Enjoy hundreds of advanced visual effects filters, thousands of presets, and advanced motion tracking with the Continuum 2019 + Mocha Pro 2019 Plug-In Bundle for Adobe/OFX from Boris FX. Both applications are compatible with After Effects and Premiere Pro, as well as OFX host applications such as Foundry NUKE, Blackmagic Fusion, VEGAS Pro, or HitFilm Pro.
This bundle includes an upgrade from Continuum 11 to Continuum 2019, and an upgrade from the Mocha Pro 5 Plug-In to the Mocha Pro 2019 Plug-In for Adobe/OFX.
Boris FX Continuum 2019 for Adobe After Effects and Premiere Pro (Upgrade/Support Renewal, Download)
Boris FX Continuum 2019 for Adobe After Effects and Premiere Pro is a comprehensive visual effects and compositing plug-in collection. It consists of all individual Continuum 2019 Units, hundreds of features, and thousands of presets which are customizable. If you customize a preset, you can save the personalized version as a new preset that can be recalled later. Many of the filters also feature a built-in PixelChooser with integrated Mocha planar tracking that allows for greater control over which areas of the image the filter should affect.
This version includes an upgrade license from Continuum 11 and renews one year of upgrades and support.
Between all the different filters, you can create 3D titles, logos, and shapes; apply various art styles; create various blurs and manipulate focus; make grading and toning adjustments; add film looks; restore images; apply compositing and cleanup; simulate most types of light; manipulate motion data; design realistic particle effects; display images in different perspectives, such as shattered and dispersed into space; add stylized visual effects, like damaged TV looks; add textures; manipulate time with loop and other effects; add transitions; apply common VFX solutions for VR/360 video; and distort and morph video in various ways.
The new features in Continuum 2019 include a new and redesigned Particle Illusion unit, which features real-time GPU-based particle generation, a standalone option, and a revamped emitter library. The built-in Mocha tracking tool now includes an updated Mocha essentials workspace, four new spline tools, parameter-driven tracking, and support for high-DPI and retina displays. Title Studio has also been updated with new image processing shaders, 3D materials, 8K or higher support, grids and guidelines, on-screen text tool and text box, 150 new additions to the preset library, and faster playback. See more about these and all the features in the Filters list below.
For managing and browsing all the effects presets, Continuum 2019 features an updated FX Browser, which can be accessed within each filter, as well as independently wherein you can browse the entire presets library. When you want to check out what a particular effect will look like on your footage, simply select a preset in the FX Browser, and Continuum 2019 will provide a preview of the effect on your actual clip as opposed to a sample poster frame.
Continuum 2019 for After Effects and Premiere Pro can be used in your host application on Mac or Windows, as supported by the host.
Overall Improvements
Deep Color 32-Bit Support in Premiere Pro
Filters
Mocha Essentials (New)
Essentials Workspace (New)
Spline Tools (New)
Parameter-Driven Tracking (New)
High-DPI and Retina Display Support (New)
3D Objects
Image Processing Shaders (New)
3D Materials (New)
8K or Higher Resolution Support
Grids and Guidelines (New)
Onscreen Text Tool (New)
Onscreen Text Box (New)
Preset Library (New)
Faster Playback
Title Studio
Extruded EPS
Extruded Spline
Extruded Text
Layer Deformer
Type-On Text
Art Looks
Cartooner
Median
Artist's Poster
Bump Map
Cartoon Look
Halftone
Charcoal Sketch
Pencil Sketch
Spray Paint Noise
Tile Mosaic
Water Color
Blur and Sharpen
Directional Blur
Fast Lens Blur
Gaussian Blur
Lens Shape
Motion Blur
Pyramid Blur
Radial Blur
Spiral Blur
Unsharp Mask
Z-Blur
Color and Tone
Correct Selected Color
Tritone
Brightness and Contrast
Color Balance
Color Correction
Color Match
Colorize
3-Way Color Grade
Hue-Sat-Lightness
Invert Solarize
Levels Gamma
MultiTone Mix
Safe Colors
Videoscope
Film Style
Deinterlace
Fast Film Glow
Fast Film Process
Film Damage
Film Grain
Match Grain
Two Strip Color
Vignette
Image Restoration
Broadcast Safe
Motion Key
Beauty Studio
DV Fixer
Dropout Fixer
Dust and Scratches
Lens Correction
Magic Sharp
Flicker Fixer
Noise Reduction
Optical Stabilizer
An autoscale function is also included in the filter, which automatically transform-scales the image so that it fills the frame across time. Also included are seven user-selectable transform scale algorithms that ensure optimal post-transform image sharpness. (Note: Optical Stabilizer is designed to be applied to individual clips without cuts. If you have a "compound" clip that contains multiple cuts you should first split the content into separate segments for each cut and apply Optical Stabilizer separately to the individual segments. Similarly, Optical Stabilizer is not designed to be applied to Adjustment Layers or Precomps that span multiple separate clips, but instead should be applied separately to each individual clip.)
