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Lauten Audio LS-208 Large-Diaphragm Cardioid Condenser Microphone

BH #LAUTLS208 • MFR #LS-208
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Lauten Audio LS-208 Large-Diaphragm Cardioid Condenser Microphone
Key Features
  • For Vocals & Instruments, Studio & Stage
  • Cardioid Pattern Reduces Bleed and Noise
  • High-Pass Filter at 50 or 120 Hz
  • Low-Pass Filter at 8 or 10 kHz
With its end-address form, premium internals, and onboard sound shaping options, the Lauten Audio LS-208 is a large-diaphragm cardioid condenser microphone that offers studio-class tone in place of a dynamic mic, whether used on vocals or instruments, in the studio or on the stage. The high-pass filter (50 or 120 Hz) lets you control bass buildup, while the low-pass filter (8 or 10 kHz) is ideal for softening overly bright or harsh sounds. Since the LS-208 is capable of capturing SPLs up to 135 dB cleanly and without clipping, you can confidently put it in front of a guitar cab or up-close on a snare.
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Lauten Audio LS-208 Overview

With its end-address form, premium internals, and onboard sound shaping options, the Lauten Audio LS-208 is a large-diaphragm cardioid condenser microphone that offers studio-class tone in place of a dynamic mic, whether used on vocals or instruments, in the studio or on the stage. The high-pass filter (50 or 120 Hz) lets you control bass buildup, while the low-pass filter (8 or 10 kHz) is ideal for softening overly bright or harsh sounds. Since the LS-208 is capable of capturing SPLs up to 135 dB cleanly and without clipping, you can confidently put it in front of a guitar cab or up-close on a snare.

To keep undesired noise to a minimum, the 1.3" condenser capsule is internally shockmounted, and the external shockmount further isolates the mic from stand-borne vibrations and rumble. The cardioid polar pattern reduces stage bleed and room noise by rejecting off-axis sound behind the mic. Furthermore, a foam windscreen is included to lessen noise from breaths, vocal plosives, and gusts of air from speakers. The supplied flight case makes the LS-208 a great companion for the road. Like other solid-state condensers, this mic requires 48V phantom power.

End-Address Condenser
This high-fidelity replacement for classic front-address dynamic microphones is equipped with two dedicated filters for immediate sound-shaping at the source. Record vocals and percussion with impact and clarity, or flip a switch to capture electric guitars with warmth and unprecedented realism. In addition to its timbral flexibility, the LS-208 has the ability to withstand a staggering 135 dB of SPL without internal padding, making it a powerful choice for extremely loud and dynamic sound sources.
Excellent Isolation
Thanks to its cardioid polar pattern, the LS-208 rejects off-axis sounds including bandmates, pets, air conditioning, and room echo. You can now capture studio-quality sound in poorly treated rooms with the depth and clarity of a large-diaphragm condenser microphone.
Studio Quality Anywhere
Because of it's off-axis noise rejection and lifelike sound at close proximity, the LS-208 is a powerful drop-in replacement for traditional front-address dynamic microphones. Capture vocals with intimate clarity, drums with explosive impact, and guitar amplifiers with depth and realism.
Analog Sound Shaping
Two dedicated filters allow for immediate sound-shaping right at the source, removing the need to change out microphones in order to get the sound you want. Record a tight and bright snare drum or a dark and sultry vocal at the flip of a switch.
Premium Components
The LS-208 signal path is finalized with high-resolution, low-distortion polypropylene capacitors and resistors, a USA-made FET, and a custom-wound output transformer. The result is a natural and true-to-life sound with exceptional isolation and transient response.
Accessories
Furthering its versatility are the accessories that come with the LS-208—a spider-type shockmount that isolates the mic from vibration, a space-saving hard mount, a foam windscreen for plosive and wind-noise rejection, and a flight case.
Features at a Glance
  • Internally shockmounted 1.3" large-diaphragm condenser
  • End-address design like traditional dynamic mics
  • High-resolution, low-distortion polypropylene capacitors and resistors, USA-made FET, and custom-wound output transformer
  • Cardioid polar pattern reduces background noise
  • High-pass filter at 50 or 120 Hz
  • Low-pass filter at 8 or 10 kHz
  • Handles SPLs up to 135 dB without distortion
  • XLR 3-pin output
  • Requires 48V phantom power
UPC: 641752949553

