audiority Effects Plug-In Bundle with All Effect Plug-Ins (Download)

Electric guitarists, audio engineers, and music producers in search of a vintage fuzzbox will be thrilled with Audiority Big Goat, an analog-modeled simulation of the highly coveted Electro-Harmonix Big Muff Pi from the mid '70s.

Big Goat's signal passes through four cascaded amplifier stages (two are clipping stages), resulting in a sustained fuzz that's rich in harmonics with a unique tone. A HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Electric guitarists, audio engineers, and music producers in search of a vintage fuzzbox will be thrilled with Audiority Blue Face, an analog-modeled simulation of the classic BC108 silicon vintage Dunlop Fuzz Face from the late '60s.

Blue Face is one the best-known fuzz pedals ever made, used to fully blast amplifier's tube stages. The circuit has been modified to generate more bite even at minimal settings. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking for a full-featured and versatile delay will be impressed with Audiority Deleight, a multitap delay processor based on late '90s digital delay hardware processors capable of generating simple echoes to multivoice choruses, flangers, doublers, early reverbs, and more.

Deleight can also provide looping capabilities with speed and reverse controls to create special effects and textures. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Electric guitarists, audio engineers, and music producers in search of an iconic vintage distortion will be thrilled with Audiority Distortion 1, an analog-modeled simulation of the classic BOSS DS-1 distortion stompbox from the late '70s.

The Distortion 1 is behind the signature sound of many guitar legends. The stompbox offers the original plus seven additional circuit modifications, which provide a wide pallet of distortion options. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking for the sound of a classic magnetic echo will be thrilled with the Audiority Echoes T7E MKII, an analog modeled Italian magnetic echo plugin based on the iconic Binson Echorec T7E vintage tube magnetic echo from the early '60s. The echo effect utilizes a magnetic spinning drum with both record and playback heads arranged around a recording wire wound around the drum circumference. These echo units have a district sound and provided better stability over the usual tape transport with reduced wow and flutter.

The Echoes T7E was modeled on both the mechanics and the electronics. The plug-in provides three playback modes, allowing you to set different spinning speeds. It can be synchronized to your host tempo extending the original delay length from 310 ms up to 11 seconds, or down to 0 ms, which allows you to use the plug-in as a preamplifier. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking to create sound effects and rich textures will be thrilled with Audiority GrainSpace, a granular processor focused on real-time granulation and reverberation of incoming audio signals.

GrainSpace provides dynamic grain generation with up to 32 grains per channel. There are seven grain parameters, four grain modulators (including an LFO with 11 waveforms), smearing, chord, resonator, and reverb. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Electric guitarists, audio engineers, and music producers in search of the quintessential overdrive stompbox will be thrilled with Audiority Green Reaper GR9, an analog-modeled simulation of the Ibanez Tube Screamer TS9 overdrive that originated from 1982.

The GR9 became wildly popular due to the ability to deliver the smoothest and most responsive overdrive tones ever with just three simple controls. The stompbox offers the original circuit plus eleven additional circuit modifications to further shape your guitar tone. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking to make their tracks more powerful and alive will be impressed with Audiority Harmonic Maximizer, a multiband exciter and loudness-shaping plug-in that's designed to add clarity and punch to your recordings.

The exciter section offers six frequency bands to help you tailor the sound, while the loudness maximizer section provides saturation, allowing the signal to sound huge. A blend knob allows you to adjust the dry/wet ratio for the best possible results. An HQ button enables oversampling for reducing aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Metal guitarists, audio engineers, and music producers in search of a vintage metal distortion will be thrilled with Audiority Heavy Pedal MKII, an analog-modeled simulation of the infamous Boss HM-2 distortion stompbox from the mid '80s.

The HM-2 provides the infamous Swedish Chainsaw distortion that sculpted the guitar tone of many metal guitarists. The stompbox offers the original circuit plus eight additional circuit modifications including three MKII models for a wide pallet of distortion options. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Metal guitarists and music producers in search of the holy grail of death metal distortion will be thrilled with Audiority Klirrton Grindstein, the ultimate death metal plug-in suite that precisely models the Grindstein preamp, the Schnauze noise gate, and Fleischer equalizer.