Pixel Fixer
Reframer
Remover
There are four distinct modes of object removal: Auto-Fill Sharp (fills the distinction shape with surrounding pixels), Auto-Fill Smooth (fills the distinction shape with surrounding pixels, then smooths the result), Clone Spot (clone stamp from source to destination, similar to paint cloning), and Clone Shape (fills the destination region with pixels from the source region). Each of these methods will yield a different result and, given the subjective nature of object removal from an image frame, a trial and error approach of going through the different modes is recommended. As you become more familiar with the filter and how it will operate on different types of images, the mode selection will become more predictable.
Smooth Tone
Uprez
Wire Remover
Key and Blend
Primatte Studio
Light Matte
The filter allows users to determine which source color channel is used to create the light and to calculate the intensities of the source pixels. Pixels with higher values in the selected channel are considered to have higher intensities.
Alpha Process
Boost Blend
Chroma Key
Chroma Key Studio
Composite
Composite Choker
Glow Matte
Two Way Key
Light Wrap
Linear Color Key
Linear Luma Key
Make Alpha Key
Matte Choker
Matte Cleanup
Pixel Chooser
Premult
RGB Blend
Lights
Rays Cartoon
Glare
Glint
Edge Lighting
Glitter
Laser Beam
Lens Flare 3D
As is the case with all filters in the Continuum filter set, the Lens Flare 3D includes a preset pop-up selector that can be used to load any of the factory-installed preset looks, which can be used as they are or can serve as a useful starting point in generating a customized look that can be saved and reused on future projects and comps. At the bottom of the Lens Flare filter control list you will find both a motion tracker control group and a beat reactor group. Both groups are used to control the movement of the Lens Flare in the image clip. The Motion Tracker can be used to automatically lock or track the Lens Flare to a specific scene element. The beat reactor can be used to lock the movement or the visibility of the Lens Flare in syncopation with the beat of an audio track.
Light Sweep
Lightning
Spotlight
Rays Puffy
Rays Radiant Edges
Rays Radiant Spotlight
Rays Ring
Rays Ripply
Rays Streaky
Rays Textured
Rays Wedge
Reverse Spotlight
Stage Light
Match Move
Corner Pin
Match Move
Witness Protection
Particles
Particle Illusion (New)
Particle Emitter 3D
Particle System
Organic Strands
Particle Array 3D
2D Particles
Rain
Snow
Sparks
Wild Cards
Perspective
3D Image Shatter
3D Extruded Image Shatter
Cube
Cylinder
DVE
Fast Flipper
Page Turn
Pan and Zoom
Sphere
Sphere Transition
Stylize
LED
Mosaic
Color Choker
Colorize Glow
Damaged TV
Drop Shadow
Edge Grunge
Grunge
Glow Alpha Edges
Emboss
Misalignment
Multi Shadow
Prism
RGB Edges
RGB Pixel Noise
Scanline
Scatterize
Video Glitch
Textures
Rays
Brick
Cloth
Clouds
Fractal Noise
Granite
Mixed Colors
Noise Map 2
Caustics
Reptilian
Rock
Stars
Steel Plate
Veined Marble
Weave
Wood Grain
Wooden Planks
Time
Posterize Time
Beat Reactor
Jitter & Jitter Basic
The Time Unit includes a Jitter filter and Jitter Basic filter. The two are almost identical. Jitter provides more options for controlling the effect, while Jitter Basic does not offer all the parameters and is streamlined for creating a simple Jitter effect.
