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Blackmagic Design Film/Music Video Production Starter Kit

BH #BL6KPKCAMFMK (B&H Kit)
Blackmagic Design
Blackmagic Design Film/Music Video Production Starter Kit
Key Features
  • Complete Filmmaking & Videography Kit
  • BMPCC 6K Camera with Canon EF Mount
  • EF Cinema Lens Set, Monitor, Microphone
  • Tripod, SD Card, Mounts, HDMI Cable
If you're ready to start your filmmaking career and need a full-featured kit to shoot your first production, B&H has put together the Blackmagic Design Film/Music Video Production Starter Kit with everything you need to produce your indie film, music video, or fledgling TV series. This expansive kit includes the Blackmagic Design Pocket Cinema Camera 6K, an HDMI/Ethernet cable, the 5" Atomos Shinobi 4K HDMI/SDI Pro Monitor, an Atomos power and accessory kit, a ball head monitor mount, a shoe mount adapter, a Rokinon EF-mount cinema four-lens set, a SanDisk 128GB SDXC card, a Manfrotto aluminum tripod with 502AH tripod head, and an Azden mini-XLR compact shotgun microphone.
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Film/Music Video Production Starter Kit Overview

  • 1Description
  • 2Blackmagic Design Pocket Cinema Camera 6K G2
  • 3Atomos Shinobi 5" 4K HDMI Monitor
  • 4ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39")
  • 5Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors
  • 6Atomos Power Kit v2
  • 7Frio Hold Universal Shoe Mount
  • 8Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount
  • 9Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount
  • 10Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount
  • 11Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount
  • 12SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card
  • 13Manfrotto MT055XPRO3 Aluminum Tripod
  • 14Manfrotto 502AH Pro Video Head with Flat Base
  • 15Azden SGM-250MX Mini-XLR Short Shotgun Microphone for Blackmagic Pocket Cinema (Shockmount, Phantom Only)
  • 16Ocean Video GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras
By B&H Photo's

If you're ready to start your filmmaking career and need a full-featured kit to shoot your first production, B&H has put together the Blackmagic Design Film/Music Video Production Starter Kit with everything you need to produce your indie film, music video, or fledgling TV series. This expansive kit includes the Blackmagic Design Pocket Cinema Camera 6K, an HDMI/Ethernet cable, the 5" Atomos Shinobi 4K HDMI/SDI Pro Monitor, an Atomos power and accessory kit, a ball head monitor mount, a shoe mount adapter, a Rokinon EF-mount cinema four-lens set, a SanDisk 128GB SDXC card, a Manfrotto aluminum tripod with 502AH tripod head, and an Azden mini-XLR compact shotgun microphone.

The Blackmagic Design Pocket Cinema Camera 6K allows you to capture up to 6K cinema-quality video with its Super35 sensor, and the HDMI cable allows you to connect the camera to your computer for offloading and live streaming. An HDMI/Ethernet cable is included to connect it to your computer. It includes a license for DaVinci Resolve Studio, is powered using an LP-E6 battery, and has an EF/EF-S lens mount. The included Rokinon lens set includes 24, 35, 50, and 85mm EF-mount cinema lenses to create a variety of shots, and they all share a T1.5 aperture and look to make changing lenses a snap.

The compact Azden shotgun microphone can mount onto your camera or rig without adding much weight, and it provides superior directional audio using phantom power from the camera. The camera can record an enormous amount of footage to the fast 128GB SDXC card that features up to 260 MB/s write speed. The 5" Atomos monitor allows you to input up to 4K video from the camera and monitor your shots on its 1920 x 1080 screen. A ball head mount and shoe adapter are included to mount it onto your camera, cage, or rig, and an accessory kit with batteries, a charger, power supply, sun hood, and case will keep your production running.

Finally, the Manfrotto aluminum tripod and fluid head combination will support the camera and its accessories weighing up to 15.4 lb. The head features a spring-loaded counterbalance, a fluid drag system, smooth pan-and-tilt operation, a pan bar, and a sliding quick release plate. Read more below about the items in this kit.

Blackmagic Design Pocket Cinema Camera 6K G2

The Pocket Cinema Camera 6K G2 is the latest compact Super35 camera to join the Blackmagic Design series. This cine-style camera features the same 6K S35 sensor, recording features, dynamic range, interface ports, and controls as the 6K Pro but pares a few features to create a more affordable form. Features inherited from the 6K Pro include a 5" tilting touchscreen LCD, Pro EVF and battery grip options, dual mini-XLR audio inputs, an NP-F570 L-series battery slot, and the updated Gen 5 color science. By eliminating the internal ND filters and reducing the 1500cd/m² LCD brightness of the 6K Pro, Blackmagic now enables users to choose between two near identical 6K models as best suits their priorities.

The Blackmagic Design 6K G2 camera comes with a DaVinci Resolve Studio activation key plus a 30W power supply, offering simultaneous battery charging, an NP-F570 battery, a lens port cap, and a camera strap.

