The Sony UWP-D22 is a dependable camera-mount wireless handheld microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds.
The UWP-D22 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a handheld mic transmitter equipped with a cardioid capsule optimized for speech. The mic is ideal in situations when it's not convenient to position a lavalier mic or you need to quickly move the mic between several people. The system also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras.
Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D22, you can focus on the other critical elements competing for your attention during a shoot and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews.
The UWP-D22 is backward-compatible with Sony WL-800 and UWP Series systems.
Press and hold the NFC/Sync button, and the receiver scans for the cleanest RF channel. Simply hold the transmitter next to the receiver; it automatically syncs up and you’re good to go!
Unlike purely digital systems, the UWP-D22 allows you to send a single mic to multiple cameras for broadcast applications. Fast NFC communication makes setup for multiple receivers a breeze.
Auto-Gain Mode to Prevent Mic Distortion
Auto-Gain mode saves you the time and aggravation of setting and managing the input level on the transmitter. It uses a limiter to help prevent distortion, great when the loudness of the presenter’s voice is unknown.
The +15 dB Gain Volume-Boost mode boosts the mic gain by 15 dB to compensate for situations when the mic is not close enough to the presenter’s mouth and the audio level is insufficient.
Manual input-level setting is also available.
High-Visibility OLED Display for Indoor/Outdoor Use
Both transmitter and receiver feature an easy-to-read OLED display. The quick response of the display lets you see the operating conditions clearly and accurately in real time, even in bright sunlight.
Channel Memory Function
The channel memory function lets you quickly switch between the groom’s lav mic and the wedding guest’s interview mic with the press of a button. It also allows for a fast change between mics in corporate presentations or quickly swapping to a back-up mic.
DSP Filter Removes Occupancy Sensors Artifacts
Two levels of DSP filtering help remove the artifacts caused by occupancy sensors used in modern “green” buildings to turn off lights when people leave a room.
The angle of the two antennas can also be adjusted, which helps to further prevent signal dropouts.
The system offers an 18 MHz bandwidth with 654 UHF frequencies.
The handheld mic features a dynamic mic capsule with a directional cardioid polar pattern that helps to reject unwanted background sound, making it ideal in noisy environments such as trade-show floors or busy public areas.
The transmitter uses an interchangeable mic capsule design compatible with over 40 different capsules from various manufacturers.
Using the included shoemount adapter, the receiver easily mounts on your camera, while adding minimal weight to your rig. Cables are included to connect to cameras equipped with either a 3.5mm or an XLR audio input.
- This setup provides a direct digital connection, skipping the receiver’s D/A and camera’s A/D converters for superior audio quality and low noise.
- Audio information such as RF level meter, audio-mute status, and low-battery alert for the transmitters is displayed on the camera's viewfinder.
- This cable-free configuration allows for fast setup in the field.
- Compatible models include the a7R IV mirrorless camera, the PXW-Z280 and PXW-Z190 XDCAM camcorders, and more.
A battery count-up timer allows for accurate reading of battery running time to minute accuracy.
The transmitter and receiver can also be powered through their USB ports, allowing them to run for numerous hours on a USB power pack or indefinitely, if you have access to AC.
With the SMAD-P5 Digital MI Shoe adapter, the receiver can get power directly from Sony cameras equipped with an MI Shoe.
Cartridge-type battery cases allow for quick battery replacement on set.
When the receiver is used as a personal monitoring device by director or crew on set, Monitor mode lets you adjust the headphone volume on the fly with the +/- buttons.
- The RF output level on the transmitter has two settings: the 5mW option allows you to conserve battery life, while the 30mW setting gives you more power to overcome interference, great in busy RF environments.
- Low-cut filter reduces noise caused by wind or machinery—Off/Low (100 Hz)/Mid (150 Hz)/High (200 Hz).
- The receiver provides a variable output level control of ±12 dB, useful when working with cameras without manual input level control.
- Simple menus make navigation easy. Advanced menus for in-depth control are also available.
- The variable mute button on the transmitter can be programmed for latched or momentary muting. It can also be used as a momentary talk button.
- You can operate up to 14 mics in one location.
For clearer speech in noisy environments, you can use an ECM-322BMP headset mic with the bodypack transmitter.
Adding the UTX-P40 plug-on transmitter with 48V phantom allows you to connect any handheld microphone of your choice for man-on-the-street-style interviews, or a shotgun mic for wireless booming.