Looper
Optical Flow
Optical Flow synthesizes frames needed to complete the effect instead of blending adjacent frames as most retiming applications do. In essence, Optical Flow manufactures entire frames. Optical Flow analyzes the frames before and after the current frame to determine which pixels are moving. Then, only the moving pixels are synthesized, repositioned, and composited into the new frame. The intervening information is created by warping the two frames, estimating where each individual pixel should be at every new in-between point.
Temporal Blur
Time Displacement
Trails & Trails Basic
The Time Unit features both the Trails filter and Trails Basic filter. The two are almost identical. Trails provides more options for controlling the effect, while Trails Basic does not offer all the parameters and is streamlined for creating a simple Trails effect.
Velocity Remap
Transitions
Light Leaks Dissolve
Blobs Wipe
Burnt Film
Checker Wipe
Composite Dissolve
Criss-Cross Wipe
Cross Glitch
Cross Melt
Cross Zoom
Damaged TV Dissolve
Fast Film Glow Dissolve
Flutter Cut
Grid Wipe
Lens Blur Dissolve
Lens Distortion Wipe
Lens Flare Dissolve
Lens Flare Round
Lens Flare Spiked
Lens Flash
Blur Dissolve
Light Wipe
Linear Wipe
Multi Stretch Wipe
Multi Stripe Wipe
Radial Wipe
Rays Dissolve
Rectangular Wipe
Ribbon Wipe
Rings Wipe
Ripple Dissolve
Swish Pan
Textured Wipe
Tile Wipe
Tritone Dissolve
Twister
Vector Blur Dissolve
Vignette Wipe
Water Waves Dissolve
VR
VR Insert
VR Flicker Fixer
VR Reorient
VR Blur
VR Sharpen
Warp
Turbulence
Morph
Displacement Map
Polar Displacement
Ripple
Bulge
Twirl
Vector Displacement
Video Morph
For example, when morphing a face from one video clip into a different face in a second video clip, the user creates and animates matched pairs of open or closed spline shapes on the source image clip that follow the contour line of key elements in the source and destination images, such as the jaw line, eyes, ears, etc., and the filter uses these shapes to aid in generating a smooth morph transition between the two clips. While it is creating the image warp, the filter also generates a blend over time between the source and destination clips.
In addition to the AE spline mask shapes, which the filter uses to define the warp, Video Morph also uses Key Markers, which serve as instruction points for the filter's software algorithms. The Key Markers' function is to instruct the filter on when to start and stop the image morph.
Warp
Wave
Boris FX Continuum 2019 for OFX (Upgrade/Support Renewal, Download)
Boris FX Continuum 2019 for OFX is a comprehensive visual effects and compositing plug-in collection for Resolve, NUKE, and Vegas Pro systems. It consists of all individual Continuum 2019 Units, hundreds of features, and thousands of presets, which are customizable. If you customize a preset, you can save the personalized version as a new preset that can be recalled later. Many of the filters also feature a built-in PixelChooser with integrated Mocha planar tracking that allows for greater control over which areas of the image the filter should affect.
Continuum 2019 for OFX is a multi-host plug-in compatible with DaVinci Resolve, Nuke, and Vegas Pro. It can be used in all host applications at the same time as long as they are on the same computer. This Upgrade/Support Renewal is for existing owners of Continuum 2019 for OFX with 1 Year of Upgrades & Support. It renews the Upgrades & Support plan and allows you to continue receiving free upgrades and phone/email technical support for another year.