Klirrton Manufaktur worked with producer Kristian Kohle from Kohlekeller Studios to create this collection of dirty and fuzzy death metal tones from the '90s with a modern twist. Expect a ripping chainsaw to a more modern and tight sound with just a touch of grind. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking for a flexible optical compressor and expander will be impressed with Audiority LDC2, an analog-modeled optical compressor and expander with exchangeable optical circuits and solid-state preamplifier and output stage, providing remarkable compression character.

The LDC2 features 17 real-time optical-circuit models, offering a smooth and warm dynamic sound that's great for tracking, mixing, mastering, and live performances. The HQ switch enables oversampling, which reduces aliasing when driven into saturation. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Electric guitarists and music producers in search of a vintage octave pedal will be thrilled with Audiority Octaver 82, an analog simulation of the Boss OC-2 classic monophonic octaver from the early '80s.

The 82 is used to fatten up the instrument signal by adding two pitched-down tones (1 and 2 octaves below the original tone). The plug-in includes six different pedal circuits, which provide a wide pallet of tones including an envelope follower and synth sounds. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking for the sound of a classic tape echo will be thrilled with the Audiority PlexiTape, an analog modeled simulation of the Maestro Echoplex EP-3 vintage tape echo that's renowned for its tone and reliability. Special care was put into the modeling of this unit, including motor, tape, FET preamplifier, heads, and the highly coveted Sound on Sound, which allows you to bypass the echo and use the tape as a looping recorder.

The PlexiTape features auxiliary echo with echo pan for full stereo effects. There are three echo modes and two FET preamp models, as well as two playback modes. Echo tone EQ and delay ducking are also included. The modeling provides realistic vintage attributes including machine age and internal hum that's fully adjustable for increased realism and oscillation. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking to utilize classic vintage reverbs reminiscent of the '70s will be thrilled with Audiority Polaris, an echo/reverb plug-in inspired by early hardware digital reverbs of the late '70s (like the Ursa Major SST-282) that's able to provide echo, ambience, and reverb out of a single multitap delay line.

The concept employs several unmodulated taps (early reflections) with the remaining modulated taps used (diffusion) to create a cheap but convincing reverb. Polaris expands upon this technique by making the echo tap recirculating with the diffusion section, which allows for longer reverb tails. What's more, you can easily edit all taps to create your own responses, Karplus-like tuned delays and resonant combs, plus flange, chorus, vibrato, and more.

Polaris also provides additional features like Shimmer, internal sample-rate reduction, stereo width, and swell—which smooths the transients of the incoming signal with its attack time automatically matching the delay time. Other notable features include predelay, modulation boost, and a 3-band feedback equalizer on the Echo editor page. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking for a versatile mastering compressor will be impressed with Audiority PolyComp, an analog simulation of a VCA mastering multiband compressor with three independent bands of VCA compression.

Each band of the PolyComp features its own standard controls including threshold, ratio, attack, release, and gain, plus a three-way switch to bypass or mute each band. The PolyComp excels on single tracks, as a mix bus compressor or as a mastering tool. The HQ switch enables oversampling, which reduces aliasing when driving the signal into saturation. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers in search of a vintage-flavored preamplifier will be thrilled with the Audiority Pre 7X, an analog-modeled vintage tube preamplifier that's based on the same iconic tube unit that was primarily designed for bass guitar but features several modifications allowing it to be used with a variety of audio sources.

The Pre 7X features input and output 12AX7 tube models that are calculated in real time, bringing all the subtle nonlinearities that make each instance of this plug-in unique without phase issues. The high-pass filter followed by a tone control lets you shape the input signal before the output tubes. Additionally, a brickwall clipping limiter helps retain the distortion on extreme settings. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking to tighten up the low end on a track will be thrilled with Audiority Side Filter, a special high-pass filter that's designed to remove the bass frequencies from the side portion of a stereo mix. The filter excels at tightening up the low-end frequencies of your mix, thereby helping you prepare a vinyl-ready master.

The Side Filter also includes a Low Filter, which is a simple yet elegant general purpose high-pass filter. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Metal guitarists and music producers in search of an amplifier simulation for metal tones will be thrilled with Audiority Solidus Randy 250, an analog-modeled simulation of two iconic Randall amplifiers including the RG100ES from the late '80s and the RH150 from the late 2000s.

