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FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit

BH #FUGFX100SRK (B&H Kit)
FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit
Key Features
  • Atomos Ninja V 5" 4K Recording Monitor
  • Atomos AtomX 5 and 7" Monitor Mount
  • Atomos Power Kit v2
  • HDMI to Micro-HDMI Cable with Ethernet
Assembled for the aspiring filmmaker, the FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and a HDMI cable.
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FUJIFILM GFX 100S Overview

  • 1Description
  • 2FUJIFILM GFX 100S Medium Format Mirrorless Camera
  • 3Atomos Ninja V 5" 4K HDMI Recording Monitor
  • 4Atomos AtomX CAST Switcher Module for Ninja V/Ninja V+
  • 5Atomos AtomX 5 and 7" Monitor Mount
  • 6Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors
  • 7ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")
By B&H Photo's

Assembled for the aspiring filmmaker, the FUJIFILM GFX-100S Medium Format Mirrorless Camera Raw Recording Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and a HDMI cable.

FUJIFILM GFX 100S Medium Format Mirrorless Camera

Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.

At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to an ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.

Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2" touchscreen LCD with a three-way tilting design.

102MP BSI CMOS Sensor and X-Processor 4
Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100S is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
UHD and DCI 4K Video Recording
Utilizing the large sensor size for more than just stills, the GFX 100S also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
Sensor-Shift Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake to better suit handheld shooting. This system works in conjunction with any lens, including non-stabilized ones, but when used with OIS-enabled lenses offers up to approximately 6 stops of shake reduction.
Body Design
  • Updated body shape is noticeably more compact and lightweight than previous GFX 100 models, making it especially well-suited for handheld shooting on location and in studio environments.
  • Magnesium alloy body construction is both lightweight and durable, and the camera system is weather sealed to render it moisture- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Fixed 3.69m-dot OLED electronic viewfinder is featured for high-resolution, 0.77x-magnification eye-level viewing.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique three-way tilting design that moves both upward and downward for shooting from high and low angles, and also tilts to the side to benefit shooting in the vertical orientation when in live view.
  • Single NP-W235 rechargeable lithium-ion battery is rated to provide approximately 460 shots per charge.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • A 1.8" sub-LCD monitor on the top plate can be used to quickly view shooting settings and exposure data.
  • Exposure mode dial on the top plate also incorporates six custom positions for quickly switching between pre-configured exposure settings.
  • Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
Hybrid Autofocus System
The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers fast and accurate focusing performance along with low-light sensitivity down to -5.5 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.
Other Camera Features
  • Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including the newly introduced Nostalgic Neg. effect, along with Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Pixel-Shift Multi-Shot mode is capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
  • Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
UPC: 074101204735
Atomos Ninja V 5" 4K HDMI Recording Monitor
Ninja V: Versatile Monitoring and Recording
The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes RAW up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, plus support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.
Durable Design with Multiple Imaging Tools
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and is powered using a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.84.1 adds support for Sony a7R ProRes RAW recording.
5" Daylight Viewable Screen
  • The Ninja V features a highly responsive 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood.
  • The screen is also color-calibrated from the factory to ensure accurate image representation.
Recording Codecs Including Raw over HDMI
  • Record Apple ProRes and ProRes RAW with select cameras at rates up to DCI 4K60 and up to 120 fps in HD.
  • Enables ProRes RAW capture with smaller, more cost-effective, mirrorless cameras.
  • Avid DNxHD/HR compatibility enables wide camera and editing software compatibility.
  • HEVC/H.265 dual recording is available when using the Camera to Cloud mode.
Note:
A license is required for H.264 single or dual recording outside Cloud mode.
Bright 5" Display with AtomHDR
  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs
DSLR and Mirrorless Camera Support