Between all the different filters you can create 3D titles, logos, and shapes; apply various art styles; create various blurs and manipulate focus; make grading and toning adjustments; add film looks; restore images; apply compositing and cleanup; simulate most types of light; manipulate motion data; design realistic particle effects; display images in different perspectives, such as shattered and dispersed into space; add stylized visual effects, like damaged TV looks; add textures; manipulate time with loop and other effects; add transitions; apply common VFX solutions for VR/360 video; and distort and morph video in various ways.
The new features in Continuum 2019 include a new and redesigned Particle Illusion unit, which features real-time GPU-based particle generation, a standalone option, and a revamped emitter library. The built-in Mocha tracking tool now includes an updated Mocha essentials workspace, four new spline tools, parameter-driven tracking, and support for high-DPI and retina displays. Title Studio has also been updated with new image processing shaders, 3D materials, 8K or higher support, grids and guidelines, on-screen text tool and text box, 150 new additions to the preset library, and faster playback. See more about these and all the features in the Filters list below.
For managing and browsing all the effects presets, Continuum 2019 features an updated FX Browser, which can be accessed within each filter, as well as independently wherein you can browse the entire presets library. When you want to check out what a particular effect will look like on your footage, simply select a preset in the FX Browser, and Continuum 2019 will provide a preview of the effect on your actual clip as opposed to a sample poster frame.
Continuum 2019 for OFX can be used in your host application on Mac or Windows, as supported by the host.
Overall Improvements
Avid Effects Simplified
External Broadcast Monitor Support
Filters
Mocha Essentials (New)
Essentials Workspace (New)
Spline Tools (New)
Parameter-Driven Tracking (New)
High-DPI and Retina Display Support (New)
3D Objects
Image Processing Shaders (New)
3D Materials (New)
8K or Higher Resolution Support
Grids and Guidelines (New)
Onscreen Text Tool (New)
Onscreen Text Box (New)
Preset Library (New)
Faster Playback
Title Studio
Extruded EPS
Extruded Spline
Extruded Text
Layer Deformer
Type-On Text
Art Looks
Cartooner
Median
Artist's Poster
Bump Map
Cartoon Look
Halftone
Charcoal Sketch
Pencil Sketch
Spray Paint Noise
Tile Mosaic
Water Color
Blur and Sharpen
Directional Blur
Fast Lens Blur
Gaussian Blur
Lens Shape
Motion Blur
Pyramid Blur
Radial Blur
Spiral Blur
Unsharp Mask
Z-Blur
Color and Tone
Correct Selected Color
Tritone
Brightness and Contrast
Color Balance
Color Correction
Color Match
Colorize
3-Way Color Grade
Hue-Sat-Lightness
Invert Solarize
Levels Gamma
MultiTone Mix
Safe Colors
Videoscope
Film Style
Deinterlace
Fast Film Glow
Fast Film Process
Film Damage
Film Grain
Match Grain
Two Strip Color
Vignette
Image Restoration
Broadcast Safe
Motion Key
Beauty Studio
DV Fixer
Dropout Fixer
Dust and Scratches
Lens Correction
Magic Sharp
Flicker Fixer
Noise Reduction
Optical Stabilizer
An autoscale function is also included in the filter, which automatically transform-scales the image so that it fills the frame across time. Also included are seven user-selectable transform scale algorithms that ensure optimal post-transform image sharpness. (Note: Optical Stabilizer is designed to be applied to individual clips without cuts. If you have a "compound" clip that contains multiple cuts you should first split the content into separate segments for each cut and apply Optical Stabilizer separately to the individual segments. Similarly, Optical Stabilizer is not designed to be applied to Adjustment Layers or Precomps that span multiple separate clips, but instead should be applied separately to each individual clip.)
Pixel Fixer
Reframer
Remover
There are four distinct modes of object removal: Auto-Fill Sharp (fills the distinction shape with surrounding pixels), Auto-Fill Smooth (fills the distinction shape with surrounding pixels, then smooths the result), Clone Spot (clone stamp from source to destination, similar to paint cloning), and Clone Shape (fills the destination region with pixels from the source region). Each of these methods will yield a different result and, given the subjective nature of object removal from an image frame, a trial and error approach of going through the different modes is recommended. As you become more familiar with the filter and how it will operate on different types of images, the mode selection will become more predictable.
