From Manufacturer
The Studio Session Pack from FLUX conveniently bundles eight studio versions of their plug-ins together for music engineers and producers primarily mixing down to stereo formats. Included are the Pure Analyzer, Bittersweet Pro, Pure Compressor, Epure EQ, Pure Expander, Pure Limiter, Syrah, and Ircam Tools Verb Session plug-ins. These studio versions use the exact same engines as the professional versions, but they offer a limited feature set tailored for music producers who don't need advanced postproduction features such as multichannel options and sample rates higher than 96 kHz. The Studio Session Analyzer included here does not offer hardware I/O support and does not support the additional Live, Metering, and Multichannel Options.
The Pure Compressor v3 from Flux is a dynamics plug-in that provides a wide range of effects, from clean and transparent subtle compression, to classic heavy pumping, while providing total hands on control over every parameter, as well as of the fundamental characteristics of the compression process itself.
In addition to the more common dynamics processing controls (ratio, attack, release, etc.,) the software provides control over two parameters that are unique to dynamics processing; Dynamics Ratio and Level Independent Detection (LID), which use the dynamic range content of the signal and not just the signal levels.
Dynamics Ratio controls the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. LID controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level.
A maximum mode on the LID control allows processing that takes into account the maximum values of both the standard and the LID detection schemes.
- Input/output gain controls for adjusting the levels before and after processing
- Phase invert of the processed signal
- Dry Mix control (dry/wet with gain compensation) allowing for parallel processing or for blending some of the original "peak" into the processed signal
- Clipper, a discrete peak limiter at the very last stage of the processing chain rounding off the peaks smooth and musically
- Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal
- Two preset/parameter slots, A and B, can be loaded with two full set of parameters at the same time to enhance workflow
- Apart from saving each preset, a "Global Preset" can be saved containing both the A and B settings and the position of the morphing slider
- The morphing slider provides morphing between the parameter settings of slot A and B allowing for creative and real-time tweaking
- Enabling the automation control button exposes the morphing slider to the host automation
- Up to 8 channels input/output
- 64-bit internal floating point processing
- Sampling rate up to 384 kHz for Native AU/VST/AAX plug-ins
The Pure Expander v3 from Flux is a plug-in used for soft downward expansion to clean up spillage issues on live recordings, remove noise or reverberation, or leakage from drum sessions. The software is designed to automatically reduce gain below the set threshold and provides full control over how it responds to the incoming audio signal, offering everything from mild expansion to hard noise-gating.
In addition to the more common dynamics processing controls (ratio, attack, release, etc.,) the software provides control over two parameters that are unique to dynamics processing; Dynamics Ratio and Level Independent Detection (LID), which use the dynamic range content of the signal and not just the signal levels.
Dynamics Ratio controls the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. LID controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level.
- Input/output gain controls for adjusting the levels before and after processing
- Phase invert of the processed signal
- Dry Mix control (dry/wet with gain compensation) allowing for parallel processing or for blending some of the original "peak" into the processed signal
- Clipper, a discrete peak limiter at the very last stage of the processing chain rounding off the peaks smooth and musically
- Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal
- Two preset/parameter slots, A and B, can be loaded with two full set of parameters at the same time to enhance workflow
- Apart from saving each preset, a "Global Preset" can be saved containing both the A and B settings and the position of the morphing slider
- The morphing slider provides morphing between the parameter settings of slot A and B allowing for creative and real-time tweaking
- Enabling the automation control button exposes the morphing slider to the host automation
- Up to 8 channels input/output
- 64-bit internal floating point processing
- Sampling rate up to 384 kHz for Native AU/VST/AAX plug-ins
The Pure Limiter v3 from Flux is a dynamics plug-in that allows for transparent limiting, dramatically increasing the average audio level without damaging the perceived audio quality. Using proprietary technology to generate a release envelope assures no artifacts are produced at the output.
Additionally, there are no compromises between simplicity of use and the availability of the accessible parameters. Any of the automatic modes allow for quick operation, while both a fully manual mode as well as an advanced mode are available, offering total control over the processing.
- Input/output gain controls for adjusting the levels before and after processing
- Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal
- Two preset/parameter slots, A and B, can be loaded with two full set of parameters at the same time to enhance workflow
- Apart from saving each preset, a "Global Preset" can be saved containing both the A and B settings and the position of the morphing slider
- The morphing slider provides morphing between the parameter settings of slot A and B allowing for creative and real-time tweaking
- Enabling the automation control button exposes the morphing slider to the host automation
- Up to 8 channels input/output
- 64-bit internal floating point processing
- Sampling rate up to 384 kHz for Native AU/VST/AAX plug-ins
The Epure V3 5-Band Parametric EQ from Flux is designed for surgical-style equalization over 5 bands with mid/side encoding and decoding, allowing you to EQ your stereo content independently from your mono sources. Each band can be altered up to +/-24 dB. Epure V3 has 8 channels of audio in and out, allowing it to be used for 7.1 surround mixing purposes. It supports native AAX and VST 2.4 formats on Windows and native AAX, VST 2.4, and AU formats on Mac.