Firmware Update 7.9

Firmware upgrade 7.9 features include:

  • A new focus-assist intensity adjustment slider
  • The ability to select between SD and SSD media on the LCD screen itself
  • Frame guide color adjustment
  • Improved lens control and autofocus features
  • Adds support for focus and zoom demands—no longer just for studio cameras
  • Gyro sensor information can be recorded into data and DaVinci Pro can use the gyro data to stabilize the footage

Super35 Image Sensor/Dual Native ISO

The Pocket Cinema Camera 6K G2 camera uses a Super35 size sensor, 13 stops of dynamic range, and a dual native 400/3200 ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 60 fps

Gen 5 Color

The 6K G2 uses the same advanced Gen 5 color science as the 6K Pro and URSA Mini Pro 12K cameras, making it easy to intercut 6K Pro, 6K, and BMPCC 4K footage.

Tilting 5" LCD Touchscreen

The 5" tilting HDR touchscreen LCD makes it easy to view and adjust your settings, even when shooting in high or low modes.

Active Canon EF Mount

  • Choose from a wide array of Canon EF/EF-S-mount lenses
  • Electronic lens communication with iris, autofocus, and zoom control available with compatible lenses

Mini-XLR Audio Inputs

Professional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.

L-Series Batteries

Both the 6K G2 camera and the optional battery grip use widely available NP-F570 L-series batteries

Blackmagic Raw and ProRes Recording

Capture in Blackmagic Raw or ProRes 422 options, depending on your project's needs, and record using the internal CFast 2.0 and SD/UHS-II card slots or via the full-size HDMI port to an optional ATEM Mini switcher for live streaming or output via the USB Type-C port to capture longer clips to an external SSD.

Up to 6K Shooting Resolutions

Multiple resolutions include:

  • 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1)
  • 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI)
  • 1920 x 1080 (HD)
  • Both 2868 x 1512 (2.8K 17:9) and 1920 x 1080 (HD) at rates up to 120 fps

Versatile Media Capture Options

Record internally to CFast 2.0 or SD/UHS-II card slots or capture longer clips using the USB Type-C output to an external SSD

Studio Camera Features

  • Like the Blackmagic Studio cameras, the BMPCC 6K G2 has a built-in color corrector that works with the ATEM Mini
  • Supports the optional pedestal-style focus and zoom controls

DaVinci Resolve Studio License Included

The 6K G2 is compatible with DaVinci Resolve and includes an activation key for Resolve Studio

Atomos Shinobi 5" 4K HDMI Monitor

The Shinobi 5" 4K HDMI Monitor is an on-camera monitor with DCI 4K, UHD 4K, and HD video input. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras.

Built to withstand the rigors of production, the Shinobi features a lightweight plastic chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A 12V power supply with L-series battery eliminator is included with the unit.

AtomHDR

With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

Supported Log Formats

  • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 /LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600
  • Canon CLog / CLog 2 / CLog 3
  • Fuji F-Log
  • JVC JLog
  • Nikon N-Log
  • Sony SLog / SLog2 / SLog3
  • Panasonic Vlog
  • RED Log3G10 / RED LogFilm
  • PQ10k
  • HLG

HDR Monitoring

  • Sony SGamut / SGamut3 / SGamut3.cine
  • Canon Cinema / DCI P3 / DCI P3+
  • Panasonic V Gamut
  • Arri Alexa Wide Gamut
  • Rec709 / BT.2020
  • JVC
  • RED WideGamut / RED DragonColor / DragonColor2
  • RED Color2 / RED Color3 / RED Color4

4K DCI/UHD and HD Capabilities

Monitor 4K footage in DCI or UHD formats up to 29.97 fps and 1080p up to 59.94 fps.

Audio Monitoring

Input/output audio via HDMI and output audio using the 3.5mm headphone port for convenient audio monitoring.

5" Daylight Viewable Screen

The Shinobi features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.

HDR Signal Management

Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Shinobi's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

Anamorphic De-Squeeze

The Shinobi supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.
UPC: 814164021265

ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39")

The 39" ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features locking 24kt gold-plated Type-A male connectors with a low profile of just 24mm.

The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.

High Resolution at 4Kp60

Experience Ultra HD image quality for your digital movies, TV shows, video games, and cinema production with support for resolutions up to 4Kp60 UHD (3840 x 2160) for 4K Ultra HD TVs, streaming devices, video game consoles, high-end PC monitors, and video game capture devices.

Unlock full 4K resolution in mirrorless cameras, cinema cameras, and external video recorders for up to 4Kp60 DCI (4096 x 2160) on supported devices for video professionals.

HDR Compatibility

Experience movies and TV shows in stunning HDR with compatible Ultra HD TVs and content.

Creative professionals can monitor on set with HDR displays and external recorders to view camera Log video for color grading workflows.

Secure Type-A Connection

Just plug in your external monitor or recorder and the secure Type-A connection will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals this means that you can trust this connection throughout the production.

Hyper-Thin Cable

With a 3.5mm diameter cable diameter and 24mm low-profile Type-A connectors, this cable enables 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.

Ideal for a Variety of Devices

The cable is ideal for devices such as the C200/C300/C700, GH5/GH5S, FS5/FS7, URSA, Pocket CC, RED, Arri, Pico projectors, and Z Cam.
UPC: 743815949651

Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors

Add a monitor to your video recording system with this aluminum Heavy-Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.