Smooth Tone
Uprez
Wire Remover
Key and Blend
Primatte Studio
Light Matte
The filter allows users to determine which source color channel is used to create the light and to calculate the intensities of the source pixels. Pixels with higher values in the selected channel are considered to have higher intensities.
Alpha Process
Boost Blend
Chroma Key
Chroma Key Studio
Composite
Composite Choker
Glow Matte
Two Way Key
Light Wrap
Linear Color Key
Linear Luma Key
Make Alpha Key
Matte Choker
Matte Cleanup
Pixel Chooser
Premult
RGB Blend
Lights
Rays Cartoon
Glare
Glint
Edge Lighting
Glitter
Laser Beam
Lens Flare 3D
As is the case with all filters in the Continuum filter set, the Lens Flare 3D includes a preset pop-up selector that can be used to load any of the factory-installed preset looks, which can be used as they are or can serve as a useful starting point in generating a customized look that can be saved and reused on future projects and comps. At the bottom of the Lens Flare filter control list you will find both a motion tracker control group and a beat reactor group. Both groups are used to control the movement of the Lens Flare in the image clip. The Motion Tracker can be used to automatically lock or track the Lens Flare to a specific scene element. The beat reactor can be used to lock the movement or the visibility of the Lens Flare in syncopation with the beat of an audio track.
Light Sweep
Lightning
Spotlight
Rays Puffy
Rays Radiant Edges
Rays Radiant Spotlight
Rays Ring
Rays Ripply
Rays Streaky
Rays Textured
Rays Wedge
Reverse Spotlight
Stage Light
Match Move
Corner Pin
Match Move
Witness Protection
Particles
Particle Illusion (New)
Particle Emitter 3D
Particle System
Organic Strands
Particle Array 3D
2D Particles
Rain
Snow
Sparks
Wild Cards
Perspective
3D Image Shatter
3D Extruded Image Shatter
Cube
Cylinder
DVE
Fast Flipper
Page Turn
Pan and Zoom
Sphere
Sphere Transition
Stylize
LED
Mosaic
Color Choker
Colorize Glow
Damaged TV
Drop Shadow
Edge Grunge
Grunge
Glow Alpha Edges
Emboss
Misalignment
Multi Shadow
Prism
RGB Edges
RGB Pixel Noise
Scanline
Scatterize
Video Glitch
Textures
Rays
Brick
Cloth
Clouds
Fractal Noise
Granite
Mixed Colors
Noise Map 2
Caustics
Reptilian
Rock
Stars
Steel Plate
Veined Marble
Weave
Wood Grain
Wooden Planks
Time
Posterize Time
Beat Reactor
Jitter & Jitter Basic
The Time Unit includes a Jitter filter and Jitter Basic filter. The two are almost identical. Jitter provides more options for controlling the effect, while Jitter Basic does not offer all the parameters and is streamlined for creating a simple Jitter effect.
Looper
Optical Flow
Optical Flow synthesizes frames needed to complete the effect instead of blending adjacent frames as most retiming applications do. In essence, Optical Flow manufactures entire frames. Optical Flow analyzes the frames before and after the current frame to determine which pixels are moving. Then, only the moving pixels are synthesized, repositioned, and composited into the new frame. The intervening information is created by warping the two frames, estimating where each individual pixel should be at every new in-between point.
Temporal Blur
Time Displacement
Trails & Trails Basic
The Time Unit features both the Trails filter and Trails Basic filter. The two are almost identical. Trails provides more options for controlling the effect, while Trails Basic does not offer all the parameters and is streamlined for creating a simple Trails effect.
