Video Chat with a B&H Expert & Get Photography Advice Live!

Sony a7R IVA Mirrorless Camera with 16-35mm f/2.8 Lens Kit

BH #SOA7R4A163LK (B&H Kit)
Sony a7R IVA Mirrorless Camera with 16-35mm f/2.8 Lens Kit
Key Features
  • 61MP Full-Frame Exmor R BSI CMOS Sensor
  • BIONZ X Image Processor & Front-End LSI
  • 567-Point Phase-Detection AF System
  • UHD 4K30p Video with HLG & S-Log3 Gammas
Bundling the advanced mirrorless body with a versatile zoom, the Sony a7R IVA Mirrorless Camera with 16-35mm f/2.8 Lens Kit from B&H pairs the high-resolution full-frame camera with the FE 16-35mm f/2.8 GM wide-angle zoom lens.
In Stock
$475/mo. suggested payments for 12 Mos.
with the credit card.§ 
Protect your Gear
Add a protection plan from $215.99
Savings Available:

Trade in your gear for cash: Learn more

True Know-How

Ask Our Experts


Sony A7R IV Overview

Sony a7R IVA Mirrorless Camera

A New World of Photographic Expression

Moving to an even higher resolution realm, the Sony a7R IVA continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance and versatility. This fourth edition of the a7R sees the inclusion of an updated 61MP sensor along with faster processing, improved AF performance, and a more well-rounded feature-set for both high-end photo and video applications.

Sensor and Processor

61MP Exmor R BSI CMOS Sensor

Featuring a back-illuminated design, the newly designed full-frame 61MP Exmor R CMOS sensor offers a mixture of incredible resolution with high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive image quality and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400.

BIONZ X Image Processor

The BIONZ X engine's high-speed image processing enables fast continuous shooting, 4K video recording, and advanced AF tracking. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.

In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, at full resolution, for up to 68 consecutive frames, with full-time AF/AE.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.

Fast Hybrid AF System

An updated Fast Hybrid AF system now employs a combination of 567 phase-detection points, which cover approximately 99.7% of the height and 74% of the width of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This focusing system also achieves especially quick speed and reliable tracking, as well as enhanced low-light focusing response down to -3 EV.

The apt focus system also lends itself to a variety of focusing functions for refined accuracy:
  • Lock-on AF maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject
  • Expand Flexible Spot employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus
  • Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes and for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills.
  • The Focus Magnifier function can be used for critical focus when homing in on minute subject details
  • Rear touchscreen can be used for Touch Focus control and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder

Video Recording

UHD 4K Video Recording in XAVC S Format

  • Internal recording of UHD 4K video is possible in multiple frame rates up to 30 fps using the full width of the sensor with 8-bit 4:2:0 color sampling using the 100Mbps XAVC S codec.
  • Oversampled 4K recording is also possible, which uses a 6K capture area with a Super 35 crop for greater detail. This full pixel readout is void of pixel binning for higher quality imagery with reduced moiré and aliasing.
  • Full HD 1080p recording is also supported in frame rates up to 120 fps. The high-speed, 120 fps recording also enables 4x and 5x Slow& Quick Motion (S&Q) movie recording with the frame rate set to either 30p or 24p.
  • In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
  • 4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

S-Log3 and HLG Color Control

  • HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
  • S-Log3 is also available for producing a 14+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Body Design and Connectivity

Viewfinder and LCD Screen

  • Updated OLED Tru-Finder EVF has a 5.76m-dot resolution for bright, clear viewing in rich detail
  • Dedicated High quality setting enables a 120 fps refresh rate for especially smooth playback of moving subjects.
  • The 3.0" 2.36m-dot rear LCD has a touch panel design for intuitive operation and focusing control.
  • Screen tilts upward 107° and downward 41° to benefit working from high and low angles.

Professional Body Design

  • Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.
  • Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
  • Using the same NP-FZ100 battery as its predecessor, the a7R IVA's battery life is rated for approximately 530 shots per charge with the EVF or 660 shots with the rear LCD.
  • Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.

Ports and Interface

  • USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
  • Updated Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
  • Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
  • HDMI micro (Type D) connector offers a clean signal out for working with optional external recorders.
  • Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.

