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Austrian Audio CC8 Stereo Set Small-Diaphragm Condenser Microphone (Matched Pair)

BH #AUCC8SS • MFR #STCC8-D
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Austrian Audio CC8 Stereo Set Small-Diaphragm Condenser Microphone (Matched Pair)
Key Features
  • Matched Pair of Mics for Stereo Setups
  • Cardioid Pattern Lowers Background Noise
  • Selectable Pad at -10 or -20 dB
  • Selectable 60/120 Hz High-Pass Filter
Designed by a team of former AKG personnel, the Austrian Audio CC8 Stereo Set is a matched pair of small-diaphragm condenser microphones offering smooth and detailed sound that's ideal for stereo capture of acoustic instruments, such as piano, acoustic guitar, violins, and percussion, in personal studios and commercial recording facilities. The CK1-inspired capsule features a durable, gold-coated diaphragm and a precise cardioid polar pattern, which yields reliable on-axis directivity and reduced pickup of background noise at the rear and sides of the mic.
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Austrian Audio CC8 Overview

From Manufacturer

Designed by a team of former AKG personnel, the Austrian Audio CC8 Stereo Set is a matched pair of small-diaphragm condenser microphones offering smooth and detailed sound that's ideal for stereo capture of acoustic instruments, such as piano, acoustic guitar, violins, and percussion, in personal studios and commercial recording facilities. The CK1-inspired capsule features a durable, gold-coated diaphragm and a precise cardioid polar pattern, which yields reliable on-axis directivity and reduced pickup of background noise at the rear and sides of the mic.

Switches are provided on the back of the CC8 for easy access to the pad and roll-off settings. Set the pad to -10 or -20 dB to avoid distortion when miking loud sources such as drums or guitar cabinets. Activate the high-pass filter at 60 or 120 Hz for attenuation of low-frequency problems including rumble and proximity effect. The CC8 includes two mic clips, two windscreens for mitigating noise from breaths and blasts of air, a stereo bar that allows easy stereo mic configurations, and a transport case.

Heritage and Legacy
  • Austrian Audio's core team comprises former AKG (Vienna) personnel.
  • Patents held in multiple disciplines
  • Developed some of the world’s best-selling microphones and headphones, which became industry standards
  • Extensive practical knowledge and ODM (Original Design Manufacturing) work in pro audio, consumer, and automotive acoustics
  • Leaders in many engineering disciplines, including acoustics, audio electronics, DSP, firmware, mechanical, noise cancelling, software, test and measurement, and transducer
The Capsule
  • At the heart of the Austrian Audio CC8 microphone beats the newly developed OCC7 condenser capsule. Inspired by the legendary CK1, the OCC7 delivers all the benefits of that classic design updated to meet the demands of today.
  • The capsule’s 3 micron-thick, gold-coated, polyethylene naphthalate (PEN) diaphragm is much more robust than conventional Mylar alternatives. The fabric filter ensures constant broadband cancellation, attenuating sound coming from the sides and rear, resulting in outstanding cardioid characteristics.
  • The OCC7 capsule and transformerless output give the CC8 a remarkably linear frequency response, handling extremely high sound pressure levels of up to 156 dB without distorting. Combined with a very low self-noise of only 16 dBA, this results in an exceptional dynamic range.
The Sound
  • The CC8 excels in capturing the fast transient and spatial information required for an accurate recording. It sounds natural and open without becoming harsh or spiky, even at extreme volumes. The mids and highs are silky smooth, never exaggerated.
  • With quieter sources such as a soft stringed instrument or a voice, the CC8's low self-noise comes into its own, and the nuances of the performance are captured with outstanding detail and clarity.
  • Before leaving the factory, each microphone is measured and tuned (in Austrian Audio's special in-house anechoic chamber) to a minimum tolerance of maximum ±0.5 dB sensitivity at 1 kHz. This means that any CC8 can be match-paired with any other, regardless of production dates
Versatile Applications
  • Small-diaphragm microphones are particularly popular for the detailed recording of various acoustic instruments found in classical ensembles and jazz formations, such as stringed instruments, woodwinds, brass, and orchestral percussion. Plus, they are commonly used on instruments found in all genres like acoustic guitar, piano, snares, hi-hat, and entire drum sets (when used as overheads).
  • The CC8’s small dimensions allow targeted positioning even in tight and difficult places, both in the studio and on stage.
Key Features
  • Tight factory calibration (±0.5 dB at 1 kHz) allows out-of-the box matching with any other CC8
  • Best-in-class off-axis response
  • True condenser technology
  • Transformerless design for a classic sound
  • High-precision cardioid pattern reduces pickup of ambience
  • Metal housing, cap, and grille
  • Switchable 12 dB/octave high-pass filter at 60 or 120 Hz
  • Selectable pad (-10 or -20 dB)
  • XLR 3-pin output connector
  • 48V phantom powered
  • Includes two mic clips, two windscreens, a stereo bar, and a transport case
  • Made in Austria
UPC: 810019100314

