Get yourself the sound of the 1960s in your DAW-based productions with the TH-U '60s Expansion Pack from Overloud. This downloadable software helps you recreate the guitar tones of the most influential artists of the '60s, giving you amp sounds fitting for British Rock, Early Rock, Psychedlic, Blues, and more. The pack includes 6 emulated guitar amplifiers, 6 cabinets, and 11 effects, all representative of the 1960s. There are 36 preset patches to recreate guitar tones of famous songs throughout decade.
Note:
The software requires a previously purchased version of TH-U or one of its Editions.
ROCK '59 RR Amp and Cab
Inspired by a Marshall 1959RR, this model is based on a Super Lead head with the Randy Rhoads mod. In this mod, the two input stages are cascaded for additional gain. You can select Input 1 for a more traditional SLP tone, or Input 2 for the modded channel. In input 2, VOL 1 knob acts as the standard Master Volume and the VOL 2 knob controls the additional gain.
Tube models can be changed into TH-U, to extend its tone palette. The pack also includes the IRs of a 4x12" 1960AW speaker cabinet, with 4 G12T-75 speakers.
Tube models can be changed into TH-U, to extend its tone palette. The pack also includes the IRs of a 4x12" 1960AW speaker cabinet, with 4 G12T-75 speakers.
TOP15 Amp and Cab
Inspired by the 1958 Vox AC15, the Vox amp that started it all, it breaks up at lower levels and offers a slightly brighter tone than the AC30. Tube models can be changed to extend its tone palette. This model includes a model of its 1x12" cabinet based on a single 12" Celestion/Vox alnico speaker.
America Super '66 Amp and Cab
Inspired by the 1966 Fender Super Reverb, this amp is loud, proud, and punchy. This blackface 40W amplifier includes the Bright switch, with a response that changes according to the Volume settings in order to provide a solid, well-balanced, clean-to-crunchy tone.
This amp is a standard piece a lot of studios and collections. Tube models can be changed into TH-U, to extend its tone palette. It includes the model of its 4x10" speaker cabinet.
This amp is a standard piece a lot of studios and collections. Tube models can be changed into TH-U, to extend its tone palette. It includes the model of its 4x10" speaker cabinet.
Magnetic Delay
The Magnetic Delay component seeks to recreate the tone of a Binson Echorec 2, the drum delay unit used by David Gilmour and by the Shadows to create sounds that were quite innovative at the time. Only magnetic (tape and drum) delays were available in the '60s, as the bucket brigade circuits didn't allow long delay times, so this is a crucial effect to recreate the typical mood of that decade.
Satisfaction Fuzz
Inspired by the Maestro FZ-1 Fuzz, this was the first widely marketed guitar fuzz effect. Introduced in 1962, it became popular in 1965 after Keith Richards prominently used the it on Satisfaction. Based on three germanium transistors, it has a very brilliant tone. The Attack knob controls the amount of fuzz and the Volume knob can be used to set how hard it drives the amplifier.
Analog Boost
This special treble booster allows you to separately control the total amount of boost and the amount of treble boost. This pedal is particularly useful when pushing it into saturation without muddying up the mix.