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ARRI ALEXA 35 Live Multicam System (Entry)

BH #ARA35LMSE • MFR #K0.0051069
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ARRI ALEXA 35 Live Multicam System (Entry)
Key Features
  • 4K Super35 ARRI ALEV 4 CMOS Sensor
  • Up to DCI 4K60 4096 x 2304
  • LPS-1 Fiber Camera Adapter FCA-1
  • LPS-1 Fiber Base Station FBS-1
Offering a complete solution for live entertainment production, the ALEXA 35 Live Multicam System brings the cinematic ARRI look, unrivaled HDR, and a new level of creative control to live productions in a dockable multicamera setup. This Entry system comprises the 4K ALEXA 35 Live camera and the Live Production System with the LPS-1 Fiber Camera Adapter and the FBS-1 Fiber Base Station. The Skaarhoj RCP (remote control panel) and a series of bespoke Multicam accessories are available separately.
More Details
Discontinued
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ARRI ALEXA 35 Live PL Mount Overview

Offering a complete solution for live entertainment production, the ALEXA 35 Live Multicam System brings the cinematic ARRI look, unrivaled HDR, and a new level of creative control to live productions in a dockable multicamera setup. This Entry system comprises the 4K ALEXA 35 Live camera and the Live Production System with the LPS-1 Fiber Camera Adapter and the FBS-1 Fiber Base Station. The Skaarhoj RCP (remote control panel) and a series of bespoke Multicam accessories are available separately.
Cinematic Look with HDR
The ALEXA 35 Live camera offers the uniquely cinematic ARRI look with its Super35-sized 4K sensor, enabling the ongoing trend of shallow depth of field trend in live productions. It captures 17 stops of dynamic range, more than any other camera on the market, handling extreme lighting situations for the best results in both SDR and HDR.
Seamless Integration with Live Multicamera Environments
The ALEXA 35 Live Multicam System provides all the common live production shading controls to carry the ARRI tradition of stunningly beautiful images into the live realm. Going even further, the ALEXA 35 offers additional creative options that can quickly give any project a fresh look.
Choice of Creative Looks
The built-in ARRI Look Library provides 87 cinematic looks that control color in three intensities and can be activated at the push of a button, catering to a huge variety of shooting scenarios. In addition, several specially developed Multicam looks provide time-saving presets for typical live production scenarios such as studios, concerts, or ski racing.
Uncompressed, Fiber-Based 4K Video
The included Live Production System LPS-1 comprises the Fiber Camera Adapter and the Fiber Base Station. They can be connected either with a hybrid fiber cable that delivers both power and uncompressed 4K video over distances up to 1.2 miles or with a tactical fiber cable up to 6.2 miles in length. An extra fiber tunnel and Ethernet tunnel increase the system's flexibility with additional video, audio, or control signals.
Fiber Camera Adapter
The Fiber Camera Adapter FCA-1 mounts on the camera quickly and easily via a satisfyingly robust and self-aligning mechanical interface, creating a unified form that is easy to work with. This unit features a single FCA-to-Ethernet cable link, familiar connections, and intuitive controls.
Fiber Base Station
The included Fiber Base Station supports multiple simultaneous outputs like UHD 4K with 1080p or 1080i HD video. It incorporates a broadcast-quality down-converter, a redundant power supply, a 2-channel intercom, and pro audio inputs and outputs. It includes future-proof SMPTE 2110 IP capabilities and a SMPTE 2022-7 seamless protection switching redundant network for absolute reliability. The SMPTE 311 hybrid fiber cable with copper connections provides up to 400W of camera and accessory power and transmits uncompressed 4K video.
Full Creative Control
The ALEXA 35 Live system may be used with a variety of established remote-control panels. The recommended tool of choice is the Skaarhoj RCP, which combines classic RCP handling with a powerful, fully customizable interface, making the most of the camera's exceptional image quality and offering additional creative possibilities.
Dedicated Multicam Accessories
The ALEXA 35 Live Multicam System is available in different sets that meet the varied needs of customers. Multicam extension sets are also available for ALEXA 35 owners who want to expand into the live production market. A critical part of these sets is the many bespoke accessories that ARRI has created to tailor the system to different styles of live, multicamera shooting. Separately available components include the Touchdown Baseplate system, the LPH-1 Live Production Handle, the LLA-1 Large Lens Adapter, the TLM-1 Tally Light Module, the MYS-1L Monitor Yoke Support, and a series of SAM Stabilizer Adapter Mounts.
User Interfaces
For fast setup and easy configuration, the ALEXA 35 Live Multicam System is equipped with several carefully considered user interfaces, providing control when and where you need it. A jog wheel and display on both the Fiber Camera Adapter and the Fiber Base Station provide a status display and enable on-the-spot adjustments, saving time and hassle. The ARRI Webremote enables full control of the camera, while a Multicam web interface provides full configuration of the Fiber Camera Adapter and Fiber Base Station, including signal routing, diagnostics, and software updates. The Skaarhoj Reactor web interface allows the full control, configuration, and updating of the separately available Skaarhoj RCP.

