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FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit

BH #FUGFX100SRK (B&H Kit)
FUJIFILM
FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit
Key Features
  • Atomos Ninja V 5" 4K Recording Monitor
  • Atomos AtomX 5 and 7" Monitor Mount
  • Atomos Power Kit v2
  • HDMI to Micro-HDMI Cable with Ethernet
Assembled for the aspiring filmmaker, the FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and a HDMI cable.
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FUJIFILM GFX 100S Overview

  • 1Description
  • 2FUJIFILM GFX 100S Medium Format Mirrorless Camera
  • 3Atomos Ninja V 5" 4K HDMI Recording Monitor
  • 4Atomos AtomX 5 and 7" Monitor Mount
  • 5Atomos Power Kit v2
  • 6ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")
By B&H Photo's

Assembled for the aspiring filmmaker, the FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and a HDMI cable.

FUJIFILM GFX 100S Medium Format Mirrorless Camera

Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.

At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to an ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.

Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2" touchscreen LCD with a three-way tilting design.

102MP BSI CMOS Sensor and X-Processor 4
Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100S is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
UHD and DCI 4K Video Recording
Utilizing the large sensor size for more than just stills, the GFX 100S also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
Sensor-Shift Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake to better suit handheld shooting. This system works in conjunction with any lens, including non-stabilized ones, but when used with OIS-enabled lenses offers up to approximately 6 stops of shake reduction.
Body Design
  • Updated body shape is noticeably more compact and lightweight than previous GFX 100 models, making it especially well-suited for handheld shooting on location and in studio environments.
  • Magnesium alloy body construction is both lightweight and durable, and the camera system is weather sealed to render it moisture- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Fixed 3.69m-dot OLED electronic viewfinder is featured for high-resolution, 0.77x-magnification eye-level viewing.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique three-way tilting design that moves both upward and downward for shooting from high and low angles, and also tilts to the side to benefit shooting in the vertical orientation when in live view.
  • Single NP-W235 rechargeable lithium-ion battery is rated to provide approximately 460 shots per charge.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • A 1.8" sub-LCD monitor on the top plate can be used to quickly view shooting settings and exposure data.
  • Exposure mode dial on the top plate also incorporates six custom positions for quickly switching between pre-configured exposure settings.
  • Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
Hybrid Autofocus System
The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers fast and accurate focusing performance along with low-light sensitivity down to -5.5 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.
Other Camera Features
  • Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including the newly introduced Nostalgic Neg. effect, along with Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Pixel-Shift Multi-Shot mode is capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
  • Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
UPC: 074101204735
Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes RAW up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.76 supports Apple ProRes RAW over HDMI with the Olympus OM-1 Micro Four Thirds camera.