Note:
Due to its compact design, this ball head should not be used to support a camera.
Removable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
Single locking knob for safe and fast operation
Head itself allows for 90º vertical articulation
Fits most standard shoe mounts
UPC: 847628578029

Atomos Power Kit v2

The Power Kit v2 from Atomos includes two NP-F750 5200mAh batteries, a charger, and a power supply with locking connector for Atomos monitors. The kit enables fast charging of one battery at a time.

UPC: 814164022101

Frio Hold Universal Shoe Mount

When attached to a flash or light panel, this Frio Hold Universal Shoe Mount allows you to couple it to any stand with 1/4"-20 or 3/8"-16 threads. By using a polymer composite to cut down on weight, it has the added benefit of eliminating unwanted flash triggering from metal-on-metal shorting. It provides resistance to expansion and contraction under extreme temperatures and conditions compared to a stainless steel or aluminum adapter.

Mount features aluminum 1/4"-20 and 3/8"-16 threads at the bottom, with a polymer shoe mount on the top
Handy point to hang your radio slaves or any other accessory with a lanyard
Compatible with most shoe mount devices
Universal locking pin cavity allows your flash unit to screw on securely

Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24mm lens with approximate angle of view of:
Full-Frame: 84.1°
APS-C: 57.6°
Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
"De-clicked" aperture ring for smooth iris pulls.
A minimum focusing distance of 9.8" allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
UPC: 084438763225

Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
"Declicked" aperture ring for smooth iris pulls.
A minimum focusing distance of 12" allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
UPC: 084438763270

Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount

The 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.

The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.

Standard length manual focus prime lens for EF mount cameras.
Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions and laterally printed aperture and distance markings. The 50mm T1.5 is part of the DS series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each DS lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Finally, all DS lenses print focus scales on each side of the lens barrel for ease of use from both sides of the camera.
Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field.
Internal focusing system with 9 lens elements in 6 groups.
One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.
Lens multi-coating improves light transmission and reduces flare and ghosting.
Minimum focus distance of 1.5'
Filter thread diameter of 77mm
UPC: 084438763324

Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 85mm lens produces a 28.3° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
"Declicked" aperture ring for smooth iris pulls.
A removable lens hood provides flare protection without a matte box.
The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
UPC: 084438763379

SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card

Achieve maximum performance for a faster workflow and burst shooting with the 128GB Extreme PRO UHS-II SDXC Memory Card from SanDisk, which lets users capture flawless cinema-quality 8K, 4K, and Full HD video, as well as raw photos and continuous shutter bursts. This card features a storage capacity of 128GB and takes advantage of the UHS-II bus to support read speeds of up to 300 MB/s and write speeds of up to 260 MB/s. Thanks to the V90 Video Speed Class rating, write speeds are guaranteed not to drop below 90 MB/s.

UHS-II media achieves its speed through an extra row of pins and, while this card has been designed for cameras that are UHS-II / V90 compatible, it may be used in devices that do not support UHS-II / V90. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V60, which supports minimum write speeds of 60 MB/s, UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantees minimum write speeds of 10 MB/s.

Built for extreme conditions, SanDisk's 128GB Extreme PRO UHS-II SDXC Memory Card is protected against shock, temperatures, x-rays, and water. Also featured is a built-in write-protect switch that helps to safeguard your content from being erased.

The Extreme PRO is protected by a limited lifetime warranty. Also available is a free download of RescuePRO Deluxe software, which is valid for two years.

General Features

Read speeds of up to 300 MB/s and write speeds of up to 260 MB/s
UHS Speed Class 3 (U3) allows you to record 4K and Full HD (1080p) video at a sustained video capture rate of 30 MB/s
Video Speed Class V90 allows you to record 8K (7680 x 4320) video at a sustained video capture rate of 90 MB/s
UPC: 619659186623

Manfrotto MT055XPRO3 Aluminum Tripod

The Manfrotto MT055XPRO3 Aluminum Tripod is a three-section support that replaces the 055XPROB tripod. It has a load capacity of 19.8 lb and extends from 3.5" to 66.9". Its legs are secured by the Quick Power Locks. These updated flip locks increase the tripod's rigidity by 50%, and its load capacity by 4.4 lb over its predecessor.

A redesigned center column has a "one finger" operation, and includes an Easy Link attachment for attaching accessories such as an LED light or a reflector. The center column can be positioned horizontally, allowing for low-angle and macro photography. The upper disc where a tripod head is mounted has been redesigned as well, and now has a bull's eye bubble level that rotates 360° so you can locate it where you can see it. This allows you to level your camera on both the horizontal and vertical planes.

UPC: 719821364634

Manfrotto 502AH Pro Video Head with Flat Base

The Manfrotto 502AH Pro Video Head with Flat Base is an affordable yet remarkably fully featured professional head that represents an advance over the popular 501HDV, with sturdier construction and featuring Manfrotto's patented bridging technology (inherited from the 509 and 504 heads). This head is designed for executing cinematic moves with compact camcorders and DSLR cameras. The 502AH comes in two versions—the "AH" flat base version with 3/8"-16 mounting hole such as this one, and the "A" ball base version which is separately available.

The weight capacity is 22 lb and the counterbalance supports 8.8 lb. The balance plate's 3.27" range allows you to correct for uneven payloads due to matte boxes or DSLR rig configurations.

