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Sony VENICE 2 Camera Package with OLED EVF, 3 x 1TB Cards & Full-Frame + Anamorphic Licenses (8K)

BH #SOVENICE28KC (B&H Kit)
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Sony VENICE 2 Camera Package with OLED EVF, 3 x 1TB Cards & Full-Frame + Anamorphic Licenses (8K)
Key Features
  • VENICE 2 Digital Cine Camera (8K)
  • DVF-EL200 1080p 0.7" OLED Viewfinder
  • Permanent Full-Frame License
  • Permanent Anamorphic License
This Sony VENICE 2 Camera Package put together by B&H combines the 8.6K VENICE 2 cine-style camera with a 0.7" OLED viewfinder, three 1TB AXS S66 memory cards, a permanent full-frame license, and a permanent anamorphic license. Together, these components form a base for viewing and capturing both S35 and full-frame footage and anamorphic options. Read more below about each item in this package.
More Details
Special Order
Expected availability: 2-4 Weeks
This item cannot be canceled or returned.
Only available through the Studio B&H; contact us via phone or email for more information.
Free Standard Shipping

Business Financing Options

Limited-Time Offer
Kit Contains:
Sony VENICE 2 Digital Motion Picture Camera (8K)
8K Interchangeable Sensor Digital Cinema Camera
Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
Beautiful Imagery in Any Light
Take advantage of the wide dynamic range of the camera to shoot in the extremes of exposure, from candlelight to bright sunshine. The camera, with its dual native ISO ranges, allows you to push the boundaries of your creative lighting choices.
Firmware Update v3.00
  • Adds support for virtual production functions.
  • Enhances live production features and more.
Dual ISO
The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor. 
Sensor
The new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor. The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates than you can with the 8.6K sensor.

Please note that though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.
Lens Mount
  • The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super 35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.
  • Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production.
Internal ND Filters
The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops).
Servo Control
The servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in underwater housing.

Although the optional Rialto 2 allows you to separate the sensor block from the camera body by up to 39' for placing the sensor and your lens in places too small for the camera body, the camera's smaller size, compared to the original VENICE, makes it easier to rig in drones, where the Rialto 2 would not be appropriate to use.

Internal Recording
Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.
Super 35 17:9 and 16:9
These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in 17:9 or 16:9 in Super 35 mode, which allows you to use Super 35 PL mount lenses.
Color Gamut
The VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony's S-Log3 and ultra-wide color space, S-Gamut3. Plus, VENICE 2's 6K and 8K sensors match colors almost perfectly, making your grading experience even better.
No Jello Effect
The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.
New VENICE 2 Functions
  • Zoom to Fit Monitoring crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing
  • Apply LUTs to your 4K or HD (6G/1.5G-SDI) output
  • LUT/ART/CDL file import via Ethernet/Wi-Fi
  • ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata
  • VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported
Functions from VENICE
  • The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera
  • Imager modes: 5.8K 17:9 and 5.4K 16:9 (no license required) / 5.8K 6:5 (needs Anamorphic License) / 7.6K 16:9, 8.2K 17:9, and 8.6K 3:2 (need Full-Frame License)
  • Support for the X-OCN XT recording format
  • De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
  • 5.7K at 16:9 up to 72 fps
  • 4K at 6:5 up to 72 fps
  • 3.8K at 16:9 up to 110 fps
  • 3D LUT viewable in the viewfinder
  • ART (Advanced Rendering Transform) file imports
  • Updated switching for SDI 1-4 3G-SDI level A/B
  • Addition of second user frame line of 9:16 and 1:1 preset
  • Record beep and alarm volume adjust
  • Ability to maintain CamID+Reel# when loading ALL file
  • Displaying of Genlock and TC lock status on OSD
  • Setting of de-squeeze on/off via the USER button
  • Updated RCP Call function
  • Record gyro information in metadata
  • Support for ZEISS eXtended Data from FUJINON Premista-series lenses
Sony DVF-EL200 Full HD OLED Viewfinder

The DVF-EL200 Full HD OLED Viewfinder from Sony is for use with the PMW-F55/F5 and VENICE 6K motion picture cameras. The viewfinder features a 0.7" OLED panel with 1920 x 1080 resolution and 200 cd/m2 brightness. A built-in diopter ring enables adjusting the EVF to suit most eyes. The built-in eye sensor controls the anti-burn-in function of the OLED.

In addition to the improved OLED panel, the DVF-EL200 features more durability and usability with an eye distance measure sensor, rotary encoders for controlling brightness, and contrast. It also features a LEMO-type connector and quick release system to detach the viewfinder from the camera.

