    Off
    Second-Curtain Sync
    Slow Sync
    TTL Auto
    Built-in Flash No
    Max Sync Speed 1 / 250 Second
    Dedicated Flash System TTL
    External Flash Connection Hot Shoe, PC Terminal
    Performance
    Start-up Time 0.3 seconds
    Shutter Lag 0.045 seconds
    Self Timer 10 Seconds, 2 Seconds
    Interval Recording Yes
    Connectivity 1/8" Headphone, 1/8" Microphone, 2.5mm Sub-mini (2-Ring), HDMI D (Micro), USB 3.0, USB Type-C, X-Sync Socket
    Wi-Fi Capable Yes
    Power
    Battery 1 x NP-W126S Rechargeable Lithium-Ion Battery Pack
    AC Power Adapter AC-9V (Optional)
    Operating/Storage Temperature Operating
    14 to 104°F (-10 to 40°C)
    Humidity: 10 - 80%
    Physical
    Dimensions (W x H x D) 5.2 x 3.7 x 2.3" / 132.5 x 92.8 x 58.8 mm
    Weight 1.19 lb / 539 g with battery and memory card
    Kit Lens
    Focal Length 18 - 55mm
    Comparable 35mm Focal Length: 27 - 84 mm
    Aperture Maximum: f/2.8 - 4
    Minimum: f/22
    Angle of View 79.1° - 28.4°
    Minimum Focus Distance 1.18" / 30 mm
    Magnification 0.08 - 0.15x
    Maximum Reproduction Ratio 1:6.666
    Optical Design 14 Elements in 10 Groups
    Diaphragm Blades 7, Rounded
    Autofocus Yes
    Image Stabilization Yes
    Filter Thread Front: 58 mm
    Dimensions (DxL) 2.56 x 2.77" / 65 x 70.4 mm
    Weight 10.93 oz / 310 g
    Packaging Info
    Box Dimensions (LxWxH) 10.6 x 9.3 x 7.8"
  • Atomos Ninja V 5" 4K HDMI Recording Monitor
    Display
    Type 5"
    Resolution 1920 x 1080
    427 ppi
    Video Aspect Ratio Native: 16:9
    Brightness 1000 cd/m²
    Bit Depth 10-bit
    LUT Support 3D LUT (.cube file format)
    Interface
    Inputs 1 x HDMI type A, v2.0
    1 x 2.5 mm, LANC
    1 x 3.5 mm, line/mic input, 2-ch, 48 kHz, 24-bit
    Outputs 1 x HDMI type A, v2.0
    1 x 3.5 mm, headphone
    Supported Video Format
    Supported Signal Input: 8/10-bit 4:2:2 (dependent on video source)
    Output: 8/10-bit 4:2:2 (dependent on video source)
    Input/Output Resolutions HDMI:
    4096 x 2160: 60/59.94/50/30/29.97/25/24/23.98
    3840 x 2160: 60/59.94/50/30/29.97/25/24/23.98
    1080p: 60/59.94/50/30/29.97/25/24/23.98
    1080i: 60/50
    720p: 60/50
    Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown)
    60i to 24p (3:2 pulldown)
    Supported Codecs Apple ProRes: HQ, 422, LT
    Avid DNxHR: HQX, HQ, SQ, LB
    Supported Audio Formats
    HDMI 2- or 8-channel, up to 24-bit (camera dependent)
    Signal Level Line In / Mic In: 2-channel 48 kHz 24-bit
    LANC Supports slave configuration
    Recording Media
    Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
    Supported Applications Final Cut Pro X/7+
    Avid Media Composer 5.0+
    Adobe Premiere 5.5+
    Grass Valley EDIUS 6.0+
    Sony Vegas Pro 10+
    Lightworks
    Autodesk Smoke 2015
    XML Support FCPX XML native, FCPX/Adobe limited supported with third-party conversion tools
    General
    Power Requirements 6.2 to 16.8 VDC (battery or DC power input)
    Power Consumption 10-19 W
    Supported Battery Types Sony L-series
    Battery Life 5200 mAh: Up to 2 hours (monitor and 4K 60p recording)
    7800 mAh: Up to 3 hours (monitor and 4K 60p recording)
    Construction Aluminum alloy chassis
    ABS polycarbonate
    Dimensions 5.94 x 3.6 x 1.22" / 15.1 x 9.15 x 3.1 cm
    Weight Without Batteries & Media: 11.3 oz / 320 g
    Packaging Info
    Box Dimensions (LxWxH) 7.7 x 5.7 x 4.3"
  • Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors
    Bottom Mount 1 x 3/8"-16 Female Thread
    1 x Accessory Foot
    Top Mount 1 x 1/4"-20 Male Thread
    Load Capacity 15 lb / 6.8 kg
    Material Aluminum
    Weight 0.3 lb / 136.0 g
    Packaging Info
    Box Dimensions (LxWxH) 3.5 x 2.0 x 0.5"
  • Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")
    Connector 1 HDMI Type-D Male Right Angle
    Connector 2 HDMI Type-A Male
    Cable Length 11.8 to 17.7" / 30 to 45 cm
    Packaging Info
    Box Dimensions (LxWxH) 6.5 x 5.0 x 0.1"
  • Atomos Power Kit for Shogun/Ninja Inferno & Flame
    Packaging Info
    Box Dimensions (LxWxH) 7.0 x 4.4 x 3.7"

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