Please note, the AAX native version requires Pro Tools 10 or later, and requires Pro Tools 11 for 64-bit operation.
- Filter type selection:
- low cut
- low shelving
- peak
- hi shelving
- hi cut
- Frequency range covering the whole bandwidth
- Q factor adjustable (from 1.00 to 100.00)
- Gain control (ranged -24 dB to 24 dB)
- Bypass
- Multiply gain (x2) affecting the gain value of the band-section
- Divide gain (/2) affecting the gain value of the band-section
- Invert, converting the band-section positive values to negative and vice versa
- Up to 8 band group
- Master gain control
- Full I/O routing matrix
- Up to 4 MS encoder / decoder
- Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a Global Preset containing both the A and B settings, and the position of the Morphing Slider can be saved
Parameter Morphing Slider with Automation:
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation
Syrah v3 from Flux is a processor utilizing real time dynamic detection and level dependent processing. The adaptive dynamic capabilities allow the software to constantly adapt to the content and the beat of the material. The plug-in is well suited for a variety of tasks, including recording and mixing, as well as for delicate and demanding mastering applications.
Unlike the controls found on regular dynamics processors, those provided typically affect more than one parameter in the underlying algorithms, with everything carefully tweaked to allow for creative processing while still ensuring excellent sound output.
The built in preset manager and the preset morphing slider provide instant control of all parameters and controls. With a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback. The morphing slider allows for mixing between the two slots, with the ability to record the slider movement within the host automation.
- Input/output gain controls for adjusting the levels before and after processing (-/+48 dB)
- Dry Mix control (dry/wet with gain compensation) allowing for parallel processing or for blending some of the original "peak" into the processed signal
- Clipper, a discrete peak limiter at the very last stage of the processing chain rounding off the peaks smooth and musically
- Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal
- Two preset/parameter slots, A and B, can be loaded with two full set of parameters at the same time to enhance workflow
- Apart from saving each preset, a "Global Preset" can be saved containing both the A and B settings and the position of the morphing slider
- The morphing slider provides morphing between the parameter settings of slot A and B allowing for creative and real-time tweaking
- Enabling the automation control button exposes the morphing slider to the host automation
- M/S width control
- Link channels
- Up to 8 channels input/output
- 64-bit internal floating point processing
- Sampling rate up to 384 kHz for Native AU/VST/AAX plug-ins
Get surgically precise control over your transients using the Bittersweet Pro V3 Frequency-Dependent Transient Designer Software from Flux. This Pro version of the software lets you process your choice of the frequency spectrum, letting you zero in on the exact problem areas while leaving the rest of the audio alone, making Bittersweet Pro closer to a dynamic EQ rather than a traditional compressor/expander.
Transient designer simulates voltage-controlled amplifiers and uses envelope followers to sculpt the dynamics of a sound, allowing you to decrease or increase the level of the sound's transient attack as well as its sustain or tail. This kind of in-depth control lets you push the attack portion of your drum sound for punch and energy, or dampen it for roomy snares that ring out longer. Bass, guitar, and room mics can also greatly benefit from this kind of processing, giving you extended low end, beefed up solos, and exciting ambience effects.
Bittersweet Pro supports dual preset slots with parameter morphing for exciting effect changes that you can automate in the mix. In addition, the program supports side-chaining along and mid-side processing that can help you get better results in some instances, especially with drums and panned rhythmic instruments. The Geek Pane unlocks a menu of advanced settings, supplying extended transient control and additional monitoring options.
- Output gain: -24 dB to +24 dB gain range applied to the processing output before the soft clipper
- Soft clipper: Applied at the very last stage of the processing path to carefully round the edges of the clipped peaks for a smoother sound
- Detector sidechain: Filtered in accordance with the frequency range setting and its low-cut, high-cut, and band-pass filters; the filtered sidechain extraction can be audited with a simple button click
- External side chain: Available in AU (Mac OS X), AAX Native, and DSP (Mac OS X and Windows) only
- True bypass control: Routes the incoming signal directly to the output for a smooth transition between clean and processed signal
- Frequency range: Sets the actual frequency range to be processed (20 Hz to 20 kHz—lower, 40 Hz to 20 kHz—upper) The frequency extraction can be audited with a simple button click
- Speed: Alters the mode for the processing of the transients, controlling the envelope smoothing and generating a natural attack (Fast/Medium/Slow)
- Dynamic gain: Adjusts the gain of the transients and/or the sustain
- Static gain: Controls the actual gain of the Frequency Range filter envelope ( -24 dB to +24 dB)
- Geek pane: Advanced settings with an additional range of parameters providing extended control of the transient processing envelope
- Attack, Hold, and Release: controls for adjusting the attack, hold, and release times for the transient processing
- To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time.