Compatibility
Compatible with CineAlta cameras, including the PMW-F5, PMW-F55, and VENICE.
Dust and Splash Resistant
The viewfinder is dust and splash resistant, making it suitable for use in location shooting as well as in the studio.
Rotary Encoder Control
The viewfinder features a rotary encoder and menu button. These allow you to quickly access and control brightness, contrast, and peaking without having to open the main camera menu display.
Eye Sensor
The DVF-EL200 will automatically invert its OLED display when its proximity sensor detects your eye has moved away. The proximity sensor has improved responsiveness compared to the DVF-EL100.
Requirements
To use the DVF-EL200 with F55 and F5, viewfinder cables and CBK-55AT attachment are required (available separately).
UPC: 027242222137
Sony Permanent Full-Frame License for Sony VENICE 2

This Sony Permanent Full-Frame License for Sony VENICE 2 upgrades your camera, enabling you to use the entire full-frame sensor and not be limited to the Super35 image area. Activating this upgrade means users with the 8K sensor can capture and record 8.6K 3:2, 8.2K 17:9, and 7.6K 16:9 X-OCN footage. Users with the 6K sensor can capture and record 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 X-OCN footage. They can also output 4K or HD images to the viewfinder, SDI, and monitor outputs after down-converting.

8K Sensor
  • Imaging 8.6K 3:2, 8.2K 17:9, and 7.6K 16:9 image size
  • Recording 8.6K 3:2, 8.2K 17:9, and 7.6K 16:9 X-OCN footage
  • Outputting 4K or HD images to viewfinder, SDI, and monitor outputs after down-converting 8.6K, 8.2K, and 7.6K images
  • Play back 8.6K 3:2, 8.2K 17:9, and 7.6K 16:9 X-OCN
6K Sensor
  • Imaging 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 image size
  • Recording 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 X-OCN footage
  • Outputting 4K or HD images to viewfinder, SDI, and monitor outputs after down-converting 6K and 5.7K images
  • Play back 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 X-OCN
Sony Anamorphic Permanent License for VENICE 2 (6K, 8K)

The Sony Anamorphic Permanent License for VENICE 2 upgrades your camera to shoot anamorphic images. This upgrade is locked to your VENICE 2 camera and allows users with the 8K sensor to capture 5.8K 6:5 footage using X-OCN and record de-squeezed 5.8K on AXS memory cards.

Additionally, users with the 6K image sensor can capture 4K 4:3 and 6:5 footage using X-OCN or 4K Apple ProRes. Both the 8K and 6K sensors can record de-squeezed 4K on AXS memory cards and output de-squeezed 4K or HD images to the viewfinder, SDI, and monitor outputs with this upgrade.

8K Sensor
  • Imaging 5.8K 6:5 image size
  • Recording 5.8K 6:5 X-OCN and de-squeezed 5.8K on AXS memory card
  • Outputting de-squeezed images to viewfinder, SDI, and monitor outputs
  • Play back 5.8K 6:5 X-OCN.
  • 4K ProRes recording is also available
6K Sensor
  • Imaging 4K 4:3 and 4K 6:5 image size
  • Recording 4K 4:3 and 4K 6:5 X-OCN and 4K Apple ProRes
  • Recording de-squeezed 4K on AXS memory cards
  • Outputting de-squeezed 4K images to viewfinder, SDI, and monitor outputs
  • Play back 4K 4:3 and 4K 6:5 X-OCN and 4K Apple ProRes
Sony 1TB AXS S66 Memory Card

Designed for recording high-speed 8K and 6K X-OCN video with the VENICE 2 camera, the 1TB AXS S66 Memory Card from Sony features a storage capacity of 1TB and a guaranteed write speed of 6.6 Gb/s. It can record up to 8.6K using the 16-bit X-OCN format, supports a wide range of frame rates at lower resolutions, and can handle 4K raw, 4K ProRes, and High Frame Rate (HFR) 4K recording up to 120 fps. Aside from the VENICE 2, this card is backward compatible with camera systems that use the AXS-R7 memory recorder, such as the VENICE 1, FS5, and F5. Once you're done shooting, download your captured footage to your computer using a separately-sold AXS-AR3 memory card reader.

Note:
4K HFR video at up to 120 fps is only supported by the Sony VENICE 2 with a 6K sensor.
General Features
Record 8K X-OCN and 6K X-OCN with VENICE 2
Users of the VENICE 2 with an 8K sensor will be able to record up to 8.6K 3:2 X-OCN XT video at 30p and 8.2K 17:9 X-OCN ST video at 60p. The VENICE 2 with a 6K sensor will be capable of recording up to 6K 3:2 X-OCN XT video at 60p and 4K recordings at up to 120 fps.
High Capacity, Fast Transfer Speed Recording
The AXS-A1TS66 has a capacity of 1TB and guaranteed write speed of 6.6 Gb/s, or 825 MB/s.
4K HFR Recordings
The AXS Memory A Series records High Frame Rate (HFR) recordings, with capacity for up to 34 minutes of 4K 16-bit X-OCN XT recording at 90 fps.
Works with the AXS-R7, AXS-R5, AXS-AR3, AXS-CR1, and AXS-AR1
The AXS-A1TS66 works with the AXS-R7 Portable Memory Recorder and AXS-R5 2K / 4K Raw Recorder. The AXS-AR3 Thunderbolt Memory Card Reader is its ideal companion, but the card is also compatible with the AXS-CR1 USB 3.0 AXS Memory Card Reader, the AXS Memory Card Adapter, and the AXS-AR1.
Slim and Small Card Design
With dimensions of 1.4 x 3.0 x 0.3" / 35.0 x 75.0 x 8.0mm, the AXS-A1TS66 has the same height and width dimensions as SxS Memory cards.
Kit Contains:

Sony VENICE 2 Digital Motion Picture Camera (8K)

Key Specs
Lens Mount
Sony E with Included ARRI PL Adapter
Image Sensor
Full-Frame
Effective Sensor Resolution
49.76 Megapixel
Image Stabilization
No
ISO/Gain Sensitivity
Dual Base: 800 / 3200
Native: 200 to 12,800
Max Recording Modes
X-OCN LT/X-OCN ST/X-OCN XT
Up to 8K from 1 to 29.97 fps
ProRes 422 HQ/ProRes 4444
Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94 fps
Media/Memory Card Slot
Single Slot: SD/SDHC
Dual Slot: AXS
Mobile App Compatible
No
Imaging
Lens Mount
Sony E with Included ARRI PL Adapter
Lens Communication
Yes: Cooke /i, Zeiss eXtended Data
Image Sensor
36.2 x 24.1 mm (Full-Frame) CMOS
Effective Sensor Resolution
Effective: 49.76 Megapixel
Actual: 49.76 Megapixel (8640 x 5760)
Image Stabilization
No
Built-In ND Filter
Mechanical Filter Wheel with Clear, 1-Stop (1/2), 2-Stop (1/4), 3-Stop (1/8), 4-Stop (1/16), 5-Stop (1/32), 6-Stop (1/64), 7-Stop (1/128), 8-Stop (1/256) ND Filters
Capture Type
Video Only
Exposure Control
Shutter Type
Electronic Rolling Shutter
ISO/Gain Sensitivity
Dual Base: 800 / 3200
Native: 200 to 12,800
Advertised Dynamic Range
16 Stops
White Balance
Range: 2000 to 15,000K
Presets: AWB
Focus
Focus Mode
Automatic, Manual Focus
Video Capture
Internal Recording
X-OCN LT/X-OCN ST/X-OCN XT
8640 x 5760 from 1 to 29.97 fps
5792 x 4854 from 1 to 47.95 fps
8192 x 4320 from 1 to 59.94 fps
7680 x 4320 from 1 to 59.94 fps
5792 x 3056 from 1 to 59.94/66/72/75/88/90 fps
5452 x 3056 from 1 to 59.94/66/72/75/88/90 fps
ProRes 422 HQ/ProRes 4444
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
Fast-/Slow-Motion Support
Yes
Built-In Microphone
Mono
Audio Recording
4-Channel, 24-Bit at 48 kHz via LPCM Audio
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC
Dual Slot: AXS
Internal Storage
No
Video I/O
4x BNC (12G-SDI) Output
1x BNC (HD-SDI) Output
1x HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x XLR 5-Pin Mic/Line/AES/EBU Selectable Input
Power I/O
1x XLR 4-Pin (12 to 32VDC) Input
1x Proprietary Input
1x LEMO 2-Pin (12VDC) Output
1x Fischer 3-Pin (12VDC) Output
Other I/O
1x 26-Pin Viewfinder Output
1x BNC (Timecode) Input
1x BNC (Genlock) Input
1x BNC (Timecode) Output
1x Hirose 8-Pin Control Input
1x Lens 12-Pin Control
1x RJ45 (Ethernet)
Wireless
No
Mobile App Compatible
No
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Type
Status Display: Fixed Non-Touchscreen LCD
Viewfinder
Type
Optional, Not Included
Power
Power Consumption
76 W
Environmental
Operating Conditions
32 to 104°F / 0 to 40°C
Storage Conditions
-4 to 140°F / -20 to 60°C
General
Tripod Mount
2x 1/4"-20 Female (Bottom)
4x 3/8"-16 Female (Bottom)
Accessory Mounting Thread
8x 1/4"-20
10x 3/8"-16
Netflix Approved
Yes
Dimensions (W x H x D)
9.84 x 6.22 x 5.98" / 249.94 x 157.99 x 151.89 mm (Without Protrusions)
Weight
9.5 lb / 4.3 kg (Body Only)
Packaging Info
Package Weight
13.3 lb
Box Dimensions (LxWxH)
14 x 12 x 9.5"