5" Daylight Viewable Screen
The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.
Recording Codecs Including Raw over HDMI
  • Record Apple ProRes and ProRes RAW with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
  • Enables ProRes RAW capture with smaller, more cost-effective, mirrorless cameras
  • Avid DNx compatibility enables wide camera and editing software compatibility 
Bright 5" Display with AtomHDR
  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs
DSLR and Mirrorless Camera Support
Compatible with virtually any HDMI or SDI source including cameras from ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM.
4K60 Capabilities
Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
SSD Recording
Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.
User Calibration
Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.
Anamorphic De-Squeeze
The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.
Selectable Markers
A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.
Game Capture
Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.
Audio Input/Output
Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.
Optional Expansion Modules
  • AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
  • SDI Raw activation key
  • AtomX SYNC for wirelessly synced, timecoded multicamera capture
  • Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
Note:
SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.
Supported Log Formats
  • ARRI Log C
  • Canon C-Log, C-Log 2
  • FUJIFILM F-Log
  • JVC J-Log
  • Nikon N-Log
  • Panasonic V-Log
  • RED LogFilm
  • Sony SLog2, SLog3
HDR Recording (Gamut)
  • ARRI Log CEI160, CEI200, CEI250, CEI320,
  • ARRI LogCEI400, CEI500, CEI640, CEI800
  • ARRI LogCEI1000, CEI1280, CEI1600 
  • Canon C-Log, C-Log 2, C-Log3
  • FUJIFILM F-Log
  • HLG
  • JVC J-Log1
  • Nikon N-Log PQ10K
  • Panasonic V-Log
  • RED LogFilm, RG310, RG312
  • Sony SLog2, SLog3
HDR Monitoring (Gamma)
  • ARRI ALEXA Wide Gamut
  • BT.2020
  • Canon Cinema, DCI P3, DCI P3+, BT2020
  • JVC LS300
  • Nikon N-Log PQ10K
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
  • Sony SLog2, SLog3
HDR Monitoring (Gamut)
  • ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
  • BT.2020
  • Canon Cinema
  • DCI-P3, DCI-P3+ 
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
Firmware Update 10.76
OM-1 ProRes RAW
It supports recording of Apple ProRes RAW over HDMI with the new Olympus OM-1 Micro Four Thirds camera from OM SYSTEM. With the new AtomOS 10.76 update, the NINJA V/V+ will record 12-bit ProRes RAW video in DCI 4K at rates up to 60 fps. Support for ProRes RAW on the OM-1 requires that the camera firmware be updated to v1.1. AtomOS 10.76 is available for download at the AtomOS website.
Firmware Update 10.61
Time-Lapse
  • Record a time-lapse video as a single file
  • Available in ProRes, DNx, and ProRes RAW over HDMI or SDI
  • Time-lapse sequence options include:
    • Number of frames/seconds captured
    • Intervals between frames/seconds/minutes/hours
    • Duration of sequence in frames/seconds/minutes/hours
Compatibility Mode for HDMI and SDI Inputs
  • Increases stability of input/output locking for 12G-SDI
  • Improves signal locking from select cameras, including:
    • Z CAM
    • Canon EOS 1D X Mk II on 4Kp50/60 video
Monitor Leica L-Log Gamma in BT2020 Gamut
  • Supports Leica SL 25 only
  • Support for other models available in future updates
UPC: 814164021074
Atomos AtomX 5 and 7" Monitor Mount

Mount your monitor with the AtomX 5 and 7" Monitor Mount from Atomos. The mount is compatible with the Atomos Shinobi, Ninja V, Flame, and Inferno series. It features a quick release plate, as well as 360° pan and 180° tilt functionality.

UPC: 814164021296
Atomos Power Kit v2

The Power Kit v2 from Atomos includes two NP-F750 5200mAh batteries, a charger, and a power supply with locking connector for Atomos monitors. The kit enables fast charging of one battery at a time.

UPC: 814164022101
ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")

Connect your DCI 4K photo or video camera to your compatible monitor or display with the 17.7" ZILR Hyper-Thin Ultra-High Speed Micro-HDMI to HDMI Cable. It supports HDR10 and resolutions up to DCI 4K at 60 Hz for vibrant, ultra-high resolution playback.

Supports DCI 4K @ 60 Hz
Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.
Perfect for Mirrorless Cameras
Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.
HDR: Color the Way it Was Intended
Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.
Hyper-Thin with No Compromise
The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
UPC: 743815949644