Compatible with virtually any HDMI or SDI source, including cameras from ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM.
4K60 Capabilities
  • Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with up to 10-bit 4:2:2 chroma subsampling.
  • The Ninja V also supports 5K and 6K RAW and 3.5K anamorphic  RAW using select cameras.
  • A variety of bit rates are available to fit your project and storage needs.
SSD Recording
Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.
Wireless Remote Control
Use the iOS/macOS AtomRemote app to access an array of external controls for the Ninja V. Supporting a range of up to 49' using Bluetooth LE, the AtomRemote enables playback, mode selection, LUT application, imaging tools, and more.
Wireless Timecode
Compatibility with Atomos AirGlu enables the Ninja V to lock together multiple Atomos devices, compatible cameras, audio recorders, and software applications using frame-accurate timecode. AirGlu can also relay recording, battery status, and disk capacity information to whichever Atomos device you're using as a server unit.
Anamorphic De-Squeeze
The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.
Game Capture
Choose the Ninja V as a simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.
Optional Expansion Modules
Atomos CONNECT/Live Streaming
  • The Atomos CONNECT is the ultimate expansion module for the Ninja V, providing an SDI interface that offers compatibility with a range of cameras and 12G-SDI to HDMI cross-conversion that expands your workflow options.
  • Use the Atomos CONNECT to live stream to popular platforms and custom RTMP/S destinations to share your content from almost anywhere.
AtomX CAST
Use the AtomX CAST to transform your Ninja V into a compact, fully featured production studio. This component enables advanced multi-input switching from 4 x 1080p HDMI sources, the application of graphic overlays, and the ability to use a USB UVC webcam output for enhanced web conferencing and live streaming.
LUTs and Supported Log Formats
  • Preserve your images in a 4:2:2, 8- or 10-bit format via your camera's HDMI output, even when the camera is recording compressed 4:2:0 8-bit video internally.
  • Support for an array of industry-standard Log formats enables the Ninja V to capture optimal dynamic range and bypass your camera's internal compression.
  • HDR monitoring is enabled by the Ninja V's compatibility with a wide range of industry-standard gamuts.
  • See the Atomos website for the latest Log compatibility.
Atomos Cloud Studio
  • The Atomos Cloud Studio (ACS) provides a collection of online production services for video creators and streamers. Pair your Ninja V with an Atomos CONNECT to use ACS to live stream to popular platforms and customized RTMP/S destinations.
  • ACS also provides support for Adobe's Camera to Cloud (C2C) service that offers full-resolution capture, proxy file sharing, and real-time collaboration.
  • Seamlessly connect to Premiere Pro, After Effects, Final Cut Pro, DaVinci Resolve, or Media Composer via Adobe C2C.
Firmware Update 10.84.1
The AtomOS 10.84.1 firmware update enables you to record ProRes RAW using your Sony a7R V mirrorless camera.
Atomos AtomX CAST Switcher Module for Ninja V/Ninja V+
Convert your Ninja V or Ninja V+ 5" monitor into a full multi-camera broadcast studio switcher with the AtomX CAST from Atomos. The AtomX CAST takes its name from "broadcast", and it allows you to switch up to four HDMI video sources and output it to a variety of destinations such as an external monitor, a recorder, a separate switcher, or to a live streaming computer. Applications include corporate, house of worship, event, family, or studio production environments.
The CAST is specially designed to mount onto the back of the Ninja V/V+ monitor, and it provides four HDMI inputs that support a mix of different resolutions up to 1080p60. The touchscreen monitor can view a single image, Picture-in-Picture, or 4-Up modes, and you can also add logos and graphic overlays. It can send Program, Preview, Picture-in-Picture, and 4-Up displays to the HDMI output. You can select the source for monitor/output using the four source buttons, and you can also select the source using the monitor touchscreen. There are also four programmable function buttons to perform specific shortcuts.
The monitor allows you to preview your broadcast while simultaneously outputting to a recorder, a monitor, a projector, or when using the optional AtomX Connect for live streaming using a computer. It also supports recording output to ProRes and Avid DNx formats. It is compatible with most streaming platforms such as Skype, Zoom, Teams, and more using UVC with the included USB Type-C cable. The CAST is powered using the power adapter included with your Ninja V/V+, and it passes the power on to the monitor through the battery mount.
Atomos AtomX 5 and 7" Monitor Mount

Mount your monitor with the AtomX 5 and 7" Monitor Mount from Atomos. The mount is compatible with the Atomos Shinobi, Ninja V, Flame, and Inferno series. It features a quick release plate, as well as 360° pan and 180° tilt functionality.

