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Soundcraft Si Expression 3 Digital Mixer Kit with Stage Box

BH #SOSIX3SBK (B&H Kit)
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Soundcraft Si Expression 3 Digital Mixer Kit with Stage Box
Key Features
  • 32 Microphone Preamplifiers
  • 30 Multicolor Illuminating Faders
  • 64x64 Channel Expansion Slot
  • 14 Auxiliary/Group Mixes
This B&H Kit combines the Soundcraft Si Expression 3 Digital Mixer with a stagebox to create the primary components of a professional mixing system for bands, clubs, and studio recording applications.
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Kit Contains:

This B&H Kit combines the Soundcraft Si Expression 3 Digital Mixer with a stagebox to create the primary components of a professional mixing system for bands, clubs, and studio recording applications.

Soundcraft Si Expression 3 Digital Mixer

The Soundcraft Si Expression 3 Digital Mixer is a digital mixing console designed for live sound applications. The mixer features 32 microphone preamps, 4 line inputs, AES in, 4 internal stereo FX returns, 30 faders, a 64 x 64 expansion slot for additional routing possibilities, and 66 input processing channels.

Every input processing channel on the board can be routed through a dedicated high-pass filter, input delay, compressor, gate, and four-band equalizer. Each channel is also under the control of an automation system with four mute groups and illuminated faders to keep track of signal processing. For outputs, the mixer includes 16 balanced line outputs, a headphone monitor output, AES output, and the 64 x 64 expansion slot.

The mixer features 14 aux/group mixes that can be used as 14 mono mixes, or 8 mono and 6 stereo mixes, or any combination between. The mixer also utilizes 4 matrix mixes that allow you to assign any combination of inputs to any combination of outputs in either mono or stereo mode. In addition to the auxiliary/group and matrix busses, the unit features four mix busses dedicated to the device's internal Lexicon FX processing. Each bus mix includes a delay, compressor, a four-band equalizer, and a BSS graphic equalizer. Since the Lexicon FX processor is hardware based, using the effects does not influence the signal processing performance of the rest of the mixer.

For I/O expansion, the mixer will accept any of the Soundcraft Si series option cards including AES, AVIOM, CobraNet, Firewire/USB/ADAT, Dante CAT5, and optical MADI. The MADI card allows you to connect to multi-track recording systems, plug-ins such as WAVES, and Studer or Soundcraft stageboxes. Using a stagebox increases both the number of physical inputs, as well as the number of input processing channels. Every processing parameter utilizes a dedicated control so that you do not need to navigate through menu hierarchies to make adjustments. A row of global mode encoders above each channel gives you control over gain, high-pass filter parameters, and pan position.

Multi-Color Illuminating Faders
The faders on the mixer glow different colors to indicate the status of the auxiliary sends, graphic equalizers, and FX sends
Equalizer
The equalizer section of the mixer features high shelf, low shelf, variable Q ranging from 22 to 20,000 Hz
Color Touch Screen
The mixer features a color touch screen for setting up monitoring, labeling, and assigning inserts and patch channels
66 Mix Channels
The mixer offers 66 inputs to mix, all with dynamics, EQ, and routing
ViSi Remote Control
The mixer works with the ViSi remote control app for iPad. This allows you to remotely control the mixer from anywhere in the room over the iPad. Multiple iPads may be used to control different sections of the mixer. To operate the mixer remotely with an iPad, first connect a wireless router to the mixer's Harman HiQnet Ethernet port. The iPad connects to the mixer via Harman's HiQnet network. To create the Harman HiQnet network, you connect a wireless router to the mixer's Harman HiQnet Ethernet port
TOTEM One Touch Easy Mix System
The mixer features a one touch easy mix button that instantly reconfigures the surface and faders of the mixer so that you can mix to an FX, auxiliary, or matrix bus
Assignable Channel Strip
The mixer allows you to select channels and then use the assignable channel strip to adjust input-signal gain, gate, compression, equalization, panning, and output-signal gain. Each rotary knob in the assignable channel strip is correlated to a dedicated function, just as it would be in an analog mixer
35 Busses
For sub-mixes and flexible routing options, the mixer features 35 busses
Global Mode Encoders
A row of rotary encoders at the top of the mixer allow you to always access the gain, pan, and filter controls over any channel on the mixer
Direct Output Gain Stabilization (D.O.G.S.)
When two consoles are sharing the same source, the D.O.G.S. system maintains the same gain structure of microphone in to direct out on both consoles. This is useful when utilizing the mixer to send stage mixes to musicians wearing in-ear monitoring systems. No matter how the levels might be changed on the mixer, the D.O.G.S system will ensure that the direct output level to the musicians remains constant
Lexicon FX Engine
The mixer features four hardware-based Lexicon FX engines, each on its own FX bus. This allows you to perform complex FX signal processing on any channel without running out of system resources. The Lexicon FX engine features over 20 preset stereo effects, accessible via the rotary encoders and touch screen
Graphic EQ
The mixer includes a 28-band graphic equalizer on every matrix, mix, and, main master
Copy and Paste
The copy and paste function allows you to copy all or any part of a channel, mix, buss, or Lexicon effect such as a gate, compressor, or EQ and then paste it onto another part of the mixer
Function Focus
Every time a control is changed or the select key is pressed, the screen will display relevant information about the channel being changed and the absolute values of the controls over that channel
Instant Access Keys
On the front of the mixer is a panel of buttons such as STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO, and others that provide instant access to basic functions without having to navigate complex menus
USB Setting Storage
The front of the mixer features a USB port that allows you to save mixer settings to a USB memory stick for future use
Security Lockout
You can lockout parts or all of the console with separate user profiles and permissions
UPC: 668705000352
Soundcraft Mini Stagebox 32 for Soundcraft Mixer Consoles

