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Pyle Pro PMX462 3-Channel Audio Mixer with Built-In FX and USB Interface

BH #PYPMX462 • MFR #PMX462
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Pyle Pro PMX462 3-Channel Audio Mixer with Built-In FX and USB Interface
Key Features
  • Three Mic/Line Combo Jack Inputs
  • One XLR Sub Output with Dedicated Fader
  • USB and Bluetooth Tracking/Playback
  • Built-In FX with 16 Presets
The PMX462 3-Channel Audio Mixer with Built-In FX and USB Interface from Pyle Pro is a compact and easy-to-use analog mixer, which can also function as a USB interface—combine versatility with functionality for a wide range of uses ideally suited for DJs, amateur engineers, musicians, and performers. With connection options for computers, MP3 players, wireless Bluetooth devices, dynamic and condenser mics, as well as line input signals, the PMX462 is a flexible introductory mixer at an affordable price.
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$71.99
Reg Price $94.99
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Pyle Pro PMX462 Overview

The PMX462 3-Channel Audio Mixer with Built-In FX and USB Interface from Pyle Pro is a compact and easy-to-use analog mixer, which can also function as a USB interface—combine versatility with functionality for a wide range of uses ideally suited for DJs, amateur engineers, musicians, and performers. With connection options for computers, MP3 players, wireless Bluetooth devices, dynamic and condenser mics, as well as line input signals, the PMX462 is a flexible introductory mixer at an affordable price.

Three channels with XLR-1/4" combo jacks along with 48V phantom power allow for a variety of inputs, from condenser mics, to dynamic mics, to keyboard instruments, dedicated 2-band shelving EQ, and pan per channel allow for plenty of efficient control over your input signals. The unit comes with 16 digital FX presets, powered by 32-bit / 48 kHz DSP with dedicated FX level control on each channel. An integrated sound card provides an easy connection to most Windows and Mac computers for recording, and the unit can even be fully powered by the USB bus. A separate subgroup output and wireless Bluetooth support provide further I/O options, handy for DJ and performance applications. With a light weight of only 3.7 pounds, an incredibly intuitive interface, and diverse connection options, the Pyle Pro PMX462 can be a useful and cost-effective all-in-one solution.

Key Features
  • Three mic/line combo inputs with rotary style controls
  • Gain, level, FX amount, 2-band shelving EQ, and pan on each input channel
  • Balanced XLR stereo main outputs
  • XLR subgroup output with dedicated fader
  • USB interface with integrated sound card for PC and macOS recording support
  • USB bus power or 5V power supply
  • DSP FX with 16 presets
  • Bluetooth wireless input support 
  • Class-compliant driver installation 
UPC: 842893127316

Pyle Pro PMX462 Specs

Key Specs
Number of Analog Input Channels
3 (2 Mono)
Number of Mic Preamps
3
Analog Output Channels
1x Stereo Master Output
1x Stereo Headphone Output
1x Mono ALT Bus/Subgroup Output
Mix Routing
Stereo FX Bus per Input Channel, Main Mix Channel (LCR Main Mix Combines Stereo and Mono Main Mixes)
EQ
Input Channels:
2-Band Shelving (Mono Channels)
Built-In Effects
16x Stereo Delay+Reverb
USB I/O
2x USB-B 2.0 (Audio Playback, Audio Streaming, Device Charging, I/O, Multitrack Record, Recording)
Rack Mountable
No
Mixer
Max I/O Capacity
3x Input / 4x Output
Number of Analog Input Channels
3 (2 Mono)
Number of Mic Preamps
3
Analog Output Channels
1x Stereo Master Output
1x Stereo Headphone Output
1x Mono ALT Bus/Subgroup Output
Mix Routing
Stereo FX Bus per Input Channel, Main Mix Channel (LCR Main Mix Combines Stereo and Mono Main Mixes)
Faders & Level Adjustment
1x Master Fader
1x Bus/Subgroup Fader
Meters
Main Meter:
1x 10-Segment LED
Signal Processing
Dynamic Processing
No
EQ
Input Channels:
2-Band Shelving (Mono Channels)
EQ Parameters
Mono Channels:
High: ±15 dB at 12 kHz (Shelving)
Low: ±15 dB at 80 Hz (Shelving)
Graphic EQ
No
Solo/Mute
No
Built-In Effects
16x Stereo Delay+Reverb
Performance
Frequency Response
Analog Input:
20 Hz to 20 kHz ±1/4 dBu (at 1 kHz)
THD
Analog Input:
< 0.5% (+4 dBu, 22 Hz to 22 kHz)
Connectivity
Analog Inputs
3x Combo XLR-1/4" 3-Pin Balanced/Unbalanced Mic/Line Input
Analog Outputs
2x XLR 3-Pin Balanced Stereo Main/Monitor Output (1 Stereo Pair, Post-Fader)
1x 1/4" TRS Unbalanced Stereo Headphone Output (Post-Fader)
1x XLR 3-Pin Balanced Mono Subgroup Output (Post-Fader)
Phantom Power
+48 V, Selectable On/Off (on 2 Channels)
Digital I/O
No
MIDI I/O
No
USB I/O
2x USB-B 2.0 (Audio Playback, Audio Streaming, Device Charging, I/O, Multitrack Record, Recording)
Recording
Media Support
HDD, USB Drive
Compatibility
OS Compatibility
Windows / macOS
OS Compatibility
Windows 98 or Later
macOS
Power
DC Input Power
4.8 to 5.2 VDC at 1A (USB Bus Power)
Power Supply Output
5 VDC at 1 A (Included)
Physical
Rack Mountable
No
Dimensions
9.1 x 2.2 x 9.1" / 23.1 x 5.6 x 23.1 cm
Weight
3.7 lb / 1.7 kg
Packaging Info
Package Weight
3.62 lb
Box Dimensions (LxWxH)
10.7 x 10.3 x 3.2"

Pyle Pro PMX462 Reviews

See any errors on this page?

what are the optimum settings for clean sound and ...

what are the optimum settings for clean sound and volume? I get confused between GAIN and LEVEL. Also should MASTER GAIN slides be set to upper levels?
Asked by: dave
The Pyle Pro PMX462 3-Channel Audio Mixer with Built-In FX and USB Interface is versatile and easy to use, and features a clearly labeled set of controls. The Gain controls on Channels 1, 2, and 3 are used to adjust the input gain level for individual devices connected to these channels. Likewise, the individual Level controls for these channels adjust the output level for that corresponding input channel. The Main level fader is a master control for the overall mix. The optimum settings for a clean sound will vary depending on the particular devices that are connected to the input channels. Each individual channel has its own red Peak LED indicator light next to the channel's Level control knob to show when the level for that channel is very high. Additionally, the 5-stage LED Level indicator panel provide a more detailed view with green, yellow, and red LEDs. For cleaner sounds, you will want to keep the levels within the green and yellow indicators and avoid peaking, where the indicators becoming red.
Answered by: Lisa S
Date published: 2022-11-28
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