The bridging technology ensures that the pan friction control is intuitive and easy to set but is also protected against knocks. There are independent locks for pan and tilt, and drag for both is selectable in a continuous range from zero to the maximum level. This allows you to operate the head in a confident, smooth manner using the included pan bar.

Pan drag and tilt drag are continuously adjustable from 0 (no drag) to the maximum level
Sliding quick release plate secured by a secondary safety system
The flat base has a 3/8"-16 female threaded mounting hole for attaching to tripods, sliders, and other platforms
UPC: 719821334651

Azden SGM-250MX Mini-XLR Short Shotgun Microphone for Blackmagic Pocket Cinema (Shockmount, Phantom Only)

The Azden SGM-250MX is a short shotgun microphone that features a shockmount for easy camera mounting and a hardwired 13" output cable with a mini-XLR connector for use with Blackmagic Pocket Cinema cameras. It plugs into the balanced mini-xlr audio input of the Pocket Cinema, which delivers phantom power and offers superior audio quality with less noise than the camera's 3.5mm audio input. Specifically tuned to preserve the natural qualities of a speaking subject, the mic provides video creators with a cost-effective solution for TV, documentary, and film applications.

The SGM-250MX features a supercardioid polar pattern and a custom-designed acoustic tube with high-precision, phase-canceling slots that minimize the recording of extraneous noise while focusing on the sound in front of the camera. The highly sensitive capsule delivers a flat frequency response (20 Hz to 20 kHz) with low self-noise and 130 dB SPL, for accurate audio capture.

Handcrafted in Japan, the SGM-250MX is housed in a brass/aluminum alloy case that improves durability and rejects ambient radio frequencies (RF). The SMH-X shockmount with two diameter expander sheets provides a secure hold for your mic, whether you run-and-gun or mount it to a pistol grip or to a boompole.

Key Features

  • Short length and compact design ideal for mounting on Blackmagic Pocket Cinema cameras
  • Supercardioid polar pattern with narrow pickup area, provides enhanced directionality for isolating dialog from ambient noise
  • Electret condenser microphone element delivers high sensitivity and low self-noise for clear recording of quiet sounds
  • Powered by 11 to 50 VDC phantom power from the Pocket Cinema camera
  • Wide dynamic range allows for capturing sounds at up to 112 dB without distortion
  • Gold-plated, 3-pin mini-XLR output connector with 13" hardwired output cable
  • Includes SMH-X shockmount—compatible with standard-size camera shoe slots as well as 1/4"-20 threaded boompoles and tripods
  • Includes foam windscreen and carry pouch
  • Handcrafted in Japan

A Variety of SGM-250 Models to Suit Your Specific Application

SGM-250

  • For use with either a DSLR/mirrorless camera (XLR to 3.5mm adapter cable required) or with a professional camera or recorder with an XLR input (XLR cable required)
  • Powered via one AA battery or phantom power


SGM-250P

  • For use with professional cameras and recorders equipped with an XLR input that supplies phantom power
  • Powered via phantom power only


SGM-250CX

  • For use on the shoemount of professional cameras equipped with an XLR input that supplies phantom power
  • Powered via phantom power only
  • Comes equipped with a shockmount for camera mounting and a hardwired 13" output cable with an XLR connector
UPC: 095528730034

Ocean Video GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras

Glare from direct sun, or even an overcast day, can obscure the details and make viewing your camera's viewscreen difficult, which is why the GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras from Ocean Video is such a valuable tool. Designed specifically to mount on your camera, the GlareGuard magnetically attaches to your camera and folds for storage.

The durable yet flexible material folds flat to protect your screen when not in use, and it unfolds to provide shade for your viewing screen when you need it. Rare-earth magnets hold the GlareGuard in place securely yet allow you to remove it when necessary. An included lanyard safety is provided, allowing you to tether the hood to your camera and prevent the GlareGuard from falling to the ground if accidentally dropped or knocked off.