The Soundcraft Mini Stagebox 32 offers a simple and low cost solution for expanding the I/O capabilities of any of the Vi or Si range of consoles, whether that I/O is needed locally or hundreds of meters away on the stage. The Mini Stagebox 32 requires only 3U of rack space, yet provides 32 recallable mic/line inputs and 8 balanced line outputs with 4 pairs of AES outputs for a total I/O capacity of 32 inputs and 16 outputs, all lifted directly from the Vi1 and the larger Compact Stagebox.

The Mini Stagebox 32 comes fitted with a single-cable Cat 5 MADI HD interface for connection to the host console using an approved Cat 5 cable (not included). If required, this MADI HD interface card can be upgraded (sold separately) to either redundant (dual-cable) Cat 5 or redundant (dual-fibre) optical fiber with the compatible MADI HD interface card.

Connects to any of the Soundcraft Si Expression, Si Compact, Si Performer, Si Series and Vi Series consoles via a MADI card fitted to the option card slot.
Requires only 3U of rack space and provides 32 recallable mic/line inputs and 8 balanced line outputs.
UPC: 668705000369
Kit Contains:

Soundcraft Si Expression 3 Digital Mixer

Key Specs
Number of Analog Input Channels
32
Number of Mic Preamps
32
Faders & Level Adjustment
30
Analog Inputs
32x XLR Balanced Mic Input
Rack Mountable
No
Mixer
Number of Analog Input Channels
32
Number of Mic Preamps
32
Faders & Level Adjustment
30
Signal Processing
Gain/Trim Range
Mic:
-5 dB to 58 dB (in 1 dB Steps)

Line:
-10 dB to +16 dB
EQ Parameters
1x HF Shelf:
±15 dB at 800 Hz to 20 kHz

2x MF Notch/Peak:
±15 dB at 22 Hz to 20 kHz, 6 to 0.3 Q

1x LF Shelf:
±15 dB at 20 Hz to 500 Hz
Graphic EQ
28-Band 1/3 Octave, 31 Hz to 16 kHz
Filters
High-Pass: 40 Hz to 1 kHz
Audio Delay
Adjustable Up to 500 ms
Digital Audio
Sample Rates
AD/DA Conversion:
Up to 200 kHz
Bit Depth
AD/DA Conversion:
24-Bit
Word Clock Input
48 kHz ±7 Hz
Performance
Frequency Response
Mic/Line Input:
20 Hz to 20 kHz ±1.5 dB
Max Input Level
Mic Input:
+22 dBu

Line Input:
+22 dBu
Headphone Output Power
300 mW into 150 Ohms
I/O Impedance
Mic Input:
3 Kilohms

Line Input:
10 Kilohms

AES3 Input:
110 Kilohms

Output:
150 Ohms (Balanced)
75 Ohms (Unbalanced)

Word Clock Output:
50 Ohms

Word Clock Input:
47 Kilohms

AES3 Output:
110 Ohms
Noise Floor
< -86 dBu
< -86 dBu (at Unity Gain)
THD
< 0.01%
Connectivity
Analog Inputs
32x XLR Balanced Mic Input
Power
Input Power
88 to 264 VAC, 50 / 60 Hz
Physical
Rack Mountable
No
Operating Conditions
41 to 113°F / 5 to 45°C
Dimensions
6.7 x 36.5 x 20.5" / 169 x 928 x 520 mm
Weight
46.2 lb / 21 kg
Packaging Info
Package Weight
53.3 lb
Box Dimensions (LxWxH)
41 x 27 x 11"

Soundcraft Si Expression 3 Reviews

Nice preamps, mostly user-friendly, awful compressor

By Guy
Rated 3 out of 5
Date: 2020-08-11

I found this mixer mostly user-friendly to configure and operate. The preamps sound great, the control surface and layout is nicely done, and there's plenty of processing power. It's fast and intuitive to mix live shows with this mixer. My biggest complaint is the mixer's hard-knee compression. You can really hear the compressor working and it can absolutely wreck vocals, drums, bass. I previously used a Yamaha TF5, which had an adjustable knee compressor that was nearly invisible. I prefer the Soundcraft preamps and control layout, but the not the compressor. I just purchased a Behringer XR18 for outdoor setups, and vastly prefer it to the Soundcraft in every way. Good sounding preamps, super intuitive (barely needed to touch the manual), absolutely wonderful dynamics processing with fully adjustable knee, and killer control apps for Android, iOS, and Windows. Of the digital mixers I've used so far, I prefer Behringer. If Soundcraft had adjustable knee in its dynamics processing I would not hesitate to recommend it. But as it stands the compressor makes it overly difficult, if not downright impossible, to easily dial in the exact sound you want.

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