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Axel Technology Oxygen 2000 Digital Broadcast Console

BH #AXOXYGEN2000 • MFR #OXYGEN 2000
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Axel Technology Oxygen 2000 Digital Broadcast Console
Key Features
  • Fully Digital Broadcast Console
  • For Radio Broadcasting with 12 Faders
  • 5 Microphone Inputs with Automix
  • 4 Stereo Analog Inputs
Radio stations in search of a professional-grade digital broadcast mixer will be impressed with the Axel Technology Oxygen 2000 , a fully digital broadcast console that's designed for on-air and production work. The mixer features 12 compact faders, five microphone inputs with automix, and a powerful internal audio routing with a wide range of controls and I/O in a rugged and classy steel chassis.
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Axel Technology OXYGEN 2000 Overview

Radio stations in search of a professional-grade digital broadcast mixer will be impressed with the Axel Technology Oxygen 2000 , a fully digital broadcast console that's designed for on-air and production work. The mixer features 12 compact faders, five microphone inputs with automix, and a powerful internal audio routing with a wide range of controls and I/O in a rugged and classy steel chassis.

The integrated digital signal processing delivers high-end quality with the latest features and flexibility. The console is as reliable and easy-to-use as an analog mixing console. The Oxygen 2000 features low latency, users preset, smart keys, EQ, compressors, telephone hybrid, HDMI output, analog and digital I/O, and USB. Oxygen 2000 can be remotely controlled through a dedicated application.

General
  • Fully digital broadcast console for radio broadcasting with 6 faders
  • A/B fast source switch buttons for each fader
  • 4+1 busses (PGM, SUB, Aux1, Aux2, PFL)
  • Near 0 latency (< 0,7 ms I/O)
  • Digital signals routing via the 48×48 internal matrix
  • Complete remote control by means of an application replicating the surface
  • Remote configuration and maintenance via Web interface
  • User-definable presets & snapshot
  • 5-band fully parametric equalizer on every input
  • Dynamic processor with expander and compressor section on each microphone input
  • Advanced and configurable monitor facilities for control room and studio
  • Customizable RGB colored buttons
  • High-resolution (120 LEDs) meter bars for outputs
  • HDMI out for console status display
  • 2 timers (ctrl-room and studio microphones timers on HDMI monitor)
  • Talk Box for guest and presenter (optional)
Input and Output
  • 5 microphone inputs with Automix
  • 4 stereo analog inputs
  • 4 stereo analog outputs
  • 1 built-in telephone hybrid
  • 1+4 telco interface with GPIO
  • 1 digital out (AES/EBU)
  • 2 USB audio interfaces (disabled with Dante option installed)
  • 8 stereo inputs + 8 stereo outputs via Dante (optional)
Microphone Inputs
  • 5 microphone inputs with Automix
  • Mic 1 on XLR, Mic 2-5 on RJ45, all balanced with + 48V phantom power and GPIO
  • Independent On Air lights and cut off control, when opening control room and studio microphones
  • PFL button switches to private conversation on Hybrid/Telco/Bluetooth mode
  • Enable Talkback feature on any studio or control room microphone
  • Parametric Compressors/Expander (drive, threshold, attack time, release time) for microphone and mono inputs
  • Save and recall microphone presets, including Compressor/Expander settings
  • Phase inversion on microphone inputs
  • Mono inputs assignable as EXT source
  • Ducking / AutoFader assignable to all sources (automatic attenuation of music on speech)
Automix
Automix feature simplifies mixing activities in the presence of many guests in the studio

The function adds, to the existing sources, a new source called Automix, which is the sum of all enabled microphones

The Automix source has all the features of a microphone source such as:

  • Studio/control room loudspeakers control
  • Studio/control room light control
  • Can be used as audio in private mode for phone calls

Using this new source, the user can manage in a very simple manner all the microphones of the studio with a series of benefits:

  • Just 1 fader for the management of studio microphones
  • A dedicated AGC section for each microphone input automatically adjusts the correct level
  • Automatic management of attenuation on microphones not in use, simulating a slight closure of the fader
  • Final compressor that allows an automatic leveling of the Automix source
  • Possibility to use the microphones individually

This feature further simplifies the work of the mixer engineer, even in the case he/she is also the host of the show

Available settings in the Automix menu:

  • MIC-1 ON/OFF
  • MIC-2 ON/OFF
  • MIC-3 ON/OFF
  • MIC-4 ON/OFF (only for consoles with 5 Mic)
  • MIC-5 ON/OFF (only for consoles with 5 Mic)
  • Idle Mic Attenuation
  • Attenuation Attack Speed
  • Attenuation Release Speed
  • Compression Threshold
  • Compression Ratio
  • Compression Attack Speed
  • Compression Release Speed
  • Autogain Speed
  • Autogain Max Gain
  • Autogain Max Attenuation
Analog Inputs
  • Line stereo inputs: 4
  • Balanced on XLR for line 1, balanced on RJ45 for line 2-4
  • Channel mode selection: Stereo, Mono, L, R, INV-L, INV-R, INV
  • Stereo-1 & DANTE-1 inputs can be configured as 4 Telco Inputs
USB Audio I/O
  • 2 built-in stereo USB (Type-B) I/O audio interfaces allow to directly connect the PC to the Oxygen 2000 console, with no need for audio cards
  • In fact, the PC detects each of the console USB as a digital audio card with 1 stereo inputs and 1 stereo outputs for simultaneous playout and recording
Telephone Hybrid and Telco
  • Telephone Hybrid: 1 POTS/PSTN telephone line with Line.In and Tel.Set connection
  • Telco: 1 in/out N-1 to connect external telephone hybrid with control via TLC/GPIO
  • 4 mono additional Telco can be obtained configuring analog inputs (Stereo-1 & DANTE-1) and (OUT-2 & DANTE-1) stereo outputs.
  • GPI and GPO management on all 5 Telco channels
  • RING and HOOK on F1 key for each TELCO channels
  • N-1 on Telco outputs for all BUS (PGM, SUB, AUX-1, and AUX-2)
Analog Outputs
4 Balanced Outputs:

  • OUT-1 – XLR – fixed as PGM
  • OUT-2 – XLR – by default assigned as SUB
  • OUT-3 – RJ45 – by default assigned as AUX-1
  • OUT-4 – RJ45 – by default assigned as AUX-2
  • OUT-2 stereo output can be configured as N-1 to achieve up to 2 mono additional Telco
  • OUT-1 & OUT-2 outputs are both equipped with a GPO
Digital Output
AES/EBU output on XLR
Headphones and Local Monitor Outputs
  • OUT-2-4 outputs: can be configured as studio presenter and studio guest headphones
  • Unbalanced outputs: 2 line out on jack 6.3 for control room headphones
  • Adjustable maximum control room and studio speakers volume (studio speaker only via SW)
  • Adjustable maximum control room and studio headphones volume (studio headphones only via SW)
  • Adjustable CUT or attenuation mode (-40, -30, -20, -10 dB) on control room and studio speakers
  • Independent source selection (PGM, SUB, AUX1, AUX2, EXT) for control room and studio speakers, control room and studio headphones with or without PFL
  • Independent Talkback management on control room and studio speakers
  • Independent Talkback management on control room, studio headphones
  • Same source selection for control room and studio headphones, with independent level
GPI/GPO
  • GPI: 9 in total, for Talkback, Telephone Hybrid or other features
  • GPO: 9 total, to control On Air lamps or provide HOOK and RING commands for external telephone Hybrid
  • User custom GPIs (e.g. Ring, Talkback, channel ON/OFF, etc.)
  • User custom GPOs (e.g. Hook/ON AIR, Studio-Light, Control Room-Light)
Surface and Management
  • Automatic firmware update via Internet
  • WEB UI for console configuration and service features (save, restore, update, logs, etc.)
  • Save and recall EQ presets (up to 10)
  • New real-time EQ algorithm with graphic
  • Fast and accurate LED meters display
  • Save and recall control panel configuration with 10 Snapshots
  • Save and recall total console configuration. The configuration can be saved to internal memory (microSD), USB and PC (via WEB interface)
  • Gain adjustment knobs with adaptive speed
  • Dimmable buttons light
  • Adjustable fader ON/OFF threshold (from -50 to 0 dB)
HDMI Output
Monitor output that displays the following information:

  • Audio input source levels
  • 4+1 BUS output levels
  • A/B source names assigned of 10 channels
  • Display On Air sources
  • Microphone on timer (control room & studio)
  • Large Clock
  • Audio output level (loudspeakers & headphones)
  • On Air microphone
  • Telephone active

