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SLR Magic MicroPrime Cine 15mm T3.5 Lens (Fuji X Mount)

BH #SLRMP15X • MFR #SLR-MP15X
SLR Magic MicroPrime Cine 15mm T3.5 Lens (Fuji X Mount)
Key Features
  • Covers Super 35 Sensors
  • Fuji X Mount
  • Suitable for 4K Image Capture
  • Consistent Lens Gear Placement
Choosing a smaller size over bulk and weight, the SLR Magic MicroPrime Cine 15mm T3.5 Lens covers Super 35 sensors and features a Fuji X mount. Suitable for 4K origination, each lens in the MicroPrime Cine series features similar size and weight with consistent lens gear positions for rapid lens changes and easier rebalancing when changing lenses on a gimbal.
In Stock
$299.00
Price $499.00
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SLR Magic MicroPrime Cine 15mm T3.5 Overview

Choosing a smaller size over bulk and weight, the SLR Magic MicroPrime Cine 15mm T3.5 Lens covers Super 35 sensors and features a Fuji X mount. Suitable for 4K origination, each lens in the MicroPrime Cine series features similar size and weight with consistent lens gear positions for rapid lens changes and easier rebalancing when changing lenses on a gimbal.

The lens provides a pleasing bokeh with natural-looking out-of-focus highlights. The odd number of iris blades also reduces the appearance of flare off the blades. The lens has an internal focus design so the front of the lens doesn't rotate when focusing, and it has an 82mm filter thread for compatibility with a wide number of filter options.

Each lens in the MicroPrime Cine series features similar balance characteristics, minimizing recalibration when switching lenses while your camera is on a gimbal.
Internal focus mechanism minimizes breathing and prevents the front of the lens from rotating while pulling focus.
An 82mm front filter thread enables mounting filters directly onto the lens without using a matte box.

SLR Magic MicroPrime Cine 15mm T3.5 Specs

Focal Length15mm
Lens MountFUJIFILM X
Lens Format CoverageAcademy 35mm
Image Circle44.0 mm
Maximum ApertureT3.5
Minimum ApertureT16
Optical Design11 Elements in 10 Groups
Diaphragm Blades13
Gear MOD & PitchFocus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Filter Thread82 mm
Focus ScalesImperial
Image StabilizationNo
Lens SupportNone
Weight17.64 oz / 500 g
Packaging Info
Package Weight1.675 lb
Box Dimensions (LxWxH)5.4 x 5.2 x 5.2"

SLR Magic MicroPrime Cine 15mm T3.5 Reviews

I like it for a good price

By Denis
Rated 5 out of 5
Date: 2021-08-31

Looks like GoPro, no need for a focus adjustment range more than 4 feet

RUN AWAY FROM THIS LENS

By Spencer
Rated 1 out of 5
Date: 2019-11-04

This is an awful lens. The vignetting is not just a change in exposure but also color, contrast, sharpness, and saturation. It shifts the image to a blue/green tint near the edge. Skip this lens and get something more reliable. These flares are so stringy and obtrusive. It ruined my image. I will say that the build quality on the outside is very nice, but for the quality of glass, horrible for the amount of money you pay.

Green Vignette

By Trello
Rated 2 out of 5
Date: 2019-10-06

I love these lenses, they've been great except for one thing. On the 15mm I always get a nasty, green vignette. The first one I bought I sent back in and they gave me a new one I suppose, because it still had that green vignette. I thought it would be alright, I would just take it out in post and I have. But It's not worth it when you're shooting hundreds of real estate photos. I would suggest not getting the 15mm and investing in a different lens, I get it though, the price is low and they're great lenses! I just wish that the green vignette wasn't there.

Great wide angle cine lens

By Jason
Rated 5 out of 5
Date: 2020-10-21

I shot a film using this 15mm and it looked awesome using it on my DJI ronin S. It’s really wide on my Sony a7iii. I’ve read complaints about vignetting and a green color cast but I didn’t have any issues with it. Remember that some of the best wide angle lenses will have some vignetting.

Good lens with one issue for me

By Michael
Rated 4 out of 5
Date: 2020-07-21

I found this lens almost fit my needs perfectly. I shoot full frame and want a very wide option. Most of my work is documentary work, in 3rd world countries, and the size of my kit is important. I like the size and weight of this lens and the build quality seems on point, and the lens fits right into my grouping set of SLR Magic lenses So my feelings about this lens are mixed, but not so much at the fault of the lens. To me, it’s all about end result, not lab charts or controlled test nit picking, I find most of those results don’t play out in the field. And to that extent, I don’t pay much attention to reviews. In my experience with this lens, I did find there was some vignetting, but I’m used to that, many of my wide options have that. If there is a color cast, I didn’t notice it. But I shoot in non controlled environments all the time, so I’m always tweeting color in post. I had only two problems with this lens. One is sort of a natural problem with ultra wide. It doesn’t work in my matt box, or my screw on NDs, because I could see both in the shot. But complaining about an ultra wide being too wide, seems a bit odd, it’s ultra wide. The solution would be to use an adapter with ND plates, but that’s not something I want to do in the field. The second issue I had is that I can’t screw on my 82mm UVs or ND directly. This is because as the lens goes through its focal range, the front lens actually contacts the screw-on filter before it can finish focusing. That’s not a great scenario. I could go without a filter, but I don’t like up protected glass. The solution would be to use a setup ring to get the filter further away from the lens, but then the lens is so wide, it’s would be seen. So I would need to step up to something wider like a 105mm filter to get it outside of the frame. In the end, I like the lens, but I swapped out with the SLR magic 18mm, thought not as wide, it solved my issues.

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