ARRI ALEXA 35 Live PL Mount Specs

Key Specs
Lens Mount
Interchangeable Mount with Included ARRI PL
Image Sensor
Super35
Effective Sensor Resolution
14.58 Megapixel (4608 x 3164)
Image Stabilization
No
ISO/Gain Sensitivity
Native: 160 to 6400
Max Recording Modes
MXF/ProRes 422 HQ/ProRes 4444/ProRes 4444XQ 4:4:4/4:2:2
Up to 4K up to 60.00 fps
Max Video Output
4.6K
Media/Memory Card Slot
Single Slot: Codex Compact Drive
Video I/O
BNC
Mobile App Compatible
Yes: iOS & watchOS
Battery
B-Mount
Imaging
Lens Mount
Interchangeable Mount with Included ARRI PL
Lens Communication
Yes
Image Sensor
27.99 x 19.22 mm (Super35) CMOS
Effective Sensor Resolution
14.58 Megapixel (4608 x 3164)
Image Stabilization
No
Built-In ND Filter
Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters
Built-In CC Filter
No
Internal Filter Holder
No
Capture Type
Video Only
Exposure Control
Shutter Type
Electronic Rolling Shutter
Shutter Speed
1/8000 to 1 Second
Shutter Angle
5 to 356°
ISO/Gain Sensitivity
Native: 160 to 6400
Signal-to-Noise Ratio
Not Specified by Manufacturer
Advertised Dynamic Range
17 Stops
White Balance
Range: 2000 to 11,000K
Presets: Auto, Manual
Focus
Focus Mode
Manual Focus Only
Video Capture
Internal Recording
MXF/ProRes 422 HQ/ProRes 4444/ProRes 4444XQ 4:4:4/4:2:2
4096 x 2304 up to 60.00 fps
3840 x 2160 up to 60.00 fps
4096 x 2048 up to 60.00 fps
2048 x 1152 up to 60.00 fps
1920 x 1080 up to 60.00 fps
Video Output

4608 x 3164
Fast-/Slow-Motion Support
Yes
Gamma Curve
ARRI Log C4, Rec 2100 HLG, Rec 2100 PQ, Rec709, Rec2020
Built-In Microphone
Stereo
Audio Recording
4-Channel, 24-Bit at 48 kHz via LPCM Audio
IP Streaming
Yes
Interface
Media/Memory Card Slot
Single Slot: Codex Compact Drive
Internal Storage
No
Video I/O
2x BNC (12G-SDI) Output
Audio I/O
1x 6-Pin LEMO Line Input
Power I/O
1x LEMO 8-Pin Input
1x Fischer 3-Pin (24VDC) Output
1x LEMO 2-Pin (12VAC) Output
1x LEMO 10-Pin (24VDC) Output
Other I/O
1x LEMO 4-Pin (LBUS)
1x LEMO 4-Pin (Serial)
1x LEMO 5-Pin (Timecode) Input/Output
1x LEMO 10-Pin (Ethernet) Control
1x BNC (Shared with Video Output)
1x USB-C
1x pogo 18-Pin
Wireless
802.11b/g Wi-Fi
Mobile App Compatible
Yes: iOS & watchOS
App Name: Camera Companion
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Type
Primary Monitor: Fixed Non-Touchscreen LCD
Viewfinder
Type
Optional, Not Included
Power
Battery
B-Mount
Power Consumption
90 W
Environmental
Operating Conditions
-4 to 113°F / -20 to 45°C
Storage Conditions
-22 to 158°F / -30 to 70°C
General
Shoe Mount
No
Tripod Mount
3/8"-16 Female
Netflix Approved
Yes
Dimensions (W x H x D)
8 x 6 x 5.8" / 203 x 152.5 x 147 mm
Weight
6.4 lb / 2.9 kg (Body Only)

ARRI ALEXA 35 Live PL Mount Reviews

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