Wireless Connectivity

  • Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
  • Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
  • Bluetooth connectivity also allows for location data acquisition.

5-Axis SteadyShot INSIDE Image Stabilization

Packed into the robust a7R IVA is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Dedicated Accessories from Sony

Complementing the camera body is a trio of accessories to increase battery life and enhance audio recording capabilities when shooting video. The VG-C4EM Vertical Grip is the dedicated battery grip, which accepts up to two more NP-FZ100 batteries for extended shooting times. Its ergonomic design also enhances handling when shooting in the vertical orientation.

For improved audio recording, and making use of the a7R IVA's updated Multi Interface Shoe and digital audio interface, there is the ECM-B1M Shotgun Microphone, which delivers a digital audio stream directly to the camera for cleaner quality with low noise. For even more advanced audio control, there is also the XLR-K3M XLR Adapter Kit, which is a dual-channel digital XLR audio adapter for connecting external microphones to the camera while still benefitting from the digital audio interface.

Sony FE 16-35mm f/2.8 GM Lens

Ultimate Wide-Angle Versatility

Offering G Master performance in a compact, fast, and versatile form, the Sony FE 16-35mm f/2.8 GM is a wide-angle zoom covering ultra-wide to standard wide-angle fields of view. Ideal for a range of subjects, from landscape to lifestyle to architecture, the lens's advanced optics and bright f/2.8 design pair with a flexible zoom design to suit working in a variety of shooting conditions.

G Master Design

  • As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.
  • Bright f/2.8 constant maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.
  • Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
  • Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing shallow depth of field techniques.
  • Two XA (extreme aspherical) elements and three standard aspherical elements are incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, distortion and other spherical aberrations for a high degree of sharpness and accurate rendering.
  • Two ED elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

Practical and Intuitive Handling

  • Two Direct Drive SSM (DDSSM) autofocus groups offer quick, quiet, and precise focusing performance that is ideal for both stills and video applications.
  • Floating focusing system divides the focus group into two separately controlled groups and helps to maintain consistently clear optical performance throughout the zoom and focus ranges.
  • Dedicated focus hold button and AF/MF switch for direct tactile control over focus settings.
  • Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
  • Front element features a fluorine coating to guard against fingerprints and dust from adhering to it.

Sony a7R IVA Mirrorless Camera Specs

Lens MountSony E
Sensor ResolutionActual: 62.5 Megapixel
Effective: 61 Megapixel (9504 x 6336)
Sensor Type35.7 x 23.8 mm (Full-Frame) CMOS
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter
Shutter SpeedMechanical Shutter
1/8000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
100 to 32,000 in Auto Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
100 to 32,000 in Manual Mode
Metering MethodCenter-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range-3 to 20 EV
White BalancePresets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous ShootingUp to 10 fps at 61 MP for up to 68 Frames (JPEG)
Interval RecordingYes
Self-Timer2/5/10-Second Delay
Still Image Capture
Image Sizes3:2 Raw
9504 x 6336
4:3 Raw
8448 x 6336
16:9 Raw
9504 x 5344
1:1 Raw
6336 x 6336
3:2 JPEG
9504 x 6336
6240 x 4160
4752 x 3168
4:3 JPEG
8448 x 6336
5552 x 4160
4224 x 3168
16:9 JPEG
9504 x 5344
6240 x 3512
4752 x 2672
1:1 JPEG
6336 x 6336
4160 x 4160
3168 x 3168
Aspect Ratio1:1, 3:2, 4:3, 16:9
Image File FormatJPEG, Raw
Bit Depth14-Bit
Internal Video Capture
Recording ModesXAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Video SystemNTSC/PAL
Built-In Microphone TypeStereo
Audio RecordingAVCHD: 2-Channel AC-3 Audio
XAVC S: 2-Channel LPCM Audio
External Video Capture
External Recording Modes4:2:2 8-Bit via HDMI
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p
Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p
IP StreamingNone
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1 x Micro-HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Other I/O1 x Sony Multi/USB Micro-B Input/Output (Shared with Remote Input)
1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Input/Output (Shared with Power Input)
1 x PC Sync Socket Output
Power I/O1 x USB Type-C Input/Output
WirelessWi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)None
Resolution2,359,296 Dot
Display TypeTilting Touchscreen LCD
TypeBuilt-In Electronic (OLED)
Resolution5,760,000 Dot
Eye Point23 mm
MagnificationApprox. 0.78x
Diopter Adjustment-4 to +3
Focus TypeAuto and Manual Focus
Focus ModeAutomatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 567
Contrast Detection: 425
Autofocus Sensitivity-3 to +20 EV
Built-In FlashNo
Flash ModesAuto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash SystemS-TTL
External Flash ConnectionIntelligent Hot Shoe, PC Terminal
Operating Temperature32 to 104°F / 0 to 40°C
Battery Type1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 530 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Material of ConstructionMagnesium Alloy
Dimensions (W x H x D)5.07 x 3.8 x 3.05" / 128.9 x 96.4 x 77.5 mm
Weight1.46 lb / 665 g
Packaging Info
Package Weight3.04 lb
Box Dimensions (LxWxH)9.5 x 6.1 x 5.5"