- An automatable Morphing Slider morphs between setting A and setting B for real-time creative tweaking
- A Global Preset containing both the A and B settings and the position of the Morphing Slider can be saved
The FLUX Ircam Verb Session V3 is algorithmic reverberation software for 2-channel mixes that offers realistic acoustic spaces and an intuitive interface designed to speed up your workflow and quickly deliver outsanding results for your productions. The software supports a sampling rate of up to 384 kHz for the DXD (Pyramix DSP based) platform and the native AU, AAX, and VST platforms.
While the processing may be complex, the streamlined user interface offers an intuitive structure that allows you to navigate and adjust critical parameters quickly and easily. Input and Output, Wet/Dry, and Decay Time controls help you quickly get a basic sound which can be adjusted more extensively via the Room Size and Pre Delay adjustments. Time Structure settings including Early Gain, Tail Gain, Low Damping, and High Damping offer additional settings for customization; while the Filter Section adjusts the EQ filter applied to the input signal to affect the overall frequency response.
- The Decay Time is the duration of the reverberation tail in seconds—the time it takes for the reverberated sound to die out.
- In technical terms this is often referred to as the RT60 factor—the time at which the response of the reverberation to an input signal goes below -60dB of attenuation.
- The Room Size is a meta parameter used to quickly perform a homogeneous set of parameters for the early reflections part (early + cluster).
- These parts are particularly important to achieve the room feeling of the desired space. It adjusts the time structure of the whole reverberation (early-min, early-max, cluster-min, cluster-max, reverb-start).
- The Pre-Delay controls the time at which the reverberation portion of the effect starts to be noticed, with respect to the direct signal.
- Increasing this helps to distinguish between direct and effected sound and preserve intelligibility, especially with large decay times and room sizes which would otherwise drench the audio material in reverberation.
- Early Gain controls the level of the Early and Cluster time structures contributing to the overall effect.
- Tail Gain controls the level of the Late/Tail portion of the overall effect.
- Low Damping adjusts the low-frequency damping, useful for increasing or decreasing the decay of bass content with respect to the rest of the spectrum.
- High Damping adjusts high-frequency content damping.
- The Filter Section controls the characteristics of the filter applied to the signal fed to the reverberation engine, affecting the overall frequency response, if required.
- Low Freq controls the low-pass filter frequency cutoff of the corresponding filter section.
- High Freq controls the high-pass filter frequency cutoff of the corresponding filter section.
- The built-in preset manager and the preset morphing slider provide instant and intuitive control of all parameters and controls. With simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
- The two Preset/Parameter slots, A and B, can be loaded with two full sets of parameters at the same time to compare them.
- The morphing slider will also allow you to mix the A and B presets and record the morph with the host automation.
The FLUX Studio Session Analyzer software for Windows or Mac systems provides real-time spectral analysis for producers and engineers working in basic stereo or mono formats. This streamlined version of the FLUX RTA system is included with the FLUX Studio Session Pack and provides invaluable tools to help audio engineers assess the quality of an audio recording, detect potential mix problems, and visualize frequency and volume information.
The Studio Session Analyzer is standalone software that works with the included SampleGrabber plug-in, which is used to separate the signal acquisition process from the spectral analysis for maximum flexibility. This version of the software does not support multichannel audio or the Multichannel, Live, or Metering add-on options.
- Peak meter
- RMS meter
- Fully customizable scale and ballistics
- Phase meter
- Configurable analysis window
- Real-time waterfall (see slide option in spectrum setup)
- Amplitude or power frequency scaling
- Time-averaging
- Independently adjustable curve ballistics
- Peak tracking with user definable frequency range and several display variations
- Keyboard and mouse frequency-axis zoom
- Fully customizable curve visual options
- The core of the FLUX Real Time Pure Analyzer System is a standalone software application. In addition to this, a plug-in called SampleGrabber, available in all standard plug-in formats, is provided.
- The SampleGrabber plug-in can be inserted into the insert chain on any DAW, where it grabs the source/response audio signal and sends it to the FLUX Analyzer standalone app that analyzes the audio in real time.