FUJIFILM GFX 100S Medium Format Mirrorless Camera Specs

Imaging
Lens MountFUJIFILM G
Sensor ResolutionEffective: 102 Megapixel (11,648 x 8736)
Sensor Type43.8 x 32.9 mm (Medium Format) CMOS
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter, Mechanical Focal Plane Shutter
Shutter SpeedMechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/16000 to 3600 Seconds
1/16000 to 4 Seconds in Program Mode
1/16000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 (Extended: 200 to 25,600)
Metering MethodAverage, Center-Weighted Average, Multi-Zone, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
White BalancePresets: Auto, Color Temperature, Custom, Fine, Fluorescent, Incandescent, Shade, Underwater
Continuous ShootingMechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes4:3
11,648 x 8736
8256 x 6192
4000 x 3000
3:2
11,648 x 7768
8256 x 5504
4000 x 2656
16:9
11,648 x 6552
8256 x 4640
4000 x 2248
1:1
8736 x 8736
6192 x 6192
2992 x 2992
Aspect Ratio1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image File FormatDNG, JPEG, TIFF
Bit Depth16-Bit
Internal Video Capture
Recording ModesH.265/MOV 4:2:0 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94i [50 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Broadcast OutputNTSC/PAL
Built-In Microphone TypeStereo
Audio Recording2-Channel LPCM Audio
External Video Capture
Raw OutputHDMI In Raw Mode:
4096 x 2160 12-Bit at 23.98/24.00/25/29.97 fps 
External Recording Modes4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p
IP StreamingNone
Interface
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1 x Micro-HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O1 x USB Type-C Input/Output
Other I/O1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Input
WirelessWi-Fi, Bluetooth
Monitor
Size3.2"
Resolution2,360,000 Dot
Display Type3-Way Tilting Touchscreen LCD
Secondary DisplayTop: Status Display
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.5"
Resolution3,690,000 Dot
Eye Point23 mm
Coverage100%
MagnificationApprox. 0.77x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 425
Flash
Built-In FlashNo
Flash ModesAuto, First-Curtain Sync, Hi-Speed Sync, Manual, Off, Second-Curtain Sync, Slow Sync, TTL Auto
Maximum Sync Speed1/125 Second (Focal Plane Shutter)
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Operating Humidity10 to 80%
General
Battery Type1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 460 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Material of ConstructionMagnesium Alloy
Dimensions (W x H x D)5.9 x 4.1 x 3.4" / 150 x 104.2 x 87.2 mm
Weight2 lb / 900 g (With Battery, Recording Media)
Packaging Info
Package Weight3.46 lb
Box Dimensions (LxWxH)9.7 x 7.8 x 5.7"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Display
Panel TypeIPS-Type LCD
Display Size5.0" / 12.7 cm
Resolution1920 x 1080
Aspect Ratio16:9
TouchscreenYes
Maximum Brightness1000 cd/m2
Bit Depth / Color Support8-Bit+FRC (1.07 Billion Colors)
HDR CompatibilityHDR10, Hybrid Log Gamma
Pixels Per Inch (ppi)423 ppi
Color Gamut100% Rec. 709
Real-Time LUT MonitoringSDR
Image ControlsAnamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
Inputs / Outputs
Video I/O1 x HDMI 2.0 Input
1 x HDMI 2.0 Output
Embedded AudioHDMI: 2-Channel
HDMI: 8-Channel
Audio I/O1 x 1/8" / 3.5 mm Mic/Line Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In SpeakerNone
Power I/O1 x D-Tap Input
Other I/O1 x 2.5 mm (LANC)
Media/Memory Card SlotSingle Slot: SSDmini/SSD with Master Caddy II/III
Wi-FiNone
BluetoothYes
App CompatibleYes: iOS Only
App Name: AtomRemote
Functionality: Adjust Settings, Remote Control
Format Support
Video FormatHDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma CurveRec709
Video Signal ConversionHDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Recording
Pulldown Conversion2:2, 3:2
Camera TriggerHDMI
Pre-Roll Record4K: 2 Seconds
Full HD: 8 Seconds
Encoding FormatsUp to 4097 x 2160
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit
DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks12
Metadata Tagging10
Power
DC Input Power5.8 to 7.2 VDC
Built-In BatteryNone
Battery Type1 x L-Series
Power Consumption10 W (Typical)
22 W (Maximum)
Mounting
Mounting2 x 3/8"-16 Female
Environmental
Operating Temperature104°F / 40°C
General
Material of ConstructionAluminum, Polycarbonate
Dimensions5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight12.7 oz / 360 g
Packaging Info
Package Weight2.425 lb
Box Dimensions (LxWxH)7.8 x 5.8 x 4.2"