Sony FE 16-35mm f/2.8 GM Lens Specs

Focal Length16 to 35mm
Maximum Aperturef/2.8
Minimum Aperturef/22
Lens MountSony E
Lens Format CoverageFull-Frame
Angle of View107° to 63°
Minimum Focus Distance11" / 28 cm
Maximum Magnification0.19x
Optical Design16 Elements in 13 Groups
Diaphragm Blades11, Rounded
Focus TypeAutofocus
Image StabilizationNo
Filter Size82 mm (Front)
Dimensions (ø x L)3.5 x 4.8" / 88.5 x 121.6 mm
Length at Maximum Extension5.4" / 136.2 mm
Weight1.5 lb / 680 g
Packaging Info
Package Weight2.56 lb
Box Dimensions (LxWxH)8.4 x 5.6 x 5"

Sony A7R IV Reviews

Fantastic Camera for the Price.

By Frank
Rated 5 out of 5
Date: 2022-07-03

At 61 mp with all the features of a Sony, this camera is very hard to beat. The autofocus is spectacular and the animal eye focusing sensoring make it a great choice for wildlife photography. the 61 mp make it essentially a medium format camera that is perfect for landscape photography.. It is the greatest all in one package that I have found.

I love my Sony A7R4, it's an absolute beast (with caveat)

By Robert
Rated 4 out of 5
Date: 2022-06-18

I bought the A7R4 for the high resolution sensor, because I take high-resolution long exposure deep focus environmental portraits. It is ideal for this purpose, especially with excellent Sony/Zeiss lenses, and I'm very happy with it. The design is boxy, not light-weight, and not sexy, but the camera is powerful. The A7R4 is also an improvement over the A7R2, which I keep, in terms of the larger body, bigger buttons, longer battery life, the two slots, and more metering options. The menus are what they are, but at least they're logically organized and you can create shortcuts. The A7R4 is said to have a higher dynamic range than the A7R2, but FOR WHAT I DO, I've found that after sunset, I shouldn't go over ISO 400 and should keep exposure compensation between -1.7 to +1.7 EC or I get much too much noise FOR ME. THE CAVEAT: I control the A7R4 with an iPad Pro, connecting via WiFi with Imaging Edge. Imaging Edge must have been designed by apes. Signal drops. Missed shots because settings are slow to change. Screen space dominated by controls instead of the image. No histogram. And why, oh why, did Sony renove Tap-to-Focus???

Serial Number? Highest Quality Full-Frame Camera Period.

By Joseph
Rated 5 out of 5
Date: 2022-06-09

This is the highest quality full-frame camera period. I use it for everything from photoshoots to sports. Just needs a 100x faster read out speed and even better AF. However, my newest body, ordered with one-day shipping yesterday, just arrived. My serial number of this newest ILCE-7RM4A body is: 1200xx This is worrying me, because the body I purchased last year, also an ILCE-7RM4A body, has a serial number of 33770xx And the box for this newest camera that arrived in FedEx about 30 minutes ago did not have any paperwork in it. No warranty, manual, etc. My worry is that since the new serial number is so much lower than my old one, that maybe I got an old one or used one even. Have any other customers had a serial number on your recent purchases similar to 1200xx? I've never had anything wrong happen from B&H, nothing but amazing service all the time, but I'm still worried, and would feel better if any other customers can confirm your serial numbers lately are similar to 1200xx, and if your boxes lately also don't have any paperwork in them. Maybe this just something new from Sony?