Lauten Audio LS-208 Specs

Key Specs
Microphone Type
Large Diaphragm
Polar Pattern
Cardioid
Element Type
Condenser
Controls
High Cut/LPF, Low Cut/HPF
Frequency Response
20 Hz to 20 kHz
Maximum SPL
135 dB (1 kHz, .5% THD)
Analog Output
1x XLR 3-Pin Male
Power Sources
Phantom Power
Microphone
Microphone Type
Large Diaphragm
Polar Pattern
Cardioid
Element Type
Condenser
Sound Field
Mono
Diaphragm
1.3" / 32 mm
Orientation
End Address
Controls
High Cut/LPF, Low Cut/HPF
Pad
No
Filter & EQ
Low-Cut Filter: 50 Hz / 120 Hz
High-Cut Filter: 8 kHz / 10 kHz
Circuitry
Solid-State (FET)
Performance
Frequency Response
20 Hz to 20 kHz
Maximum SPL
135 dB (1 kHz, .5% THD)
Sensitivity
-46 dBV/Pa (at 1 kHz)
Dynamic Range
135 dB
Equivalent Noise Level
15 dB (A-Weighted)
Connectivity
Analog Output Connector
1x XLR 3-Pin Male
Power
Power Sources
Phantom Power
Operating Voltage
48 V (Phantom Power)
Physical
Color
Black
Dimensions
ø: 1.98 x L: 7.5" / ø: 5.03 x L: 19.1 cm
Weight
1.05 lb / 0.48 kg
Packaging Info
Package Weight
6.39 lb
Box Dimensions (LxWxH)
14.3 x 12.4 x 6.9"

Lauten Audio LS-208 Reviews

Terrific broadcast microphone

By James
Rated 5 out of 5
Date: 2026-06-16

I getting wonderful results using the LS-208 for my amateur radio station. I'm using the Rodecaster Pro 2 to drive my transceiver and am getting consistent compilments on the quality of my audio quality. The filters on the microphone are perfect for my application.

Fav Mic Of Mine

By MMotoroil
Rated 5 out of 5
Date: 2025-11-30

I'm Not Huge Into Audio Gear, But I Have A Handful Of Old Dynamics (Blue En Core 100, XM8500, SM57, Etc) As Well As An NT1 Signature Series, And An Old Blue Yeti. I Can Only Use The NT1 If I'm Real Loud And Close, My AC Is Off And My House Mates Are Silent, And I Have My Iso Armor 2 Attached. That's Why I Bought The LS-208, To Get My Dynamic Mic Level Noise Rejection, With Condenser Sound, Boy Did It Deliver. There's A Solid Low End, Not Muddy At All, But Sometimes A Little Lacking, And The Mids And High End Are Real Transparent And Detailed, Even More So Than The NT1. On Some Voices I've Heard The LS-208 Sound Too Harsh In The Mids/highs, And On Those Voices I Just Put The Pop Filter/windscreen That Comes With The Mic On. It Muffles The Sound Just Enough To Cut Off The Harsh Top End, And Give Some Muddy Bass To The Mix To Even Out The Mids. The Proximity Effect On This Is Super Predictable, Smooth, And Sounds Pretty Great When Your Lips Are Touching The Grille. Of Course With Your Mouth 0.5 Inches Away From The Capsule, The Bass Will Boom A Little On Any Mic, But The 50/120hz Low Cut Filter Immediately Cut It Out. I Also Mic'd Up My Friend's Guitar And It Sounded Good, But I've Heard Other People Make Their Guitars Sound Awesome With This. The Noise Isolation Is BETTER Than XM8500's And SM58's, While Simply Sounding Better. I Gave My Fathers Band's Lead Singer This Mic For A Gig And He Cut Through The Mix Like He Had A Compressor On. If I Were Doing A Song Where I Was Whispering, Or Just Real Quiet, I Don't Think It Would Be Logical For Me To Pick Up Any Other Mic Than This, Especially At The Price Point. As For The Complaints, The Grille Is Rather Ineffective At Stopping Plosives, If You Want A Windscreen That Doesn't Effect Tone As Much As The Original Windscreen, The Schulze-Brakel Pop Filter For The LS-208 Sounds Good In Reviews. The Tone Of The Mic Sounds Good A Lot Of The Time, But It Can Sound Harsh/dry Sometimes On The Right (or I Guess Wrong) Person. It Picks Up More High Frequency Hiss From My Computer Fans Than The NT1, I Assume That's The EQ Difference Of The Mics, But The Rest Of The Frequencies The LS-208 Suppresses Rather Significantly More Noise.

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