Atomos AtomX 5 and 7" Monitor Mount Specs

Mounting
Top MountMonitor Mount: Quick Release Plate with 1 x 1/4"-20 Male Screw
Bottom Mount1 x Accessory Foot, 1 x 1/4"-20 Female Thread
Electrical
Pan360°
Roll180°
Packaging Info
Package Weight0.28 lb
Box Dimensions (LxWxH)4.1 x 3.9 x 2.15"

Atomos Power Kit v2 Specs

Mounting
Mount / Series TypeSony L-Series
ChemistryLithium-Ion
Battery Capacity5200 mAh
Packaging Info
Package Weight1.865 lb
Box Dimensions (LxWxH)6.9 x 4.4 x 3.8"

ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7") Specs

General
Connector 11 x Micro-HDMI Male
Connector 21 x HDMI Male
Cable Length17.7" / 45 cm
HDMI Version2.0b
HDCP SupportVersion 2.2
Outer Diameter0.138" / 3.5 mm
Connector PlatingGold
Weight0.56 oz / 16 g
Electrical
Maximum Resolution Support4096 x 2160 at 60 Hz
Bandwidth18 Gbps
ComplianceHDCP
Packaging Info
Package Weight0.23 lb
Box Dimensions (LxWxH)6.1 x 3.1 x 1.6"

FUJIFILM GFX 100S Reviews

THE BEST CAMERA CREATED

By Eric
Rated 5 out of 5
Date: 2022-09-11

I love my 100s sooo much! Best camera you could ever shoot with! eye detection, fast auto focus and the best quality money can buy! you can crop for days! Feels so smooth in your hand.

Beautiful images

By Siwalee
Rated 4 out of 5
Date: 2022-05-22

So far I'm loving this camera. The Fuji GFX 100S produces some of the best images I've ever seen. I've paired this camera with the 110 mm Fuji lens and it's an outstanding combo. The amount of detail I'm getting from everything that's in focus is amazing and anything that's out of focus has a creamy smoothness to it that's just so pleasing. My few issues with the Fuji GFX 100S have to do with things like the little thumb stick that you have to use to adjust your focus point while looking through the viewfinder. It just doesn't work well. Maybe if it was bigger with a longer throw it would be more usable but as it is now they should've went with a directional pad. Also the side panel that is used for charging is held on very precariously with what seems to be rubber hinges that just don't look very secure or sturdy. The door just kind of flops around. Another issue I have is that it does not come with a wall charger for the battery. So if you want to charge a battery while still using your camera you need to purchase a battery charger separately. For the price of this camera one would think a battery charger would be included. I know these few issues I have may seem small but I do think they need to be mentioned. Especially the minuscule thumb stick. But as far as purchasing the Fuji GFX 100S, I would say absolutely. The image quality you get from this camera is outstanding and outshines any little faults that it may have.

Great Camera

By Jiading
Rated 5 out of 5
Date: 2022-05-19

Very good camera

Lightroom problem - update to January review

By Nathan
Rated 5 out of 5
Date: 2022-05-16

I'm still amazed by the wonderful sharpness I get with this camera, but I encountered a problem in Lightroom others may need to know about. Fuji apparently expects users to shoot in jpg using film simulations etc with this camera. I certainly choose otherwise; I process, sometimes heavily, in Lightroom. And I did that without any problem with 50 mp files, 40-50 mb each, from my Nikon D850. But when I uploaded 102 mp images in Raw, file sizes around 150 mb, my iMac balked. The color wheel kept spinning and spinning and when it finally stopped almost any edit restarted it. In addition to making my workflow excruciatingly slow, the process also made the fan come on, indicating that the system was overheating. After much research I discovered two problems. First, Adobe told me to be sure that I had a large enough cache; I enlarged it and that improved things a bit. But the real source of the problem showed up when I opened Activity Monitor and discovered that LR was sometimes using over 300% of the CPU, occasionally even more. Apple told me the CPU couldn't be upgraded but that adding memory might help. So I added 16 GB of memory. That has helped considerably. I still get occasional pops into the high CPU usage but they are brief enough that the color wheel doesn't seem to start spinning and the fan doesn't come on. If anybody can suggest other fixes I would really appreciate hearing them. I still give the camera 5 stars, but unless you have a pretty powerful computer you may not be able to edit in LightRoom as easily as with smaller image files.

