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Sony VENICE 6K Camera Base Kit (EDU)

BH #SOVNC1BASEKT • MFR #VENICE1BASEKIT
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Sony VENICE 6K Camera Base Kit (EDU)
Shown with Optional Equipment (Not Included)
Key Features
  • VENICE 6K Digital Motion Picture Camera
  • DVF-EL200 Full HD OLED Viewfinder
  • Permanent Anamorphic License
  • Permanent Full-Frame License
Offering both full-frame 6K and anamorphic 4K options, the Sony VENICE 6K Camera Base Kit enables you to create stunning cinematic imagery in a range of formats and frame rates. Available for educational use only, this package pairs the ARRI PL/Sony E-mount VENICE 6K camera with an OLED EVF, an AXS-R7 external raw recorder, and permanent full-frame, anamorphic, and high-speed licenses. Read more below about each item in this kit.
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Expected availability: 2-4 Weeks
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From Manufacturer

Offering both full-frame 6K and anamorphic 4K options, the Sony VENICE 6K Camera Base Kit enables you to create stunning cinematic imagery in a range of formats and frame rates. Available for educational use only, this package pairs the ARRI PL/Sony E-mount VENICE 6K camera with an OLED EVF, an AXS-R7 external raw recorder, and permanent full-frame, anamorphic, and high-speed licenses. Read more below about each item in this kit.

Sony VENICE 2 Digital Motion Picture Camera (6K)

Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments, thanks to its high-resolution capture and filmlike imagery.

The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.

Sensor
The VENICE 2 allows you to work in a color space, sensitivity, and resolution that you have become accustomed to, as it uses the same sensor as the original VENICE camera. This allows to seamlessly intercut the footage between the two, making for an obvious A/B camera setup. Plus, the optional 8.6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility.
Internal Recording
Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.
New VENICE 2 Functions
  • 4K output with LUT applied
  • Improved 3D LUT processing to improve picture quality¿
  • EI changes directly applied to S-Log3 outputs
  • Ethernet connector position changed to camera assistant side¿
  • Lemo 2-pin 12V output connector¿
  • Internal scratch track microphone installed¿
  • Zoom to Fit Monitoring: Crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing
  • LUT/ART/CDL file import via Ethernet/Wi-Fi
  • ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata
  • VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras; when connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported
Functions from VENICE
  • Imager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)
  • Support for the X-OCN XT recording format
  • Compatibility with Rialto VENICE Extension System
  • De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • SxS recording folder structure selection
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
  • 5.7K at 16:9 up to 72 fps
  • 4K at 6:5 up to 72 fps
  • 3.8K at 16:9 up to 110 fps
  • 3D LUT viewable in the viewfinder
  • ART (Advanced Rendering Transform) file imports
  • Updated switching for SDI 1-4 3G-SDI level A/B
  • Addition of second user frame line of 9:16 and 1:1 preset
  • Record beep and alarm volume adjust
  • Ability to maintain CamID+Reel# when loading ALL file
  • Displaying of Genlock and TC lock status on OSD
  • Setting of de-squeeze on/off via the USER button
  • Updated RCP Call function
  • Record gyro information in metadata
  • Support for ZEISS eXtended Data from FUJINON Premista-series lenses
Sensor
The sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space, which is larger than the DCI-P3 color space, enabling you to create stunning images with a camera that already exceeds future specs.
Full-Frame Sensor
In full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1 or large-format scope. A firmware upgrade and license are required for full-frame recording. It also supports Super35 for 17:9 or 16:9 images.
Built-In ND Filters
The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops). The servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in underwater housings.
Dual-Base ISO Sensor
The 6K VENICE features dual-base ISO, which offers Base ISO2500 in addition to Base ISO500. The High Base ISO2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 5+ stops over to 10 stops under 18% Middle Gray, for a total of 15+ stops.
No Jello Effect
The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.
PL Mount
The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.
E-Mount
Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production.
Sony DVF-EL200 Full HD OLED Viewfinder

The DVF-EL200 Full HD OLED Viewfinder from Sony is for use with the PMW-F55/F5 and VENICE 6K motion picture cameras. The viewfinder features a 0.7" OLED panel with 1920 x 1080 resolution and 200 cd/m2 brightness. A built-in diopter ring enables adjusting the EVF to suit most eyes. The built-in eye sensor controls the anti-burn-in function of the OLED.

In addition to the improved OLED panel, the DVF-EL200 features more durability and usability with an eye distance measure sensor, rotary encoders for controlling brightness, and contrast. It also features a LEMO-type connector and quick release system to detach the viewfinder from the camera.