Velocity Remap
Transitions
Light Leaks Dissolve
Blobs Wipe
Burnt Film
Checker Wipe
Composite Dissolve
Criss-Cross Wipe
Cross Glitch
Cross Melt
Cross Zoom
Damaged TV Dissolve
Fast Film Glow Dissolve
Flutter Cut
Grid Wipe
Lens Blur Dissolve
Lens Distortion Wipe
Lens Flare Dissolve
Lens Flare Round
Lens Flare Spiked
Lens Flash
Blur Dissolve
Light Wipe
Linear Wipe
Multi Stretch Wipe
Multi Stripe Wipe
Radial Wipe
Rays Dissolve
Rectangular Wipe
Ribbon Wipe
Rings Wipe
Ripple Dissolve
Swish Pan
Textured Wipe
Tile Wipe
Tritone Dissolve
Twister
Vector Blur Dissolve
Vignette Wipe
Water Waves Dissolve
VR
VR Insert
VR Flicker Fixer
VR Reorient
VR Blur
VR Sharpen
Warp
Turbulence
Morph
Displacement Map
Polar Displacement
Ripple
Bulge
Twirl
Vector Displacement
Video Morph
For example, when morphing a face from one video clip into a different face in a second video clip, the user creates and animates matched pairs of open or closed spline shapes on the source image clip that follow the contour line of key elements in the source and destination images, such as the jaw line, eyes, ears, etc., and the filter uses these shapes to aid in generating a smooth morph transition between the two clips. While it is creating the image warp, the filter also generates a blend over time between the source and destination clips.
In addition to the AE spline mask shapes, which the filter uses to define the warp, Video Morph also uses Key Markers, which serve as instruction points for the filter's software algorithms. The Key Markers' function is to instruct the filter on when to start and stop the image morph.
Warp
Wave
Boris FX Mocha Pro 2019 Plug-In for Adobe (Upgrade/Support Renewal, Download)
Mocha Pro is a planar tracking and roto application featuring advanced modules for Object Removal, 3D Camera, Stabilization, and Lens Correction. The Boris FX Mocha Pro 2019 Plug-In for Adobe gives you the flexibility to use Mocha right from within Adobe After Effects and Premiere Pro.
This is an upgrade from Mocha Pro 5 Plug-in to the Mocha Pro 2019 Plug-in for Adobe and renews support for one year.
The Mocha Pro 2019 Plug-in for Adobe can be used in a stereoscopic workflow in the host application but doesn't offer any independent stereoscopic tools. Also, the plug-in uses the host application's media engine and project format, thereby reducing the need for transcoding or external file management.
The award-winning Mocha planar tracker is updated with GPU accelerated object removal, 360/VR workflows, four new spline tools, and a redesigned workspace in Mocha Pro 2019. Mocha Pro has been used on thousands of feature films and television shows, including Star Wars: The Force Awakens, Mad Max: Fury Road, and Game of Thrones.
New Features
New Spline Tools for Roto and Masking (New)
New Mocha Essentials Interface (New)
New GPU-Accelerated Object Removal (New)
360/VR Post Production Toolkit (New)
Features
Planar Tracking
Advanced Roto Tools (Updated)
Object Removal (Updated)
Insert Module
Lens Module
3D Camera Solver
Stabilize Module
All Features
- GPU-accelerated planar motion tracking
- Roto and masking tool set
- X-spline and Bezier roto tools with per-point edge feathering
- Roto: Transform Tool, Join Layers, Project Merge
- Layer Manager: Color Spline, Color Fill, Group Layers, Multi-Select, Project Merge
- Export roto and track data to industry standard formats
- 3D Camera Solver Module: Export to AE and FBX
- Dopesheet keyframe editor
- OGL-accelerated matte rendering with motion blur
- Customizable keyboard shortcuts
- Removal Module: Auto-object removals with optional clean plate inserts
- Lens Module: Lens distortion analysis with distort and undistort render function
- Render distortion maps (Rasterized ST Maps)