Sony VENICE 2 8K Digital Motion Picture Camer... Reviews

Sony - happy to rip you off but not support $90k cameras

By Christopher
Rated 3 out of 5
Date: 2023-11-09

PROS: - Beautiful Image Quality with very clean dual base ISOs, high dynamic range and latitude - Many imager crop modes (with the licenses) - Many I/O and power options - The 8.6k 3x2 open gate mode is among the best choices for 1.8x or 2x anamorphic filming retaining at least 4k resolution after cropping for 2.39, 17x9 or other narrower ratios. CONS: - No proxy recording (available on other Sony CineAlta cameras including Venice 1 and Burano)  - Lack of a downsampled full frame 6k or 4k mode in X-OCN - No 6K 60p (FF crop), 5.8K 60p (S35) modes as developed for the Burano with the same sensor - Via NLEs, Sony Venice 2 X-OCN is currently only fully supported natively by Resolve (Avid requires a plug-in, Premiere can read the files without raw setting development, zero support in FCP). - Sony RAW viewer software is old & slow and will play / transcode Venice 2 X-OCN files but does not playback audio making it difficult to transcode sections. Assimilate Scratch is far better & faster. - Sony's Catalyst Browse cannot play or process the video files from the Venice 2 (you can hear audio only...񘐩 - No gyro stabilization (not even if you spend an additional $20k on the Extension System 2)  - ProRes recording is limited to 4k only, specific imager modes & lesser frame rates - Many frame rate options are MOS only (no sound) - Sony shipped a camera in 2022 with a USB-A port (likely to prevent users from being able to use the camera to read the cards over USB-C...which would have been nice when trying to avoid travel with the absurdly large AR3 card reader) - That $4000 AR3 card reader is massive...has only a single slot...and requires a separate power brick. It is the most ridiculous card reader of the 21st century. I guess they felt they had to make it big to validate ripping customers off. - The camera design is a low effort update compared to the Venice 1 and F55 before it. It's overly large & heavy compared to its chief competitors - an Arri MiniLF or Arri 35.   - Does not come with a power adapter - Sony is moving on to the Burano - they barely marketed the Venice 2 and the feature / firmware updates are far and few between - The Sony Burano does not require a user to spend an additional $4k for a full frame license or an additional $4k for anamorphic license and it uses industry standard media rather than 1TB AxS cards that cost over $4k a piece. - When Sony releases the new 6k global shutter sensor for Venice, ported over from the Sony a9III, it's unlikely they will release it as a sensor block option for the Venice 2. They'll likely require a Venice 3 killing the value of this camera after owners & rental houses made it through the production slowdown and strikes. - This camera is a money-pit for owners. Better to rent it from independents or smaller rental operations per project.

See any errors on this page?

Can Venice 8K record 4K and UHD files in XOCN ...

Can Venice 8K record 4K and UHD files in XOCN formats using the whole FF sensor? (Basically can it downscale the image internally)
Asked by: Yura
No, the Sony VENICE 2 Camera Package with OLED EVF & Full-Frame & Anamorphic Licenses (8K) does not capture 4K or UHD files in XOCN. The MPC-3628 full frame license offers 8.6K 3:2, 8.2K 17:9 8, and 7.6K 16:9, and non-license offers 5.8K 17:9 and 5.4K 16:9.
Answered by: Richard
Date published: 2023-07-11

Is the HDMI output 4k?

Is the HDMI output 4k?
Asked by: Dan
Yes, The HDMI output of the Sony Venice 2 supports 4k output resolutions.
Answered by: Chris H
Date published: 2023-07-11

does the package include dc power supply or is it ...

does the package include dc power supply or is it an extra purchase and does sony make one if it is not included? thanks
Asked by: Jam
The Sony VENICE 2 Camera Package with OLED EVF & Full-Frame & Anamorphic Licenses (8K) does not include a power supply with the kit. Please add a power supply: Power supply suggestion: Core SWX Cube 200 Power Supply Kit with 4-Pin XLR Cable (10') BH #COCUBE20010C (B&H Kit)
Answered by: Chris H
Date published: 2025-01-08

I just want to know that in this camera Sony ...

I just want to know that in this camera Sony Venice 2 - if we record on crop sensor (super 35mm) mode then can we get 4k footage ? Or the quality will reduce less than 4k ? Cause I have lenses which can only cover super 35mm sensor size so I need to know, using those lenses can i get 4k resolution on sony venice 2 ?
Asked by: muhammad
The Sony Venice 2 8.6K has two sensor modes for Super 35mm that will capture at higher resolution than 4K: 5.8K | 17:9 | 24.1 mm × 12.7 mm |5792×3056 pixel resolution 5.8K | 6:5 Anamorphic | 24.1 mm × 20.2 mm | 5792×4854 pixel resolution
Answered by: Moe
Date published: 2022-10-05
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