Configure, for configuring all of the device features:

  • HDMI output combined with 4 rotary knobs allow the fast and intuitive programming of all the mixer parameters
  • The programming GUI has been designed in order to be very easy and intuitive
  • Selectable home page layouts are available, with many theme icons
Telephone Hybrid and Telco
  • The built-in telephone hybrid allows direct connection of a telephone line POTS/PSTN on RJ-11C
  • The audio is processed via DSP that delivers a state-of-the-art audio processing
  • It’s also available a Telco N-1 in/out, to connect Oxygen 2000 to an external telephone hybrid
  • The Telco N-1 is always available on RJ45
  • TLC commands are available on the same RJ45 with Hook and Ring interface
  • TLC commands for Telco-2-5 are available and configurable on GPIO-DB9 connector with Hook and Ring

Axel Technology OXYGEN 2000 Specs

Key Specs
Number of Analog Input Channels
12 (5 Mono / 4 Stereo)
Number of Mic Preamps
5
Number of Analog Output Channels
4
Max I/O Capacity
9x Input / 4x Output
Faders & Level Adjustment
12
Analog Inputs
1x XLR 3-Pin Balanced Mic Input
4x RJ45 3-Pin Balanced Mic Input
2x XLR 3-Pin Balanced Line Input
3x RJ45 Balanced Stereo Line Input
Analog Outputs
4x XLR Line Output
2x RJ45 Line Output
Digital I/O
1x XLR AES50 Output
USB I/O
USB-B
USB-A
Rack Mountable
No
Mixer
Number of Analog Input Channels
12 (5 Mono / 4 Stereo)
Number of Mic Preamps
5
Number of Analog Output Channels
4
Max I/O Capacity
9x Input / 4x Output
Mix Routing
48x Stereo Matrix
Presets
Yes
Faders & Level Adjustment
12
Meters
3x 20-Segment LED
Meter Range
-60 dB to +20 dB Peak/Clip
Signal Processing
Gain/Trim Range
0 dB to +57 dB (in 3 dB Steps)
Dynamic Processing
Compressor, Limiter
EQ
5-Band Parametric
Graphic EQ
No
Filters
High-Pass
Low-Pass
Solo/Mute
Mute, PFL per Input Channel
Real Time Analyzer
No
Audio Delay
No
Automatic Mic Mixing
Yes
Digital Audio
Sample Rates
AD/DA Conversion:
48 kHz
Bit Depth
AD/DA Conversion:
24-Bit
Converter Dynamic Range
124 dB
Performance
Frequency Response
20 Hz to 20 kHz ±0.5 dB
Max Input Level
Mic Input:
9 dBu
Line Input:
+18 dBu
Output Level
Analog:
+18 dBu
I/O Impedance
Mic Input:
2.4 Kilohm
Line Input:
10 Kilohm
Output:
23 Ohms
600 Ohms (Nominal)
Crosstalk
> 90 dB
SNR
Mic Input:
> 90 dB
Line InputAnalog :
> 100 dB
THD+N
< 0.002%
Signal Generator
No
Connectivity
Analog Inputs
1x XLR 3-Pin Balanced Mic Input
4x RJ45 3-Pin Balanced Mic Input
2x XLR 3-Pin Balanced Line Input
3x RJ45 Balanced Stereo Line Input
Analog Outputs
4x XLR 3-Pin Balanced Line Output (2 Stereo Pairs)
2x RJ45 Balanced Line Output
Phantom Power
+48 V
Digital I/O
1x XLR AES50 Output
MIDI I/O
No
USB I/O
2x USB-B (2-Track Record, Audio Playback, I/O)
2x USB-A (Control)
Expansion Ports
No
Mobile App Compatible
Yes
External Display I/O
1 x HDMI
Compatibility
Internet Connection
Yes
Power
AC Input Power
90 to 260 VAC, 50 / 60 Hz
AC Power I/O
1x IEC Input
Power Consumption
30 W
Physical
Rack Mountable
No
Dimensions
24.2 x 3.1 x 13.5" / 614 x 80 x 343 mm
Weight
15.7 lb / 7.1 kg

Axel Technology OXYGEN 2000 Reviews

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