- Import and use external distortion maps in all Mocha Pro modules
- Insert Module: 2D match move compositing with motion blur render
- Offset & 3D Offset surface composting and track export
- Mesh Warper distortion tool
- Color Fill Shape Rendering (Export to Nuke Rotopaint and Mocha shape for After Effects)
Export Tracking Data to Popular Hosts
- Adobe After Effects CC
- Apple Motion
- Assimilate SCRATCH
- Quantel Rio
- Blackmagic Fusion
- Floxbox
- Hitfilm Pro
- Mocha Blend
- Foundry Nuke
- Boris Continuum
Export Roto/Spline Data to Popular Hosts
- Adobe After Effects CC
- Adobe Premiere Pro CC
- Foundry Nuke
- Mocha Blend
- Blackmagic Fusion
- Hitfilm Pro
- Shake
Export 3D Camera to Popular Hosts
- Autodesk Flame Family - Blackmagic Fusion
- Foundry Nuke
- HitFilm Pro
- Maxon C4D
Export Lens Data to Popular Hosts
Boris FX Mocha Pro 2019 Plug-In for OFX (Upgrade/Support Renewal)
Mocha Pro is a planar tracking and roto application featuring advanced modules for Object Removal, 3D Camera, Stabilization, and Lens Correction. The Boris FX Mocha Pro 2019 Plug-In for OFX gives you the flexibility to use Mocha right from within Foundry NUKE, Blackmagic Fusion, VEGAS Pro, or HitFilm Pro.
This is an upgrade from Mocha Pro 5 Plug-In to the Mocha Pro 2019 Plug-In for OFX and renews one year of support.
The Mocha Pro 2019 Plug-In for OFX can be used in a stereoscopic workflow in the host application but doesn't offer any independent stereoscopic tools. Also, the plug-in uses the host application's media engine and project format, thereby reducing the need for transcoding or external file management.
The award-winning Mocha planar tracker is updated with GPU accelerated object removal, 360/VR workflows, four new spline tools, and a redesigned workspace in Mocha Pro 2019. Mocha Pro has been used on thousands of feature films and television shows, including Star Wars: The Force Awakens, Mad Max: Fury Road, and Game of Thrones.
New Features
Spline Tools for Roto and Masking (New)
Mocha Essentials Interface (New)
GPU-Accelerated Object Removal (New)
360/VR Post Production Toolkit (New)
Features
Planar Tracking
Advanced Roto Tools (Updated)
Object Removal (Updated)
Insert Module
Lens Module
3D Camera Solver
Stabilize Module
All Features
- GPU-accelerated planar motion tracking
- Roto and masking tool set
- X-spline and Bezier roto tools with per-point edge feathering
- Roto: Transform Tool, Join Layers, Project Merge
- Layer Manager: Color Spline, Color Fill, Group Layers, Multi-Select, Project Merge
- Export roto and track data to industry standard formats
- 3D Camera Solver Module: export to AE and FBX
- Dopesheet keyframe editor
- OGL-accelerated matte rendering with motion blur
- Customizable keyboard shortcuts
- Removal Module: Auto-object removals with optional clean plate inserts
- Lens Module: Lens distortion analysis with distort and undistort render function
- Render distortion maps (Rasterized ST Maps)
- Import and use external distortion maps in all Mocha Pro modules
- Insert Module: 2D match move compositing with motion blur render
- Offset & 3D Offset surface composting and track export
- Mesh Warper distortion tool
- Color Fill Shape Rendering (Export to Nuke Rotopaint and Mocha shape for After Effects)
Export Tracking Data to Popular Hosts
- Adobe After Effects CC
- Apple Motion
- Assimilate SCRATCH
- Quantel Rio
- Blackmagic Fusion
- Floxbox
- Hitfilm Pro
- Mocha Blend
- Foundry Nuke
- Boris Continuum
Export Roto/Spline Data to Popular Hosts
- Adobe After Effects CC
- Adobe Premiere Pro CC
- Foundry Nuke
- Mocha Blend
- Blackmagic Fusion
- Hitfilm Pro
- Shake
Export 3D Camera to Popular Hosts
- Autodesk Flame Family - Blackmagic Fusion
- Foundry Nuke
- HitFilm Pro
- Maxon C4D