A Marvelous Tool With Great Flexibility

By Stanley J
Rated 5 out of 5
Date: 2022-04-03

I'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is normally used with a large format camera, the 100S's manual focusing zoom feature makes the focusing process with the 4x5 camera a piece of cake. I also use that feature for manual focusing of landscapes with the native lens. The ability of the 100S to shoot very long exposures is also handy and the most capable system of its kind I've ever seen, displaying the countdown timer on the back lcd. The upright bass photo was a two minute exposure while the city lights photo was a four minute exposure. My only real complaints about this camera are that the joystick is a bit finicky and therefore less precise than the D pad used on other cameras, and the back focus button is too small and not ideally placed. But, I'm getting used to the joystick, and the ability to program another button as back focus as well has made these largely non-issues. And, having used a Fuji X100S for many years, the menu and Q systems that some folks complain about were not all that unfamiliar to me and there have not been much of a problem at all. Frankly, there is so much to like about this camera that the positives far outweigh the relatively minor negatives. I highly recommend this camera for anyone wanting to experience photography at an elevated level.

Thinking of making it my interview camera

By leonard
Rated 5 out of 5
Date: 2022-03-21

After taking some photos and being blown away by the pleasant skin tones and detail, and how quickly the background melts away when used with my 110/2.0 lens, I have ordered the SmallRig cage, and hope to mount my Ninja V on top. I think this could possibly replace my FX9 for my sit down interviews.

If you pixel peep this is your camera

By Brian
Rated 5 out of 5
Date: 2022-07-31

I rented this camera for a few weddings, I thought it was alittle over kill for my type of work. Love it so much I decided to buy it because it was not just about resolution, the dynamic range is on another level and i love what I can do with the raw images color and cropping wise. It's a little slow but to be expected since it's medium format but for most parts of a wedding day its doable, the results make the trade off worth it. The lens I use at 45mm, 80mm and 32-64mm.

Quality control seems to be an issue

By Robert
Rated 2 out of 5
Date: 2022-06-24

I received my gfx 100s this afternoon and have discovered that the Mode button is off. When I put it on M for manual it goes to Aperture Priority mode, when I put the Mode dial into P for Program it puts the camera in C6 custom mode, when I move the Mode button to S for shutter priority mode I puts the camera into P for Program mode. Now I have to decide whether I can live with a $6000 camera that can't even be assembled correctly. Unamused, and not looking forward to the hassle of sending this back.

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There are no full frame or super 35mm modes in the camera at the moment.
Answered by: Stephen
Date published: 2021-12-19

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Asked by: Lenny
Just manually focus stack. Shoot in manual focus, when doing so a helpful hyperfocal gage pops up on the lcd so you can overlap the focus areas. Do that and pixel shift each image, then combine all the images in photoshop. Not sure why you would want to do this though...100mp is plenty resolution for massive prints. Plus the file you would be stacking would be stupid large...you would need a crazy powerful computer to combine something like that. Its possible, just do it manually in camera.
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IS THERE A TELECONVERTER FOR THIS CAMERA BODY?

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Asked by: alan
Yes. The Fujifilm GF 1.4X TC WR teleconverter exists for use with the GFX-series of cameras as well as the 100-200mm f/5.6 R LM OIS WR and 250mm f/4 R LM OIS WR GFX lenses. https://bhpho.to/3cAIJsY
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Does it come with a stand-alone battery charger?

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Date published: 2021-06-17

Are there any macro lens options that can ...

Are there any macro lens options that can producce greater than 1:1 magnification on this camera? Thanks.
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The below Staff answer is incorrect (1:2 is lesser magnification than 1:1). There are no native options that go beyond 1:1 - however you can use the Fuji GF 120mm Macro with the MCEX-45G WR extension tube to achieve 1:1. If you add the MCEX-18G WR in addition, you can go beyond 1:1.
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