Compatibility
Compatible with CineAlta cameras, including the PMW-F5, PMW-F55, and VENICE.
Dust and Splash Resistant
The viewfinder is dust and splash resistant, making it suitable for use in location shooting as well as in the studio.
Rotary Encoder Control
The viewfinder features a rotary encoder and menu button. These allow you to quickly access and control brightness, contrast, and peaking without having to open the main camera menu display.
Eye Sensor
The DVF-EL200 will automatically invert its OLED display when its proximity sensor detects your eye has moved away. The proximity sensor has improved responsiveness compared to the DVF-EL100.
Requirements
To use the DVF-EL200 with F55 and F5, viewfinder cables and CBK-55AT attachment are required (available separately).
UPC: 027242222137
Sony Anamorphic Permanent License for Sony VENICE Camera

The Sony Anamorphic Permanent License for Sony VENICE Camera upgrades your camera to shoot anamorphic images using the sensor at 4096 x 3024, yielding a 4:3 aspect ratio to originate on with your anamorphic glass. A planned future firmware upgrade will allow you to shoot at 4096 x 3432, providing you with a 6:5 aspect ratio to record your anamorphic images within. Once installed, the anamorphic mode is permanently available for you to choose to shoot in.

Sony Permanent Full-Frame License for Sony VENICE

This Sony Permanent Full-Frame License for Sony VENICE upgrades your camera, enabling you to use the entire full-frame sensor and not be limited to the Super 35 image area. Activating this VENICE upgrade means users can capture 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9, record XAVC 4K and other formats on an SxS memory card, output 4K or HD images to viewfinder and SDI outputs, and record X-OCN footage with the optional AXS-R7 recorder.

Full-Frame Options
  • Imaging 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 image sizes
  • Recording 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 X-OCN with AXS-R7
  • Recording XAVC 4K, HD ProRes, and MPEG50 on SxS memory card
  • Outputting 4K or HD images to viewfinder; SDI and HD monitor outputs after down-converting 6K and 5.7K images
  • Play back 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 X-OCN with AXS-R7
Requirements
Use of this license requires firmware version 2.0 or later
Sony High Frame Rate License for Sony VENICE Camera (Permanent)

This permanent High Frame Rate License from Sony activates HFR image capture on your VENICE camera, enabling you to shoot slow-motion footage. Activating this upgrade means you can record X-OCN format on an AXS memory card in 6K 3:2, 4K 4:3, 4K 2.39:1, and 4K 17:9 frame rates.

X-OCN Recording on AXS Memory Card Frame Rates
6K (6048 x 4032) 3:2, at 26 to 60 fps
4K (4096 x 3024) 4:3, at 49 to 60, 66, 72, and 75 fps
4K (4096 x 1716) 2.39:1, at 120 fps
4K (4096 x 2160) 17:9, at 66, 72, 75, 88, 90, 96, 100, and 110 fps
Requirements
Use of this license requires firmware version 4.0 or later
Sony AXS-R7 External 4K RAW Recorder for VENICE, PMW-F55 & F5

The AXS-R7 4K RAW Recorder from Sony attaches seamlessly to the Sony VENICE, PMW-F55, and PMW-F5 CineAlta cameras, speeding up the 4K production workflow. This 16-bit linear recorder offers up to 6K capture for the VENICE, and up to 4K120 and 4K60 RAW recording for the PMW-F55 and F5 cameras respectively. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps, for playback with 10x super slow motion. This recorder also offers 4K Raw/X-OCN cache recordings up to 30 seconds while in standby mode (approximate storage time at 23.98p).

This AXS-R7 recorder is compatible with the high-speed, slim S48 AXS series memory cards (available separately). It features dual memory card slots for extra security and simultaneous recording at rates up to 60p. Built to work in challenging field conditions, this recorder's rugged, all-metal casing has a sealed ventilation system that is dust- and splash-resist and attaches securely to the camera body. It is suitable for feature film, television commercial, reality, documentary, and wildlife cinematographers who require continuous, full-resolution 6K VENICE capture or 4K RAW recording from their F55 and F5 cameras.

X-OCN 4K/2K Capture Platform
In addition to the RAW format, the AXS-R7 recorder also supports the X-OCN (extended tonal range Original Camera Negative) capture format. This format has two recording modes; X-OCN ST (Standard) and X-OCN LT (Light). X-OCN ST captures 4K 24p at 660 Mb/s and X-OCN LT offers efficient data rates for smaller and more manageable files, reducing cost and improving workflow speed.
High Speed 4K RAW Capture
The AXSR7 recorder captures continuous 16-bit 4K RAW at up to 120 fps and 60 fps from the PMW-F55 and F5 cameras respectively. When you play back at 24p, it produces a dramatic 5x super slow motion effect. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps from the PMW-F55 and F5, for playback with 10x super slow motion. This portable memory recorder is not compatible with the HXRIFR5 interface unit.
30-Second RAW Cache Recording
The AXS-R7 recorder offers RAW/X-OCN cache recording at 23.98p for approximately up to 30 seconds while in standby mode, an important feature in documentary or wildlife production where capturing spontaneous action is required. The cache recording time varies based on the frame rate and recording mode.
From Power-Up to Record in 0.5 Seconds
When the unit is powered on by pushing the REC button, the 'Quick Rec' mode gets activated. This mode accelerates the power on process and the recorder starts recording in about 0.5 seconds.
Durable Dust- and Splash-Resistant Metal Design
The AXS-R7 has a rugged, durable metal body built to work in challenging field conditions. It is dust- and splash-resistant, with electric parts and the ventilation shaft separated by a metal filter to prevent the entry of dust and water. Connection between the camera and the recorder is secured through a large quick-release top bracket that accepts four widely spaced 1/4" screws.
Dual Memory Card Slots Support High-Speed Slim AXS A Series
The AXS-R7 recorder features dual memory card slots and works with sleek, high-capacity, high-speed AXSM A series S48 memory cards (1TB and 512GB), which are designed to support the write speeds required for 4K RAW/X-OCN 120 fps recordings (with the PMW-F55 ). It also works with the AXS A series S24 slim cards (blue trim, 1TB, 512GB, and 256GB capacity) for recording 4K RAW up to 60 fps and 2K RAW up to 240 fps. By using Sony's free RAW Viewer application, the recorded files can easily be played back and checked on a PC or MAC.
Kit Contains:

