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DPA Microphones 2012 Compact Cardioid Condenser Microphone

BH #DP2012 • MFR #2012
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DPA Microphones 2012 Compact Cardioid Condenser Microphone
Key Features
  • Instrument Mic for Live Applications
  • For Drums, Guitars, Horns & Percussion
  • Excellent Transient Response
  • Cardioid Pickup Reduces Bleed/Feedback
Sound engineers, producers, and musicians looking for a workhorse microphone to capture precise, natural sound from a wide range of instruments will be delighted by the 2012 from DPA, a cardioid condenser mic that's built to survive the rigors of live stage performances, day after day. Designed to be placed close to instruments, the mic can handle peak SPLs up to 156 dB while the smooth, uniform cardioid polar pattern offers a consistent response across the entire frequency range, helping to ensure sounds are accurately reproduced with precision and nuance.
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DPA Microphones 2012 Overview

Great Close Miking for the Live Stage
Sound engineers, producers, and musicians looking for a workhorse microphone to capture precise, natural sound from a wide range of instruments will be delighted by the 2012 from DPA, a cardioid condenser mic that's built to survive the rigors of live stage performances, day after day. Designed to be placed close to instruments, the mic can handle peak SPLs up to 156 dB while the smooth, uniform cardioid polar pattern offers a consistent response across the entire frequency range, helping to ensure sounds are accurately reproduced with precision and nuance.
A Cardioid Mic Ready for a Variety of Instruments
  • Equally at home in the orchestra pit, on a live stage, or in the studio, the 2012 is a versatile mic that captures detailed, natural sound from numerous sources, including guitars, horns, percussion, and more.
  • The microphone is designed for close-miking and offers a linear frequency response when positioned about 11.8 inches from the source.
  • A flat on-axis frequency response with a light presence boost in the 5 to 12 kHz range provides faithful reproduction of instrumental performances.
  • The 17mm electret-condenser capsule offers an outstanding transient response to deliver rich, expressive sound and can handle peak SPLs up to 156 dB with a 10% THD, allowing you to use it on loud sources, including snare drums as well as electric guitar and bass cabinets.
  • The uniform cardioid polar pattern focuses audio capture in front of the mic and ensures that any bleed from other instruments is a truly accurate reflection of the original sound.
Durable, Performance-Ready Build Quality
  • Live performance stages can be difficult environments for equipment, especially for a go-to mic that you'll use on every show.
  • The 2012 is built with a thick and robust structure that can stand up to the everyday abuses of touring and performing, with extra-durable surfaces for more graceful aging.
  • The compact size makes it easier to optimally place the mic, even on cramped stages packed with equipment.
  • The included professional-quality holder provides a firm grip to keep the mic in place.
  • Connect the standard 3-pin XLR connector to a wide variety of mixing boards and preamplifiers and power the electret-condenser capsule with 48V phantom power.

DPA Microphones 2012 Specs

Key Specs
Microphone Type
Small Diaphragm
Polar Pattern
Cardioid
Element Type
Electret Condenser
Controls
No
Frequency Response
40 Hz to 20 kHz (at 11.8 " / 30 cm)
Maximum SPL
148 dB (RMS, 1% THD)
151 dB (Peak, 1% THD)
153 dB (RMS, 10% THD)
156 dB (Peak, 10% THD)
Analog Output
1x XLR 3-Pin Male
Power Sources
Phantom Power
Microphone
Microphone Type
Small Diaphragm
Polar Pattern
Cardioid
Element Type
Electret Condenser
Sound Field
Mono
Diaphragm
0.7" / 17 mm
Orientation
End Address
Controls
No
Pad
No
Circuitry
Solid-State
Performance
Frequency Response
40 Hz to 20 kHz (at 11.8 " / 30 cm)
Maximum SPL
148 dB (RMS, 1% THD)
151 dB (Peak, 1% THD)
153 dB (RMS, 10% THD)
156 dB (Peak, 10% THD)
Dynamic Range
131 dB (Typical)
Equivalent Noise Level
20 dB (A-Weighted)
Connectivity
Analog Output Connector
1x XLR 3-Pin Male
Power
Power Sources
Phantom Power
Operating Voltage
48 V
Physical
Color
Black
Mounting Thread Size
5/8"-27 Female (3/8"-16 Female with Included Adapter)
Dimensions
ø: 0.7 x L: 3.7" / ø: 19 x L: 94 mm
Weight
2.9 oz / 83 g
Packaging Info
Package Weight
0.525 lb
Box Dimensions (LxWxH)
9.2 x 5.4 x 1.6"

DPA Microphones 2012 Reviews

Great impact and sound

By Piotr
Rated 5 out of 5
Date: 2023-07-14

This microphone is a wonderful alternative to the already well-established and brilliant 2011. It is more affordable, so anyone in need of a large quantity of small-diaphragm microphones can confidently choose this option. It performs brilliantly on snare drums, hi-hats, as well as French horns, trumpets, or trombones. I had the opportunity to test it in action on jazz projects, pop drum setups, and orchestral ensembles. It's fantastic, and I highly recommend it.

See any errors on this page?

For recording live concerts in a venue, how would

For recording live concerts in a venue, how would these compare to other mics? I see the "designed use case" is for close miking of instruments. Would KM184 be better for my use or would these DPA 2012 offer even more transparent sound?
Asked by: Ross
A stereo pair of small diaphragm condenser mics like these DPA Microphones ST2012 Compact Cardioid Condenser Microphones can be used for concert recordings or for ambient sound, usually in an X-Y pattern. The Neumann SKM 184 MT Stereo Matched Microphone Pair is comparable in quality and application, and can also work for this use.
Answered by: Jordan K
Date published: 2026-05-01

How dkes this compare to the km184 or audio ...

How dkes this compare to the km184 or audio technica at 4053b i wod like a microphone for dialog but i dnt control the rec space
Asked by: mohamed
The DPA Microphones ST2012 Compact Cardioid Condenser Microphone is a high-quality small diaphragm condenser microphone that is comparable to the Neumann KM 184 Condenser Microphone, which is also a high-quality small diaphragm condenser microphone. Both have a cardioid polar pattern and are similar in size. However, the Audio-Technica AT4053b Condenser Microphone is a slightly longer microphone that has a hypercardioid polar pattern, which is more focused than a cardioid pattern, but it can be used for the same types of applications as the ST2012 and KM 184. The ST2012 is well suited for a wide variety of studio recording purposes, including dialogue, instruments, and ambient audio.
Answered by: Elliot
Date published: 2024-03-28
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