Howe personally collaborated with Overloud and DV Mark to create many of these pristine quality models, delivering seven amp heads, six cabinets of various configurations, four rack effects, and nine stomp boxes, covering everything from shimmering clean tones to high-gain leads. This pack is available in AAX, VST, Audio-Unit, and standalone formats and is compatible with most macOS and Windows computers.
The amp is a two-channel head with a lot of dynamics: It is designed to deliver a well controlled tone, ideal for playing very technical parts and keeping the guitar tone up in the mix.
The amp is a two-channel head with a lot of dynamics: It is designed to deliver a well controlled tone, ideal for playing very technical parts and keeping the guitar tone up in the mix.
The amp was designed to stay clean at very high volumes. Try playing clean arpeggiated chords on this amplifier and you will understand why it has been used on so many records.
This module will give your tone huge depth and tons of character. It is comfortable in most musical situations, but will really shine with the drive knob of your amp cranked up.
It contains a crunch channel and a high-gain channel, and on top of that it gives you up to 20 dB of clean boost in the clean channel. The crunch channel goes from subtle overdrive to hard-rock gain stage and the high-gain channel goes from rock gain stages to absolute meltdown with loads of gain and low end.
Adding the RSS Compressor to your guitar effect rig can really make the difference and add a musical analog feel to your overall tone. When used in a lead guitar situation, the RSS Comp helps your notes sustain longer and feedback as they would when playing through a cranked-up amplifier.
Adding the 7-Band GEQ after a distortion unit can also be very useful to eliminate unwanted noises by decreasing the higher frequencies. This is a must-have pedal for any guitar players wanting to shape their tone.
This effect produces a short delay that works particularly well at lower settings. Increasing the effect makes the reverb produce unnatural tones. The Plate Reverb works well for cleaner tones and will find its place in your guitar rig, great for blues and jazz music.
The Tape Delay reproduces the sound played back through a tape. This type of delay is often considered warmer and more natural than what you would hear with a digital delay.
In addition to the tone control knob, the TubeNine offers a built in mid hump, which enhances the mid frequencies. This makes it a very useful pedal as it will help your guitar sections cut through the mix.
This effect also works beautifully with clean tones. Try adding it to a single-note funk-rhythm motif for instant gratification. Use the Tone knob to shape the overall sound of the added octaves.
Use the Mu-Wah in both clean and overdriven setups to make your guitar sing. Whether you are looking for a discrete Wah to enhance your funk rhythm sections or looking for a Wah capable of extreme sweeps, you should definitely check out the Mu-Wah.
Each mode will give you different modulation curves from discrete mellow tremolo for clean jazz voicings to more pronounced tremolo effects ideal for single-note guitar lines. Combined with the delay pedal, the AmpTrem will produce a wonderful musical tone that's great for complex chord voicings.
The effect offers a Tap function allowing you to match the repetitions to the tempo of the song you are playing. The D-Delay is a stereo effect and allows you to bounce the delayed track left and right, which works wonderfully on clean arpeggiated sections.
This module is suited for any musical genre. Using it over clean arpeggiated chords will help each note sound more consistent. Using it over a rich, distorted tone will help the notes sustain more and encourage natural feedback to occur.
Matching the speed knob to the tempo of the song you are playing will help your guitar track fit nicely with the rest of the instruments. Adding the Rich Flanger in front of an overdriven guitar amplifier will add character and life to your guitar riffs.