UPC: 657768480256

Blackmagic Design Pocket Cinema Camera 6K G2 Specs

Imaging
Lens MountCanon EF
Lens CommunicationYes, with Autofocus Support
Sensor ResolutionEffective: 21.2 Megapixel (6144 x 3456)
Sensor Type23.1 x 12.99 mm (Super35) CMOS
Image StabilizationNone
Built-In ND FilterNone
Internal Filter HolderNo
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Rolling Shutter
ISO Sensitivity100 to 25,600
Shutter Angle5 to 360°
Advertised Dynamic Range13 Stops
Internal Video Capture
Raw RecordingRaw
6144 x 3456 at 23.98/24.00/25/29.97/50 fps [49 to 483 MB/s]
6144 x 2560 at 23.98/24.00/25/29.97/50/59.94/60 fps [37 to 359 MB/s]
5744 x 3024 up to 23.98/24.00/25/29.97/50/59.94/60 fps [40 to 395 MB/s]
4096 x 2160 at 23.98/24.00/25/29.97 fps [28 to 163 MB/s]
3728 x 3104 at 23.98/24.00/25/29.97 fps [36 to 265 MB/s]
2868 x 1512 at 23.98/24.00/25/29.97 fps [14 to 101 MB/s]
Recording ModesProRes 422/ProRes 422 HQ/ProRes 422 Proxy/ProRes 422LT
DCI 4K (4096 x 2160) up to 59.94p
UHD 4K (3840 x 2160) up to 59.94p
Full HD (1920 x 1080) up to 119.88p
Sensor Crop While Recording6K (6144 x 2560) in 2.4:1 When Recording in Raw
5744 x 3024 When Recording in Raw
4K (4096 x 2160) When Recording in Raw
3728 x 3104 When Recording in Raw
2868 x 1512 When Recording in Raw
Variable Frame Rates6K: Up to 60 fps
1080p: Up to 119.88 fps
Recording LimitUnlimited
Built-In Microphone TypeStereo
External Video Capture
Raw OutputUSB:
6144 x 3456 at 23.98/24.00/25/29.97/50 fps 
6144 x 2560 at 23.98/24.00/25/29.97/50/59.94/60 fps 
5744 x 3024 at 23.98/24.00/25/29.97/50/59.94/60 fps 
External Recording Modes4:2:2 10-Bit via HDMI
IP StreamingNone
Interface
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: CFast
Video I/O1 x HDMI Output
Audio I/O2 x Mini XLR Mic/Line (+48 V Phantom Power) Input
1 x 1/8" / 3.5 mm TRS Stereo Mic/Line Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1 x Weipu SF610/S2 (12 to 20 VDC) Input
Other I/O1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Control/Video Output
1 x 1/8" / 3.5 mm (Timecode) Input (Shared with Mic/Line Input)
WirelessBluetooth Control
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size5"
Resolution1920 x 1080
Display TypeTilting Touchscreen LCD
TypeOptional, Not Included
Focus
Focus TypeAuto and Manual Focus
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
Storage Temperature-4 to 113°F / -20 to 45°C
Operating Humidity0 to 90%
General
Battery TypeSony L-Series
Tripod Mounting Thread2 x 1/4"-20 Female
Accessory Mount1 x 1/4"-20 Female
Material of ConstructionCarbon Fiber, Polycarbonate
Dimensions (W x H x D)7.08 x 4.84 x 4.41" / 17.98 x 12.29 x 11.2 cm
Weight2.65 lb / 1.20 kg
Packaging Info
Package Weight4.345 lb
Box Dimensions (LxWxH)10.1 x 6.9 x 6.9"

Atomos Shinobi 5" 4K HDMI Monitor Specs

Display
Panel TypeIPS-Type LCD
Display Size5.2" / 13.2 cm
Resolution1920 x 1080
Aspect Ratio16:9
TouchscreenYes
Maximum Brightness1000 cd/m2
Bit Depth / Color Support10-Bit (1.07 Billion Colors)
Pixels Per Inch (ppi)427 ppi
Color Gamut100% Rec. 709
Real-Time LUT MonitoringSDR
Image ControlsAnamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Histogram, Pixel-to-Pixel Zoom, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra
I/O
Video1 x HDMI Type A (HDMI 1.4) Input
Embedded AudioHDMI: 2-Channel
Audio1 x 1/8" / 3.5 mm Headphone Output
Built-In SpeakerNone
Other I/ONone
Wi-FiNone
Format Support
Video FormatHDMI (8/10-Bit 4:2:2)
DCI 4K: 29.97/25/24/23.98
UHD 4K: 29.97/25/24/23.98
1080p: 59.94/50/29.97/25/24/23.98
720p: 59.94/50
Gamma CurveARRI Log C, Canon Log, Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, JVC J-Log, Panasonic V-Log, REDlogFilm, Rec2020, Rec709, Sony S-Log 2, Sony S-Log 3
Power
DC Input Power6.2 to 16.8 VDC
Battery Type1 x L-Series
Power Consumption4 W (Typical)
7 W (Maximum)
Mounting
Mounting2 x 1/4"-20 Female
Environmental
Operating Temperature104°F / 40°C (Recommended)
General
Material of ConstructionPolycarbonate
Dimensions5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight6.91 oz / 196 g
Packaging Info
Package Weight1.5 lb
Box Dimensions (LxWxH)10.4 x 9.4 x 5.3"

ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39") Specs

General
Connector 11 x HDMI Male
Connector 21 x HDMI Male
Cable Length39" / 99.06 cm
HDMI Version2.0
HDCP SupportVersion 2.2
Outer Diameter0.138" / 3.5 mm
Weight1.06 oz / 30 g
Electrical
Maximum Resolution Support4096 x 2160 at 60 Hz
Bandwidth18 Gbps
ComplianceHDCP
Packaging Info
Package Weight0.25 lb
Box Dimensions (LxWxH)5.7 x 2.9 x 1.6"

Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors Specs

Load Capacity15 lb / 6.8 kg
Mounting
Top Mount1 x 1/4"-20 Male Screw
Bottom Mount1 x 3/8"-16 Female Thread, 1 x Accessory Foot
General
MaterialsAluminum
Weight0.3 lb / 136 g
Packaging Info
Package Weight0.315 lb
Box Dimensions (LxWxH)3.95 x 3.8 x 1.55"

Atomos Power Kit v2 Specs

Mount / Series TypeSony L-Series
ChemistryLithium-Ion
Battery Capacity5200 mAh
Packaging Info
Package Weight1.865 lb
Box Dimensions (LxWxH)6.9 x 4.4 x 3.8"