UPC: 814164021296
Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors

Outfit your 5" monitor with power options and travel accessories with this 5" Accessory Kit from Atomos. It's compatible with Ninja V, Shinobi, or Shinobi SDI monitor with two L-series batteries, a fast charger, a DC power supply, a sun hood, a screen protector, and a plastic travel case.

UPC: 814164021241
ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")

Connect your DCI 4K photo or video camera to your compatible monitor or display with the 17.7" ZILR Hyper-Thin Ultra-High Speed Micro-HDMI to HDMI Cable. It supports HDR10 and resolutions up to DCI 4K at 60 Hz for vibrant, ultra-high resolution playback.

Supports DCI 4K @ 60 Hz
Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.
Perfect for Mirrorless Cameras
Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.
HDR: Color the Way it Was Intended
Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.
Hyper-Thin with No Compromise
The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
UPC: 743815949644

FUJIFILM GFX 100S Medium Format Mirrorless Camera Specs

Key Specs
Lens Mount
FUJIFILM G
Sensor Resolution
Effective: 102 Megapixel (11,648 x 8736)
Image Sensor
43.8 x 32.9 mm (Medium Format) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity Range
Photo
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 (Extended: 200 to 25,600)
Continuous Shooting
Mechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
Internal Recording Modes
H.265/MOV 4:2:0 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps
Raw 12-Bit via HDMI
4096 x 2160 at 23.98/24.00/25/29.97 fps
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x Micro-HDMI Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Input
Wireless
Wi-Fi, Bluetooth
Display Type
3-Way Tilting Touchscreen LCD
Battery Type
1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 460 Shots)
Imaging
Lens Mount
FUJIFILM G
Sensor Resolution
Effective: 102 Megapixel (11,648 x 8736)
Image Sensor
43.8 x 32.9 mm (Medium Format) CMOS
Crop Factor
0.79x
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/16000 to 3600 Seconds
1/16000 to 4 Seconds in Program Mode
1/16000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity Range
Photo
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 (Extended: 200 to 25,600)
Metering Method
Average, Center-Weighted Average, Multi-Zone, Spot
Exposure Modes
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
White Balance
Presets: Auto, Color Temperature, Custom, Fine, Fluorescent, Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/10-Second Delay
Still Image Capture
Image Sizes
4:3
11,648 x 8736
8256 x 6192
4000 x 3000
3:2
11,648 x 7768
8256 x 5504
4000 x 2656
16:9
11,648 x 6552
8256 x 4640
4000 x 2248
1:1
8736 x 8736
6192 x 6192
2992 x 2992
Aspect Ratio
1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image File Format
DNG, JPEG, Raw, TIFF
Bit Depth
16-Bit
Video Capture
Internal Recording Modes
H.265/MOV 4:2:0 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps
Raw 12-Bit via HDMI
4096 x 2160 at 23.98/24.00/25/29.97 fps
Broadcast Output
NTSC/PAL
IP Streaming
No
Built-In Microphone Type
Stereo
Audio Recording
2-Channel LPCM Audio
Interface
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x Micro-HDMI Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Input
Wireless
Wi-Fi, Bluetooth
Monitor
Display Size
3.2"
Resolution
2,360,000 Dot
Display Type
3-Way Tilting Touchscreen LCD
Secondary Display
Top: Status Display
Viewfinder
Type
Built-In Electronic (OLED)
Size
0.5"
Resolution
3,690,000 Dot
Eye Point
23 mm
Coverage
100%
Magnification