Better than expected

By Randall
Rated 5 out of 5
Date: 2022-05-14

I owned the a7rii and loved it. I really wanted an upgrade on my camera and decided to pay the price. After taking a few hundred photos I have to say it is sooooomuch better! I take birds photos and the photos are better, I get more flying photos where before I would miss the shots or miss the focus. The AF on the iv is so much faster and I'm very pleased...better than expected. Camera is built solid too. If you are thinking about the upgrade, go for it.

Almost perfect, but one unacceptable flaw

By Joseph
Rated 3 out of 5
Date: 2022-05-06

To be fair, I'm not 100% the flaw is the camera or the Sony lenses, but while I love virtually everything about this camera, I don't love the weather sealing. Sensor dust is a HUGE issue on this thing. Even when I change lenses in controlled conditions, it's like there's a vacuum in the body sucking in dust particles. It's wild. I've got 5 other camera bodies (2 Nikons, 2 Fujifilms), and none of them suffer the way this one does.

A small full frame light weight very high performance camera

By Peter
Rated 5 out of 5
Date: 2022-04-06

I have had an on and off love affair with Sony cameras. I have, at present, a Nikon Z7, Canon R5, Fujifilm X T4 and this Sony. This may sound as if I have a bad case of GAS (gear acquisition syndrome) but I have been using all 4 makes for some considerable time and I find that each make satisfies some different picture taking moods at different times. So, I have I never abandoned them, just making incremental improvements as they make changes that seem to make sense. I purchased the Sony A7RIII when it first arrived since that was the first time that they had a usable high resolution version of their A7 series. I quite liked it but was put off by the overly obtuse menus and the angular handling of the camera. It was not an easy camera to use and love. I immediately upgraded to the A7RIV because it was higher resolution and had much better handling (deeper hand grip) but those obtuse menus prevailed, although I was getting used to them. I was getting good pictures without the camera getting in the way and the autofocus was superb. But then I tried a Nikon Z7 and fell in love with the handling and excellent menu structure. However I did not like the pictures I took. I am not sure why but the camera kept failing me or getting in the way at crucial times (usually autofocus issues). However the new Canons came out (and I was a dedicated Canon shooter in the film days and early DSLR era) and decided I had to try one and bought the R6. I immediately sold my Sony and all the lenses and went back to Canon in a big way. I upgraded to the R5 which is a great camera, except for two significant things: size (it feels big to me) and RF lens availability. Canon lenses are either way too expensive or cheap and feel nasty with mediocre performance and you are restricted to what Canon produces and when they produce it. Which brings me back to Sony and this camera. Sony has two major things on its side: Size and available lens options. So I decided to buy back into the Sony ecosystem and bought this A version of the A7RIV. I am aware of the fact that they are probably going to replace it in the near future (although parts issues look as if this may be delayed for a while). And I love it. I have bought the odd Sony lens, but have bought into the Tamron f/2.8 lenses for this camera which makes for a relatively low cost hight performance full frame camera system. I easily slipped back into the arcane menu structure and set it up. It is no longer the king of autofocus (the R5 is just as good for me) but it is still in the top 3 and it is generally the camera I have with me due to its compact size and weight. I use the R5 to satisfy my speed needs and the Nikon Z7 languishes on the side while I decide what to do with it. My Fuji X T4 is used when I want that old shooting experience. That is my fun camera. Pros: 1. Compact size and weight. 2. Excellent battery life. 3. High resolution and dynamic range. 4. Excellent lens options from many manufacturers. 5. Excellent autofocus, although no longer the best. 6. Excellent out of camera JPGs (if set up to your taste). 7. High resolution sensor allows you to crop in for those subjects out of reach with the lens you have on at the time. Cons: 1. Still not the best ergonomics (angular body with buttons in odd places). 2. Arcane and obtuse menu structure that has a longer than necessary learning curve (now updated in the A1, but still not that good). 3. A little expensive for an older design, although the camera still performs in the top tier which is a tribute to its advanced technology. 4. Sony software update process is unnecessarily complex. 5. High resolution produces large sized images (you just need to be prepared for this). 6. Sony lenses are really expensive (some of them are really good, but some of the older ones are slow and not that sharp). Overall I am back in love with this camera and despite its many flaws, it is my goto camera when going out. It does not get in the way of making good pictures.