Frio Hold Universal Shoe Mount Specs

Mounting
Top Mount1 x Cold Shoe
Bottom Mount1 x 1/4"-20 Female Thread, x 3/8"-16 Female Thread
General
MaterialsAluminum, Nylon
Weight0.11 lb / 50 g
Packaging Info
Package Weight0.04 lb
Box Dimensions (LxWxH)5 x 2 x 0.8"

Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount Specs

Focal Length24mm
Lens MountCanon EF
Lens Format CoverageFull Frame
Maximum ApertureT1.5
Minimum ApertureT22
Diagonal Angle of ViewSuper35: 61.8°
Full Frame: 84.1°
Minimum Focus DistanceFrom : 9.8" / 25 cm
Optical Design13 Elements in 12 Groups
Diaphragm Blades8
Image StabilizationNo
Dimensions (W x H)3.27 x 3.27" / 83.1 x 83.1 mm
Length3.84" / 97.5 mm
Weight21.7 oz / 615 g
Packaging Info
Package Weight1.75 lb
Box Dimensions (LxWxH)7.2 x 5.2 x 5.2"

Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount Specs

Focal Length35mm
Lens MountCanon EF
Lens Format CoverageFull Frame
Maximum ApertureT1.5
Minimum ApertureT22
Diagonal Angle of ViewSuper35: 40.8°
Full Frame: 63.1°
Minimum Focus DistanceFrom : 12" / 31 cm
Optical Design12 Elements in 10 Groups
Diaphragm Blades8
Image StabilizationNo
Length4.38" / 111.5 mm
Weight24.7 oz / 700 g
Packaging Info
Package Weight2 lb
Box Dimensions (LxWxH)7.6 x 5.2 x 5.1"

Rokinon 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount Specs

Focal Length50mm
Lens MountCanon EF
Lens Format CoverageFull Frame
Maximum ApertureT1.5
Minimum ApertureT22
Diagonal Angle of ViewFull Frame: 46.2°
Minimum Focus DistanceFrom : 1.5' / 0.45 m
Optical Design9 Elements in 6 Groups
Diaphragm Blades8
Gear MOD & PitchFocus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Filter Thread77 mm
Image StabilizationNo
Dimensions (W x H)3.2 x 3.2" / 81.3 x 81.3 mm
Length2.9" / 74.7 mm
Weight20.3 oz / 575 g
Packaging Info
Package Weight1.65 lb
Box Dimensions (LxWxH)6.2 x 5.2 x 5.1"

Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount Specs

Focal Length85mm
Lens MountCanon EF
Lens Format CoverageFull Frame
Maximum ApertureT1.5
Minimum ApertureT22
Diagonal Angle of ViewSuper35: 17.7°
Full Frame: 28.3°
Minimum Focus DistanceFrom : 42" / 106.7 cm
Optical Design9 Elements in 7 Groups
Diaphragm Blades8
Image StabilizationNo
Length2.94" / 74.7 mm
Weight20.5 oz / 580 g
Packaging Info
Package Weight1.65 lb
Box Dimensions (LxWxH)6.3 x 5.2 x 5.2"

SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card Specs

Quantity1
Card TypeSDXC
Storage Capacity128 GB
Bus TypeUHS-II
Speed Class10
UHS Speed ClassU3
Video Speed ClassV90
Read SpeedMaximum: 300 MB/s
Write SpeedMaximum: 260 MB/s
Minimum: 90 MB/s
DurabilityShockproof, Temperature Extremes, Waterproof, X-Ray Proof
Built-in Write-Protect SwitchYes
Wireless CapabilityNone
Packaging Info
Package Weight0.035 lb
Box Dimensions (LxWxH)6 x 4 x 0.25"

Manfrotto MT055XPRO3 Aluminum Tripod Specs

General
Load Capacity19.8 lb / 9 kg
Maximum Working Height66.9" / 169.9 cm
Max Height without Center Column55.1" / 140 cm
Minimum Working Height3.5" / 8.9 cm
Closed Length24" / 61 cm
Head Mount Type3/8"-16 Male
Weight5.5 lb / 2.5 kg
MaterialsAluminum Alloy
Bubble LevelYes
Legs
Leg Lock TypeFlip Lock
Independent Leg SpreadYes
Leg Sections3
Center Column
Center Column Sections1
Center Column Extension TypeRapid
Lateral / 90-Degree Center ColumnYes
Packaging Info
Package Weight6.5 lb
Box Dimensions (LxWxH)25.5 x 5.5 x 5.3"

Manfrotto 502AH Pro Video Head with Flat Base Specs

Camera Plate
Balance Plate Sliding Range3.27" / 83 mm
Tripod Platform
Base Mount3/8"-16 Female
Flat Base
Physical
Load Capacity22 lb / 10 kg
Counter BalanceFixed (8.8 lb / 4 kg)
Dimensions5.12" / 13 cm
Packaging Info
Package Weight5.3 lb
Box Dimensions (LxWxH)15.15 x 8.65 x 8.55"

Azden SGM-250MX Mini-XLR Short Shotgun Microphone for Blackmagic Pocket Cinema (Shockmount, Phantom Only) Specs