Approx. 0.77x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 425
Flash
Built-In Flash/Light
No
Flash Modes
Auto, First-Curtain Sync, Hi-Speed Sync, Manual, Off, Second-Curtain Sync, Slow Sync, TTL Auto
Maximum Sync Speed
1/125 Second (Focal Plane Shutter)
Dedicated Flash System
TTL
External Flash Connection
PC Terminal
Environmental
Operating Temperature
14 to 104°F / -10 to 40°C
Operating Humidity
10 to 80%
General
Battery Type
1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 460 Shots)
Shoe Mount
1 x Hot Shoe
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.9 x 4.1 x 3.4" / 150 x 104.2 x 87.2 mm
Weight
2 lb / 900 g (With Battery, Recording Media)
Packaging Info
Package Weight
3.425 lb
Box Dimensions (LxWxH)
9.8 x 7.7 x 5.6"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Key Specs
Display Size
5.0" / 12.7 cm
Resolution
1920 x 1080
Touchscreen
Yes
HDR Compatibility
HDR10, Hybrid Log Gamma
Video I/O
1 x HDMI 2.0 Input
1 x HDMI 2.0 Output
Media/Memory Card Slot
Single Slot: SSDmini/SSD with Master Caddy II/III
Power Consumption
10 W (Typical)
22 W (Maximum)
Display
Panel Type
IPS-Type LCD
Display Size
5.0" / 12.7 cm
Resolution
1920 x 1080
Aspect Ratio
16:9
Touchscreen
Yes
Maximum Brightness
1000 nits / cd/m2
Bit Depth / Color Support
8-Bit+FRC (1.07 Billion Colors)
HDR Compatibility
HDR10, Hybrid Log Gamma
Pixels Per Inch (ppi)
423 ppi
Color Gamut
100% Rec. 709
Real-Time LUT Monitoring
SDR
Image Controls
Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
Inputs / Outputs
Video I/O
1 x HDMI 2.0 Input
1 x HDMI 2.0 Output
Embedded Audio
HDMI: 2-Channel
HDMI: 8-Channel
Audio I/O
1 x 1/8" / 3.5 mm Mic/Line Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In Speaker
No
Power I/O
1 x D-Tap Input
Other I/O
1 x 2.5 mm (LANC)
Media/Memory Card Slot
Single Slot: SSDmini/SSD with Master Caddy II/III
Wi-Fi
No
Bluetooth
Yes
Mobile App Compatible
Yes: iOS Only
App Name: AtomRemote
Functionality: Adjust Settings, Remote Control
*As of August, 2021: Check with manufacturer for the most up-to-date compatibility
Format Support
Video Format
HDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma Curve
Rec709
Video Signal Conversion
HDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Recording
Pulldown Conversion
2:2, 3:2
Camera Trigger
HDMI
Pre-Roll Record
4K: 2 Seconds
Full HD: 8 Seconds
Encoding Formats
Up to 4097 x 2160
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit
DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks
12
Metadata Tagging
10
Power
DC Input Power
5.8 to 7.2 VDC
Built-In Battery
No
Battery Type
1 x L-Series
Power Consumption
10 W (Typical)
22 W (Maximum)
Mounting
Mounting
2 x 3/8"-16 Female
Environmental
Operating Temperature
104°F / 40°C
General
Material of Construction
Aluminum, Polycarbonate
Dimensions
5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight
12.7 oz / 360 g
Packaging Info
Package Weight
2.39 lb
Box Dimensions (LxWxH)
8.2 x 5.8 x 4.3"

Atomos AtomX CAST Switcher Module for Ninja V/Ninja V+ Specs

General
Compatibility
Atomos Ninja V
Atomos Ninja V+
Display
Panel Type
LCD
Size
Not Specified by Manufacturer
USB I/O
1 x USB-C Female Output
Video I/O
4 x HDMI Input
1 x HDMI Output
Power
Power Source
AC Input
DC Input Power
6.2 to 16.8 VDC
Physical
Mounting
Bottom: 1 x 1/4"-20
Bottom: 1 x 3/8"-16
Material of Construction
Plastic
Dimensions
6.3 x 5.1 x 1.9" / 160 x 129 x 49 mm
Weight
1.1 lb / 485 g
Packaging Info
Package Weight
1.98 lb
Box Dimensions (LxWxH)
9.5 x 6.8 x 2.8"

Atomos AtomX 5 and 7" Monitor Mount Specs

Pan
360°
Roll
180°
Packaging Info
Package Weight
0.28 lb
Box Dimensions (LxWxH)
4.1 x 3.9 x 2.15"

Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors Specs

Compatibility
Atomos Shinobi, Shinobi SDI, Ninja V Monitors
Material of Construction
Case: EVA Plastic
Battery Type
L-Series NP-F750
Hood
5" Monitor
Packaging Info
Package Weight
2.8 lb
Box Dimensions (LxWxH)
10.5 x 6.75 x 4"

ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7") Specs

General
Connector 1
1 x Micro-HDMI Male
Connector 2
1 x HDMI Male
Cable Length
17.7" / 45 cm
HDMI Version
2.0b
HDCP Support
, Version 2.2
Outer Diameter
0.138" / 3.5 mm
Connector Plating
Gold
Weight
0.56 oz / 16 g
Electrical
Maximum Resolution Support
4096 x 2160 at 60 Hz
Bandwidth
18 Gbps
Compliance
HDCP
Packaging Info
Package Weight
0.23 lb
Box Dimensions (LxWxH)
6.1 x 3.1 x 1.6"

FUJIFILM GFX 100S Reviews

See any errors on this page? Let us know

Are there full frame 35 and super 35 video modes ...

Are there full frame 35 and super 35 video modes for this camera that accommodate both of these respective smaller lens formats?
Asked by: Jordan
There are no full frame or super 35mm modes in the camera at the moment.
Answered by: Stephen
Date published: 2021-12-19

Can you shoot a smaller RAW file? or do you have ...

Can you shoot a smaller RAW file? or do you have to shoot the full res all the time?
Asked by: Sang
No, the FUJIFILM GFX 100S Medium Format Mirrorless Camera does not have options for lower resolution RAW files.
Answered by: Yaakov
Date published: 2023-10-18

Can the camera focus stack and pixel shift at the ...

Can the camera focus stack and pixel shift at the same time?
Asked by: Lenny
Just manually focus stack. Shoot in manual focus, when doing so a helpful hyperfocal gage pops up on the lcd so you can overlap the focus areas. Do that and pixel shift each image, then combine all the images in photoshop. Not sure why you would want to do this though...100mp is plenty resolution for massive prints. Plus the file you would be stacking would be stupid large...you would need a crazy powerful computer to combine something like that. Its possible, just do it manually in camera.
Answered by: Raynor
Date published: 2022-01-08

What is the image size when recording video? Can ...

What is the image size when recording video? Can the Fuji GFX100S record Medium Format image size at 4k? Medium Format at 1080p?
Asked by: s
Shooting 4K or 1080P video on the GFX100S does not utilize the entire sensor.
Answered by: Kirk
Date published: 2021-07-08

IS THERE A TELECONVERTER FOR THIS CAMERA BODY?

IS THERE A TELECONVERTER FOR THIS CAMERA BODY?
Asked by: alan
Yes. The Fujifilm GF 1.4X TC WR teleconverter exists for use with the GFX-series of cameras as well as the 100-200mm f/5.6 R LM OIS WR and 250mm f/4 R LM OIS WR GFX lenses. https://bhpho.to/3cAIJsY
Answered by: Jeremy
Date published: 2021-11-22

Is there any options for using a external ...

Is there any options for using a external intervalometer for time-lapse photography
Asked by: Ian
At the moment there isn't a compatible intervalometer for the X100s.
Answered by: Stephen G
Date published: 2021-05-10

Does it come with a stand-alone battery charger?

Does it come with a stand-alone battery charger?
Asked by: Peter
A stand-alone charger is not included. What is included is a USB cable and the AC-5VJ AC Power Adapter to charge the battery in-camera.
Answered by: Kirk
Date published: 2022-12-16

Are there any macro lens options that can ...

Are there any macro lens options that can producce greater than 1:1 magnification on this camera? Thanks.
Asked by: Satya
The below Staff answer is incorrect (1:2 is lesser magnification than 1:1). There are no native options that go beyond 1:1 - however you can use the Fuji GF 120mm Macro with the MCEX-45G WR extension tube to achieve 1:1. If you add the MCEX-18G WR in addition, you can go beyond 1:1.
Answered by: Matt
Date published: 2021-06-14
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