Sony VENICE 2 Digital Motion Picture Camera (6K)

Key Specs
Lens Mount
Sony E with Included ARRI PL Adapter
Image Sensor
Full-Frame
Effective Sensor Resolution
24.8 Megapixel
Image Stabilization
No
ISO/Gain Sensitivity
Dual Base: 500 / 2500
Native: 125 to 10,000
Max Recording Modes
X-OCN LT/X-OCN ST/X-OCN XT
Up to 6K from 1 to 59.94 fps
ProRes 422 HQ/ProRes 4444
Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94 fps
Media/Memory Card Slot
Single Slot: SD/SDHC
Dual Slot: AXS
Mobile App Compatible
No
Imaging
Lens Mount
Sony E with Included ARRI PL Adapter
Lens Communication
Yes: Cooke /i, Zeiss eXtended Data
Image Sensor
36.2 x 24.1 mm (Full-Frame) CMOS
Effective Sensor Resolution
Effective: 24.8 Megapixel
Actual: 24.8 Megapixel (6048 x 4032)
Image Stabilization
No
Built-In ND Filter
Mechanical Filter Wheel with Clear, 1-Stop (1/2), 2-Stop (1/4), 3-Stop (1/8), 4-Stop (1/16), 5-Stop (1/32), 6-Stop (1/64), 7-Stop (1/128), 8-Stop (1/256) ND Filters
Capture Type
Video Only
Exposure Control
Shutter Type
Electronic Rolling Shutter
ISO/Gain Sensitivity
Dual Base: 500 / 2500
Native: 125 to 10,000
Advertised Dynamic Range
15 Stops
White Balance
Range: 2000 to 15,000K
Presets: ATW
Focus
Focus Mode
Automatic, Manual Focus
Video Capture
Internal Recording
X-OCN LT/X-OCN ST/X-OCN XT
6048 x 4032 from 1 to 59.94 fps
4096 x 3432 from 1 to 59.94/66/72 fps
6054 x 3272 from 1 to 59.94/66/72 fps
6054 x 3192 from 1 to 59.94/66/72 fps
5674 x 3192 from 1 to 59.94/66/72 fps
4096 x 3024 from 1 to 59.94/66/72/75 fps
6048 x 2534 from 1 to 59.94/66/72/75/88/90 fps
4096 x 2160 from 1 to 59.94/66/72/75/88/90/96/100/110 fps
3840 x 2160 from 1 to 59.94 fps
4096 x 1716 from 1 to 59.94/66/72/75/88/90/96/100/110 fps
ProRes 422 HQ/ProRes 4444
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
Fast-/Slow-Motion Support
Yes
Built-In Microphone
Mono
Audio Recording
4-Channel, 24-Bit at 48 kHz via LPCM Audio
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC
Dual Slot: AXS
Internal Storage
No
Video I/O
4x BNC (12G-SDI) Output
1x BNC (HD-SDI) Output
1x HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x XLR 5-Pin Mic/Line/AES/EBU Selectable Input
Power I/O
1x XLR 4-Pin (12 to 32VDC) Input
1x Proprietary Input
1x LEMO 2-Pin (12VDC) Output
1x Fischer 3-Pin (12VDC) Output
Other I/O
1x LEMO 26-Pin Viewfinder Output
1x BNC (Timecode) Input
1x BNC (Genlock) Input
1x BNC (Timecode) Output
1x Hirose 8-Pin Control Input
1x Lens 12-Pin Control
1x RJ45 (Ethernet)
Wireless
No
Mobile App Compatible
No
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Type
Status Display: Fixed Non-Touchscreen LCD
Viewfinder
Type
Optional, Not Included
Power
Power Consumption
73 W
Environmental
Operating Conditions
32 to 104°F / 0 to 40°C
Storage Conditions
-4 to 140°F / -20 to 60°C
General
Tripod Mount
2x 1/4"-20 Female (Bottom)
4x 3/8"-16 Female (Bottom)
Accessory Mounting Thread
8x 1/4"-20
10x 3/8"-16
Netflix Approved
Yes
Dimensions (W x H x D)
9.84 x 6.22 x 5.98" / 249.94 x 157.99 x 151.89 mm (Without Protrusions)
Weight
9.3 lb / 4.2 kg (Body Only)
Packaging Info
Package Weight
13.15 lb
Box Dimensions (LxWxH)
14.3 x 12.2 x 9.7"

Sony VENICE 2 6K Digital Motion Picture Camer... Reviews

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