Microphone
Sound FieldMono
CapsuleElectret Condenser
Polar PatternSupercardioid
PadNone
High-Pass FilterNone
Gain AdjustmentNone
WindscreenFoam (Included)
Performance
Frequency Range20 Hz to 20 kHz
Maximum SPL130 dB SPL
Impedance100 Ohms
Sensitivity-33 dB at 1 kHz
Dynamic Range112 dB
Signal-to-Noise Ratio76 dB
Connectivity
Output Connectors (Analog)1 x TA3M
Power
Operating Voltage11 to 50 V
Physical
MountingCamera/Shoe-Mount, Shockmount (Included)
Included CasePouch
Dimensionsø: 0.83 x L: 6.02" / ø: 21 x L: 153 mm
Weight3 oz / 85 g
Packaging Info
Package Weight0.73 lb
Box Dimensions (LxWxH)10.35 x 3.8 x 2.7"

Ocean Video GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras Specs

Physical
MaterialsRubberized Elastomer, Rare-Earth Magnets
Dimensions12 x 4 x 0.2" / 30.48 x 10.16 x 0.51 cm
Packaging Info
Package Weight0.18 lb
Box Dimensions (LxWxH)6.75 x 4.75 x 1"

Film/Music Video Production Starter Kit Reviews

Unica

By Rob
Rated 5 out of 5
Date: 2022-06-07

2 aos de uso intenso y cada da es mejor, comprale sus accesorios, SSD, jaula Tilta, su parasol y tendrs una mquina de documentales con la mejor relacin calidad precio del mercado.

Doa After 2 years

By Snow
Rated 1 out of 5
Date: 2022-05-05

Stay away from black poop. Trust me no wonder they only have a 1 year warranty. Who is going to spend 3k for it to only last 2 years!

My Purchase

By Melissa
Rated 5 out of 5
Date: 2022-03-14

Thank you, I appreciate it and you did a good job, and fast shipping too. Thank you, Melissa

Great camera. Just plan to accessorize it.

By Dale
Rated 4 out of 5
Date: 2022-01-18

This camera produces pretty stellar video quality (especially with Blackmagic RAW) and at this price point is difficult to beat. The comparisons to Sony A7s3 or other DSLR's really are not the right way to think about this camera. I think there's a marketing problem with this camera as a lot of times they sell it as if it's for YouTubers and content creators. The lack of good auto-focus alone is enough to say that's not really a good way to think about this unit. If you need a DSLR (i.e. something that's lightweight and moves quickly with the option to fire off some stills and good auto-focus) this probably isn't the right camera for you. This is a cinema camera meaning its intended use is for commercial and narrative filmmaking. It can also be useful for corporate stuff. It's not outfitted as a documentary camera but if you add on the right accessories it might be (depending on the project). That's the one thing I'd encourage any buyer to consider is that, regardless of what type of work you're doing, you'll need to accessorize this camera to make it suit your purposes. It really should be thought of as a camera brain that you can accessorize in the best way for you. Those accessories depend on what type of work you do but at the very least I would recommend getting a cage (Tilta's cage is really great) and some ND filters. I'd also recommend an external power source like V-mount or Gold Mount batteries (the LP-E6 batteries drain too quickly with this and really are there as more of a backup). I wouldn't recommend using it in a run and gun scenario but, personally, I have done that and been fine with it (I suspect most people would find it frustrating in that scenario, though). It requires a more cinematic approach (hence the cinema name). My only reason for not giving it 5 stars is because of the lens mount. There's still plenty of EF lenses on the market but it's also limiting in terms of what it can be adapted to. Would've been better if they had gone with something with a shorter flange distance like the RF mount so you could adapt it to PL. I also think the form factor is awkward and annoying (especially for gimbals).

Best bang for your buck!

By Robert
Rated 5 out of 5
Date: 2021-12-13

The image quality, usability, and compactness of this camera is awesome for the cost. It's the size of a DSLR but produces an infinitely better image. It's so easy to use with the touchscreen interface. A camera with this much quality should easily cost double. Fantastic!

Excelente cmara.

By Henry
Rated 5 out of 5
Date: 2021-08-23

Es una cmara muy verstil y cmoda para trabajar la pantalla tctil es muy fluida y en general la cmara es muy robusta para su tamao. Excelente calidad precio.

Great Camera!

