Assembled for the aspiring filmmaker, the FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and a HDMI cable.
Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.
At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to an ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.
Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2" touchscreen LCD with a three-way tilting design.
The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.
In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.
Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
- Updated body shape is noticeably more compact and lightweight than previous GFX 100 models, making it especially well-suited for handheld shooting on location and in studio environments.
- Magnesium alloy body construction is both lightweight and durable, and the camera system is weather sealed to render it moisture- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
- Fixed 3.69m-dot OLED electronic viewfinder is featured for high-resolution, 0.77x-magnification eye-level viewing.
- A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique three-way tilting design that moves both upward and downward for shooting from high and low angles, and also tilts to the side to benefit shooting in the vertical orientation when in live view.
- Single NP-W235 rechargeable lithium-ion battery is rated to provide approximately 460 shots per charge.
- Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
- The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
- A 1.8" sub-LCD monitor on the top plate can be used to quickly view shooting settings and exposure data.
- Exposure mode dial on the top plate also incorporates six custom positions for quickly switching between pre-configured exposure settings.
- Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
- Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including the newly introduced Nostalgic Neg. effect, along with Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
- Pixel-Shift Multi-Shot mode is capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
- Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
- Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
- A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
- The Ninja V features a highly responsive 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood.
- The screen is also color-calibrated from the factory to ensure accurate image representation.
- Record Apple ProRes and ProRes RAW with select cameras at rates up to DCI 4K60 and up to 120 fps in HD.
- Enables ProRes RAW capture with smaller, more cost-effective, mirrorless cameras.
- Avid DNxHD/HR compatibility enables wide camera and editing software compatibility.
- HEVC/H.265 dual recording is available when using the Camera to Cloud mode.
- Display ten+ stops of dynamic range of your camera's log image with AtomHDR
- 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
- 10-bit color processing and user calibration
- Supports custom LUTs
- Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with up to 10-bit 4:2:2 chroma subsampling.
- The Ninja V also supports 5K and 6K RAW and 3.5K anamorphic RAW using select cameras.
- A variety of bit rates are available to fit your project and storage needs.
- The Atomos CONNECT is the ultimate expansion module for the Ninja V, providing an SDI interface that offers compatibility with a range of cameras and 12G-SDI to HDMI cross-conversion that expands your workflow options.
- Use the Atomos CONNECT to live stream to popular platforms and custom RTMP/S destinations to share your content from almost anywhere.
- Preserve your images in a 4:2:2, 8- or 10-bit format via your camera's HDMI output, even when the camera is recording compressed 4:2:0 8-bit video internally.
- Support for an array of industry-standard Log formats enables the Ninja V to capture optimal dynamic range and bypass your camera's internal compression.
- HDR monitoring is enabled by the Ninja V's compatibility with a wide range of industry-standard gamuts.
- See the Atomos website for the latest Log compatibility.
- The Atomos Cloud Studio (ACS) provides a collection of online production services for video creators and streamers. Pair your Ninja V with an Atomos CONNECT to use ACS to live stream to popular platforms and customized RTMP/S destinations.
- ACS also provides support for Adobe's Camera to Cloud (C2C) service that offers full-resolution capture, proxy file sharing, and real-time collaboration.
- Seamlessly connect to Premiere Pro, After Effects, Final Cut Pro, DaVinci Resolve, or Media Composer via Adobe C2C.
Mount your monitor with the AtomX 5 and 7" Monitor Mount from Atomos. The mount is compatible with the Atomos Shinobi, Ninja V, Flame, and Inferno series. It features a quick release plate, as well as 360° pan and 180° tilt functionality.
Outfit your 5" monitor with power options and travel accessories with this 5" Accessory Kit from Atomos. It's compatible with Ninja V, Shinobi, or Shinobi SDI monitor with two L-series batteries, a fast charger, a DC power supply, a sun hood, a screen protector, and a plastic travel case.
Connect your DCI 4K photo or video camera to your compatible monitor or display with the 17.7" ZILR Hyper-Thin Ultra-High Speed Micro-HDMI to HDMI Cable. It supports HDR10 and resolutions up to DCI 4K at 60 Hz for vibrant, ultra-high resolution playback.