Austrian Audio CC8 Specs

Key Specs
Microphone Type
Small Diaphragm
Polar Pattern
Cardioid
Element Type
Condenser
Controls
Low Cut/HPF, Pad
Frequency Response
20 Hz to 20 kHz
Maximum SPL
156 dB
Analog Output
1x XLR 3-Pin Male
Power Sources
Phantom Power
Microphone
Microphone Type
Small Diaphragm
Polar Pattern
Cardioid
Element Type
Condenser
Sound Field
Stereo Pair / Dual-Mono
Orientation
End Address
Controls
Low Cut/HPF, Pad
Pad
-10 / -20 dB
Filter & EQ
Low-Cut Filter: 60 Hz, 12 dB/Octave / 120 Hz, 12 dB/Octave
Circuitry
Solid-State
Performance
Frequency Response
20 Hz to 20 kHz
Maximum SPL
156 dB
Equivalent Noise Level
16 dB (A-Weighted)
Connectivity
Analog Output Connector
1x XLR 3-Pin Male
Power
Power Sources
Phantom Power
Operating Voltage
48 V (Phantom Power)
Physical
Color
Gray
Mounting Thread Size
5/8"-27 Female
Dimensions
ø: 0.9 x L: 5.5" / ø: 23 x L: 140 mm
Weight
5.6 oz / 160 g
Packaging Info
Package Weight
4.53 lb
Box Dimensions (LxWxH)
14.4 x 11.8 x 5.1"

Austrian Audio CC8 Reviews

Rare find - an SCD with a no-hype upper-mids/treble response

By Colm
Rated 5 out of 5
Date: 2025-09-07

I first purchased a single CC8 micto try it out on recording my acoustic guitars. I had previously tried various small condenser mics, and was never happy with them - the upper mids and treble sound excessive and compressed. I found that first CC8 had plenty of top end, but it didn't have that hyped/compressed sound that I heard from the other mics. The recordings had a pleasant sound to them overall, so I bought a stereo pair from B&H, and I'm very happy with the sound. I just apply a small upper-mids / treble lift with an EQ in post, and they sound great! Slightly-darker mics like the CC8 tend to take those EQ adjustments better than the hyped mics take an EQ cut, in my experience. I also like ribbon mics for the same reason - a very natural upper mid/treble response can be had with an EQ applied. Some minor issues below, but not enough to remove a star from the rating: 1. The stereo bar mic-mounting screw threads are very coarse, and it makes them a little difficult to get started at the correct angle in the stereo mounting bar. I was surprised how many attempts it took to get the mounting screws to thread properly without cross-threading. 2. The mic has a fairly pronounced proximity effect, but that's not unusual for small condenser mics. It has a variable high-pass filter for helping taming that, and/or you can just pull the mic back a bit from the sound source. Since it's a cardioid pattern, the more-distant placement doesn't pickup as much reverb from the room like an omni or figure-8 pattern does.

Clean clear versatile

By Rufus
Rated 5 out of 5
Date: 2025-01-10

So far, I have used these to record cello, piano, acoustic, and electric guitar and now I’m using one of them for a VO mic which surprised me. Very happy.

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