The RH100ES helped define the sound of some of the greatest metal bands of the time, while the RH150 provides a more modern rendition with heaps of gain. Both amps are renowned for their huge low end and crushing gain. Additional features added to these simulations include a noise gate, a modern overdrive, and a couple of EQs (6-band graphic EQ and a 3-band parametric EQ), a post-amp 5-band EQ, and a dual cab loader. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Metal guitarists and music producers in search of a death-metal amplifier simulation will be thrilled with Audiority Solidus VS8100, an analog-modeled simulation of the iconic Marshall Valvestate 8100, solid state amplifier from 1991.

The VS8100 recreates the original head, which was the first incarnation of the Valvestate series, a solid-state amplifier with a 12AX7 tube as a driver for the distorted channel, which defined the history of death metal through the 90s. The amp offers two channels: a Normal channel for clean tones, and a Boost channel for distortions. Additions to the model include a noise gate, a modern overdrive, a 10-band EQ/Booster (to make your own custom clean boost), a post-amp 5-band EQ, and a cabinet loader. An HQ button enables oversampling, reducing aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers in search of an aggressive yet flexible distortion effect will be impressed with Audiority The Abuser, a rich sounding distortion that fits both vintage and modern music styles.

The Abuser includes 11 distortion algorithms, two amplification stages, two clipping circuits, and an envelope follower, allowing for dynamic distortion. The HQ button enables oversampling for reducing aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Electric guitarists in search of a Marshall blues amplifier sound will be impressed with Audiority The Bluesman, an analog modeled simulation of the vintage Marshall Bluesbreaker low-gain overdrive stompbox that was introduced in the '90s to replicate the tone of the 1962 Blues Breaker amplifier.

The Bluesman adds additional modifications to the original circuit for more tonal possibilities as well as an HQ button, which enables oversampling for reducing aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Electric guitarists in search of a Marshall JCM800 sound will be impressed with Audiority The Driver, an analog-modeled simulation of the vintage Marshall Drivemaster overdrive stompbox that was introduced in the '90s to replicate the tone of the JCM800 amplifier.

The Driver adds additional modifications to the original circuit for more tonal possibilities, as well as an HQ button, which enables oversampling for reducing aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Electric guitarists in search of a classic Marshall amplifier sound will be impressed with Audiority The Overseer, an analog-modeled simulation of the vintage Marshall Guv'nor overdrive stompbox that was introduced in the '80s to replicate the drive tone of the Plexi and JCM800 amplifiers.

The Overseer adds additional modifications to the original circuit for more tonal possibilities, as well as an HQ button, which enables oversampling for reducing aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Electric guitarists in search of a high-gain tube amp sound will be impressed with the Audiority The Shredder, an analog modeled simulation of the vintage Marshall Shredmaster overdrive stompbox that was introduced in the '90s to provide the high-gain distortion of a tube amplifier.

The Shredder adds additional modifications to the original circuit for more tonal possibilities as well as a HQ button, which enables oversampling for reducing aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking for a modern transient shaper will be impressed with Audiority TS-1, a multimode frequency-dependent transient-shaping plug-in that's designed to manage the attack and sustain of an incoming audio signal. The TS-1 employs a compression-by-saturation technique that adds warmth and punch to drum tracks without losing dynamics.

The TS-1 features two separate detection circuits for attack and sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. Like tape saturation, a soft clipping circuit with gently saturate and compress the signal. The plug-in offers two distinct modes. Type A retains the original TS-1 algorithm, while Type B features inverse envelope curves on negative gain values. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking for vintage modulation effects will be thrilled with the Audiority Tube Modulator, a collection of tremolo, vibrato, and spatial position effect circuits ranging from late '50s tube bias tremolo to the late '60s psychedelic Univibe mojo.

Tube Modulator features seven tremolo / vibrato modes with three spatial effects including a panner, a rotary speaker, and wide stereo wow-and-flutter simulators. A wide X/Y scope reveals the current amplitude and spatial position modulation for instant visual feedback of your settings. Additionally, Tube Modulator adds a great amount of warmth and color to your audio signals. An HQ button enables oversampling that reduces aliasing when the signal saturates. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.

Audio engineers and music producers looking for a versatile reverb will be impressed with the Audiority XenoVerb, a multifaceted reverb unit featuring both classic and creative reverb algorithms, which deliver a wide range of options with a clean and simple interface.

XenoVerb features 11 reverb algorithms with over 250 presets to get you up and running. The plug-in is Mac and Windows compatible and works within most major DAWs that support VST2, VST3, Audio Units, and AAX formats.