By James
Rated 5 out of 5
Date: 2022-05-26

I first bought one then bought a second, and then a third one! I am an intermediate pro videographer. I would not consider myself a Full on Pro. I do shoot a lot though. My budget and what I make in my craft limits my equipment. My wife and I have a side video business with the help of some family. We shoot different types of stage events and the occasional wedding or greek baptism. I have always used pro-sumer (Semi Pro) cameras such as Canons XL-1, to XH-A1's. Then upgraded from there to Sony HXR-NX3's. We use Sony Cinema FS-5's and FS-7's at church where I video direct and she is one of the many camera ops. So my comparison would be somewhat limited to those level of cameras. This BMPCC 6K to me blows all those away. The FS-5's and 7's basically the same sony cameras though great I prefer the BM 6k. I'd put this camera up against those. In terms of price and quality it blows the FS cameras out of the water. Using the FS cameras weekly I must say are great but these BM 6K's are far less expensive and perform equally. I don't need all the connections. The color science in BM I really like. I have a college that will argue with me because they prefer the Sony's color science. But when you use the film mode on the BM 6k and fine tune the LUT's its awesome! That's all preference and in the end no one would complain about either brand. The general viewer would not know you used a FS7 or BM 6K. Using these for a few events now I could not be happier with my choice! I use three for multicam shooting using Blackmagic a Atem Mini Pro. The camera control is a positive!!! For just under 2 grand you get CCU on a price friendly Cinema camera! Can't do that with a FS7 or FS5! I can control focus on all our photos lenses, control the aperture, the color, Iso / gain etc. I don't have to rely on a camera op to do these spur of the minute changes I can do this for them! They can keep their hands on the handles and concentrate on the subject and I'll make the fine changes. It also gives the opportunity to get the cameras all matching by the multi-display on the Atem. These really give you the feel and look of broadcast. it's also nice when you hit record on the mini pro all cameras start recording and the file names on each camera will read the name of the project you created with the camera number you have them inputted at, how cool for file management! So to clear that each camera will name the files to match the ATEM's record file with an additional camera number. And actually from what I hear any Atem will control these cameras. Even if you convert to SDI. Blackmagic makes devices that will allow control from a SDI only Atem. It will take take two SDI's to a converter then convert to HDMI to the camera. One SDI is a return from the ATEM and the other is the Feed. The box will then send the commands from the return feed through the HDMI. I talked with BM on this. So your not limited to Atem mini's with these. Getting 4K out the HDMI I mentioned that to BM and they put that request to R&D. Who knows, they can change that with a Firmware update I'm sure at some point. I opted for the non Pro model of the 6K's because I can't see the price increase really benefiting to much. It is nice the pro has a movable monitor but not necessary when the viewing angle of these screens is 180 degrees. I don't need two XLR inputs, I once did, but not necessary. I don't need the built in ND's for stage events which is our primary filming target. So for the smaller price tag the plain 6K suits us. The sensor and color science is identical to. I opted away from the studio cameras. Mainly because I want the larger sensor of the 6K. I also needed the ability to easily use beyond the stage setting. The smaller form makes more versatility. The biggest thing was lack of battery and the smaller sensor in the studio camera. If those were 6K and EF mounts and the price was identical then I might have chose those.

Dust on sensor.

By Trent
Rated 1 out of 5
Date: 2022-05-08

Buyer beware. If you get dust on the sensor behind the protective glass, Blackmagic either can't or won't service this issue and you are stuck with it. Somehow dust can get behind the protective glass and evidently there is no way to clean the sensor.

See any errors on this page? Let us know

YOUR RECENTLY VIEWED ITEMS

I am making assumption that Metabones Speed ...

I am making assumption that Metabones Speed Booster XL 0.64x Adapter for Nikon G Lens would work with this camera. Is that right?
Asked by: Slobodan
It will not. This camera has an EF mount, not an MFT mount like the 4K model.
Answered by: Joseph
Date published: 2019-08-09

Does the rear screen articulate?

Does the rear screen articulate?
Asked by: Mike
No.
Answered by: Anonymous
Date published: 2020-01-05

This camera can record raw files in the Sony ...

This camera can record raw files in the Sony AtomiX SSD mini?
Asked by: Carlos Hugo
According to the Sony website, the Sony AtomX SSD Mini was designed specifically for the Atomos Ninja V recorder, so probably not.
Answered by: BMD Product Specialist
Date published: 2019-10-04

Can I use all my lenses that I have with my 4K on ...

Can I use all my lenses that I have with my 4K on this with no issues ? I have the sigma 18-35 with The mega bones adapter .. what adapter would I have to buy for this to work ?
Asked by: Matthew
The 6k uses the EF mount not micro 4/3 fyi
Answered by: Christopher
Date published: 2022-07-11

is "Metabones Canon EF/EF-S Lens to Sony E Mount ...

is "Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation)" work with this camera?
Asked by: Magnus
No, that Metabones adapter will not work with the Pocket 6K.
Answered by: Nicholas
Date published: 2021-04-14

The camera is spinning loose from the 1/4 20 male ...

The camera is spinning loose from the 1/4 20 male thread. Where do I find a bottom locking plate that works with the native female points of contact? Looks there are two additional female connection points to help eliminate any twisting loose from a QR plate.
Asked by: David
Please write us a [email protected] so that we may best assist you.
Answered by: Dennis A
Date published: 2020-11-13

Will the Bescor PSA124BM AC Power Kit work on the ...

Will the Bescor PSA124BM AC Power Kit work on the BMPCC 6K camera?
Asked by: Corey
Yes, the Bescor PSA124BM AC Power Kit for Blackmagic Pocket Cinema Camera 4K would be compatible for use with the Blackmagic Design Pocket Cinema Camera 6K (Canon EF).
Answered by: Manzell
Date published: 2019-10-10

I checked the manual, could you give the 35mm ...

I checked the manual, could you give the 35mm equivalent for a 6k frame at 24fps using a 12mm EF lens? There really is no clear answer in the manual.
Asked by: Keith
A Super 35mm sensor has a 1.5x crop factor. A 12mm lens should be around an 18mm.
Answered by: Joseph
Date published: 2021-02-17
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