B&H customer service is great!

By tony
Rated 5 out of 5
Date: 2022-06-30

Hard to beat B&H

doing good

By Minor
Rated 5 out of 5
Date: 2022-06-28

I needed to upgrade my old cameras , the a7Riv A was a good choice , everything work's better so I am good ,lighter faster , and bigger files ,

See any errors on this page? Let us know


A simple question...I shoot mainly ...

A simple question...I shoot mainly the upgrade from the R3 to R4 worth it?
Asked by: David
An upgrade to the A7R IV would be worth it based on the higher resolution it offers. This particularly good for those looking for the highest possible image quality for publication or enlargements.
Answered by: Kirk
Date published: 2022-06-12

I am wondering how the a7Riv will perform with a ...

I am wondering how the a7Riv will perform with a lens that is not a GMaster. I have the Z 55 F1.8, the Z 35 F2.8, the 90mm Macro F28, the 16-35 F4, and the 24-70 GMaster. Will all perform well, if not what are the issues ? Thanks
Asked by: Glenn
Just as those lenses will perform at different levels of quality on a 24MP sensor, they will perform at different levels on a 61MP sensor. There's no objective line that you can draw to say this lens will perform adequately and that lens won't--it's a subjective decision that each photographer needs to make. Better lenses will perform better, on 24MP or on 61MP.
Answered by: Boyd
Date published: 2019-09-13

does the sony a7riv overheat?

does the sony a7riv overheat?
Asked by: Handong
Im never used for video, for photography and long live viewing never got over heat
Answered by: mohammad mehdi
Date published: 2022-04-03

If I upgrade from the a99ii to the a7Riv, will ...

If I upgrade from the a99ii to the a7Riv, will the battaries and memory cards of the a99ii work in the a7Riv?
Asked by: Ron
Batteries, no. Memory cards, yes.
Answered by: Jeremy
Date published: 2021-04-25

Does is have banding in artificial light?

Does is have banding in artificial light?
Asked by: WALTER
What Jeremy has noted is probably true - but in the work I do, I have not had any such issues.
Answered by: Vasant
Date published: 2021-07-21

Does Sony have a AC adapter for this camera ?

Does Sony have a AC adapter for this camera ?
Asked by: janina
Sony does not have an AC adapter for the Sony Alpha a7R IV Mirrorless Digital Camera but there is is the IndiPRO Tools AC Power Supply with NP-FZ100 Dummy Battery. Here is the link:
Answered by: Lawrence
Date published: 2020-07-08

Does the A7RIIII suffer on low light video ...

Does the A7RIIII suffer on low light video performance sense it has 62m compared to the A7III 24m? Or is it pretty much the same? Is the dynamic range up to par as well?
Asked by: Joseph
Hi--the A7 III performs almost to the level of the low-light video king, the A7s II, so if low-light video is the most important aspect for you, the A7 III is probably the better option, although if you shoot in Super35, for instance, you will be getting images with 10MP with the A7 III, but 24MP with the A7R III. The A7R III has great low-light performance, but not quite at the level of the A7 III.
Answered by: Boyd
Date published: 2020-11-08

If you use APSC/A mount lenses, does it slow down ...

If you use APSC/A mount lenses, does it slow down the picture taking speed/workflow?
Asked by: Derek
I don't have aps-c lenses so do not have first hand knowledge. It probably depends on the focusing speed of the lens you use. Cheaper lenses without fancy focusing motors will be slower than G or GS lenses. Other than that why should it. Smaller files will make recording, downloading and processing faster.
Answered by: Anonymous
Date published: 2019-12-11
  • y_2022, m_7, d_4, h_21CST
  • bvseo_bulk, prod_bvqa, vn_bulk_3.0.32
  • cp_1, bvpage1
  • co_hasquestionsanswers, tq_150
  • loc_en_US, sid_1645727, prod, sort_[SortEntry(order=HAS_STAFF_ANSWERS, direction=DESCENDING)]
  • clientName_bhphotovideo